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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Evgenia Arbugaeva
Evgenia Arbugaeva

Evgenia Arbugaeva

Country: Russia
Birth: 1985

Evgenia Arbugaeva (born 1985) is a photographer of the Russian Arctic. Having grown up in Yakutsk, she has an empathy with the people living in the far north and the difficult living conditions they experience, and several of her photographic projects have involved them. The National Geographic has funded her to photograph the people and economic changes on Russia's northern coast.

Arbugaeva was born in Tiksi, a small port town of the Sakha Republic on the Arctic Sea, near the mouth of the Lena River. As part of the Soviet Union, Tiksi supported military airfields and became the world's most northern settlement with over 5000 people. Her memories of the place include pink mountains, whiteout snowstorms in which she lost all sense of place, fields of snow colored green or gold by the surrounding light, and auroras in the endless night of winter. One of her childhood heroes was explorer Jacques Cousteau. At the age of eight, and at the fall of the Soviet Union, she and her family moved to Yakutsk, "the coldest city on earth" and a place that she found much less visually appealing. She studied management in Moscow before moving to New York City. There, she studied photography at the International Center of Photography, graduating in 2009. 19 years after moving from her hometown, Arbugaeva decided to move back to Tiksi because she could no longer remember anything from the town. These memories had faded so much to the point where they seemed unreal.

Arbugaeva's photographic method involves living with her subjects on a long enough term to become friends with them and for them to relax in front of her camera. For instance, in one of her projects she traveled with Siberian hunters for the tusks of mammoths, newly exposed by global warming. She won the trust of the hunters by stitching up the injured hand of the head of the group. She often works without a camera, scouting locations that she returns to frequently until the lighting and inspiration combine to give her a photo.

In 2010 Arbugaeva returned to Tiksi, now becoming a ghost town, on a personal visit to compare it to her memories, but left the town with only one photo she liked, of a teenage girl playing on the seashore. Inspired by the photo, she traveled back to Tiksi in 2011 to meet the girl and her family and to document their daily life, overlain with her own memories. Despite the decline of the town and the difficult life there (which drove her host family to plan their own departure), her photos in this project are "bright and whimsical, their compositions and vivid colours redolent of the books she read there as a child".

Arbugaeva learned of the weather stations of northern Russia in a dog sledding incident, when she and her father had to take shelter from bad weather at one of the stations. In her project Weather Man, she took a two-month passage on an icebreaker to 22 of the stations, including the station at Khodovarikha, where she met meteorologist Vyacheslav (Slava) Korotki. The portrait taken of Vyacheslav Korotki is an intimate story of an individualistic man, who is facing the fading winter of the Arctic. In early 2014, she returned to Khodovarikha by helicopter for a two-and-a-half-week visit and photography session with Korotki. Based on this work, a much darker series of photos than the ones from Tiksi, she published a profile of Korotki in The New Yorker.

Arbugaeva's other photography projects have included nomadic Yakut reindeer herders in Sakha, and Amani, a sequence of fictionalized images set on an abandoned anthropological research station on a former German coffee plantation in Tanzania.

Arbugaeva is the 2013 winner of Leica's Oskar Barnack Award for her work in Tiksi, for which she also received a Magnum Foundation International Emergency Fund grant in 2012. In 2018, National Geographic named her as one of their four inaugural Media Innovation Fellows, funding her to photograph the people and economic changes on Russia's northern coast.

Source: Wikipedia


 

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More Great Photographers To Discover

