All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
PUBLICATION AND $1,000 CASH PRIZES: Last Call B&W
PUBLICATION AND $1,000 CASH PRIZES: Last Call B&W
Evgenia Arbugaeva
Evgenia Arbugaeva

Evgenia Arbugaeva

Country: Russia
Birth: 1985

Evgenia Arbugaeva (born 1985) is a photographer of the Russian Arctic. Having grown up in Yakutsk, she has an empathy with the people living in the far north and the difficult living conditions they experience, and several of her photographic projects have involved them. The National Geographic has funded her to photograph the people and economic changes on Russia's northern coast.

Arbugaeva was born in Tiksi, a small port town of the Sakha Republic on the Arctic Sea, near the mouth of the Lena River. As part of the Soviet Union, Tiksi supported military airfields and became the world's most northern settlement with over 5000 people. Her memories of the place include pink mountains, whiteout snowstorms in which she lost all sense of place, fields of snow colored green or gold by the surrounding light, and auroras in the endless night of winter. One of her childhood heroes was explorer Jacques Cousteau. At the age of eight, and at the fall of the Soviet Union, she and her family moved to Yakutsk, "the coldest city on earth" and a place that she found much less visually appealing. She studied management in Moscow before moving to New York City. There, she studied photography at the International Center of Photography, graduating in 2009. 19 years after moving from her hometown, Arbugaeva decided to move back to Tiksi because she could no longer remember anything from the town. These memories had faded so much to the point where they seemed unreal.

Arbugaeva's photographic method involves living with her subjects on a long enough term to become friends with them and for them to relax in front of her camera. For instance, in one of her projects she traveled with Siberian hunters for the tusks of mammoths, newly exposed by global warming. She won the trust of the hunters by stitching up the injured hand of the head of the group. She often works without a camera, scouting locations that she returns to frequently until the lighting and inspiration combine to give her a photo.

In 2010 Arbugaeva returned to Tiksi, now becoming a ghost town, on a personal visit to compare it to her memories, but left the town with only one photo she liked, of a teenage girl playing on the seashore. Inspired by the photo, she traveled back to Tiksi in 2011 to meet the girl and her family and to document their daily life, overlain with her own memories. Despite the decline of the town and the difficult life there (which drove her host family to plan their own departure), her photos in this project are "bright and whimsical, their compositions and vivid colours redolent of the books she read there as a child".

Arbugaeva learned of the weather stations of northern Russia in a dog sledding incident, when she and her father had to take shelter from bad weather at one of the stations. In her project Weather Man, she took a two-month passage on an icebreaker to 22 of the stations, including the station at Khodovarikha, where she met meteorologist Vyacheslav (Slava) Korotki. The portrait taken of Vyacheslav Korotki is an intimate story of an individualistic man, who is facing the fading winter of the Arctic. In early 2014, she returned to Khodovarikha by helicopter for a two-and-a-half-week visit and photography session with Korotki. Based on this work, a much darker series of photos than the ones from Tiksi, she published a profile of Korotki in The New Yorker.

Arbugaeva's other photography projects have included nomadic Yakut reindeer herders in Sakha, and Amani, a sequence of fictionalized images set on an abandoned anthropological research station on a former German coffee plantation in Tanzania.

Arbugaeva is the 2013 winner of Leica's Oskar Barnack Award for her work in Tiksi, for which she also received a Magnum Foundation International Emergency Fund grant in 2012. In 2018, National Geographic named her as one of their four inaugural Media Innovation Fellows, funding her to photograph the people and economic changes on Russia's northern coast.

Source: Wikipedia


 

