An expanded chronology charting Todd Hido's career, with ten years of new work.
Well known for his photography of landscapes and suburban housing, and for his use of detail and luminous color, acclaimed American photographer Todd Hido casts a distinctly cinematic eye across all that he photographs, digging deep into his memory and imagination for inspiration. Newly revised and expanded, Intimate Distance: Over Thirty Years of Photographs, A Chronological Album includes ten years of new work since the book's first publication, including breathtaking new images from his travels to Iceland, Norway, and Japan, where he brings both a familiar eye and an expansive new vision.
Though Hido has published many smaller monographs of individual bodies of work, this gathers his most iconic images, along with many unpublished works to provide the most complete and comprehensive monograph charting his career. The book is organized chronologically, showing how his series overlap in exciting ways. David Campany introduces the work and looks at the kind of cinematic spectatorship the work demands. And Katya Tylevich muses on the making of each of Hido's major monographs, "The photographs lead as far as human-made roads go. They reach the periphery of utility wires, footprints, and paths already taken." From exterior to interior, surface observations to subconscious investigations, from landscapes to nudes, from America and beyond, this midcareer collection reveals how his unique focus has developed and shifted over time, yet the tension between distance and intimacy remains.
The fourth chapter of the celebrated series The Day May Break by the renowned photographer Nick Brandt, featuring Syrian refugee families, displaced by climate change in water-scarce Jordan
This is the fourth chapter of The Day May Break, photographer Nick Brandt's global series portraying people and animals impacted by climate change and environmental degradation. The series was photographed in Jordan, one of the most water-scarce countries in the world. It features rural Syrian refugee families currently living there, whose lives have been seriously impacted by droughts intensified by climate change. Living lives of continuous displacement, they are forced to move their homes up to several times a year, moving to where there is available agricultural work, to wherever there has been sufficient rainfall to enable crops to grow. The photographs show the families' connection and strength in the face of adversity, that when all else is lost you still have each other. The boxes on which the families gather aim skyward, pedestals for those in our society that are typically unseen and unheard.
Photographer Ed Kashi’s passion is long-term documentary projects that immerse him in issues that need attention or people’s lives whose struggles warrant concern. He has had a lengthy and varied career with National Geographic and other major magazines, traveling around the world to tell visual stories.
Kashi’s archive, now housed at the Briscoe Center for American History at the University of Texas at Austin, houses many of his personal memories and the experiences attached to the creation of those images. More than a simple repository of images, the archive is a growing, thriving, and continually evolving organism, a living library with immense value.
Through his photography, Kashi has had an intimate, front-row seat to witness and record major events in history. His work has been a passport to worlds unseen, unveiling issues that need illumination, documenting history in the making, and capturing the human experience and the many awe-inspiring places in our fragile world. A Period in Time is a testimony to some of Kashi’s most memorable stories—people he has been privileged to observe and learn from and the places and narratives that have shaped his life, all captured one moment at a time.
Nearly four decades of unpublished works from a master of documentary photography
Consisting solely of previously unpublished photographs, The Way Back is a deep dive through Bruce Davidson’s more than 60-year career. The book chronologically presents photos made between 1957 and 1992, showcasing Davidson’s exceptional versatility―from his earliest assignments to later seminal bodies of work including his yearlong study of teenage members of a Brooklyn Gang (1959), his extensive coverage of the American Civil Rights Movement in Time of Change (1961–65) and his breakthrough portraits of the residents of a single block in Harlem in East 100th Street (1966–68). Series such as Subway (1980) and Central Park (1992) confirm Davidson as a quintessential chronicler of New York City.
What emerges through this retrospective is Davidson’s overt sensibility and empathy for his subjects and his commitment to documenting them in depth over time. Unlike his peers who photographed historical events, Davidson focused on the people within these histories. Now, drawing near the end of his long career, Davidson offers this book as a parting look at his artistic passage, an elegiac goodbye as well as a requiem.
Bruce Davidson (born 1933, Oak Park, IL) became a member of the Magnum Photos agency in 1958; since then his photographs and photo series have been widely published to great acclaim. At Yale University, he studied under photographer Alexey Brodovitch and artist Josef Albers, the latter of whom encouraged him to pursue his work among marginalized people and communities. His artistic influences include Robert Frank and Henri Cartier-Bresson.
On Christmas Day 2023 my beloved son Cash died.
This collaboration came out of the need to honor the relationship between Cash and I.
To show how even after he left the physical world we are still connected and in relationship.
This body of work reflects on mortality, the human condition, and our culture’s obsession with materialism. Through imagery inspired by Dutch and Spanish paintings, it expresses the transience of our existence by exploring our shared relationship with food.
Walking through the narrow alleys of Seoul, you can easily find vintage clothing stores and used appliance stores.
These stores have been around since the 1970s and 1980s, before the K-pop idols and -food that many people know today
became famous. On weekends, the flea market is crowded with people looking for cool clothes. The alleys in front of Dongmyo
alley are getting attention again, and tourists also visit here to travel to Seoul and experience the interesting alleys of Seoul.
“Los Ojos - Life on the Streets of East Los Angeles” is a photographic project rooted in the lived experiences of many Hispanic individuals from East LA. Every subject portrayed had been involved with gangs and, at some point, most had been incarcerated.
The project aims to construct a series that invites you on a visual journey inspired by the unique
universe of painter Edward Hopper, where light and composition sculpt the solitude and silence of
everyday scenes, alternatively the atmosphere of Wim Wenders films like “Perfect Days”. Hopper,
with his evocative compositions, masterfully captured the isolation of the human soul amidst a
modernizing America in transformation.
Ordinary Grief is a story of tenuous reconciliation. In 2017, I returned to Iran after 25 years of self-exile, where I embarked on a personal and political reclamation of my identity and history. With images spanning 2017-2022, Ordinary Grief is my attempt to reconcile despair and joy, exhaustion and hope. It’s about ordinary Iranians actively trying to create new futures for themselves despite the odds. It’s a love letter to a country from which I feel estranged, despite having been born there, and to the people who call it home.
More than a decade ago, artist and curator Liza Faktor started looking more deeply into the annals of her family while navigating the dissolution of her own relationship and confronting the aftermath of her father’s sudden death. She turned to photography to explore the nature of a committed relationship while questioning what family truly means to her.
These images were selected from a body of photographs produced during the fair's two-week run at the end of August between 2015 through 2021. My assignment, from the fair’s marketing department, was to capture iconic images of those who participated in the fair while documenting the fair’s events and singular moments that define the small-town aspect of life in rural Alaska’s Matanuska Valley. I was so happy that my client gave me the freedom to find and capture images that spoke to me. Never once did they give me any instructions or tell me how to make my images.
''Souvenir d'un Futur'' documents the life of senior citizens living in the “Grands Ensembles” (large housing projects) around Paris. For the most part erected between the 1950s and the 1980s to address the housing crisis, urban migration and the inflow of foreign migrants while meeting modern comfort needs, these large estates are today often stigmatized by the media and marginalized by public opinion. In sharp contrast with these cliché views, and fascinated by these projects’ ambitious and dated modernistic features, Laurent Kronental was moved by the living conditions of these urban veterans who have aged there, and who, he feels, are the memory of the locus.