Terry Richardson
United States
1965
Terry Richardson is an American fashion and portrait photographer. He was born in New York City, the son of Norma Kessler, an actress, and Bob Richardson, a fashion photographer who struggled with schizophrenia and drug abuse. Richardson's father was Irish Catholic and his mother is Jewish. Following the divorce of his parents, Richardson moved to Woodstock, New York, with his mother and stepfather, English guitarist Jackie Lomax. Richardson later moved to the Hollywood neighborhood of Los Angeles, where he attended Hollywood High School. He moved with his mother to Ojai, California, where he attended Nordhoff High School when he was 16. Richardson originally wanted to be a punk rock musician rather than a photographer. He played bass guitar in the punk rock band The Invisible Government for four years. Terrence Richardson played bass for a variety of other punk bands in Southern California including Signal Street Alcoholics, Doggy Style, Baby Fist, and Middle Finger. Richardson's mother reportedly gave him his first snapshot camera in 1982, which he used to document his life and the punk rock scene in Ojai. In 1992, Richardson quit music and moved to the East Village neighborhood of New York City, where he began photographing young people partying and other nightlife. It was in New York City that he had his first "big break." His first published fashion photos appeared in Vibe in 1994. His Vibe spread was shown at Paris' International Festival de la Mode later that year. Following the showing, Richardson shot an advertising campaign for fashion designer Katharine Hamnett's spring 1995 collection. The campaign was noted for images of young women wearing short skirts with their pubic hair showing. Throughout his career, Richardson has shot the campaigns of fashion brands and designers such as: Marc Jacobs, Aldo, Supreme, Sisley, Tom Ford, and Yves Saint Laurent. He has also worked for magazines such as Rolling Stone, GQ, Vogue, Vanity Fair, and Harper's Bazaar. Richardson has produced several campaigns for Diesel, including the 'Global Warming Ready' which won a Silver Lion for Print at Cannes Lions International Advertising Festival in 2007. He has produced several private portraits for the company's founder, Renzo Rosso. In September 2011, they hosted a mutual book launch together with fashion editor Carine Roitfeld, at Colette in Paris. In 2012 Richardson embarked on his first solo exhibition at Los Angeles's OHWOW Gallery, titled Terrywood. In May 2012, a video of model Kate Upton performing the Cat Daddy dance for Richardson in his studio went viral. In December 2012, Lady Gaga announced that Richardson was filming a documentary about her life. Proud Boys founder Gavin McInnes defended Richardson in 2004, saying his work was criticized by "first-year feminist" types. There are several repeating themes in Richardson's work, notably that of putting high-profile celebrities in mundane situations and photographing them using traditionally pedestrian methods, such as the use of an instant camera. His work also explores ideas of sexuality, with many of the pieces featured in his books Kibosh and Terryworld depicting full-frontal nudity and both simulated and actual sexual acts. Initially, many of Richardson's subjects would be shot before a white background but he eventually expanded to other backdrops. He is also known for posing with his subjects, often giving them his trademark glasses so they may "pretend to be him" or, in the case of actress Chloë Sevigny, posing them in makeup and costume so that they look like him. Richardson counts Larry Clark, Nan Goldin, Diane Arbus and Robert Frank as early influences on his artistic style. His work has been praised by Helmut Newton. Richardson described his style as, "Trying to capture those unpremeditated moments when people's sexualities come up to the surface." Richardson is also known for his nonsexual portraiture. He has taken portraits of a wide variety of celebrities and politicians. Since 2001, Richardson has been accused by multiple models of sexual misconduct. In 2017, brands and magazines that had worked with Richardson in the past began distancing themselves from him, and said they would no longer employ him. He has not actively worked as a photographer since 2018. Source: Wikipedia
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Newsha Tavakolian
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Iris Brito Stevens
United States
I was born and raised in Salinas, California (U.S.), a farming community known for its lettuce. As a daughter of Mexican immigrants, I became aware of, and sensitive to, the differences between the immigrant and non-immigrant communities and their perspectives, which at times felt narrow and somewhat limiting. Growing up surrounded by family grounded me deeply, yet an insatiable curiosity and passion for learning about the world beyond me, called out. I spread my wings and traveled to destinations that were completely foreign, often under the auspices of humanitarian and educational endeavors. The lens through which I saw the world opened-up and expanded my perspective, just like a camera. Through first-hand experience, I became aware of the lives and conditions of marginalized and oppressed peoples globally. This new dimensionality helped me to confront certain realities, to grow, and to self-reflect on what it means to be human. It also led me toward activism and social documentary photography, which enabled me to blend visual narrative with the stories of other people through projects or partnerships in Uganda, the Occupied Palestinian Territories, Spain, San Francisco and more. My photographic work is my passion, and it serves to create awareness and a more intimate human connection, by encouraging a path that looks beyond our limited and inherent perceptions and conditioning. Statement In America, we place so much value on individuality and independence, that we forget how truly interdependent we are on one another, both on a local and global scale. We have become hyper-focused on the self and are losing our ability to empathize and see the intense vulnerability around us—though considering recent events, this appears to be shifting. As a social documentary photographer, I am drawn towards people and the conditions that are relevant in their lives, as individuals and as members of a family, community, or society. Our perception of the world can be limited to our own multi-faceted forms of conditioning; I utilize the impact of visual narrative to bring awareness of the human condition worldwide. There is so much beauty in diversity. I want to validate that diversity through photography, to help others grow in that appreciation, to demonstrate that we are all a part of something collectively - that life's experience doesn't begin and end with us, as individuals. Dominance consciousness is so pervasive in society; it's like a box with thick walls and nothing to see, nowhere to go, devoid of any inspiration. It kills curiosity and ideas. I want us all to be inspired and curious by the diversity we see and experience in everyday life. Diversity is beautiful.
