All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Win a Solo Exhibition in April 2026!
Win a Solo Exhibition in April 2026!
Builder Levy
Builder Levy

Builder Levy

Country: United States

New Yorker Builder Levy has been photographing America and her inhabitants for the past 50 years. His social consciousness took him to significant areas of our country during tumultuous times. His commitment to aesthetically [or artistically] documenting the world around him earned him the prestigious Guggenheim Fellowship in 2008. Levy's work is in more than 50 public collections, including the Metropolitan Museum of Art, Brooklyn Museum, High Museum of Art, International Center of Photography, Victoria and Albert Museum, and La Bibliotheque Nationale. He is also the author of two published photographic books.

Source: Arnika Dawkins Gallery


Intertwining social documentary, art and street photography, Builder Levy has been making photographs as objects of art that celebrate the human spirit for almost fifty years. He was awarded a John Simon Guggenheim Memorial Foundation Fellowship (’08), an Alicia Patterson Foundation Fellowship (‘04), a Furthermore Grant (‘03), Puffin Foundation Grant (‘01), and National Endowment for the Arts Visual Artists Fellowship in Photography (‘82), and two commissions from the Appalachian College Association (’95 and ‘02).

Levy’s two books are Images of Appalachian Coalfields, Temple Univ. Press, with a foreword by Cornell Capa, and Builder Levy Photographer, A.R.T. Press, with an introduction by noted photo historian Naomi Rosenblum. Levy has exhibited in more than 200 shows, including more than 50 one-person exhibitions in New York City, throughout the United States and around the world. In the Fall 2011, he is included in the exhibits Coal + Ice, curated by Susan Meiselas & Jeroen de Vries, a project of the Asia Society, at the Three Shadows Art Centre in Beijing; Posing Beauty, curated by Deborah Willis at Fisher Museum of Art, USC, Los Angeles (9/11-12/11); Photo Folio at the Museum of Fine Arts, Houston (10/11-1/12); at the Arnika Dawkins Gallery (Black & White and Color), (with 13 photographs) (10/1-10/29/11) in conjunction with Atlanta Celebrates Photography; and Mirrors and Reflections: A Group Show, curated by Evelyne Z. Daitz with co-curator Alison Bradley at the Robert Anderson Gallery at 24 West 57th Street, New York (11/17/11-1/7/12) The High Museum of Art included Levy’s photographs in the historic exhibition, Road to Freedom: Photographs of the Civil Rights Movement, 1956-1968 (and the accompanying eponymous book/catalogue), curated by Julian Cox. It opened at the High Museum of Art in 2008, and traveled for two years to museums in D.C., Chicago, Los Angeles and New York City. The Rubin Museum of Art in NYC featured 14 of Levy’s photographs in the show Mongolia: Beyond Chinggis Khan, 11/06-4/07.

Levy’s work is in more than 50 public collections in the US and around the world, including the Metropolitan Museum of Art, Brooklyn Museum, High Museum of Art, International Center of Photography, Victoria and Albert Museum, and La Bibliotheque Nationale. His photographs are featured in more than 25 books including, Harlem, A Century in Images, Studio Museum of Harlem, Skira/Rizzoli 2010, Freedom, Phaidon Press, 100 New York Photographers, Schiffer Press ‘09, Deborah Willis’ Posing Beauty, Norton Press, ‘09, Coal Country, Sierra Club Books, ’09, and Road To Freedom: Photographs of the Civil Rights Movement, 1956-1968. He was the featured artist (with 22 photos) in Appalachian Heritage, (Spring 2010). His subjects include inner-city New York City where he was a NYC teacher of at-risk adolescents for 35 years; coalfield Appalachia (spanning more than 40 years), civil rights and peace demonstrations (in the 1960s), Mongolia and other developing nations. He is completing a new book, Appalachia USA.

