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Last Chance to Win a Solo Exhibition this February! Extended Deadline: January 24, 2025
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Apostolos Kaloudis
Apostolos Kaloudis
Apostolos Kaloudis

Apostolos Kaloudis

Country: Greece
Birth: 1980

My name is Apostolos Kaloudis, and I'm an adventurer. I consider myself as an adventurer/explorer, rather than a photographer. When I was studying Medieval History, I was amazed by stories and details of military campaigns. Something that impassioned me later to go out and explore remote lands, such as the Silk Road, the vast Steppes & deserts of Central Asia & northern China or even former Himalayan Kingdoms.

In 2015, I ve joined the National Geographic Photography Community (natgeoyourshot), a great "school of photography".

Children of the Central Asian revolt of 1916
For thousand of years, pastoral & nomadic tribes lived across the northern steppes from Eurasia to China.This physical isolation allowed to some of them like the Kazakhs and Kyrgyz to preserve many of their oldest traditions, including the 4.000-year old art of eagle hunting. It wasn t always easy to maintain their ancestral traditions. When the Russian Empire began expanding into Central Asia during the second half of the 19th century it imposed a colonial regime upon the people of Central Asia. The attempts to settle and assimilate the nomadic tribes, the rampant corruption of the Russian colonial regime and Tsarist colonialism in all its economic, political, religious, and national dimensions are all seen as the contributing causes to an anti-Russian uprising in 1916 by the indigenous inhabitants of Central Asia. The revolt was put down with the utmost savagery, and more than hundred of thousands Kazakhs & Kyrgyz are said to have sought refuge across the Chinese and Mongolian frontiers. For the remaining Kazakhs & Kyrgyz, under the Soviet rule during the 1920s & 1930s, marked one of the darkest pages in their history.

This project represent the diaspora of Kazakhs that found refuge after the events of 1916 in Western Mongolia, and managed to keep their millenniums-old traditions alive. In the future I wish to expand the project till Xinjiang China, & cover the smaller comunities in Kyrgyzstan & Kazakhstan.

Website

@alpha0929

 

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Eugenio Recuenco
Eugenio Recuenco was born in Madrid in May of 1968, in the middle of student protests that had spread out from Paris. As he himself would say: " I heard all that to-do, and was in a rush to be born and see what was going on."He studied fine art, graduating with a degree in painting from the Universidad Complutense de Madrid. Without a space in which to create his large-scale paintings, he began to collaborate with fashion magazines - first in Spain and later in Paris, where he habitually spent long periods - while waiting to be able to devote himself to painting. Vogue Espana, Madame Figaro, Wad, Vogue UK, Spoon, Planet, Vanity Fair, Stern, Kult, Twill, GQ, and Zink are some of the magazines he's worked with.It was in Paris that he produced his first advertising piece for Boucheron. From that moment, many brands would begin to call him to create their images, including Nina Ricci, Diesel, Shanghai Tang, Yves Saint Laurent, Sony Playstation, Custo, Le Bon Marché, BSI Lugano and Pernod Ricard.In 2007 he was invited to create the Lavazza Calendar and from the US he was called to conceive, together withe Eric Dover, the set design and staging the opera, Les Huguenots, at the Richard B. Fisher Center in New York City.Paris became the city that established his rhythm. It is there where he also created his first advertising spot. This time it was for "Nina" by Nina Ricci. This newly-opened avenue quickly lead to opportunities with other brands such as Loewe, Freixenet, Mango, Codormiú,Chivas Regal, Regione Campania, Vanderbilt, and Motorola among others.In 2008 his video, Essence of a Seduction, won the award for best advertisement of