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Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Peter Lindbergh
Peter Lindbergh

Peter Lindbergh

Country: Germany
Birth: 1944 | Death: 2019

Peter Lindbergh was a German fashion photographer and film director known for his evocative black and white images and his distinctive, naturalistic style. He was born in Lissa, Germany (now Leszno, Poland) and grew up in Duisburg, Germany. He studied photography in Munich and worked as a photographer's assistant in Dusseldorf before moving to Paris in 1978 to start his career as a fashion photographer.

Once upon a time, the photographer had to have an idea, not just click the shutter.

-- Peter Lindbergh


Lindbergh's photographs appeared in numerous international fashion magazines, including Vogue, Harper's Bazaar, and Elle. He also worked with many of the world's leading fashion houses, including Chanel, Dior, and Armani. His images are known for their timeless quality and for the way they capture the spirit and personality of his subjects.

In addition to his work in fashion, Peter Lindbergh also directed several films and documentaries, including the documentary Models, which explored the world of fashion modeling, and the film Pollution, which examined environmental issues.

Peter Lindbergh was also active in humanitarian causes, using his talent and influence to raise awareness about social and political issues. He was a member of the American Association of Physicians for Human Rights and worked with Amnesty International on a campaign against the death penalty.

When you do portrait photography it really can be quite insane. It’s crazy what is possible today. Photoshop is a huge tragedy in that respect as well, no question!

-- Peter Lindbergh


Lindbergh was the recipient of numerous awards and honors throughout his career, including the Chevalier de l'Ordre des Arts et des Lettres and the German Bambi award. He was also inducted into the German Photography Hall of Fame in 2003.

Peter Lindbergh passed away on September 3, 2019 at the age of 74. His work continues to be exhibited and celebrated around the world.
 