Graciela Iturbide
Graciela Iturbide was born in 1942 in Mexico City. In 1969 she enrolled at the age of 27 at the film school Centro de Estudios Cinematográficos at the Universidad Nacional Autónama de México to become a film director. However she was soon drawn to the art of still photography as practiced by the Mexican modernist master Manuel Alvarez Bravo who was teaching at the University. From 1970-71 she worked as Bravo's assistant accompanying him on his various photographic journeys throughout Mexico. In the early half of the 1970s, Iturbide traveled widely across Latin America in particular to Cuba and several trips to Panama. In 1978 Graciela Iturbide was commissioned by the Ethnographic Archive of the National Indigenous Institute of Mexico to photograph Mexico's indigenous population. Iturbide decided to document and record the way of life of the Seri Indians, a group of fisherman living a nomadic lifestyle in the Sonora desert in the north west of Mexico, along the border with Arizona, US. In 1979 she was invited by the artist Francisco Toledo to photograph the Juchitán people who form part of the Zapotec culture native to Oaxaca in southern Mexico. Iturbide's series that started in 1979 and runs through to 1988 resulted in the publication of her book Juchitán de las Mujeres in 1989. Between 1980 and 2000, Iturbide was variously invited to work in Cuba, East Germany, India, Madagascar, Hungary, Paris and the US, producing a number of important bodies of work. She has enjoyed solo exhibitions at the Centre Pompidou (1982), San Francisco Museum of Modern Art (1990), Philadelphia Museum of Art (1997), The J. Paul Getty Museum (2007), MAPFRE Foudation, Madrid (2009), Photography Museum Winterthur (2009), and Barbican Art Gallery (2012), between others. Iturbide is the recipient of the W. Eugene Smith Memorial Foundation Award, 1987; the Grand Prize Mois de la Photo, Paris, 1988; a Guggenheim Fellowship for the project 'Fiesta y Muerte', 1988; the Hugo Erfurth Award, Leverkusen, Germany, 1989; the International Grand Prize, Hokkaido, Japan, 1990; the Rencontres Internationales de la Photographie Award, Arles, 1991; the Hasselblad Award, 2008; the National Prize of Sciences and Arts in Mexico City in 2008; an Honorary Degree in photography from the Columbia College Chicago in 2008; and an Honorary Doctorate of Arts from the San Francisco Art Institute in 2009.Source: www.gracielaiturbide.org Graciela Iturbide photographs everyday life, almost entirely in black-and-white, following her curiosity and photographing when she sees what she likes. She was inspired by the photography of Josef Koudelka, Henri Cartier-Bresson, Sebastiao Salgado and Manuel Álvarez Bravo. Her self-portraits especially reflect and showcase Bravo's influence and play with innovation and attention to detail. Iturbide eschews labels and calls herself complicit with her subjects. With her way of relating to those she is photographing, she is said to allow her subjects to come to life, producing poetic portraits. She became interested in the daily life of Mexico's indigenous cultures and people (the Zapotec, Mixtec, and Seri) and has photographed life in Mexico City, Juchitán, Oaxaca and on the Mexican/American border (La Frontera). With focus on identity, sexuality, festivals, rituals, daily life, death, and roles of women, Iturbide's photographs share visual stories of cultures in constant transitional periods. There's also juxtaposition within her images between urban versus rural life, and indigenous versus modern life. Iturbide's main concern has been the exploration and investigation of her own cultural environment. She uses photography as a way of understanding Mexico; combining indigenous practices, assimilated Catholic practices and foreign economic trade under one scope. Art critic, Oscar C. Nates, has describes Iturbide's work as "anthropoetic." Iturbide has also photographed Mexican-Americans in the White Fence (street gang) barrio of Eastside Los Angeles as part of the documentary book A Day in the Life of America (1987). She has worked in Argentina (in 1996), India (where she made her well-known photo, "Perros Perdidos" (Lost Dogs)), and the United States (an untitled collection of photos shot in Texas). One of the major concerns in her work has been "to explore and articulate the ways in which a vocable such as 'Mexico' is meaningful only when understood as an intricate combination of histories and practices." She is a founding member of the Mexican Council of Photography. She continues to live and work in Coyoacán, Mexico. In awarding her the 2008 Hasselblad Award, the Hasselblad Foundation said: "Graciela Iturbide is considered one of the most important and influential Latin American photographers of the past four decades. Her photography is of the highest visual strength and beauty. Graciela Iturbide has developed a photographic style based on her strong interest in culture, ritual and everyday life in her native Mexico and other countries. Iturbide has extended the concept of documentary photography, to explore the relationships between man and nature, the individual and the cultural, the real and the psychological. She continues to inspire a younger generation of photographers in Latin America and beyond." Some of Iturbide's recent work documents refugees and migrants. In her work Refugiados (2015), offers a stark contrast between love and family and danger and violence showing a smiling mother holding her child in front of a hand-painted mural of Mexico dotted with safety and danger zones. The largest institutional collection of Iturbide's photographs in the United States is preserved at the Wittliff collections, Texas State University, San Marcos, TX.Source: Wikipedia
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Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Exclusive Interview with Guillaume Bonn
With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
Exclusive Interview with Sander Vos
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
Exclusive Interview with Tomasz Trzebiatowski Editor-in-chief FRAMES Magazine
Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age. In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
Exclusive Interview with Manuel Besse
French photographer Manuel Besse is known for his compelling black-and-white imagery, which blends portraiture, documentary, and poetic narrative into a singular visual voice. With a career spanning several decades and continents—from the gold mines of Serra Pelada to the Arctic Circle—his work reflects a deep commitment to authenticity, human connection, and the preservation of cultural and natural landscapes. His series Macadam, winner of AAP Magazine #41 B&W, offers a contemplative look at fleeting urban encounters, rendered in his signature monochrome style. We asked him a few questions about his life and work.
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