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Nanna Heitmann
Nanna Heitmann
Nanna Heitmann

Nanna Heitmann

Country: Germany/ Russia

Nanna Heitmann is a German/ Russian documentary photographer, based between Russia and Germany. Her work has been published by TIME Magazine, M Le Magazine du Monde, De Volkskrant, Stern Magazine and she has worked on assignments for outlets including The New York Times, TIME Magazine, The Washington Post and Stern Magazine. She has received awards that include the Leica Oscar Barnack Newcomer Award, the Ian Parry Award of Achievement. Nanna Heitmann joined Magnum as a nominee in 2019.

Hiding from Baba Yaga

"Vasilisa was running faster than she had ever run before. Soon she could hear the witch, Baba Yaga's mortar bumping on the ground behind her. Desperately, she remembered the thin black cat's words and threw the towel behind her on the ground. The towel grew bigger and bigger, and wetter and wetter, and soon a deep, broad river stood between the little girl and Baba Yaga.

Vasilisa threw the comb behind her, and the comb grew bigger and bigger, and its teeth sprouted up into a thick forest, so thick that not even Baba Yaga could force her way through. And Baba Yaga the witch, the bony-legged one, gnashing her teeth and screaming with rage and disappointment, finally turned round and drove away back to her little hut on hen's legs."

From time immemorial people have sought protection and freedom on the banks of the Yenisei and the adjacent wild taiga. For a long time, the banks of the Yenisei have been pervaded by nomadic peoples.
The Russians, coming from the west, chased by the greed for valuable fur, did not reach the river until 1607. Criminals, escaped serfs, apostates or simply adventurers, joined together in wild rider associations and expanded ever deeper into the vast wild Taiga. The life of the settlers in Siberia was free and self-determined for the time. Old believers settled on lonely banks of the Yenisei to escape the persecution of the Tsar and later the Soviets.
With Stalin the Yenisei became a place of exile and forced labor. The Soviets not only chained the native peoples, but also the Yenisei. With two giant dams they created lakes of almost 400km length. Villages sank in the water, the climate changed. A dense fog swept over the river. The USSR is history. Today, most people are drawn to big cities like Moscow or St Petersburg. Therefore the Yenisei turns more and more into a space for dreamers and loners to escape the worldly world.

Not far from the banks of the Yenisei lives Yuri, who has built a small hut on a landfill. Here he can find food for his 15 former street dogs, here he lives freely. Nothing keeps him in the city, where thick coal dust covers the white snow in winter. "All my friends are in the cemetery. Drugs or alcohol." Following the stream of the Yenisei north one encounters Valentin. An self claimed anarch ecologist - a former officer, traumatized by war missions. Today he lives on his small property in the forest. Even at minus 50 degrees, he sleeps outside by the fire. From endless wars he has enough. "All the people of this world, live together in peace and protect your forests." Only to those who threaten the Siberian forests he declares war. "We have a wonderful forest. How many tress grow here. But we need more forests to breathe. Humanity destroyed our forests. These must be revived immediately. "

Not far from the source of the Yenisei, Vaselisa lives in the village of Old Believers. Her parents are both deaf and the only heathens in a village that lives strictly to century-old rituals. She doesn't like the children in her village. Her only friend lives in the village of Sissim. While summer holidays the Yenisei and a walk separates them from each other.

Encountering all this different people, there is a bond which connects them with each other. The seek of freedom, protection, imprisonment and isolation. The Yenisei and its woods become a metaphor of a dreamscape: Loneliness, unfulfilled dreams, death, abandoned hopes shape people as much as the vast nature, which at the same time gives so much freedom and places of retreat.
 

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More Great Photographers To Discover