the year in Spain and the award for best short film at the Mexico City International Film Week. From that moment, he continued to create short films and video clips, such as Rammstein's Mein Herz Brennt, for example. He is now preparing his first full length film.Although his photographs had already been shown at the Reina Sofia museum in Madrid, the BAC (Barcelona Arte Contemporáneo), the Naardeen Photo Festival, the FEM (Festival Edición Madrid), Les Rencontres d'Arles, PhotoEspana, Art Toronto, and the Spanish National Library, it was once again in Paris where he would have his first solo exhibit, "Dream and Storm" at the Bertin-Toublanc Gallery.In 2004 he was given the ABC National Photography Award, in 2009 he won Gold and Bronze Awards at the Sol Festival, and in 2006 and 2013 his photographs won Gold Lions at the Cannes Lions Festival.In 2013 teNeues approached him to create his first solo book, Revue, whose launch will coincide with an exhibit at Camera Work Contemporary in Berlin.Eugenio Recuendo currently lives behind a camera.All about Eugenio Recuendo:AAP:Do you have a mentor or role model?To be honest I only have my intuition.AAP: How long have you been a photographer?I think since I was born. Another question is from what moment afterwards and I began taking pictures. Light and its effects have a great influence on me; I was always conscious of what was happening around me. I think that’s the first need a photographer must have.AAP: Do you remember your first shot? What was it?They were some household pictures that I took after my dad finally let me borrow his camera. It was during a school-trip. Those pictures were horrible; and, however they were really symbolic and full of emotions. That’s what magic is all about.AAP: What or who inspires you?Life inspires me.AAP: How would you describe your style?I have no clue. I don’t frown upon a specific style; I just go along doing what I feel is best. I don’t tell myself that things have to be a certain determined way. I start building and end up doing it in a certain way. But it’s all about circumstances, your vibes and needs and priorities when it comes down to transmitting them that end up paving a style for each series.AAP: Do you have favorite pictures or series?I’ve hated all of them at one point or another for not being loyal to what I expected them to be like; and all of them are favorites because there is something from me in all.AAP: What kind of gear do you use? Camera, lens, digital, film?It depends on each cases. Now more digital, Canon and with Hasselblad; always old ones and which treat the image with honesty. That is why I like old ones, ones that have a less forced definition.AAP: Do you spend a lot of time editing your images? For what purpose?It depends. It's all in the take. After that it's all a question of taking out defects and over all working on the texture and what it looks like in the end.AAP: Favorite(s) photographer(s)?A lot of them. For example I love Paolo Ventura.AAP: What advice would you give a young photographer?Shoot and shoot. Above all to shoot what you feel; not what is in fashion.AAP: What mistake should a young photographer avoid?Trying to go too fast and do what is currently succesful. Because when doing that, success will be in another type of photography.AAP: An idea, a sentence, a project you would like to share?(W)Hole time. A project I would like to take to movie-making. AAP: What are your projects?A book with 365 pictures, it is a poetry about the world we live in and the full-length film that I mentioned before.AAP: Your best memory as a photographer?When I stumble upon a photograph I didn't mean to do.AAP: Your worst souvenir as a photographer?Deal with creative managers who don't have a clear concept of their idea. It happens quite often.AAP:If you were someone else who would it be?I don't know. You can be creative in any activity that humans do.AAP: Your favorite photo book?I have a huge library because I actually love photo books as an object as a whole; regardless of its content.
