Publisher : Columbia Books on Architecture and the City
2024 | 184 pages
In South Louisiana, where the Mississippi River meets the Gulf of Mexico, water―and the history of controlling it―is omnipresent. Into the Quiet and the Light: Water, Life, and Land Loss in South Louisiana glimpses the vulnerabilities and possibilities of living on the water during an ongoing climate catastrophe and the fallout of the fossil fuel industry―past, present, and future. The book sustains our physical, mental, and emotional connections to these landscapes through a collection of photographs by Virginia Hanusik. Framing the architecture and infrastructure of South Louisiana with both distance and intimacy, introspection and expansiveness, this work engages new memories, microhistories, anecdotes, and insights from scholars, artists, activists, and practitioners working in the region. Unfolding alongside and in dialogue with Hanusik’s photographs, these reflections soberly and hopefully populate images of South Louisiana’s built and natural environments, opening up multiple pathways that defy singularity and complicate the disaster-oriented imagery often associated with the region and its people. In staging these meditations on water, life, and land loss, this book invites readers to join both Hanusik and the contributors in reading multiplicity into South Louisiana’s water-ruled landscapes.
With texts from Richie Blink, Imani Jacqueline Brown, Jessica Dandridge, Rebecca Elliott, Michael Esealuka, T. Mayheart Dardar, Billy Fleming, Andy Horowitz, Arthur Johnson, Louis Michot, Nini Nguyen, Kate Orff, Jessi Parfait, Amy Stelly, Jonathan Tate, Aaron Turner, and John Verdin.
Twana’s Box' can be described in many ways: a journey through a photographer’s rare archive, documenting the Kurdistan region of Iraq from 1974–1992; a son’s quest to find his lost father, who was murdered by a military regime; a young man’s way to piece together the fragments of a scattered family in a scattered culture; the becoming of a photographer who, through the stories of others, starts to understand his own identity in times of war. 'Twana’s Box' is not only the photo book that holds a selection of Twana Abdullah’s archive; it is a unique insight into a time and place in a region that has since completely transformed. Rawsht has spent years piecing together his father’s negatives and stories. His archival work inspired him to become a photographer himself, working for Metrography – the first independent Iraqi photo agency – before immigrating to Europe. ills colour & bw, 21 x 27 cm, hb, Kurdish/Arabic/English
Taken across Europe and Africa, Akinbiyi’s images of everyday city life muse on the sociopolitical labyrinths of urban society
Whether in Bamako, Berlin, London, Lagos or Durban, British photographer Akinbode Akinbiyi (born 1946) creates black-and-white street scenes that function as visual metaphors, ruminating on cultural change, social exclusion and colonialism’s effect on urban planning.
A deeply personal meditation on and around modern Black expression, curated by the acclaimed London-based designer
This volume, Grace Wales Bonner: Dream in the Rhythm―Visions of Sound and Spirit in the MoMA Collection, is an artist’s book created by the acclaimed London-based designer Grace Wales Bonner as “an archive of soulful expression.” Through an extraordinary selection of nearly 80 works from The Museum of Modern Art’s collection and archives, this unique volume draws multisensory connections between pictures and poems, music and performance, hearing and touch, gestures and vibrations, and bodies in motion. Photographs, scores and films by artists such as Dawoud Bey, Mark Bradford, Roy DeCarava, Lee Friedlander, David Hammons, Glenn Ligon, Steve McQueen, Lorna Simpson and Ming Smith, among others, are juxtaposed with signal texts by Black authors spanning the past century, including Amiri Baraka, Nikki Giovanni, Langston Hughes, June Jordan, Robin Coste Lewis, Ishmael Reed, Greg Tate, Jean Toomer, Quincy Troupe and Lynette Yiadom-Boakye. Published on the occasion of the exhibition Artist’s Choice: Grace Wales Bonner―Spirit Movers, this resplendent publication is a deeply personal meditation on and around modern Black expression that echoes Wales Bonner’s own vibrant, virtuosic designs.