Evy Huppert
United States
Evy Huppert lives and works in the Upper Valley of the Connecticut River spanning Vermont and New Hampshire. She is a fine art photographer, administrator, and educator. Her black and white film-based work explores emotional narrative in both landscape and portraiture. A native of Minnesota and long-time resident of New England, she considers herself to be a true 'child of the North.' Permanently light-deprived, her remedy for personal and collective seasonal affective disorder is making images that are often about light itself. Evy is a 2019 Critical Mass Finalist. Her work has been exhibited as a Portfolio Showcase by the Davis-Orton Gallery, Hudson NY, and included in exhibitions at the Griffin Museum of Photography, Winchester MA, ASmith Gallery, Johnson City, TX, the Center for Fine Art Photography, Ft. Collins, CO, PhotoPlace Gallery, Middlebury, VT and others. Her project "Wild Spirits" was featured in Lenscratch in July 2019. Evy was the Fall, 2017 featured Emerging Photographer in SHOTS Magazine. Her work has also appeared in The Hand Magazine, and will be included in the forthcoming 10th anniversary issue of Diffusion Annual. Wild Spirits I made this work on journeys south to untamed places in the Sea Islands of Georgia with a tribe of like-minded artists. The images and characters come from dreams and memories the land drew out from my personal mythology. Timeless, yet inhabited for millennia, the islands carry a spiritual presence of deep wildness palpable in the light and shadows; the ancient alligators and birds, the feral pigs and donkeys, and the artifacts of their existence lying everywhere. My photographs explore the emotions and spiritual experiences that the land and the light evoked: vulnerability, captivity, lost-ness, sanctuary, and wildness set free. Photographing in collaboration with the other artists, I conceived of these images made on black and white film as stills taken from a movie. Each is an instant of a longer feature, of a fuller picture not seen but understood to exist. There is a narrative between the frames and a soundtrack within us that I aim to invoke. What we imagine might be the rest of the story is as much a part of the photograph as what we believe we are seeing.
Elizabeth (Lee) Miller
United States
1907 | † 1977
Lee Miller, 1907-1977, first entered the world of photography as a model in New York to photographers such as Edward Steichen, Arnold Genthe and George Hoyninguen-Huene. In 1929 Miller moved to Paris and became the assistant, and lover, of Man Ray. Together, they produced some of the most significant works of both of their careers, including rediscovering the solarisation technique in Man Ray’s darkroom. She quickly became established as both surrealist artist and photographer in her own right and returned to New York to run her own studio with commissions for portraits, packing shots and editorials for Vogue magazine. Lee Miller spent several years in the mid 1930’s living in Cairo with her Egyptian husband, Aziz Eloui Bey. Bored of life in the city, she would travel by jeep through the desert on photography exhibitions and re-imagine desert landscapes with her witty and surrealist flair. In 1939, Lee moved to London and worked as freelance photographer for British Vogue magazine. Alongside this, her documentation of the Blitz was published in Grim Glory, a pamphlet encouraging the US to join the war effort. Lee Miller later became one of the first ever female war correspondents accredited to the US Army and travelled with the US troops throughout Europe during 1944 and 1945. She documented the liberation of Paris, the siege at St Malo and Buchenwald and Dachau concentration camps. Perhaps most famously, she took a self-portrait sitting in Adolf Hitler’s bathtub in his Munich apartment, a statement of the end of the war. Lee Miller mostly abandoned photography later in her life and didn’t speak of her wartime experiences. Her former and final home, Farley Farm House, Sussex, England is now the base of the Lee Miller Archives which holds over 60,000 of her negatives as well as manuscripts and vintage prints. Over 3,000 images are available to view at www.leemiller.co.uk.
Leo Rubinfien
United States
1953
Leo Rubinfien, born in Chicago, Illinois, is a photographer and essayist from the United States. He currently resides and works in New York City. Rubinfien rose to popularity in the 1970s as a member of a group of artist-photographers who experimented with new color processes and materials. In 1981, Leo Rubinfien had his first one-person exhibition at Castelli Graphics in New York, and he has since had solo exhibitions at the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Cleveland Museum of Art, the Seattle Art Museum, the Corcoran Gallery of Art in Washington, DC, the National Museum of Modern Art in Tokyo, and the Cantor Arts Center at Stanford University. He is the author of two photobooks, A Map of the East (Godine, Thames & Hudson, Toshi Shuppan, 1992) and Wounded Cities. Leo Rubinfien is also a prolific writer, having produced numerous extensive essays on famous twentieth-century photographers. He contributed a memoir, Colors of Daylight, to Starburst: Color Photography in America, 1970-1980 (Kevin Moore, Cincinnati Art Museum / Hatje Caantz 2010), and wrote Wounded Cities, a long personal and historical essay about the September 11th, 2001 attacks and the years that followed. He was the Guest Co-curator of Shomei Tomatsu's retrospective at the San Francisco Museum of Modern Art from 2001 to 2004, and he is the co-author of Shomei Tomatsu / Skin of the Nation (Yale University Press, 2004). Since 2010, he has served as Guest Curator for the San Francisco Museum of Modern Art's exhibition of Garry Winogrand's work, which will embark on a world tour in 2013. The Metropolitan Museum of Art, the Museum of Modern Art, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, the Cleveland Museum of Art, the Seattle Art Museum, the Tokyo Metropolitan Museum of Photography, the Corcoran Gallery of Art, the Bibliothèque Nationale de France, the Yale University Art Gallery, the Cantor Arts Center at Stanford University, and the Fogg Museum have all acquired Rubinfien's work. Leo Rubinfien has received fellowships from the Guggenheim Foundation, Japan Foundation, Asian Cultural Council, and New York University's International Center for Advanced Studies, and he was given the Gold Prize at the 5th Lianzhou International Photography Festival in 2009.
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