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Graciela Iturbide
Graciela Iturbide was born in 1942 in Mexico City. In 1969 she enrolled at the age of 27 at the film school Centro de Estudios Cinematográficos at the Universidad Nacional Autónama de México to become a film director. However she was soon drawn to the art of still photography as practiced by the Mexican modernist master Manuel Alvarez Bravo who was teaching at the University. From 1970-71 she worked as Bravo's assistant accompanying him on his various photographic journeys throughout Mexico. In the early half of the 1970s, Iturbide traveled widely across Latin America in particular to Cuba and several trips to Panama. In 1978 Graciela Iturbide was commissioned by the Ethnographic Archive of the National Indigenous Institute of Mexico to photograph Mexico's indigenous population. Iturbide decided to document and record the way of life of the Seri Indians, a group of fisherman living a nomadic lifestyle in the Sonora desert in the north west of Mexico, along the border with Arizona, US. In 1979 she was invited by the artist Francisco Toledo to photograph the Juchitán people who form part of the Zapotec culture native to Oaxaca in southern Mexico. Iturbide's series that started in 1979 and runs through to 1988 resulted in the publication of her book Juchitán de las Mujeres in 1989. Between 1980 and 2000, Iturbide was variously invited to work in Cuba, East Germany, India, Madagascar, Hungary, Paris and the US, producing a number of important bodies of work. She has enjoyed solo exhibitions at the Centre Pompidou (1982), San Francisco Museum of Modern Art (1990), Philadelphia Museum of Art (1997), The J. Paul Getty Museum (2007), MAPFRE Foudation, Madrid (2009), Photography Museum Winterthur (2009), and Barbican Art Gallery (2012), between others. Iturbide is the recipient of the W. Eugene Smith Memorial Foundation Award, 1987; the Grand Prize Mois de la Photo, Paris, 1988; a Guggenheim Fellowship for the project 'Fiesta y Muerte', 1988; the Hugo Erfurth Award, Leverkusen, Germany, 1989; the International Grand Prize, Hokkaido, Japan, 1990; the Rencontres Internationales de la Photographie Award, Arles, 1991; the Hasselblad Award, 2008; the National Prize of Sciences and Arts in Mexico City in 2008; an Honorary Degree in photography from the Columbia College Chicago in 2008; and an Honorary Doctorate of Arts from the San Francisco Art Institute in 2009.Source: www.gracielaiturbide.org Graciela Iturbide photographs everyday life, almost entirely in black-and-white, following her curiosity and photographing when she sees what she likes. She was inspired by the photography of Josef Koudelka, Henri Cartier-Bresson, Sebastiao Salgado and Manuel Álvarez Bravo. Her self-portraits especially reflect and showcase Bravo's influence and play with innovation and attention to detail. Iturbide eschews labels and calls herself complicit with her subjects. With her way of relating to those she is photographing, she is said to allow her subjects to come to life, producing poetic portraits. She became interested in the daily life of Mexico's indigenous cultures and people (the Zapotec, Mixtec, and Seri) and has photographed life in Mexico City, Juchitán, Oaxaca and on the Mexican/American border (La Frontera). With focus on identity, sexuality, festivals, rituals, daily life, death, and roles of women, Iturbide's photographs share visual stories of cultures in constant transitional periods. There's also juxtaposition within her images between urban versus rural life, and indigenous versus modern life. Iturbide's main concern has been the exploration and investigation of her own cultural environment. She uses photography as a way of understanding Mexico; combining indigenous practices, assimilated Catholic practices and foreign economic trade under one scope. Art critic, Oscar C. Nates, has describes Iturbide's work as "anthropoetic." Iturbide has also photographed Mexican-Americans in the White Fence (street gang) barrio of Eastside Los Angeles as part of the documentary book A Day in the Life of America (1987). She has worked in Argentina (in 1996), India (where she made her well-known photo, "Perros Perdidos" (Lost Dogs)), and the United States (an untitled collection of photos shot in Texas). One of the major concerns in her work has been "to explore and articulate the ways in which a vocable such as 'Mexico' is meaningful only when understood as an intricate combination of histories and practices." She is a founding member of the Mexican Council of Photography. She continues to live and work in Coyoacán, Mexico. In awarding her the 2008 Hasselblad Award, the Hasselblad Foundation said: "Graciela Iturbide is considered one of the most important and influential Latin American photographers of the past four decades. Her photography is of the highest visual strength and beauty. Graciela Iturbide has developed a photographic style based on her strong interest in culture, ritual and everyday life in her native Mexico and other countries. Iturbide has extended the concept of documentary photography, to explore the relationships between man and nature, the individual and the cultural, the real and the psychological. She continues to inspire a younger generation of photographers in Latin America and beyond." Some of Iturbide's recent work documents refugees and migrants. In her work Refugiados (2015), offers a stark contrast between love and family and danger and violence showing a smiling mother holding her child in front of a hand-painted mural of Mexico dotted with safety and danger zones. The largest institutional collection of Iturbide's photographs in the United States is preserved at the Wittliff collections, Texas State University, San Marcos, TX.Source: Wikipedia
Neal Menschel
United States
Neal Menschel has been a photographer for over 25 years. He has photographed five presidents and traveled the world covering third world politics and development, and environmental issues. He began his career as a photographer for the Anchorage Daily News in Anchorage, Alaska.   As a freelance photographer, Neal’s clients have included The New York Times, Newsweek, MIT, Tufts, Wellesley College, People, Geo, Front Line, Yankee, as well as other publications and numerous corporate clients. Neal also worked as an associate producer and sound recordist on a series of award-winning documentary films for WGBH-Boston, and WBZ-TV, Boston, additionally teaching photography/documentary photography at Boston University. Neal was the Director of Photography and Senior Photographer for the Christian Science Monitor. He has traveled extensively, both nationally and worldwide, specializing in third world politics and development, environmental issues, domestic politics, humanitarian, social, and cultural issues, always with a focus on people and matters of the "human heart." Neal was the Director of Photography for the Salt Institute for Documentary Studies, a graduate and undergraduate training program in photography, radio, and writing, in Portland, Maine. Neal led their photography program for nine years before moving to the San Francisco Bay Area. Many of the students Neal has taught, mentored, and shared his passion for photography and visual storytelling are now successfully carrying on careers in photojournalism and fine art photography. Neal is currently working on a book about West Virginia culture.  He teaches in Stanford University's Continuing Studies Program while he continues his work as a photographer, journalist, teacher, and workshop instructor/leader. Source: nealmenschel.photoshelter.com