Source: builderlevy.com

 

Builder Levy's Video

Selected Books

Inspiring Portfolios

Call for Entries
AAP Magazine #55 Women
Publish your work in our printed magazine and win $1,000 cash prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Yas Crawford
United Kingdom
1961
Yas Crawford was born in Pembrokeshire in Wales where the geological landscape and biological make-up have subliminally influenced her work. Yas has had a career in geology, microbiology and life sciences, only later finding her way into photography. She now works in the 'Grey Space' between disciplines, connecting them via internal and external human landscapes often revealing micro and macro environments intertwined. She attempts to explain the emotion, not necessarily the science. She examines the point where science falls short and art steps in. Using digital and analogue photography, Yas's work has naturally developed in a fine art form because this is how she imagines the condition or the situation. Her multidisciplinary background enables her to explore abstraction, recognise areas of ambiguity often through topographical and geometrical shape. The repetitive nature of Yas's images reveals her scientific thinking: the constant production of sets of images produced as if they are a scientific experiment, carefully catalogued for success or failure and reflected in the images' numbering. The abstraction in her images gently removes the objectivity, however, and leaves her imagery open to everyone for interpretation, making it a safe place for her audience to absorb the information. Yas's work has been exhibited internationally, won several awards for her work and a finalist at the RPS Science Photographer of the Year 2019 with 'Oxygen Ib' A Biological Journey Biology defines us, it's almost rule-less unlike physics and chemistry, which are laden with laws, regulation and procedure, a necessity but limited. The path of the cycle of life remains in the 'Grey Space' that space in-between disciplines and is challenging. The Holocene Epoch; a journey of geological creation, the first life on earth, adapting genetics, human behaviour and interaction, environmental change and viral contamination remains a biological mystery undefined, ambiguous, unknown and often uncontrolled by humankind. Working within the 'Grey Space' I anticipate a journey tracing time, stimulating our senses, finding consciousness in the subconscious and allowing us to live, for a moment, in the present.
Cathleen Naundorf
France/Germany
Cathleen Naundorf is a French German photographer. In the late 1980s, she graduated from photography studies in Munich. She worked as a photo assistant in New York, Singapore and Paris in the following years, before she started traveling in 1993 to such destinations as Mongolia, Siberia, Gobi Desert and the Amazonas headwaters in Brazil. The results of these insightful pictures have been included in eight publications of renowned publishing houses. Inspired by her encounter of and longstanding friendship with Horst P. Horst, Cathleen Naundorf early on turned to fashion photography. As of 1997, she started photographing backstage Paris fashion shows for Condé Nast. Since 2005, Cathleen Naundorf has worked on her haute couture series “Un rêve de mode” focusing on seven couture houses : Chanel, Dior, Gaultier, Lacroix, Saab, Valentino and Philip Treacy. Thanks to her outstanding pictures, Cathleen Naundorf got the privilege to choose gowns from the couturiers’ archives for her elaborate and cinematic productions. This work got published in "The Polaroids of Cathleen Naundorf", Prestel Edition, 2012.She works with large format cameras like Plaubel or Deardorff for her shootIngs and use mostly Polaroid or negative films. Cathleen Naundorf is working passionately on Haute Couture and Luxury Prêt-à-Porter. Her work got published in magazines like Harper's Bazaar, Tatler, VS Magazine or American Express.Cathleen Naundorf's work is represented by the Hamiltons Gallery in London.
Dilla Djalil-Daniel
Indonesia
1966
Dilla Djalil-Daniel is a Jakarta based documentary photographer who was born in 1966. Her first introduction to the camera was when her father gave her a boxy Kodak camera as her 9th birthday present. Ever since then she has been something of a shutterbug. Dilla obtained her bachelor degree from The University of Indonesia, majoring in English Literature. Dilla's first photography mentor was her late father, and for many years she shot her objects intuitively, relying on her feelings, sensitivity and a good eye. In 2010 she decided to join a photojournalism workshop in Bangkok. She had finally found the genre that suited her the most, which is story telling using her camera. One workshop inevitably leads to another, and she found herself attending more and more documentary and photojournalism workshops. Dilla is an alumnus of the Foundry Photojournalism workshop, the Momenta Documentary workshop and the Obscura Workshop. These overseas workshops