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Win the First Solo Exhibition of 2026! Submit your best project now. Open Theme
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Tom Price
Tom Price
Tom Price

Tom Price

Country: Wales
Birth: 1985

Tom Price is an award-winning photographer, filmmaker and writer based in east London, with over a decade of experience working on commercial, editorial and not-for-profit projects for organisations such as the NHS, Airbnb and Save the Children.

His work focuses on telling important stories and highlighting social phenomena - previous short-form projects have ranged from documenting the largest dance festival in the world to critical humanitarian crises, such as food insecurity in South Sudan and typhoon Haiyan in the Philippines.

His work has been exhibited in Latin America, Europe and the USA; projected onto the side of the Tate Modern in London and presented at the UN headquarters in New York.

Recently, he has exhibited at Helsinki Photo Festival 2021, Berlin Photo Week 2021, and was awarded first place and 'photographer of the year' at All About Photo awards 2021, 1st place International Photo Awards 2021 and longlisted for the BBA Photography Prize, Berlin.

Exclusive Interview with Tom Price
The Stunning Winning Images of All About Photo Awards 2021
 

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Sonia Costa
Sonia Costa is an was born in Northeast Italy and is temporarily based in Rome. With her studies in Geography and her passion for nature and worldwide different cultures, she has been traveling the world for years studying the interrelationship between people and environment. Promoting a sustainable tourism with a low environmental impact, she has long worked in Indian Sub-Continent, South East Asia and in the most isolated corners of the planet. Award winning free-lance photographer, she has been taking street and documentary photographs for years. Her essential subject is social life, focusing mostly in ordinary life, cultural stories and contemporary issues, always attracted by old stories, isolated places and people out of the spotlight. Her special passion for intimacy led her to develop portraiture as one of preferred means to interact with people and better understand the human condition. Wandering the planet including its remote regions, she has always been fascinated by the profound resilience with which simple people, especially women and children, face life . In a world submerged by conflicts, she tries to document the beauty and delicacy she can still find out there. In 2016 her first pocketbook was published: "La figlia di Saadi" Ed. Polaris, a tour around the world through short stories and photographs dedicated to the female universe. She published her photographs in magazines and books and exhibited her work in collective and solo shows in Italy and in collective shows in USA and Spain, upcoming in Japan. After being away from photography world for a while, she started to share her photographs just three years ago and be awarded in various International Photography Contests. Tokyo International Awards - IPA International Awards - Julia Cameron Awards - Prix de La Photographie Paris. Nominees and Honorable mentions, Merit of Excellence and Nominees : All About Photo APP Magazine - Monochrome Awards - Fine Art Photography Awards - Pollux Awards - Black and White Spider Awards - International Colors Awards - IPA Street Awards. Ordinary life through an extraordinary year I have always loved isolated places and being able to capture images with few people filling empty spaces I felt, in some way, as I was in my loved remote and lonely journeys. I usually travel and live out of my country months a year. Due to Covid-19 Pandemic, I spent most of 2020 stuck in Italy and luckily, when possible, in other European countries. During the lockdown, I wandered through the deserted cities with my camera, in this project I tried to document the ordinary life of two Italian symbol cities: Rome and Venice. In summertime, Venice had somehow returned to what it once was many years ago, even if in indoor places masks were still compulsory. Without crowds of tourists poured through the narrow streets and the cruise ships that monstrously invaded the lagoon, I could hear my voice again and the silent canals could finally breath. Rome, in late spring and fall, looked like certain sunny summers when the city empties itself for holidays and the sultry heat. Only few people going around by tramways or in empty squares patrolled by policemen with the sound of the sea gulls in the air. Documenting ordinary life along the streets, it was like looking at old photographs during the pandemic Spanish flu in 1918. Used to observe distant countries, see and record the changing world, last year I observed and caught the world through our changing cities.
Arthur Fields
Ireland
1901 | † 1994