John Delaney
United States
1963
In today's growing global society the precious differences between our many world cultures are rapidly eroding away. What do we all lose when an ancient culture disappears and centuries of tradition are abandoned and then forgotten? For me, photography has become a way to speak out against this passing. It is a way to record an existence that may soon vanish, to capture and celebrate what it is that makes a people unique, not just in appearance, but also in spirit. The method and style of my photography is very traditional. My equipment has changed little in over a century. I travel with a large format wood view camera and a portable studio tent. My traveling studio not only controls the light but also serves as a common meeting ground in which my subjects present themselves. I give them little direction and I let serendipity rule the moment. The goal is to create a portrait that reveals something beneath the obvious: a sense of grace, nobility, or humanity. The photograph needs to be more than just an observation. It is my hope that the connection made between the subject and myself will be passed on to others through my work. My wish is to honor my subjects in a simple un-patronizing and respectful way. The images that are captured on film come to life for me in the darkroom. Irving Penn said, "A beautiful print is a thing in itself, not just a halfway house on the way to the page". I love to dig deep into a negative to create a print that is full of the light, textures, and depths of expression that I experienced in the field. The result should be an image that not only tells a story about its subject, but is also a beautiful object in itself. Native Americans referred to photographers of the 19th century as "shadow catchers", and feared that the camera would steal away their spirit. That, in fact, is exactly what I hope to do. Not only to capture light, but also the "essence" of the people I photograph. In this way maybe I can preserve more than just a moment before it fades away into time.My love of photography began when I discovered Irving Penn's Worlds in a Small Room. Penn's work, as well that of Bruce Davidson, sparked my creative imagination. I attended Rochester Institute of Technology where I was taught the science and history of photography. But my real education began at the Richard Avedon Studio. I started as his studio assistant then eventually became his master printer. For 15 years I observed his passion, intelligence and meticulous craftmanship. That relationship opened the door to working with my original heros, Irving Penn and Bruce Davidson. Each of these masters informs and inspires my work. Mr. Penn for his wide range and love for the exquisite print; Davidson for the way he immerses himself in his subject, instilling trust; and Avedon with his intense preparation and skillfull cajoling, getting behind the "masks" of his subjects. Source: www.johndelaney.net
Yann Arthus-Bertrand
Yann Arthus-Bertrand, born in 1946, has always had a passion for the animal world and the natural environment. At the age of 20, he settled in central France and became the director of a nature reserve. When he was 30, he travelled to Kenya with his wife with whom he carried out a three-year study on the behaviour of a family of lions in the Massaï Mara reserve. He quickly started using a camera as a visual aid to capture his observations and enhance the written reports they compiled. While in Africa, he earned his living as a hot-air balloon pilot. This was when he really discovered the earth from above and the advantages of viewing what he was studying from afar to gain an overall picture of an area and its resources. He discovered his calling: to demonstrate the Earth’s beauty and show the impact of mankind on the Planet. His first book, Lions, was born of this adventure – he likes to call these lions his "first photography teachers." Little by little, Yann became a reporter focusing on environmental issues, and collaborating with Geo, National Geographic, Life, Paris Match, Figaro Magazine etc. He then started a personal work on the relationship mankind/ animal, which led to the books Good Breeding and Horses. In 1991, he founded the first aerial photography agency in the world. For the First Rio Conference in 1992, Yann decided to prepare a big work for the year 2000 on the state of the planet: it is The Earth From the Air. This book encountered a great success and over 3 million copies were sold. The outdoor exhibitions have been seen so far by about 200 Million people. Yann then created the Goodplanet Foundation that aims to raise public awareness of environmental issues, implement carbon offset programmes and fight deforestation with local NGOs. Within the Foundation, he developed the 6 billion Others project, that has just changed names and become 7 billion Others. More than 6000 interviews were filmed in 84 countries. From a Brazilian fisherman to a Chinese shopkeeper, from a German performer to an Afghan farmer, all answered the same questions about their fears, dreams, ordeals, hopes: "What have you learned from your parents? What do you want to pass on to your children? What difficult circumstances have you been through? What does love mean to you?" Forty or so questions that help us to find out what separates and what unites us. Due to this involvement, Yann Arthus-Bertrand is today considered more an environmentalist and activist than a photographer. It is because of this commitment that Yann Arthus-Bertrand was designated Goodwill Ambassador for the United Nations Environment Programme on Earth Day (April 22nd, 2009). In 2006, Yann started the series Vu Du Ciel, a television documentary series of several one-and-a-half hour episodes, each dealing with a particular environmental problem. It was shown on French public television and is currently being distributed for broadcast in 49 countries. Encouraged by his television experiment, Yann Arthus-Bertrand undertook the production of a full-length feature film, HOME, that deals with the state of our planet. The film was released on the 5th of June 2009 on television, on the Internet, on DVD and in cinemas simultaneously worldwide, almost entirely free of charge to the public. More than 600 million people have seen it so far. In 2011, Yann directed two films for the