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David Hurn
David Hurn

David Hurn

Country: United Kingdom
Birth: 1934

David Hurn is a British documentary photographer and member of Magnum Photos. Hurn was born on 21 July 1934 in Redhill, Surrey, England. He was raised in Cardiff, Wales. Because of his dyslexia he joined the school camera club. After leaving school he headed for London, hoping to become a photographer.

Hurn is a self-taught photographer. He began his career in 1955 when he worked for Reflex Agency. He gained his reputation as a photojournalist for his documentation of the Hungarian revolution of 1956, and is featured in two of Ken Russell's films for the Monitor television arts' series, A House in Bayswater (1960), and Watch the Birdie (1963). In 1965 he became associated with Magnum Photos and became a full member in 1967.

In 1963, Hurn was commissioned by the producers of the James Bond films to shoot a series of stills with Sean Connery and the actresses of From Russia with Love. When the theatrical property Walther PPK pistol didn't arrive, Hurn volunteered the use of his own Walther LP-53 air pistol. The pistol became a symbol of James Bond on many film posters of the series. In 1967 Dino de Laurentiis asked Hurn to travel to Rome to shoot photos of Jane Fonda in Barbarella.

Hurn returned to Wales in the late 1960s, initially living in a van for a year photographing the country. He was married from 1964-71 to American actress Alita Naughton (1942-2019), best known for her role in Ken Russell’s French Dressing (1964).

In 1973 he set up the School of Documentary Photography in Newport, Wales. Eventually, he turned away from documentary photojournalism, bringing a more personal approach to his image making. He says, "There are many forms of photography. I consider myself simply a recorder of that which I find of interest around me. I personally have no desire to create or stage direct ideas." His book, Wales: Land of My Father (2000), illustrates the traditional and the modern aspects of Wales.

In 2001 he was diagnosed with colon cancer but made a full recovery. He continues to live and work in Wales, and has donated a collection of photographs taken by him and other leading contemporary photographers, including Henri Cartier-Bresson, Eve Arnold, and Bill Brandt, to the National Museum of Wales.

Hurn has been an avid collector of photography. Remarkably, he has amassed his private collection by swapping works with other photographers. The collection National Museum Cardiff comprises approximately 700 photographs. Swaps: Photographs from the David Hurn Collection, National Museum Cardiff, Wales, September 2017 – April 2018.

In 2017 Hurn donated 1500 of his photographs, and 700 of other peoples' photographs, to Amgueddfa Cymru – National Museum Wales. He built his private collection of other peoples' work by swapping prints with them. National Museum Cardiff held an exhibition of the latter collection in 2017/2018, entitled Swaps: Photographs from the David Hurn Collection.

Source: Wikipedia


 

