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Peter Lindbergh
Peter Lindbergh

Peter Lindbergh

Country: Germany
Birth: 1944 | Death: 2019

Peter Lindbergh was a German fashion photographer and film director known for his evocative black and white images and his distinctive, naturalistic style. He was born in Lissa, Germany (now Leszno, Poland) and grew up in Duisburg, Germany. He studied photography in Munich and worked as a photographer's assistant in Dusseldorf before moving to Paris in 1978 to start his career as a fashion photographer.

Once upon a time, the photographer had to have an idea, not just click the shutter.

-- Peter Lindbergh


Lindbergh's photographs appeared in numerous international fashion magazines, including Vogue, Harper's Bazaar, and Elle. He also worked with many of the world's leading fashion houses, including Chanel, Dior, and Armani. His images are known for their timeless quality and for the way they capture the spirit and personality of his subjects.

In addition to his work in fashion, Peter Lindbergh also directed several films and documentaries, including the documentary Models, which explored the world of fashion modeling, and the film Pollution, which examined environmental issues.

Peter Lindbergh was also active in humanitarian causes, using his talent and influence to raise awareness about social and political issues. He was a member of the American Association of Physicians for Human Rights and worked with Amnesty International on a campaign against the death penalty.

When you do portrait photography it really can be quite insane. It’s crazy what is possible today. Photoshop is a huge tragedy in that respect as well, no question!

-- Peter Lindbergh


Lindbergh was the recipient of numerous awards and honors throughout his career, including the Chevalier de l'Ordre des Arts et des Lettres and the German Bambi award. He was also inducted into the German Photography Hall of Fame in 2003.

Peter Lindbergh passed away on September 3, 2019 at the age of 74. His work continues to be exhibited and celebrated around the world.
 

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More Great Photographers To Discover