United Nations : the film Forest, official film of the 2011 International Year of the Forest, and the film Desertification. Both were screened during UN General Assemblies. Yann founded a non-profit production company, Hope. For the World Water Forum in March 2012, Yann, Thierry Piantanida and Baptiste Rouget-Luchaire directed a film narrating the history of water and reminding us that reasoned management of water is a crucial challenge for our century. This documentary was broadcast on French national television on the 20 th of March 2012. For Rio + 20, Yann directed the film Planet Ocean with Michael Pitiot. This film aims to promote understanding of the importance of oceans in the ecosystem. In the same time, the GoodPlanet Foundation initiated a “Ocean Programme”, to raise awareness of the importance of marine ecosystems. At the heart of this programme, the publication of the book “L’Homme et la Mer” by the Editions de la Martinière, available in bookstores from the 18 th of October 2012.All the films produced by HOPE are available free of charge to NGOs, nonprofits and schools in the frame work of environmental education. Source: www.yannarthusbertrand.org
Francesca Woodman
United States
1958 | † 1981
Francesca Woodman was an American photographer best known for her black and white pictures featuring herself and female models. Many of her photographs show young women who are nude, blurred (due to movement and long exposure times), merging with their surroundings, or whose faces are obscured. Woodman attended public school in Boulder, Colorado, between 1963 and 1971 except for second grade, which she attended in Italy. She began high school in 1972 at the private Massachusetts boarding school Abbot Academy, where she began to develop her photographic skills and became interested in the art form. Abbot Academy merged with Phillips Academy in 1973; Woodman graduated from the public Boulder High School in 1975. Through 1975, she spent summers with her family in Italy. She spent her time in Italy in the Florentine countryside, where she lived on an old farm with her parents. Beginning in 1975, Woodman attended the Rhode Island School of Design (RISD) in Providence, Rhode Island. She studied in Rome between 1977 and 1978 in a RISD honors program. As she spoke fluent Italian, she was able to befriend Italian intellectuals and artists. She went back to Rhode Island in late 1978 to graduate from RISD. Woodman moved to New York City in 1979. After spending the summer of 1979 in Stanwood, Seattle whilst visiting her boyfriend at Pilchuck Glass School, she returned to New York "to make a career in photography." She sent portfolios of her work to fashion photographers, but "her solicitations did not lead anywhere. In the summer of 1980 she was an artist-in-residence at the MacDowell Colony in Peterborough, New Hampshire. In late 1980 Woodman became depressed due to the failure of her work to attract attention and to a broken relationship. She survived a suicide attempt, after which she lived with her parents in Manhattan. On January 19, 1981, she committed suicide by jumping out a loft window in New York. An acquaintance wrote, "things had been bad, there had been therapy, things had gotten better, guard had been let down." Her father has suggested that Woodman's suicide was related to an unsuccessful application for funding from the National Endowment for the Arts.Source: Wikipedia Francesca Woodman photographed herself, often nude, in empty interiors. But her pictures are not traditional self-portraits. She is usually half-hidden by objects or furniture or appears as a blur. The images convey an underlying sense of human fragility. This fragility is exaggerated by the fact that the photographs are printed on a very small scale – they seem personal and intimate. Most of the photographs in the ARTIST ROOMS collection come from Francesca’s former boyfriend Benjamin P. Moore. She gave him the photographs, and many of them include intimate messages written in their margins. The messages become part of the artwork. Woodman continuously explored and tested what she could do with photography. She challenged the idea that the camera fixes time and space – something that had always been seen as one of the fundamentals of photography. She playfully manipulated light, movement and photographic effects, and used carefully selected props, vintage clothing and decaying interiors to add a mysterious gothic atmosphere to the work. Her importance as an innovator is significant, particularly in the context of the 1970s when the status of photography was still regarded as less important than painting and sculpture. She led the way for later American artists who used photography to explore themes relating to identity such as Cindy Sherman and Nan Goldin. Francesca Woodman’s entire body of work was produced as a young person and created over just eight short years. Her photographs explore many themes that affect young people such as relationships, sexuality, questions of self, body image, alienation, isolation and confusion or ambiguity about personal identity.Source: Tate
Kristoffer Albrecht
Kristoffer Albrecht is a Finnish photographer, born in Helsinki, Finland in 1961. Albrecht lives in Ingå, Finland, and works as an independent photographer. His photographic work has been exhibited in his native Finland and internationally. Albrecht's work can be seen in collections at Helsinki’s Finnish Museum of Photography, Stockholm’s Moderna Museet, Moscow’s Pushkin Museum, Bibliothèque Nationale de France in Paris, Metropolitan Museum of Art in New York, and more. Albrecht has published some 30 books, among them Metropol (1998), Memorabilia (2004) and ZigZag in Europe (2009). Kristoffer Albrecht is represented in art museums and other public collections in Finland, France, Germany, Russia, Sweden, USA. Kristoffer Albrecht has been exhibiting both at home and abroad since 1983. Previously mentored by acclaimed Finnish photographer Pentti Sammallahti, Albrecht exhibited alongside Sammallahti at in the Print Sales Gallery in 2017. Near the Wind showcased a collaborative body of work specially commissioned by The Photographers’ Gallery. Albrecht has exhibited in solo and group shows across Finland, Russia, Demark, France, Spain and the US since 1983, and his works can be found in international public collections including the Finnish Museum of Photography, Helsinki, the Bibliothèque Nationale de France, Paris, the Metropolitan Museum of Art, New York, the Modern Museet, Stockholm and The Pushkin Museum, Moscow. Making photobooks is an important means of his artistic expression; to date Albrecht has published some thirty photobooks, most recently Domestica (2018). He has been teaching photography and also conducting research in the field for several decades.Source: Invaluable
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Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
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