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Ming Smith
United States
1973
Ming Smith is an American photographer. She was the first African-American female photographer whose work was acquired by the Museum of Modern Art in New York City. Smith was born in Detroit, Michigan, and raised in Columbus, Ohio. After graduating from Howard University in 1973, she moved to New York City, where she found work modeling. While in New York she met photographer Anthony Barboza, who was an early influence. Smith's approach to photography has included in-camera techniques such as playing with focus, darkroom techniques like double exposure, collage techniques and paint on prints. Her work is less engaged with documentation of events than with expression of experience. It has been described as surreal and ethereal, as the New York Times observed: "Her work, personal and expressive, draws from a number of artistic sources, preeminently surrealism. She has employed a range of surrealist techniques: photographing her subjects from oblique angles, shooting out of focus or through such atmospheric effects as fog and shadow, playing on unusual juxtapositions, even altering or painting over prints." Smith's early work was composed of photos that were shot quickly to produce elaborate scenes, and due to this process many of her photos have double dates. She has used the technique of hand-tinting in some of her work, notably her Transcendence series. Ming Smith has photographed many important black cultural figures during her career, including Alvin Ailey and Nina Simone. In 1973 Smith was featured in the first volume of the Black Photographers Annual, a publication closely affiliated with the Black Arts Movement of the 1960s and early 1970s. Smith had her first exhibition at Cinandre, a hairdressing salon, in 1973 as well. At Cinandre, she met Grace Jones, whom she photographed wearing a black and white tutu on occasion. Smith recalls that she and Jones would talk about surviving as black artists. Smith reflects on the memories by saying: "We came out of Jim Crow. And so just coming to New York and trying to be a model or anything was new." Two years later (1975), Smith became the first female member of the Harlem-based photography collective Kamoinge, under director Roy DeCarava. The Kamoinge Workshop was founded in New York in 1963 to support the work of black photographers in a field then dominated by white men. The collective, which still exists today, has undertaken a range of initiatives, including exhibitions, lectures, workshops, and the publishing of portfolios for distribution to museums. Smith participated with Kamoinge in three groups shows in New York and Guyana. Smith dropped off a portfolio at the Museum of Modern Art (MOMA), where the receptionist mistook her for a messenger. When she returned, she was taken into the curator's office. Susan Kismaric named a price for Smith's work, which Smith declined due to the price not paying off her bills. Kismaric asked Smith to reconsider, which she eventually did. Shortly after, she became the first Black woman photographer to be included in the collections of the Museum of Modern Art (MOMA) in New York City. In addition to the MOMA, Smith's art has been featured at the Schomburg Center for Research in Black Culture and the Smithsonian Anacostia Museum & Center for African American History and Culture in Washington, D.C. Smith has twice exhibited at the Bellevue Hospital Centre in Morristown, New Jersey, through their Art in the Atrium exhibitions. The first was in 1995, for Cultural Images: Sweet Potato Pie, an exhibit curated by Russell A. Murray. In 2008 she contributed as part of the exhibition New York City: In Focus, part of Creative Destinations 2008 Exhibition of African American Art. 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Ming Smith's photography is held in collections in the Museum of Modern Art, New York; the Schomburg Center for Research in Black Culture, New York; the Smithsonian Anacostia Museum & Center for African American History and Culture, Washington, DC and the AT&T Corporation.Source: Steven Kasher Gallery
Beth Moon
United States
1956
San Francisco Bay Area artist, Beth Moon, has gained international recognition for her large-scale, richly toned platinum prints. Since 1999, Moon’s work has appeared in more than sixty solo and group exhibitions in the United States, Italy, England, France, Israel, Brazil, Dubai, Singapore, and Canada. Her work is held in numerous public and private collections, including the Museum of Fine Arts, Houston, the Museum of Photographic Arts in San Diego, and the Fox Talbot Museum in Wiltshire, England. In 2013, Between Earth and Sky, the first monograph of her work, was published by Charta Art Books of Milan. In 2014, Abbeville Press published, Ancient Trees: Portraits of Time, with a third book to follow that same year from Galerie Vevais, La Lange Verte. Moon studied fine art at the University of Wisconsin before moving to England where she experimented with alternative photographic processes and learned to make platinum prints. Source: www.vervegallery.com Beth Moon was born in Neenah, Wisconsin and studied fine art at the University of Wisconsin. Classes in painting, life drawing, sculpture, and design would set the groundwork for her work in photography, which was to come years later. Moving to England, a country with a love for all things arboreal, gave her a fresh look at a land that boasts the largest concentration of ancient trees. Inspired by these trees she decided to make a series of their portraits. Unhappy with the photographic tonality and stability of ink-jet printing, she started to experiment with alternative printing processes, learning platinum/palladium printing, an ideal process for her vision. She concentrated on mastering this printing technique, doing all of her own printing. “By using the longest lasting photographic process, I hope to speak about survival, not only of man and nature’s but to photography’s survival as well. For each print I mix ground platinum and palladium metals, making a tincture that is hand-coated onto heavy watercolor paper and exposed to light. There are many steps involved in creating the final print and these are as important to me as the capturing of the image," said Moon. A platinum print can last for centuries, drawing on the common theme of time and survival, pairing photographic subject and process. Source: www.josephsaxton.com
Bastiaan Woudt
The Netherland
1987
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United Kingdom/United States
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