Jacqui Turner
United States
1955
Art enables us to find ourselves and lose ourselves at the same time. - Thomas Merton I am a Fine Art Photographer residing in Monterey Bay. My work consists of abstracts, surrealism, still lifes, landscapes, architecture, and portraits. I strive to create works of art that exhibit beauty, timelessness, and meaning. My photography has been nourished by my career as a dancer/choreographer. Engaging in the elements of shape, form, design, light, and emotion, empowers me to express reflections of our experience of reality. As I pick up my camera, a creative evolution begins. Approaching the natural world with awe and wonderment, I am transported. My photographs express what I am feeling within, what I am drawn to, what touches me, then I frame it, and the final interpretation is left up to the viewer. I am a longtime member of the Center for Photographic Art Carmel, CA and ImageMakers of Monterey, in which I was Director for 6 years. I also teach photography and art to youth, and have been a photography assistant for several local photography workshops over the years. My work has been displayed at the New York Center for Photographic Art, A. Smith Gallery, SE Center for Photography, RI Center for Photographic Art, Center for Photographic Art, Praxis Gallery, All About Photo, Pacific Grove Art Center, Monterey Maritime Museum, ArtVale Gallery, Alvarado Gallery, Marjorie Evans Gallery, Carmel Visual Arts, Homescapes, Carl Cherry Center, Spider Awards Online Exhibits, Triton Museum Online Exhibit, Merit Award Black And White Magazine, and other venues. Statement I spent most of my life as a dancer and a choreographer, and now I find that I respond to the visual world through that lens. In shapes and forms, I see grace, mystery, fluidity, and emotion. Through this series, Veiled in Light, the leaves created their own dance, a dance expressed through the use of light, form, texture, and dimension. Within these images, light and dark reveal the sensuality of objects from the natural world. Working with a minimalist intent, I created this series to encompass what I love about nature. There is a transformation in the free flowing forms, evoking nature's seductiveness while instilling a sense of peace and serenity, a combination that I perceive as a dance, a performance, a celebration of the beauty of the natural world.
John Thomson
Scotland
1837 | † 1921
John Thomson, one of the great figures of nineteenth century photography, is known for the unusual and exotic nature of his chosen subject matter. Born in Edinburgh, Scotland in 1837, Thomson took up photography as a profession in his early twenties. For ten years, from 1862, he traveled and explored the Far East, visiting Hong Kong, Singapore, Penang and the Malay Peninsula, Siam, Cambodia, Vietnam, Formosa and especially China. Utilizing a large wooden box-type camera capable of accommodating a glass plate of up to 12 x 16 inches, John Thomson photographed commoners and kings, attempting to capture the individual behind the veneer of social status. His photographic record of the Far East documented a complete panorama of the cultures and people of the Far East at a time when Westerners were a few and curious lot. John Thomson not only created a photographic history, but also wrote numerous articles and books on his travels and views of life in the Far East. There is no doubt that it was Thomson’s sympathetic approach to his subjects, and the dignity with which he embued them, as much as his great technical expertise, which enabled him to produce such an outstanding photographic documentary. It is this marriage between sensitivity, technical expertise and sheer professionalism, not to mention his voluminous literary output and descriptions of the scenes and people, which he photographed, that has earned Thomson the title of the ‘first of the great photo-journalists’. His work, which has only recently gained full recognition, represents one of the great photo-historical records in the history of documentary photography. Source Westwood Gallery
Candy Lopesino
Spanish photographer and cinematographer born in Madrid 1958, Candy Campesino lives and works in Madrid. She is a member of the global community Women Street Photographers and a member of DOCMA Documentary Filmmakers Association. "The first time I saw the black and white image appear in the developer tank, I knew that photographing was what I wanted to do for a lifetime. Photography helps me discover the world around me, to know better myself and to express myself. With which I manage to unite two of my passions, photography and traveling. My professional career begins as a graphic reporter under the signature of Hidalgo-Lopesino photographers collaborating with the Incafo publishing house and in collaboration with the UNESCO it realizes articles for the collection of books 'The Heritage of the Humanity' in Mexico, Bulgaria, Tunis, Portugal, Italy, Great Britain, Spain, France, Panama… I have collaborated with others magazines: GEO Spain, GEO Japan, Viajes National Geographic, Traveler, Volta ao Mundo, Saveur Magazine New York, Rutas del Mundo, Península, Descubrir, Altaïr… There was a first photography exhibition that made a huge impact on me. They were the portraits that Edward Sheriff Curtis had made of the North American Indians and to which he had dedicated 30 years of his life. The portraits were impressive, and the time spent on the project blew me away. I left the showroom wanting to do a long-term personal project. This is how I start my personal project 'The Iberians' in which I have been working for the first two decades of the 21st century and in which I continue to photographing. " The Iberian: The Iberian Peninsula is a geographical concept formed by Spain and Portugal, two geographically united countries but separately by an invisible border. THE IBERIANS is an essay about my travels through this territory visually narrating the things that happen while wandering around Iberia, how to write in a sketchbook. The knowledge of a specific territory gives depth and meaning to my project, that is why my work is a continuous journey through Spain and Portugal. They are places where I explore the concepts of territory, border, light, memory and identity through the observation of the other. In The Iberians I rediscover the common places, their people, their culture, their realities circumscribed to geography, in short, I explore the human condition.