Arthur Fields was an Irish street photographer of Ukrainian descent. He took more than 180,000 photographs of pedestrians on the south end of Dublin's O'Connell Bridge, over more than 50 years. Fields was born into a Ukrainian Jewish family. His family fled antisemitism in Kiev in 1885, and later settled in Dublin. Fields originally ran a sound studio where people could make a recording of their own voice, but later began his photography when he bought a box camera. Fields switched to a Polaroid instant camera later in his career. Field's brother was also a photographer on the bridge. Fields' extensive photographs are recognised as a social record of Dublin from the 1930s to the 1980s, depicting the changing fashions and shopfronts of the city. Nelson's Pillar often featured in Field's photograph until its destruction by Irish republicans in 1966. Fields took an estimated 182,500 photographs of pedestrians on the bridge from the early 1930s until 1985. Notable people photographed by Fields on the bridge included the playwright Brendan Behan, the actors Margaret Rutherford and Gene Tierney, and Prince Monolulu, who claimed to be a chief of the Falasha tribe of Abyssinia, and who wore a headdress and a fur coat. Fields lived in the Dublin suburb of Raheny, and would walk seven miles to and from the bridge each day to work. Field's modus operandi would be to "pretend to take a picture of a passer-by and, when they stopped, he'd take the real one. Then he'd give them a ticket and they could collect the photograph from a nearby studio run by his wife; she developed all the photos." Arthur Fields' work has been documented on the interactive documentary website, Man On Bridge: 50 Years as a Photographer on O’Connell Bridge produced by El Zorrero Films. The website encourages the public to submit their photographs to an online archive. The web project which features an image archive and documentary videos won best website at the Digital Media Awards in 2015. The Man on Bridge project was also a winner of the Arthur Guinness Projects. In December 2014 an exhibition of 3,400 photographs collected for the project was held at the Gallery of Photography in DublinSource: Wikipedia
Svetlin Yosifov
I was born in Bulgaria, and I had the privilege of living in this beautiful country all my life. My employment is in a private sports club, focused on extreme sports, which involves a lot of travelling and keeps my life dynamic and interesting. Apart from this, I love travelling abroad and do this once a year for a period of two months. I always associate these trips with diving in the unknown, meeting new people and experiencing something new. My adventurous spirit is my main drive, the inner flame, that keeps me going! Not a professional freelance photographer. I define myself as a travel-documentary-art photographer. For almost 20 years now photography has been part of my life. My passion is catching street portraits and trying to figure out my object's character.Portrait photography is the most compelling genre for me. The impact of a single photo, comes from the emotion it reflects.My Point of interest - traditions in primal and natural places like India, Ethiopia, Kenya, Indonesia, Vietnam, Laos, Cambodia, Cuba and more. I consider good photography to be much more than a snapshot or a memory, it is something that tells a story, strong enough to influence the world we live in and raise more awareness. Throughout the years my interviews and photographs have been published in many magazines and websites. About Mursi People Mursi People is a series of photos that were taken during my visits to Ethiopia and are part of the albums "Ethiopian tribes expedition 2018" and the "Second Ethiopian tribes expedition 2019" The African tribe of Mursi people is isolated in Omo valley - South Ethiopia near the border with Sudan. They are one of the most fascinating tribes in Africa with their lives being a combination of brutal reality and amazing beauty. What was really appealing to me, as a photographer, was to capture and recreate the perplexing nature of their culture and way of life. Suffering from extreme drought in the past few years has made their life cruel and sometimes dangerous, but has not left a single mark on their traditions. Living among them gave the sense of extreme authenticity and in the same time felt like an illusion. Their faces filled my insatiable passion for capturing pure, untouched souls of a culture on the brink of extinction." Discover Svetlin Yosifov's Interview
Dana Stirling
Israel
1989