Thomas Dworzak
Germany
1972
Thomas Dworzak (born 1972) is a German photographer. He became a Magnum Photos nominee in 2000 and a full member in 2004. He was elected President of Magnum in 2017. Dworzak won a World Press Photo award in 2001 and in 2018 received the Hood Medal from the Royal Photographic Society in the UK. Dworzak was born in Kötzting, Germany. He decided to become a photographer from an early age, travelling to Northern Ireland, Israel, Palestine and to Yugoslavia while still in high school. Dworzak lived in Tbilisi, Georgia from 1993 until 1998 where he documented the conflicts in Chechnya, Karabakh and Abkhazia. Whilst there he worked on a project about the Caucasus region and its people, the impact years of brutal war had on the region, and the interplay between Russian literature and the typical imagery of the Caucasus. This was published as the book Kavkaz.Source: Wikipedia In the years following the 9/11 attacks, he spent time covering the wars in Afghanistan and Iraq as well as their impact on the U.S. During a several-months assignment in Afghanistan for The New Yorker, he discovered studio portraits of the Taliban; these images would form his first book, Taliban. The images that were taken during his many assignments in Iraq, most of which were shot for TIME Magazine, were used to create his next book: M*A*S*H* IRAQ. From 2005 to 2008, as a TIME magazine contract photographer, Dworzak covered many major international news stories including: Macedonia, Pakistan, Chechnya, Sri Lanka, Nigeria, Lebanon, Haiti, Chad, C.A.R., the London attacks, Ethiopia, Iran, U.S. presidential campaigns, Hurricane Katrina, and the revolutions in the former Soviet republics of Georgia, Kyrgyzstan, and Ukraine. During breaks from conflict areas and war zones he regularly photographed Fashion Weeks in major cities. In 2006, Thomas photographed the New York Marathon while participating himself. Thomas remained in Georgia after the 2008 war with Russia. This would lead to the Magnum Group project Georgian Spring, which was a starting point for a new, several-year-long engagement with the "New Georgia" under President M. Saakashvili. In 2012, Thomas photographed Nowrooz celebrations in Georgia. Dworzak spent 2009-2010 in Afghanistan, documenting the deployment of ISAF troops and their return home. In 2009, he also visited Iran to photograph Ashura. A National Geographic assignment on the Sochi Olympics became later the book Beyond Sochi. In 2013, a commission for the Bruges Museum led him to photograph the memory of WWI. This has since become an ongoing project concerning the legacy of the First World War around the world, which he planned to finish in 2018, 100 years after the end of the conflict. Always an avid collector, Thomas started gathering Instagram screenshots of a variety of subjects and has been grouping them together into ever-growing collections of Instagram artist scrapbooks. A final set of 20 of these books has been presented at the International Center of Photography, ICP, in New York from February 2017. Besides his personal stories, Thomas Dworzak continues to cover international stories, including the 2015 Paris terror attacks, Pokemon Go!, the 2016 U.S. elections, and the run-up to the 2017 French presidential elections. When covering the escalation of the refugee crisis in 2015, he conceived the idea of "Europe - a photographic guide for refugees," which was produced and distributed free of charge to migrants with the support of a Magnum Foundation Emergency Grant and AFAC in 2016. Dworzak has also been teaching a number of workshops.Source: Pulitzer Center With an unflinching eye and depth of vision, Thomas Dworzak has documented many of this century’s most important news stories since the 1990s. Dworzak started travelling aged 16 to photograph conflicts in Northern Ireland, Israel/Palestine and the disintegrating Yugoslavia. Since then, he has gone on to photograph wars in Afghanistan and Iraq post 9/11, the revolutions in the former Soviet republics of Georgia, Kyrgyzstan and Ukraine. After graduating from Robert-Schuman Gymnasium, Cham (specializing in English, French, History and Russian Literature) he left Germany, always combining his travels and attempts to become a photographer with studying languages: Spanish in Avila, Czech in Prague, Russian in Moscow. During the Nineties, Dworzak lived in Georgia, exploring the people, culture and conflicts in the Caucasus, which resulted in the book, Kavkaz in 2010. Significant projects include a several-month assignment in Afghanistan for The New Yorker, where he discovered studio portraits of the Taliban. This became his first book, Taliban. Meanwhile, images taken during his many assignments in Iraq, most of which were shot for TIME Magazine, were used to create his next book:M*A*S*H* IRAQ. In his most recent project, Feldpost (2013 – 2018), he photographed the ‘memory’ of WWI in more than 80 countries, producing 1568 ‘postcards’ (one for every day of the war). It was completed on 11/11/2018, 100 years after the end of the conflict. Dworzak is also a keen curator, with a particular interest in digital culture. His work mining Instagram memes under various hashtags—ranging from animals dressed as the pope to the aftermath of the Boston marathon bombing‚—has resulted in 20 sketchbooks compiled of his findings.Source: Magnum Photos Since 2011 he is also represented by Gallery Clair in Munich and St.Paul.