In March 2022, after the outbreak of the Russian invasion of Ukraine, and after almost two years of fighting the covid pandemic, alternately closed schools and borders, I, like others, did not know what might happen what I should expect from that global situation for my family, for my closest, for all, for humanity, I was worried about the Russian army moving to other European countries of the Eastern bloc, I was aware of the risk of the possible use of nuclear weapons from Russian side, I couldn’t believe that in the 21st century it was possible to get so close to war. I was sitting in my car and was asking myself „What would we do if …?
The intimate bond between human and canine forms the heart of Stephen Albair's latest series
of tableau photographs that culminates into a new book titled DOGS, a collection of 28
photographs that bring man's best friend to life in imaginative, theatrical scenarios. Each image
is a carefully crafted allegory composed of found objects meticulously arranged in confined
spaces. These autobiographical visual narratives explore the fine line between what is real and
what feels merely realistic.
Since 2018 and particularly during the pandemic I have spent much time walking the bluff trails at Sea Ranch, in northern California, and the nearby coast. While I’ve had a photographic practice for many years, I became fascinated with the movement of water among the ancient rocks offshore and the way the ocean foam can illuminate the spaces separating them, letting us see what cannot be seen.
Falassarna is a beautiful beach in the west of Chania, on the island of Crete.
One of the reasons to go to Falassarna is for its sunset. The sun goes out like a fireball falling into the sea.
For millions of years man has been experiencing these moments with a mystical bliss. In the last 15 years, for the first time in human history, this has changed.
More and more people are not seeing the sunset; they are not experiencing the sunset. And when they do see it, they do so through an intermediary. The intermediary is a screen that acts as a machine for capturing moments that will be transformed into content that will feed user accounts on social media platforms.
This photo was taken in Falassarna as the sun was setting.
The photo shows five people. Two of them are watching their screens and are indifferent to the sight of the setting sun while the other three are involved in producing the content that they will then post to their social media accounts. They pose and gesture in front of the sunset, with the aim of producing material that will increase their chances of getting as many likes as possible.
I’m a black & white street photographer from London and I take photos of strangers
Street photographers like me usually look for faces when trying to tell a story in an image.
I was intrigued by the idea of creating a collection of photographs that are in the street photography genre but the viewer is unable to see or cannot recognise the details of a face in any of the images. This absence of faces creates an air of mystery, encouraging the viewer to wonder about the subject’s story or feelings. Also without faces, the photo becomes a mirror for the viewer’s imagination, letting them create their own interpretation of the moment.
So I went back and reviewed my work taken over the last year or so and selected images that were “face~OFF” photos.
(great) Expectations is a series of portrait and still life photographs that explore the notion of
conforming to the societal expectations of femininity. Through the portrayal of those roles typically
perceived as belonging to women, the series aims to explore the conflicts that arise between an
individual’s desires and those stereotyped as the feminine ideal.
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I’m a studio photographer that works mostly with people. I’m always looking for someone with a different point of view. I like pushing my subjects a bit.
A while back, I met a gymnast who wanted to do a photo shoot dancing with a pole. I managed to put one together and asked if she wanted to stop by my studio and try it out. She thought it would work fine and excitedly wanted to setup a time to come back for a shoot. She came back a few days later and we went to work.
“Stories in Stillness” focuses on capturing a wide array of human experiences, expressions, and everyday moments. The images collectively form a set that celebrates the diversity and depth of individuals in various settings, both public and private. Each photo tells its own story in an introspective tone, suggesting themes of memory, longing and melancholy, with focus on emotion, detail, and character. Together, these images celebrate the beauty and complexity of human life. They explore themes of identity, connection, resilience, and everyday moments, each scene imbued with a sense of storytelling and emotional resonance. Captured here are not just people, but the atmospheres and settings that frame their lives, inviting viewers to find narratives and emotions within each frame.
