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Wayne Miller
Wayne Miller

Wayne Miller

Country: United States
Birth: 1918 | Death: 2013

Wayne Forest Miller (September 19, 1918 – May 22, 2013) was an American photographer known for his series of photographs The Way of Life of the Northern Negro. Active as a photographer from 1942 until 1975, he was a contributor to Magnum Photos beginning in 1958. Miller was born in Chicago, Illinois, the son of a doctor and a nurse, who gave him a camera as a high school graduation present. He went on to study banking at the University of Illinois Urbana-Champaign, while also working on the side as a photographer. From 1941 to 1942 he studied at the Art Centre School of Los Angeles. He then served as a lieutenant in the U.S. Navy where he was assigned to Edward Steichen's World War II Naval Aviation Photographic Unit. He was among the first Western photographers to document the destruction at Hiroshima.

After the war he resettled in Chicago. He won two consecutive Guggenheim Fellowships in 1946-1948, with which he worked on The Way of Life of the Northern Negro. These images were published in his book Chicago's South Side 1946-1948,. This project documented the wartime migration of African Americans northward, specifically looking at the black community on the south side of Chicago, covering all the emotions in daily life. The people depicted are mostly ordinary people, but some celebrities appear, such as Lena Horne, Ella Fitzgerald, Duke Ellington and Paul Robeson.

Wayne Miller taught at the Institute of Design in Chicago before commissioning a Modernist house for their growing family from architect Mario Corbett in Orinda, California in 1953. He was freelancing for Life and with his wife Joan also worked with Edward Steichen as an associate curator for The Family of Man exhibition and accompanying book which opened at New York City's Museum of Modern Art in 1955. Steichen selected eight of Miller's photographs, including two of the birth of the photographer's son, for the show which traveled the world and was seen by more than 9 million visitors.

Miller died on May 22, 2013, at his home in Orinda, California, age 94, survived by his wife of 70 years, the former Joan Baker (January 21, 1921 – March 7, 2014), and children Jeanette Miller, David Miller, Dana Blencowe, and Peter Miller. The Wayne Miller Archive is held at the Center for Creative Photography (University of Arizona).

Source: Wikipedia


Born in Chicago, Wayne F. Miller studied banking at the University of Illinois, Urbana, while working part-time as a photographer. He went on to study photography at the Art Center School of Los Angeles from 1941 to 1942.

Miller served in the United States Navy, where he was assigned to Edward Steichen’s Naval Aviation Unit. After the war he settled in Chicago and worked as a freelancer. In 1946-48, he won two consecutive Guggenheim Fellowships and photographed African-Americans in the northern states.

Wayne Miller taught photography at the Institute of Design in Chicago, then in 1949 moved to Orinda, California, and worked for LIFE until 1953. For the next two years he was Edward Steichen’s assistant on the Museum of Modern Art’s historic exhibit, The Family of Man. A long-time member of the American Society of Magazine Photographers, he was named its chairman in the summer of 1954. He became a member of Magnum Photos in 1958, and served as its president from 1962 to 1966. His ambition throughout this period was, in his words, to “photograph mankind and explain man to man”.

Having been active in environmental causes since the 1960s, Miller then went to work with the National Park Service. He joined the Corporation of Public Broadcasting as executive director of the Public Broadcasting Environmental Center in 1970. After he retired from professional photography in 1975, he devoted himself to protection of California’s forests. Along the way, Miller co-authored A Baby's First Year with Dr Benjamin Spock, and wrote his own book, The World is Young.

Source: Magnum Photos


 

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Allan was a photographer for the U.S. Army Signal Corps in World War Two. In 1946, after the war, the Arbuses began a commercial photography business called "Diane & Allan Arbus," with Diane as art director and Allan as the photographer. They contributed to Glamour, Seventeen, Vogue, Harper's Bazaar, and other magazines even though "they both hated the fashion world." Despite over 200 pages of their fashion editorial in Glamour, and over 80 pages in Vogue, the Arbuses' fashion photography has been described as of "middling quality." Edward Steichen's noted 1955 photographic exhibit, The Family of Man, did include a photograph by the Arbuses of a father and son reading a newspaper. In 1956, Diane Arbus quit the commercial photography business. Although earlier she had studied photography with Berenice Abbott, her studies with Lisette Model, beginning in 1956, led to Arbus's most well-known methods and style. She began photographing on assignment for magazines such as Esquire, Harper's Bazaar, and The Sunday Times Magazine in 1959. Around 1962, Arbus switched from a 35 mm Nikon camera which produced grainy rectangular images to a twin-lens reflex Rolleiflex camera which produced more detailed square images. In 1963, Arbus was awarded a Guggenheim Fellowship for a project on "American rites, manners, and customs"; the fellowship was renewed in 1966. In 1964, Arbus began using a twin-lens reflex Mamiya camera with flash in addition to the Rolleiflex. Her methods included establishing a strong personal relationship with her subjects and re-photographing some of them over many years. During the 1960s, she taught photography at the Parsons School of Design and the Cooper Union in New York City, and the Rhode Island School of Design in Providence, Rhode Island. The first major exhibition of her photographs occurred at the Museum of Modern Art in a 1967 show called New Documents, curated by John Szarkowski. The show also featured the work of Garry Winogrand and Lee Friedlander. Some of her artistic work was done on assignment. Although she continued to photograph on assignment (e.g., in 1968 she shot documentary photographs of poor sharecroppers in rural South Carolina for Esquire magazine), in general her magazine assignments decreased as her fame as an artist increased. Szarkowski hired Arbus in 1970 to research an exhibition on photojournalism called From the Picture Press; it included many photographs by Weegee whose work Arbus admired. Using softer light than in her previous photography, she took a series of photographs in her later years of people with intellectual disability showing a range of emotions. 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Arbus wrote in 1968, "I go up and down a lot," and her ex-husband noted that she had "violent changes of mood." On July 26, 1971, while living at Westbeth Artists Community in New York City, Arbus took her own life by ingesting barbiturates and slashing her wrists with a razor. Marvin Israel found her body in the bathtub two days later; she was 48 years old.Source: Wikipedia
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