Jimmy Nelson
United Kingdom
1967
Jimmy Nelson, born in 1967, embarked on a transformative journey across Tibet at age 17, captured by English National Geographic. He became a photojournalist, covering war zones and producing "Literary Portraits of China" for Shell Oil. Later, he celebrated global diversity with "Before they Pass Away" and "Homage to Humanity. " Through his lens, Nelson immortalized indigenous cultures, inspiring cultural preservation and appreciation worldwide. James Philip Nelson, born in 1967 in Sevenoaks, Kent, led a diverse childhood marked by travels across Africa, Asia, and South America alongside his father, a geologist for International Shell. At 16, he developed Alopecia totalis, triggered by stress and malaria medication. A year later, he embarked on a two-year trek across Tibet, capturing the journey with a small camera. Upon his return, his images were published by English National Geographic. Subsequently, Nelson ventured into photojournalism, documenting war zones and later commissioned by Shell Oil for Literary Portraits of China. Transitioning to commercial advertising in 1997, he continued to document remote cultures. In 2010, Nelson embarked on his second book, Before they Pass Away, a three-year endeavor photographing over 35 indigenous tribes worldwide. Using a 50-year-old 4x5in camera, Nelson drew inspiration from Edward S. Curtis, aiming to romantically portray his subjects. He emphasized that the project was not about factual accuracy but rather his artistic interpretation of diversity and beauty. Tribes photographed included the Huli and Kalam tribes of New Guinea, the Tsaatan of Mongolia, and the Mursi people of Ethiopia's Omo River valley. Financing came from Dutch billionaire Marcel Boekhoorn, resulting in a published book with photographs, texts, and limited editions. In September 2018, Nelson released his third book, Homage to Humanity, featuring over 400 photographs showcasing 30 indigenous cultures. The book includes interviews with tribal members, infographics about the depicted locations and cultures, and an application incorporating 360° film material linked to the images, along with behind-the-scenes videos and travel background information. Nelson collaborated with assistant Stephanie van der Wiel, whom he met at Leiden's National Museum of Ethnology. "Homage to Humanity" aims to be more inclusive than Nelson's previous work, addressing criticisms of his earlier book, "Before they Pass Away." Papuan chief Mundiya Kepanga emphasizes in the foreword the importance of preserving cultural values and identity for future generations.
Joel-Peter Witkin
United States
1939
Joel-Peter Witkin (born September 13, 1939, in Brooklyn, New York City) is an American photographer who lives in Albuquerque, New Mexico. His work often deals with such themes as death, corpses (and sometimes dismembered portions thereof), and various outsiders such as dwarves, transsexuals, hermaphrodites, and physically deformed people. Witkin's complex tableaux often recall religious episodes or classical paintings. Witkin was born to a Jewish father and Roman Catholic mother. His twin brother, Jerome Witkin, and son Kersen Witkin, are also painters. Witkin's parents divorced when he was young because they were unable to overcome their religious differences. He attended grammar school at Saint Cecelia's in Brooklyn and went on to Grover Cleveland High School. Between 1961 and 1964 he was a war photographer documenting the Vietnam war. Going freelance in 1967, he became the official photographer for City Walls Inc. He attended Cooper Union in New York where he studied sculpture, attaining a Bachelor of Arts degree in 1974. After Columbia University granted him a scholarship, he ended his studies at the University of New Mexico in Albuquerque, where he became Master of Fine Arts.Source: Wikipedia Finding beauty within the grotesque, Witkin’s work extends beyond post-mortem photography with his staged set-ups of corpses and dismembered parts. Witkin’s fascination with death was triggered by a life-altering episode at a very early age; he witnessed an automobile accident in front of his house in which a young girl was decapitated. Witkin has also pursued his interest in the human condition, drawing attention to “the other,” photographing marginalized groups of people. Those often cast aside by society—hermaphrodites, dwarfs, amputees, androgynes— inspire his work as he confronts the viewers’ sense of normalcy. His interest in spirituality, in particular the teachings of Christianity, has played into his work, as do frequent references to classical paintings. Works by Picasso, Balthus, Goya, Velásquez, and Miro reappear in his dramatic, staged scenes, as well as the work of E.J. Bellocq, who photographed a series on prostitutes of the red light district in New Orleans in the early twentieth century. Witkin’s work has been exhibited internationally at the Museum of Modern Art in New York, the Fraenkel Gallery in San Francisco, Galerie Baudoin Lebon in Paris, and the Bibliothèque Nationale de France in Paris, among many others. Witkin is represented by Catherine Edelman Gallery and currently resides in Albuquerque, New Mexico.Source: International Center of Photography