Elaine Ling
Canada
1946 | † 2016
Elaine Ling was an exuberant adventurer, traveler, and photographer who was most at home backpacking her view camera across the great deserts of the world and sleeping under the stars. Born in Hong Kong, Elaine Ling has lived in Canada since the age of nine. Upon arrival in Canada, Elaine was exhilarated by the freedom of space and began her attraction to Stone and places of Nature. She studied the piano, the cello and medicine. Since receiving her medical degree from the University of Toronto, she has practiced family medicine among various First Nations peoples in Canada's North and Pacific Northwest as well as on the other side of the world, in Abu Dhabi and Nepal. Seeking the solitude of deserts and abandoned architectures of ancient cultures, Elaine Ling has explored the shifting equilibrium between nature and the man-made across four continents. Photographing in the deserts of Mongolia, Ethiopia, Madagascar, Timbuktu, Namibia, North Africa, India, South America, Australia, American Southwest; the citadels of Ethiopia, San Agustin, Persepolis, Petra, Cappadocia, Machu Picchu, Angkor Wat, Great Zimbabwe, Abu Simbel; and the Buddhist centres of Myanmar, Laos, Vietnam, Tibet, and Bhutan; she has captured that dialogue. Ling's photographs, widely exhibited and published, are in the permanent collections of numerous museum and private collections including the Bibliothèque Nationale, Paris, France; Musée de la Photographie, Charleroi, Belgium; Fotografie Forum International, Frankfurt, Germany; Museet for Fotokunst, Odense, Denmark; Centro Portugues de Fotografia, Porto, Portugal; Scavi Scaligeri International Centre of Photography, Verona, Italy; Fototeca de Cuba, Havana; Lishui Museum of Photography; Museum of Fine Arts, Houston, Texas; Brooklyn Museum, New York; SE Museum of photography, Florida, the Cleveland In Canada, Ling is in the collections of the National Gallery of Canada, Ryerson University, Art Gallery of Ontario, Royal Ontario Museum, the Canadian Museum of Contemporary Photography. Her international publications include work in View Camera, Photo Technique International, The Polaroid Book, Italian Zoom Magazine, Orion Magazine, Viktor Magazine, BMJ and Aperture. When not photographing, Dr. Ling practiced family medicine in Toronto and played cello in Orchestra Toronto, a community orchestra. She was a fellow of the Royal Canadian Geographical Society.Any books ordered will be filled by Edward Pong, her brother, thru his website ultraanaloguerecordings.com
Gilles Caron
France
1939 | † 1970
Gilles Caron (8 July 1939 – 5 April 1970) was a French photographer and photojournalist. He was born in Neuilly-sur-Seine, Hauts-de-Seine, France, of a Scottish mother and a French father, Edouard Caron, an insurance company manager. After the divorce of his parents in 1946, Caron spent 7 years in a boarding school in Argentières, Haute-Savoie. A keen horserider, Gilles Caron briefly embraced a career in horse racing, before moving to Paris where he attended the lycée Janson de Sailly. He then moved on to study journalism at the École des Hautes Études Internationales, still in Paris. He served his National Service in Algeria from 1959 as a paratrooper in the 3rd Marine Infantry Parachute Regiment (3e RPIMa). After nearly 2 years fighting a war he opposed, Caron refused to fight after the Generals' putsch, an aborted coup d'état attempted by 4 former French generals in April 1961. As a result, he spent 2 months in a military prison before finishing his military service in 1962. After returning to Paris Gilles Caron married Marianne, a long-time friend. They had 2 daughters, Marjolaine (born 9 March 1963) and Clémentine (born 8 December 1967). In 1964 Gilles Caron started working with Patrice Molinard, a fashion and advertisement photographer. In 1965 he joined the APIS (Agence Parisienne d'Informations Sociales) where he met Raymond Depardon, then working for Dalmas agency. It was during this period that he had his first major success as a photojournalist, with one of his photos illustrating the leading article of France Soir (21 February 1966 issue, on the Ben Barka affair). After leaving the APIS and briefly working for a celebrity photography agency, Caron joined Depardon and the founders of the recently created Gamma agency in 1967. For the next 3 years Caron covered most of the high-profile conflicts in the world in various countries: Israel in June 1967 during the Six-Day War; Vietnam in November and December 1967, where he was present during the infamous battle for Hill 875 in Dak To; Biafra in April 1968 where he returned twice (in July and November the same year), and where he was with his very good friend Don McCullin and where he met Bernard Kouchner, future co-founder of Médecins Sans Frontières; France in May 1968 to cover the student upheaval in Paris; Mexico in September 1968, when the military and