Dana Stirling is a fine art photographer and the Co-Founder & Editor of Float Photo Magazine since 2014. She is currently based in Queens, New York. She earned her MFA in Photography, Video, and Related Media from The School Of Visual Arts in 2016, following her earlier BA in Photographic Communications from Hadassah College Jerusalem. Dana Stirling's work has been prominently featured in group exhibitions in the United States and internationally, including reputable venues such as Panop-ticon Gallery and Saatchi Gallery. Her photography has gained recognition in various publications, including Buzzfeed, Feature Shoot, Der Grief Magazine and others. why am i sad In the ongoing evolution of my artistic journey, I find myself engaged in a profound process of self-examination, mental health and sadness - using the camera to explore the essence of who I am and my connection to the art of photography. My roots lie in a small town. Within this space, I grappled with a pervasive sense of loneliness that transcended both the physical boundaries and the emotional confines of my surroundings. Even in the company of others, I felt a profound solitude that echoed within and beyond those walls. Home, rather than a sanctuary, was a place where the weight of stress, anxiety, and extensive sadness loomed. Family, instead of offering solace, became a source of inner turmoil. Unspoken but deeply felt, my mother's battle with clinical depression cast a shadow over me. I saw her lose more and more of herself, becoming less and less a person I understood. In my youth, I perceived her sadness as a natural extension of my own sadness, failing to grasp the impact it would have on my journey toward understanding and confronting my own struggles with depression as I grow older. Photography emerged as my lifeline during these moments of isolation. Equipped with my camera, I found solace in the quietude of my room, capturing the silent narratives of everyday objects that became vessels for the unspoken language of my inner dialogue. Photography, in essence, became my personal code, a means of externalizing the words I couldn't articulate verbally. In the silent dialogue with still life, I discovered a form of communication that transcended the limitations of human interaction. Objects, devoid of judgment, spoke the untold stories, becoming my voice in a world where words often fell short. Despite physically distancing myself from the room that once encapsulated my struggles, the weight of sadness remains a constant companion. Photography, once a means of escape, has transformed into a burden, shaping both my emotional state and the aesthetic of my images. The absence of photography leaves me despondent, while the act of capturing images reflects the pervasive cloud of sadness that hovers above me. 'Why Am I Sad' stands as a pivotal exploration, a journey into the intricate relationship between myself and the art of photography, viewed through the lens of my camera. It is an open-ended question, not posed with the expectation of a definitive answer, but rather as a beacon of hope—an invitation to rediscover comfort within the very medium that has been both a refuge and a challenge. My work is an exploration of the interplay between personal struggles and the transformative power of artistic expression. Through the lens, I invite viewers to join me in questioning, in reflecting, and in the shared pursuit of finding solace and meaning within the complex tapestry of existence.
Ada Trillo
United States
1976
Ada Trillo is a photographer based in Philadelphia, PA, and Juarez, Mexico. Trillo holds degrees from the Istituto Marangoni in Milan and Drexel University in Philadelphia. Trillo's work is concerned with human rights issues facing Latin America. Trillo has documented forced prostitution in Juarez, Mexico, the infamous La Bestia train, the migrant caravans of 2018 and 2020, and the struggles of asylum seekers directly affected by Trump's Remain in Mexico policy. Trillo has exhibited internationally at Saint Josephs University in Philadelphia, The Photo Meetings in Luxembourg, The Passion for Freedom Art Festival in London, Festival Internazionale di Fotografia in Cortona Italy and at the Anya and Andrew Shiva Gallery at the John Jay College in New, York. In 2017, Trillo received a Leeway Foundation Art and Change Grant. Her work has been featured in The British Journal of Photography, The Guardian, and Smithsonian Magazine. Trillo was recently awarded a CFEVA Fellowship by The Center For Emerging Visual Artists and was named the Visual Artist-in-Residence for Fleisher Art Memorial in Philadelphia. Her work is included in the permanent collection of the Philadelphia Museum of Art and The West Collection. Trillo was awarded First Place in Editorial Photos with the Tokyo International Foto Awards. She was recently awarded the ME&Eve grant with the Center of photographic arts in Santa Fe. Statement I was born in El Paso, Texas but I was raised in Juarez, Mexico. As a teenager, I traveled back and forth between the two cities so I could attend school in the states. Witnessing life on the border as a young adult had a strong influence on my worldview and art practice. After years of working as a painter, I picked up a camera and started making pictures. For the past four years, I've been documenting the journey migrants take to reach the US-Mexico border. In 2017, I photographed aboard the infamous La Bestia, a dangerous