John Rankin
United Kingdom
1966
Synonymous with compelling portraiture, Rankin's lens captures, creates and unveils icons. Rankin made his name in publishing, founding the seminal monthly magazine Dazed & Confused with Jefferson Hack in 1992. It provided a platform for innovation for emerging stylists, designers, photographers and writers. The magazine went on to forge a distinctive mark in the arts and publishing spheres, and developed a cult status by forming and moulding trends, and bringing some of the brightest lights in fashion to the foreground. Rankin has created landmark editorial and advertising campaigns. His body of work features some of the most celebrated publications, biggest brands and pioneering charities, including Nike, Swatch, Dove, Pantene, Diageo, Women's Aid, and Breakthrough Breast Cancer. He has shot covers for Elle, German Vogue, Harper's Bazaar, Esquire, GQ, Rolling Stone and Wonderland. His work has always endeavoured to question social norms and ideas of beauty and, in late 2000, Rankin published the heteroclite quarterly Rank, an experimental anti-fashion magazine celebrating the unconventional. In 2001, Jefferson and Rankin launched AnOther Magazine. With a focus on fashion, originality, and distinction. In response to the expanding menswear market, in 2005 AnOther Man was introduced, combining intelligent editorial with groundbreaking design and style. More recently, the Dazed Group has established itself as an online authority, via AnOthermag.com, Dazeddigital.com and Dazedtv.com. Rankin celebrated Dazed & Confused's 20th anniversary, shooting 20 front covers of Dazed favourites and 20 inside covers of the next generation of talent, for the December 2011 issue. Tapping into the consciousness of the 90s and 00s with his intimate approach and playful sense of humour, Rankin became known for his portraiture of bands, artists, supermodels and politicians. Having photographed everyone from the Queen of England to the Queen of Pop, Rankin is often seen as a celebrity photographer. However, his plethora of campaigns and projects featuring 'real women' marked him out as a genuinely passionate portrait photographer, no matter who the subject. Always pursuing personal projects which push his limits, high impact charity projects, and groundbreaking commercial campaigns, Rankin has stood out for his creative fearlessness. His first major worldwide and award-winning campaign - Dove's 'Real Women' - epitomised his approach: to reveal the honesty of the connection and collaborative process between photographer and subject. Personal or commercial, Rankin's images have become part of contemporary iconography, evidence of his frankness and passion for all aspects of modern culture, and its representation in the photographed image. Rankin has published over 30 books, is regularly exhibited in galleries around the world, as well as his own London gallery. His museum-scale exhibition Show Off opened at NRW Dusseldorf in September 2012, pulling in over 30,000 visitors in 3 months. In the last few years, he has frequently turned his hand to studies of photography through TV presenting. Working with the BBC, he has featured in a number of seminal documentaries - The Seven Photographs that Changed Fashion, South Africa in Pictures, Shooting the Stars, The Life Magazine Photographers and most recently, an in-depth documentary into the modern approach to death in, Alive: In the Face of Death. His affiliation with charities has seen Rankin travel the world, creating powerful campaigns both as a photographer and a director. With Oxfam, he visited the Democratic Republic of the Congo and Kenya, and in 2011 hosted an Oxglam exhibition, featuring work from some of the world's most talented emerging young photographers, and raising money for the charity. 