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Miguel Blázquez
Miguel Blázquez
Miguel Blázquez

Miguel Blázquez

Country: Spain
Birth: 2001

Miguel Bláquez was born in 2001 in Ávila, Spain. He is a prominent video artist with a strong academic background in the visual arts. He earned a Bachelor of Arts from the Escuela de Arte y Superior de Conservación y Restauración de Bienes Culturales de Ávila. Later, he pursued a Degree in Fine Arts at the Faculty of Fine Arts of the University of Salamanca.

During his time at university, Blázquez actively participated in projects such as the Audiovisual Art Exhibition by the 4th Year Fine Arts students at the Juan del Enzina Theater in Salamanca. His talent was recognized when he won the XXVII edition of the San Marcos Awards in the “Audiovisual” category, with his work exhibited at the Museum of Contemporary Art of Salamanca (DA2) in 2024. Additionally, his piece “El vídeo más grande del mundo” was showcased at the (S8) XV Mostra Internacional de Cinema Periférico in A Coruña. Another of his works, “Vídeo ensayo”, was exhibited at the Condeduque Contemporary Culture Center in Madrid in 2023.

Blázquez continues to establish himself as a talented video artist, constantly exploring and contributing to the world of art.

Statement
My photographic work often captures spectacular scenes that pay humble homage to the world around us. As a documentary artist, I prioritize exploring the depth and meaning within images over adhering to formal conventions. I am particularly drawn to both human and natural landscapes.

As a photographer and videographer, I believe in the power of visual storytelling to ignite conversations, challenge perspectives, and foster empathy. My work serves as an invitation to explore and connect with the world in meaningful ways.

My primary photographic influences include Tavepong Pratoomwong (Thailand), Victor Galeano (Colombia), Freddy Rodríguez Robles (Peru), Javier Arcenillas (Spain), Óscar Corral (Spain), Graciela Iturbide (Mexico), Leo Matiz Espinoza (Colombia), and Santiago Botero (Colombia).

ARTICLE

El cañón del Río Melcocho

Website

miguel-blazquez.com

 

Inspiring Portfolios

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More Great Photographers To Discover