Evgenia Arbugaeva's Video

Selected Book

Inspiring Portfolios

Call for Entries
AAP Magazine #58 B&W
Publish your work in our printed magazine and win $1,000 cash prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Laurent Kronental
He lives and works in Paris (France). Self-taught photographer, he discovers photography in China during a stay of several months in Beijing. He has been captivated by the big metropolises there and by the variety of their architectures, their inhabitants, the way they tame the space and their personal stories. He has developed from 2011 to 2015 his first artistic series, 'Souvenir d'un Futur', on the elderly living in the large estates of the Paris region. The photographer intends to question us on the condition of seniors in these places in highlighting a sometimes neglected generation. He pushes forward another look on often underestimated suburban areas whose walls seem slowly get older and carry with them the memory of a modernist utopia. "Souvenir d'un Futur" was nominated and distinguished in international photographic prizes. In 2015, this series allowed Laurent Kronental to win "la Bourse du Talent" in the category landscape. He has been then exhibited at the Bibliothèque Nationale de France which has integrated his images into its photographic collection. The photographer has been selected and rewarded in 2016 to the Festival Circulations (Festival of young European photography) where he received the audience award. He was also finalist of the Lens Culture Exposure Awards in the same year. His work has been exhibited in Paris, Moscow, London, Athens, Seoul and published in numerous magazines in France and abroad including The Washington Post, The British Journal of Photography, The Guardian, National Geographic, Wired, CNN, Le Monde, L'Obs. Articles: La Cité Oasis by Laurent Kronental and Charly Broyez Souvenir d'un Futur
Wang Wusheng
China
1945 | † 2018
Wang Wusheng was born in the city of Wuhu in China's Anhui Province and graduated from Anhui University's School of Physics. Beginning in 1973, Wusheng worked as a photographer for a news magazine in Anhui Province. He studied at the Art Institute of Nihon University in Japan beginning in 1983 and studied for three years at the Tokyo Arts University. Wusheng currently works as a fine art photographer in Tokyo. For more than three decades, Wang Wusheng has been captivated by the beauty of Mount Huangshan, also called Yellow Mountain. Located in the southern part of the Anhui province in northern China, Mount Huangshan has often been described as the world's most beautiful and enchanting mountain. Over many centuries, this mountain, with its seventy-two peaks, has been the subject of Chinese landscape painters, whose singular works are so haunting make it appear impossible for these mountains to exist in nature. Inspired by the legacy of these paintings, Wusheng has sought to portray Mount Huangshan in his own way, expressing his "inner worlds" through this scenic wonder. Wusheng captures mist-shrouded granite peaks emerging from an ever-changing veil of clouds, sculptural craggy rocks on lofty cliffs and weathered, oddly shaped pine trees. He records the appearance of Mount Huangshan in all seasons and at various times of day. As one critic says, "[Wusheng's] pictures are gorgeous, but their beauty does not come directly from the natural scenery. Rather, the mountain's natural wonders have been transformed into artistic spectacles through the artist's commitment to the medium of black-and-white photography, his insistent pursuit of dynamic movement and metamorphic images, and his deep emotional engagement with his subject. His mountain peaks are often densely dark-a kind of velvet darkness that seems full of color."Source: Robert Klein Gallery World-renowned photographer, writer, and broadcaster Tom Ang wrote in 2014 in his book Photography: The Definitive Visual History published by DK this text about Wang Wusheng's art works: Oriental perspectives The fusion of classical Chinese fine art with photography was not achieved until the 1940s. It resulted in a distinctive approach to landscape by combining classical forms with a challenge to the Western representation of space. Photography had reached China and Japan by the 1840s, but long remained an imported art form used primarily by foreigners. Fundamentally it was alien to the aesthetics of Asian fine art. The fine detail of a photograph was at odds with the eastern tradition of depicting a scene with just a few brushstrokes. And whereas Eastern art dealt with symbols-mountains representing wisdom, water standing for the flux of life and so on- photography seemed unremittingly literal and heavy-handed to Asian eyes. Eastern art was also fixedly monochrome: black was Heaven's hue, and too much considered bad for the eyes. Three dimensions in two A further element foreign to Asian minds was the handling of perspective-how three-dimensional space was represented on the flat surface of a print or painting. In Europe, 15th-century thinkers, such as the architect Filippo Brunelleschi, showed that a geometrically accurate way to represent objects in space was to depict parallel sides as if they converged toward a vanishing point on the horizon. Early photography reinforced the dominance of this linear perspective in Western art. Classical Asian art was based on different models of space. It showed space with receding planes, in which a nearer object overlaps and covers part of a further object. This was joined to aerial perspective, which exploits how contrast and clarity naturally diminish the further away things are to express receding space. Asian pictorials By the 20th century. even artists in he West were rebelling against geometrical perspective, most visibly in the Cubist movement, which spilled over to montage effects in modernist photography (see pp. 142-43 and Pp.330-31). Finally, in the 1940s, Long Chin-San (also transliterated Lang Jingshan) in Hong Kong marked the first successful fusion of Asian with European modes. Trained in Photography by a brush-and-ink artist, Long considered a traditional painting "as a composite Image of fragmentary visual memories". From this, Long derived composite photographs using subtle toning and multiple printing techniques to place traditional elements such as calligraphically expressive bamboo shoots, leafless branches, and craggy rocks against a plain ground, suspending his subjects In an indeterminate space. Relationships between elements were defined by aerial perspective and overlapping receding planes. Minimal and calligraphic expressions also came naturally to photographers such as Jiang Peng, but Long's best-known students was Don Hong Qai. Modern interpretation China's Huangshan (Yellow Mountains) is a glaciated mountain range much venerated for its exquisite scenery of 72 steep peaks, often shrouded in mist. The Huangshan inspired its own school of painting, which made extensive use of aerial perspective, Wang Wusheng is a leading modern exponent of the style. Wang was working as a news photographer when he turned his attention to the Huangshan in 1973 In his photographs, he exploited the ultrafine grain of Kodak Technical Pan film to create a modern interpretation of inky-black silhouettes are grouped against the smoothly shifting swathes of mist, their softening tones deftly defining distance. This image is part of the Celestial Realm series, published in book form in 2005. In wang's contemporary interpretation of traditional Chinese black-ink painted landscapes, mist separates the deep velvety darkness of the sharply silhouetted rocks and trees in the foreground from the progressively fuzzier bands of trees and rocks.
Advertisement
AAP Magazine #58 B&W
Win a Solo Exhibition in July
AAP Magazine #58 B&W

Latest Interviews

Exclusive Interview with Trevor Cole: Pastoral Peoples and Practices
For this interview, we wanted to focus specifically on The Face of the Mundari and the wider Pastoral Peoples and Practices series. We spoke with Trevor about his long-term work among the Mundari, what continues to draw him back to their cattle camps, and the experience of documenting a culture whose identity remains deeply connected to livestock, tradition, and the natural environment.
Exclusive Interview with Frank Meo
In our latest exclusive feature for All About Photo, I speak with veteran photography representative Frank Meo about what it truly takes to build a sustainable creative career today. Frank brings decades of experience working with Fortune 500 companies, major agencies, and documentary photographers to the table. We dive into the critical business skills often left out of art school curriculums, the power of mentorship, and the inspiring evolution of PROJECTIONS—his international salon platform for visual storytellers. It’s an essential read for anyone navigating the commercial or editorial photography landscape today.
Exclusive Interview with Carolyn Moore
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Call for Entries
AAP Magazine #58 B&W
Publish your work in our printed magazine and win $1,000 cash prizes