2013 sees a planned trip to Jordan and Lebanon with Oxfam. In 2009, Rankin undertook the biggest project of his career - Rankin Live, a mammoth, interactive spectacle and exhibition. Always interested in the democratisation of the image, and also a keen advocate of the amazing digital advances of the photographic industry, Rankin Live was the culmination of the accessibility and speed of modern photography. Rankin proved that everyone can look like a magazine cover star as, for 7 straight weeks, he photographed people off the street, one every 15 minutes - retouching, printing and hanging the image within half an hour of the shutter being fired. Rankin photographed over 1600 Londoners, before then taking Rankin Live on tour in Mexico and New York. In 2011, Rankin Film Productions was born. Rankin developed a taste for film directing music videos, commercials, and short films with co-director Chris Cottam between 2002 and 2009, including their debut feature film, The Lives of Saints. Written by Toni Grisoni (Fear and Loathing in Las Vegas), it won the grand jury prize at the Salento International Film Festival. Since 2009, Rankin has continued to direct independently on both commercial and personal projects. Taking on the new role of Executive Producer, Rankin recently founded Collabor8te, in association with The Bureau and Dazed TV. Collabor8te calls on scriptwriters and directors to submit their ideas for narrative film, promising to turn a selection of these dreams into a reality, producing them, featuring them on Dazed TV, and running them on the international film festival circuit. In November 2011, Rankin returned to magazine publishing with a fresh offering - The Hunger. A biannual fashion, culture and lifestyle magazine, The Hunger and its associated Hunger TV website - a video-based digital platform featuring in-depth interviews, fashion films, blogs, updates, and previews - marked Rankin's return to the fashion world with an understanding that the future is not only printed but digital too. Rankin lives in London with his wife, Tuuli, and son, Lyle. Articles Back in the Dazed: Rankin 1991-2001 Photographer Rankin leads a campaign with Aquafresh to address the confidence crisis in British children. British fashion photographer Rankin partners on charity campaign to end global acid violence Rankin Live An Exploding World Rankin from Portraiture to Fashion
Heinrich Kühn
Austria / Germany
1866 | † 1944
Carl Christian Heinrich Kühn (25 February 1866 in Dresden – 14 September 1944 in Birgitz) was an Austrian–German photographer and photography pioneer. Heinrich Kühn is regarded as one of the forefathers of fine art photography, which helped photography establish itself as an art on its own. His photographs closely resemble impressionist paintings, with their frequent use of soft lighting and focus. Kühn was part of the pictorialist photographic movement. Kühn mainly used the gum bichromate technique, applied in several layers, and thus allowing for previously unseen color tonalities. In 1911, Kühn invented the Gummigravüre technique, a combination of photogravure and Gum bichromate. In 1915 he developed the Leimdruck technique, which uses Animal glue as Colloid and produces pictures similar to gum prints. He also invented the Syngraphie, a forgotten technique that uses two negatives of different sensitivity to obtain a larger tonal spectrum. Kühn used Autochrome from its appearance in 1907; his Autochromes have been called "ethereal dreams of childhood, full of vaulted sunny skies and giddy perspectives, as gloriously cathartic as they are emotionally charged".Source: Wikipedia Heinrich Kühn, originally Carl Christian Heinrich Kühn was born on February 25th, 1866 in Dresden, Germany. Kühn was one of the central figures of international art photography at the beginning of the twentieth century. His lifelong goal was to establish the photographic image as a medium for rendering an artistic vision as precisely and creatively as in painting and drawing. Along with Alfred Stieglitz and other friends, Kühn made the stylized photographic an element of the gesamtkunstwerk, which translates to "ideal work of art", which the Secessionists aspired to create. The most important tool for this was the gum bichromate process that he had perfected and the free choice of paper and pigment, which made the picture look more like a print than a conventional photograph. This allowed him to deliberately alter the brightness contrasts to fit his notion of the image and dissolve its sharpness. Too much sharpness was considered "non-artistic" because it veered away from painting, thus eliminating it where he saw fit. Kühn reduced the romantic cosmos of "Pictorialism" to the point of abstraction, thus exhibiting a sense of timelessness and balance. Kühn's work is represented in many collections, including Eastman House Rochester (New York), Metropolitan Museum of Art (New York), Museum of Modern Art (New York), Museum of Fine Arts (Boston), Kupferstich-Kabinett (Dresden), Hanmburgische Lichtbildstelle (Hamburg), Museum of Fine Arts (Houston), and Musée d'Orsay (Paris).Source: Peter Fetterman Gallery
