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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Giedo van der Zwan
Giedo van der Zwan
Giedo van der Zwan

Giedo van der Zwan

Country: The Netherlands
Birth: 1967

Giedo van der Zwan (1967), born in Amsterdam, The Netherlands.
Since the age of 11 Giedo has been active in photography and over the years has experimented with different genres such as wildlife-, macro-, portret-, abstract- and travel photography. Between 2008 and 2012 Giedo enjoyed a few publications from his wildlife portfolio online and in Dutch photography magazines like Focus, Columbus and National Geographic.

Since early 2017 Giedo van der Zwan has become active in street photography (his day job is self-employed writer and publisher). Giedo started a long-term project 'Pier to Pier' in 2017 and in June 2018 he published a book and started his solo exhibition on the Pier of Scheveningen under the same title. He has been a finalist and won several photography prizes at national and international festivals and received international recognition for the project.

Book: 'Pier to Pier' Giedo launched his self-published book Pier to Pier on June 10, 2018. The book is on sale in local bookstores and museum
 

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More Great Photographers To Discover

Maroesjka Lavigne
Maroesjka Lavigne (b.1989, Belgium) gained her Masters in Photography at Ghent University in the summer of 2012. Her work has been shown internationally at the Foam Talent exhibition in Amsterdam, The Robert Mann Gallery in New York, Galerie Hug in Paris and Museum Saint Guislain in Gent, Belgium, among others. She self-published a book called ‘ísland’ in 2012 that sold out. In 2014 she published a postcard version of this book. In 2015 she made a commissioned work ‘Not seeing is a Flower’ in collaboration with the Flanders centre in Osaka. This was published in the catalog called Facing Japan. Her latest project 'Land of Nothingness' is made in Namibia and exhibited in the Robert Mann Gallery in New York. She was selected for the Talent Call at Fotomuseum Amsterdam (FOAM) Netherlands 2012 and was the winner of the Emerging Talent competition of Lensculture in 2014 with the series ‘You are More than beautiful‘. In 2015 she won the Harry Penningsprijs in Eindhoven,Netherlands and in 2016 she won 1st place in the Landscape Category at the Sony World Photography Awards. She is currently living and working in Ghent, Belgium.Source: www.maroesjkalavigne.be Island: "Travelling through Iceland for four months, a country I was unfamiliar with: The light was bright, colours were vivid, and by the end of my trip the sun kept on shining all night long. Snow still held the country in its veil, creating a big white void. This has a way of cleaning up the landscape, the scenery gets more graphic. Wondering how this scene would look like in wintertime, I decided to go back for another month in January. The country turns blue at dusk in wintertime. All colours fade. Cities look like scale models seeking shelter from the weather in the shadow of the mountains.It was my intention to express the dazzling moment, that sometimes, time seems to stop."
Rena Effendi
Azerbaijan
1977
Fern L. Nesson
United States
Fern L. Nesson is a graduate of Harvard Law School. She received an M.A. in American History from Brandeis and an M.F.A in Photography from the Maine Media College. She lives in Cambridge, Massachusetts. She practiced law in Boston for twenty years and subsequently taught American History and Mathematics. Nesson's photographs have been shown internationally in solo exhibitions at the Politecnico University in Torino, Italy, Les Rencontres de la Photographie in Arles, France, Ph21 Gallery in Budapest, Hungary and at The University of the West Indies in Kingston, Jamaica. In the United States, Nesson has had solo exhibitions at the Griffin Museum of Photography, at MIT and Harvard, and at the Beacon Gallery in Boston, Massachusetts, the Pascal Gallery in Rockport, and Maine, and Through This Lens Gallery in Durham, NC. Additionally, her work has been selected for numerous juried exhibitions in the U.S., Barcelona, Rome and Budapest. Nesson's photobooks, Signet of Eternity and WORD, won the 10th and the 12th Annual Photobooks Award from the Davis-Orton Gallery. Her photography can be found at www.fernlnesson. Statement ''Art should not be copies of living things but... [itself] be [a] living thing – a real living form.'' Malevich (1916) My photographs capture the moment when mass becomes energy. My goal is to create living works of art that offer energy to the viewer. I shoot from reality; my images are never constructed, only sparingly edited. They distill a scene or an object it to its essence. Photographs that embody energy rely upon the camera to record a specific moment but, if they hit their mark, they escape and float free of it. The energy from the moment of capture enlivens these images. Like Cezanne's paintings, they are alive, they breathe. An energetic image expresses interconnectedness, visualizes movement and flow. It constitutes a moment of transcendence and teaches us that, although everything changes form, nothing is ever destroyed. It lives on, resonating with the past, celebrating the present, pointing to the future, embodying the universal, iconically representing the eternal. As Whitman’s wrote in Leaves of Grass, it can “chant the [viewer] into a new state of being, get him psychically airborne, boost him up to that height where he can identify with the past and commune with the future.”
Alban Lécuyer
France
1977
Born in Paris in 1977, Alban Lécuyer studied Journalism and Photography at the Lille Graduate School of Journalism (France). He mainly works as a photographer of architecture within public projects and for private companies (advertising campaigns, photographic missions). Whilst collaborating with various journals, he teaches the History of Photography and Image Analysis at the DMA in Nantes (France). His personal projects centre around the analysis of new forms of dwellings from the social, economic, political and media point of view, and on the alteration of urban space. His works have been exhibited in Spain (Getxophoto Festival), in Switzerland (Biel Festival of Photography) and in France (Le BAL, Circulation(s) Festival, Images Singulières Festival, Archifoto – International Awards of Architectural Photography, etc.). The Here Soon project transposes reality from everyday city life into the aesthetic of computer graphics, which aim to showcase high-quality real estate projects. The pictures of the series reproduce the codes of those fictitious representations of reality: contrasts are light, shadows are reduced to a minimum, and all that stands between the spectator and the architectural project – trees, vehicles, passers-by and so on – is shown in transparency. Nevertheless, the frame leaves place for writing on the walls, laundry hung out to dry, abandoned objects, trash – everything that bears witness to a civilization that has left its mark on the place that it inhabits. The presence of the local residents also calls attention to their singularity, their paths, and their relationship with their surroundings. Therefore, the emergence of a concrete memory of places contradicts the universal and potential value of images.
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