Mogli Maureal
Mogli Maureal
Philippines/United States
1990
Mogli Maureal is a Los Angeles based visual storyteller and experienced cinematographer and photographer whose work bridges memory, light, and emotion. With a poet’s eye and a documentarian’s instinct, he captures the subtle elegance of passing moments, transforming light and emotion into timeless imagery. His imagery blends intimacy, movement, and honest storytelling, inviting viewers not just to look, but to feel. Mogli has collaborated with brands, hotels and creative projects crafting cinematic visuals that transform stories into experiences. AAP Magazine AAP Magazine 53 Travels
Nadia De Lange
Nadia De Lange
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Nadia was born in Johannesburg, South Africa. From an early age she found her peace and joy in nature. She would immerse herself in the wild landscapes of South Africa: the African bush was her haven. While her love for nature could not be abated, she had an affinity for numbers and ended up in a career as an actuary. In 2012 she received her first DSLR, and a new world opened up to her. She was suddenly drawn to the power of creating art from behind a lens. She was fortunate to have the opportunity to relocate to Switzerland in 2013, and it was there that her passions combined into what has now become her photographic style: black and white fine art landscape and architecture photography. The mountains of Switzerland became her inspiration, and have moulded her into the photographer she is today. She is still an actuary during the day, but in her free time her creative soul is released and the photographer in her comes to life.
Marco Di Marco
Marco Di Marco
Italy
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Marco Di Marco is a Sicilian visual journalist and photographer based in Reykjavík, Iceland. He began documenting the eruptions of Mount Etna in 2011 for local news agencies and has been interested in the dialogue between people and active volcanoes ever since. After relocating to Iceland in 2018, he started working as a freelance contributor for The Associated Press, covering volcanic eruptions and other major events on the island. With an academic background in geology and volcanology from the University of Catania and years of fieldwork on Etna and in Iceland, he combines scientific understanding with a reporter’s eye to build clear visual stories about life on unstable areas. Artist Statement: I photograph volcanoes and the landscapes and communities shaped by them. I did not move to Iceland only for the views. What keeps me here is the feeling that the ground is still a work in progress. Eruptions, gas and road closures are part of the daily routine, not only big news moments. My background is in earth sciences and guiding, so I tend to think about how a place works before I think about how it looks in a frame. I often visit the same locations many times, before, during and after an eruption. Some days I work for news outlets, other days I work slowly on long term projects or with small groups of photographers. The approach is similar. I try to show what it is like to live with a landscape that can change fast, instead of treating nature as a distant spectacle. In the end, my pictures are a mix of documentation and personal experience. They are about an island that is always active, but also about the people and life that keeps adapting to it. All About Photo Competitions AAP Magazine 54 Nature All About Photo Awards 2026
Gianluca Mortarotti
Gianluca Mortarotti
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My name is Gianluca Mortarotti, and I'm a self-taught photographer from Rome currently based in London, UK. My passion for photography started at a young age, thanks in part to my father's work as a wedding photographer. However, it wasn't until after my studies that I decided to take photography more seriously. I'm fascinated by the energy of cities and the candid moments that tell a story and I've always been drawn to the contrasts of urban life and the connections between people that can seem strange and unusual. Through my work, I try to explore these themes with a fresh and unexpected approach, creating a consistent and attractive aesthetic that is both narrative and metaphorical in its meaning. I believe that the world around us is full of hidden beauty that often goes unnoticed, and I like to create tension in my images by juxtaposing contrasting elements and highlighting the unusual connections between them, aiming to create a sense of intrigue and encourage the viewer to look closer and engage with the image on a deeper level. For me, photography is not just about documenting reality but using it as a means of expression to shed light on life beyond mere appearances. Statement: More than a camera, I have a tool for storytelling. My goal is to use photography as a means to reveal the unseen and to present a fresh, intriguing, and personal view of the world. Winner AAP Magazine #30 Shadows
Kelly-Ann Bobb
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Arthur Fields
Arthur Fields
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Arthur Fields was an Irish street photographer of Ukrainian descent. He took more than 180,000 photographs of pedestrians on the south end of Dublin's O'Connell Bridge, over more than 50 years. Fields was born into a Ukrainian Jewish family. His family fled antisemitism in Kiev in 1885, and later settled in Dublin. Fields originally ran a sound studio where people could make a recording of their own voice, but later began his photography when he bought a box camera. Fields switched to a Polaroid instant camera later in his career. Field's brother was also a photographer on the bridge. Fields' extensive photographs are recognised as a social record of Dublin from the 1930s to the 1980s, depicting the changing fashions and shopfronts of the city. Nelson's Pillar often featured in Field's photograph until its destruction by Irish republicans in 1966. Fields took an estimated 182,500 photographs of pedestrians on the bridge from the early 1930s until 1985. Notable people photographed by Fields on the bridge included the playwright Brendan Behan, the actors Margaret Rutherford and Gene Tierney, and Prince Monolulu, who claimed to be a chief of the Falasha tribe of Abyssinia, and who wore a headdress and a fur coat. Fields lived in the Dublin suburb of Raheny, and would walk seven miles to and from the bridge each day to work. Field's modus operandi would be to "pretend to take a picture of a passer-by and, when they stopped, he'd take the real one. Then he'd give them a ticket and they could collect the photograph from a nearby studio run by his wife; she developed all the photos." Arthur Fields' work has been documented on the interactive documentary website, Man On Bridge: 50 Years as a Photographer on O’Connell Bridge produced by El Zorrero Films. The website encourages the public to submit their photographs to an online archive. The web project which features an image archive and documentary videos won best website at the Digital Media Awards in 2015. The Man on Bridge project was also a winner of the Arthur Guinness Projects. In December 2014 an exhibition of 3,400 photographs collected for the project was held at the Gallery of Photography in DublinSource: Wikipedia