Leonard Freed
United States
1929 | † 2006
Leonard Freed was a documentary photojournalist and longtime Magnum member. He was born to Jewish, working-class parents of Eastern European descent. Freed had wanted to be a painter, but began taking photographs in the Netherlands and discovered a new passion. He traveled in Europe and Africa before returning to the United States where he attended the New School and studied with Alexey Brodovitch, the art director of Harper's Bazaar. In 1958 he moved to Amsterdam to photograph its Jewish community. Through the 1960s he continued to work as a freelance photojournalist, traveling widely. He documented such events and subjects as the Civil Rights movement in America (1964–65), the Yom Kippur War in 1973, and the New York City police department (1972–79). His career blossomed during the American civil rights movement, when he traveled the country with Martin Luther King, Jr. in his celebrated march across the US from Alabama to Washington. This journey gave him the opportunity to produce his 1968 book, Black in White America, which brought considerable attention. His work on New York City law enforcement also led to a book, Police Work which was published in 1980. Early in Freed's career, Edward Steichen purchased three photographs from Freed for the collection of the Museum of Modern Art.[ In 1967, Cornell Capa selected Freed as one of five photographers to participate in his "Concerned Photography" exhibition. Freed joined Magnum Photos in 1972. Publications to which Freed contributed over the years included Der Spiegel, Die Zeit, Fortune, Libération, Life, Look, Paris-Match, Stern, and The Sunday Times Magazine of London. In later years, Freed continued shooting photographs in Italy, Turkey, Germany, Lebanon and the U.S. He also shot four films for Japanese, Dutch and Belgian television.Source: Wikipedia Born in Brooklyn, New York, to working-class Jewish parents of Eastern European descent, Leonard Freed first wanted to become a painter. However, he began taking photographs while in the Netherlands in 1953, and discovered that this was where his passion lay. In 1954, after trips through Europe and North Africa, he returned to the United States and studied in Alexei Brodovitch's 'design laboratory'. He moved to Amsterdam in 1958 and photographed the Jewish community there. He pursued this concern in numerous books and films, examining German society and his own Jewish roots; his book on the Jews in Germany was published in 1961, and Made in Germany, about post-war Germany, appeared in 1965. Working as a freelance photographer from 1961 onwards, Freed began to travel widely, photographing blacks in America (1964-65), events in Israel (1967-68), the Yom Kippur War in 1973, and the New York City police department (1972-79). He also shot four films for Japanese, Dutch and Belgian television. Early in Freed's career, Edward Steichen, then Director of Photography at the Museum of Modern Art, bought three of his photographs for the museum. Steichen told Freed that he was one of the three best young photographers he had seen and urged him to remain an amateur, as the other two were now doing commercial photography and their work had become uninteresting. 'Preferably,' he advised, 'be a truck driver.' Freed joined Magnum in 1972. His coverage of the American civil rights movement first made him famous, but he also produced major essays on Poland, Asian immigration in England, North Sea oil development, and Spain after Franco. Photography became Freed's means of exploring societal violence and racial discrimination. Leonard Freed died in Garrison, New York, on 30 November 2006.Source: Steven Kasher Gallery
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Laurie Victor Kay is a versatile, multi-disciplinary artist whose practice seamlessly merges photography, painting, installation, and digital media. Her work explores themes of constructed imagination, idealization, and the surreal, creating thought-provoking visual narratives that challenge traditional boundaries between mediums. We asked her a few questions about her background and work.
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Nanda Hagenaars approaches photography with a poetic and emotionally rich sensibility, creating images that reflect her intuitive connection to the world. Fascinated by the relationship between time and timelessness, she often works in black and white, a medium that aligns with her creative vision. We discovered her beautiful work through her submission to AAP Magazine Portrait, and we were captivated by her series Perspective. We asked her a few questions about her life and work.
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