journey by a freight train that migrants from Mexico and Central America ride every year to reach the border. In 2018 & 2019 I photographed overpopulated migrant shelters in Juarez and Tijuana. I also traveled with the migrant caravans of 2018 and 2020, from Honduras, through Guatemala, and into Mexico. In 2019, I photographed asylum seekers who were barred entry into the US under Trump's, Remain in Mexico Policy. While the media often covers what is happening at the border, they all too often overlook the individual trials, struggles, and humanity of those seeking to escape violence in pursuit of a better life. Spending countless days and nights living alongside those I photograph, I hope to present an honest, unadulterated view of migrant life. I photograph exclusively with a 35mm camera and fixed lenses. My process of making pictures is about creating real connections with my subjects in search of depth and intimacy in my work. My goal is to humanize their struggle and share their stories with the world.
Werner Bischof
Switzerland
1916 | † 1954
Bischof was born in Zürich, Switzerland. When he was six years old, the family moved to Waldshut, Germany, where he subsequently went to school. In 1932, having abandoned studies to become a teacher, he enrolled at the Kunstgewerbeschule in Zürich, where he graduated cum laude in 1936. From 1939 on, he worked as an independent photographer for various magazines, in particular, du, based in Zürich. He travelled extensively from 1945 to 1949 through nearly all European countries from France to Romania and from Norway to Greece. His works on the devastation in post-war Europe established him as one of the foremost photojournalists of his time. He was associated into Magnum Photos in 1948 and became a full member in 1949. At that time Magnum was composed of just five other photographers, its founders Robert Capa, Henri Cartier-Bresson, George Rodger, David Seymour, and Ernst Haas. The focus of much of Bischof's post-war humanist photography was showing the poverty and despair around him in Europe, tempered with his desire to travel the world, conveying the beauty of nature and humanity. In 1951, he went to India, freelancing for Life, and then to Japan and Korea. For Paris Match he worked as a war reporter in Vietnam. In 1954, he travelled through Mexico and Panama, before flying to Peru, where he embarked on a trip through the Andes to the Amazonas on 14 May. On 16 May his car fell off a cliff on a mountain road in the Andes, and all three passengers were killed. Source: Wikipedia Werner Bischof was born in Switzerland. He studied photography with Hans Finsler in his native Zurich at the School for Arts and Crafts, then opened a photography and advertising studio. In 1942, he became a freelancer for Du magazine, which published his first major photo essays in 1943. Bischof received international recognition after the publication of his 1945 reportage on the devastation caused by the Second World War. In the years that followed, Bischof traveled in Italy and Greece for Swiss Relief, an organization dedicated to post-war reconstruction. In 1948, he photographed the Winter Olympics in St Moritz for LIFE magazine. After trips to Eastern Europe, Finland, Sweden and Denmark, he worked for Picture Post, The Observer, Illustrated, and Epoca. He was the first photographer to join Magnum with the founding members in 1949. Disliking the ‘superficiality and sensationalism’ of the magazine business, he devoted much of his working life to looking for order and tranquility in traditional culture, something that did not endear him to picture editors looking for hot topical material. Nonetheless, he found himself sent to report on the famine in India by Life magazine (1951), and he went on to work in Japan, Korea, Hong Kong and Indochina. The images from these reportages were used in major picture magazines throughout the world. In the autumn of 1953, Bischof created a series of expansively composed color photographs of the USA. The following year he traveled throughout Mexico and Panama, and then on to a remote part of Peru, where he was engaged in making a film. Tragically, Bischof died in a road accident in the Andes on 16 May 1954, only nine days before Magnum founder Robert Capa lost his life in Indochina. Source: Magnum Photos
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Latest Interviews

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Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
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Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
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Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
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With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
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Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
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