armed men shot student demonstrators in Mexico City days before the opening ceremony of the Olympics; Northern Ireland in August 1969 to cover The Troubles; Czechoslovakia in August 1969 for the anniversary of the end of the Prague Spring the year before. In 1970 Gilles Caron went to Cambodia after king Norodom Sihanouk was deposed by Lon Nol on 18 March 1970. On April 5, Gilles Caron disappeared on Route 1, a road between Cambodia and Vietnam controlled by Pol Pot's Khmer Rouge.Source: Wikipedia In the space of just a few years Gilles Caron, a passionate and audacious young journalist, made his mark in the world of photography breathing new life into a genre: photojournalism. He founded the photographic agency Gamma in 1968 with Raymond Depardon and rapidly made a name for himself by covering all of the period’s major conflicts: the Middle East, Vietnam, Chad, Northern Ireland, Biafra… Wherever there was fighting, he was there with his camera until one day in April 1970, 5 April to be precise, when he disappeared in Cambodia in a zone controlled by the Khmer Rouge. Although he was primarily known as a war reporter, Caron’s photography is also remarkable for the way he managed to capture the quintessential spirit of the 1960s: cinema and France’s Nouvelle Vague, fashion, music, the rebellious younger generation and politics are amongst his main subjects, those that inspired some of his most striking images. His extremely realistic account of the events of May 1968, in particular his famous photo of Daniel Cohn-Bendit confronting a CRS riot policeman, are indelibly fixed in our collective memory. In just a few short years, Caron managed to prove that he was one of photojournalism’s greats.Source: Jeu de Paume
Jon Enoch
United KIngdom
1979
Jon Enoch discovered his love of photography on a round-the-world-trip, which he won in a competition while in his first year of university, studying geography. He bought a simple point-and-shoot camera and discovered a passion and a skill for portrait and lifestyle photography - looking for an unusual shot, rather than a standard tourist snap. He returned to university to complete his degree in geography, but was still out every weekend working on his own portraiture projects. After he left university, he did a one year course in newspaper photography and began a career in press photography. Jon started developing his bold portraiture style while freelancing at The Times, and now specialises in photo shoots for CEOs, sportspeople and celebrities, as well as advertising and lifestyle shoots. Describing his work as 'bold and uncomplicated', Jon loves playing with light, and how it affects the mood of the work. Jon still works on his own personal projects, and his 'Bikes of Hanoi' set of street images of moped delivery drivers earned him numerous industry accolades and awards, including the, Sony World Photography Awards 2020, Smithsonian Grand Prize Winner 2020, Portraits of Humanity 2020; Lens Culture Portrait Prize 2020 and a gold at the Prix de la Photographie Paris. Statement Jon said: "I continue to develop my skills and my style at every opportunity I get. I had some great personal photography projects in the planning before Covid-19 hit, so hopefully I will get to pick up those plans again before long. During the UK lockdown, I spent my time developing my directing skills. Mixing stills and moving images is something clients increasingly want and I find it an interesting creative challenge. The two worlds are in many ways so similar but at times so different. Being able to tackle both is something I really enjoy. Essentially I want to take stunning images that people connect with. " Exclusive Interview with Jon Enoch
Tianhu Yuan
China
1986
Tianhu Yuan (Tales Yuan) is a self-taught Chinese visual artist based in Chengdu and Chongqing. He has a long-standing interest in ACG-related generalized Nijigen subcultural community, and aims to build a dialogue between mainstream society and subculture through his work. He also focuses on the progress of society to explore the relationship between current technology and future developments. His work has been exhibited at China 29th National Photographic Art Exhibition, RPS IPE165, Galerie Huit Arles, PHOTO IS:RAEL International Photo Festival, Jakarta International Photo Festival, PhEST Festival, Head On Photo Festival and Lishui Art Museum. He was also awarded or shortlisted from Sony World Photography Awards, Fine Art Photography Awards, BJP OpenWalls Arles, BJP Portrait of Humanity, Lucie Foundation Scholarships, PhMuseum Photography Grant, the Meitar Award for Excellence in photography and Head On Photo Awards. Self Iterating of Chongqing A traditional neighbourhood is demolished to make way for bustling shopping districts. People are digging tunnels and building bridges to build railways, leaving behind the mountains and rivers that once defined the city's character. Citizens cope with the extremes of summer in the city known as the furnace of China. It is a city of tradition, but it is also a city looking to the future. In choosing to develop, human beings leave something behind and gain something new. People believe in moving towards a better future at the moment of choice. By capturing these moments of transition and transformation, I aim to highlight the complexities of urban development and the challenges that societies face when balancing progress with environmental preservation. I try to contemplate the role of human beings in shaping our cities and the environment, and to consider the choices we make as we look towards the future. AAP Competitions All About Photo Awards 2025
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