also suited her well since she loves adventurous travelling. In the course of these workshops she has been fortunate to have had an impressive list of various award-winning photojournalists as her mentors. For Dilla photography is the medium that enables her to express her feelings. It is an art form that sees the camera as a brush and light as paint and the intent is always to narrate a story. It is her wish to carry on telling stories through her pictures, the stories she feels like telling, for as long as she can. Orphans of the Forest As a documentary photographer who also happens to be an animal lover, my main motivation has been to explore the different facets of the relationship between mankind and the animal kingdom. What speaks to me most is trying to capture the mysterious forms of communication that can and do exist between us. I tend to spend a considerable amount of time portraying domestic and wild animals in the form of a photographic narrative. It is most certainly not just a matter of trying to capture images of animals looking cute. The relationship between animals and humans is complex even if there is a dependency with domesticated animals, let alone with animals in the wild, whose existence is threatened by human presence or activities. What I find particularly poignant is where the relationship between animals and humans involves both abuse and dependency. Domestic and increasingly animals in the wild can and do benefit from compassionate intervention by humans. Much of my work attempts to depict this in action. The people involved are often rather under appreciated but it does not affect their devotion and passion in helping their charges by trying to improve their welfare and health. My intention is to try and speak on behalf of the animals and those who care for them.
Christopher Anderson
Christopher Anderson (b.1970, Canada), a member of Magnum Photos for over ten years, has covered an innumerable list of political and social issues around the world. Whilst he is widely known for his moving photographs of fleeing Haitian immigrants aboard a sinking handmade boat named 'Believe in God', Anderson has also made pictures of Barack Obama, Al Gore and David Letterman amongst countless other people and places. Contrary to the often-unforgiving frontiers Anderson places himself in, his photographs are always imbued with palpable emotion. In a society in which a torrent of photographs from the mass media drive an apathetic view of such narratives, Anderson instead offers an alternative, poetic and intimate practice that that speaks of his own experience, whilst constructing a frame for us to experience it with him. In 2000, Christopher Anderson received the Robert Capa Gold Medal for his series on the crossing made by boat by Haitian refugees to the United States. He has also been nominated for a Pulitzer Prize. Anderson has worked for Newsweek Magazine and National Geographic Magazine and in 2011 he became the first Photographer in Residence at New York Magazine. Numerous books have been published on his work: Nonfiction (2003), Capitolio (2009), Son (2013), Stump (2014) and his latest book Approximate Joy (2018). Anderson lives and works in both New York and Barcelona.Source: The Ravestijn Gallery Christopher Anderson is known for his emotionally charged, artfully drawn images that explore themes of truth and subjectivity. He is one of today’s most influential photographers, whose origins began in war reporting and later transformed into something more intimate, blending the worlds of commercial, art and fashion work, but always with a foundation in documentary. Anderson was born in 1970 in Canada and grew up in west Texas. His photographic career began working for local newspapers. In 2000, on assignment for the New York Times Magazine , he boarded a small wooden boat with 44 Haitians trying to sail to America. The boat sank in the Caribbean. The photographs received the Robert Capa Gold Medal and marked the beginning of a ten-year period as a contract photographer for Newsweek Magazine and National Geographic Magazine. In 2011 he became New York Magazine’s first ever Photographer in Residence; a notable collaboration that would also mark Anderson’s shift into portraiture and fashion, making images of significant figures including Barack Obama, Spike Lee and Debby Harry. In 2008, after the birth of his first child, Anderson moved further away from journalistic magazine work to subjects more immediate to his personal experience. In 2012, his book, SON, was published, defining a visual direction that has come characterize to his work. Other projects created within this intensely intimate approach include Capitolio, Stump and Approximate JOY.
Advertisement
AAP Magazine #55 Wmen
Win a Solo Exhibition in April
AAP Magazine #55 Wmen

Latest Interviews

Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Call for Entries
AAP Magazine #55 Women
Publish your work in our printed magazine and win $1,000 cash prizes