Thomas Crauwels
Thomas Crauwels
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I live at the service of these impetuous guardians of the eternal snows. Watching their light, vibrating to the rhythm of their beauty has become second nature. I like to live these moments of contemplation of panoramas both frozen and changing, which feed me with their greatness. In these moments, I taste peace and melt into the landscape. When the clouds are absent, when my gaze goes on forever and I can let my inspiration flow freely. Without any particular goal. Just to live. To let myself be carried. At other times, I become a truth hunter. I look for the ephemeral moments. The coming storm. The elements colliding. The wind, the air, the rock, creating a chaos that engulfs me in intense and intoxicating sensations. These minutes where I hold my breath so much they are nimbered of a perfection which exceeds me and carries me in a different space. A space that my eye and its accomplice, my camera, know how to capture. Suddenly, everything calms down. Just after the fin of the world, the revelation of another world arrives. Before my amazed gaze, my senses on the alert, the clouds are torn apart like the curtain rises on a new show. The highest summits are adorned with another light, a new contrast. Nature creates before my eyes. Trembling with an inner joy, I try to capture impermanence. It is like a miracle always renewed. Just after the storm, when the first rays of sunlight illuminate the peaks with their royal light. My daily life is punctuated by the study of weather forecasts. Detecting the approach of the forces of nature. A subtle alliance between intuition and the rational study of the elements. I am at one with nature, who is the chief creative artist...and I the humble craftsman. Mixture of experience and naivety, dancing alchemy of summits and elements, fusion between nature and the human being that I am. Who am I in front of all this? A stardust, present, vibrating, panting in the heart of the mystery of life. I aspire to the mastery of the moment which however escapes... In the end, should I really try to control the moment? When I have everything in place with rigor and yet failure looms, I let my heart speak. And then, sometimes, the miracle happens. This miracle that floods me with joy. I am happy to share with you some of the nuggets I brought back from these journeys to the end of my dreams... My quest for an ever-renewed perfection, nature has offered it to me so that I can offer it to you in turn. I hope you will have as much pleasure in dreaming in front of these photos as I had in looking for the perfect moment, the right moment.
Takuma Nakahira
Takuma Nakahira
Japan
1938 | † 2015
Takuma Nakahira was a Japanese photographer, critic, and theorist. He was a member of the seminal photography collective Provoke, played a central role in developing the theorization of landscape discourse, and was one of the most prominent voices in 1970s Japanese photography. Born in Tokyo, Nakahira attended the Tokyo University of Foreign Studies, from which he graduated in 1963 with a degree in Spanish. After graduation, he began working as an editor at the art magazine Contemporary View (Gendai no me), during which time he published his work under the pseudonym of Akira Yuzuki. Two years later, he left the magazine in order to help organize the major 1968 exhibition One Hundred Years of Photography: The History of Japanese Photographic Expression at the invitation of Shōmei Tōmatsu, an effort to which photo critic Kōji Taki also contributed. In 1968, he and Taki teamed up with photographer Yutaka Takanashi, and critic Takahiko Okada, to found the magazine Provoke: Provocative documents for the sake of thought. By the second issue, Daidō Moriyama had joined the group, but Provoke ceased publication with its third issue, First discard the world of pseudo certainty: the thinking behind photography and language, in March 1970. Nakahira and the other Provoke members were well known for what was termed their "are, bure, boke" (rough, blurry, and out of focus) style, associated with spontaneity and thus supposedly a more direct confrontation with reality in that it would circumvent conscious control. While working on Provoke, Nakahira published his first photobook, For a Language to Come, which has been described as "a masterpiece of reductionism." Ryūichi Kaneko and Ivan Vartanian feature the book prominently in their book on seminal Japanese photobooks of the 1960s and 70s, and Martin Parr and Gerry Badger include it in the first volume of their international photobook history. Vartanian describes the volume as exemplary of Provoke's vision and concept of photography in Nakahira's use of the are, bure, boke style, but also for presenting full-bleed snapshots of anonymous corners of Tokyo that either cross over or abut each other at the book's gutter. Vartanian argues that "By erasing the conventional functionality of the photograph as document, memory, verification, emotion, and narrative, he revealed the illusory nature of photography as a conduit of information or portrayal of reality, while at the same time underscoring the only tangible reality available to the viewer—the printed image," eschewing documentation of social issues to instead present a personal, diaristic perspective. In 1977, at the age of 39, Nakahira suffered alcohol poisoning and fell into a coma. As a result of this trauma, he suffered permanent memory loss and aphasia, effectively ending his prolific writings. This event has also conventionally been understood as marking a change in his photographic practice since, after a hiatus from his image-making activities, he returned to the medium in a style quite distinct from that for which he was known. Curator and photo critic Kuraishi Shino and Masuda, however, argue that in spite of any stylistic differences with his earlier work, Nakahira's post-1977 practice should be understood as a conceptual continuation of the project he embarked on in 1973 with Why an Illustrated Botanical Dictionary. Nakahira's post-1977 photographs were collected in three photobooks: A New Gaze (1983), Adieu à X (1989), and Hysteric Six Nakahira Takuma (2002). While Nakahira was always an important figure within Japanese photographic circles, the upsurge in research and exhibitions on post-WWII Japanese photography since the 2000s has led to a reevaluation of Nakahira's contributions to Japanese photographic, media, and art discourses in recent years, especially outside of Japan. His work has been included in recent seminal exhibitions of Japanese post-WWII art including the Getty Research Institute's Art, Anti-Art, Non-Art: Experimentation in the Public Sphere in Postwar Japan, 1950-1970 (2007), the Museum of Modern Art's Tokyo: 1955-1970 (2012), the Museum of Fine Arts Houston's For a New World to Come: Experiments in Japanese Art and Photography 1968–1979 (2015), National Museum of Modern Art, Tokyo's Things: Rethinking Japanese Photography and Art in the 1970s (2015), and the Art Institute of Chicago's Provoke: Photography in Japan between Protest and Performance, 1960-1975 (2017).Source: Wikipedia
Alison Wright
Alison Wright
United States
1961 | † 2022
Alison Wright, an award-winning documentary photographer and author, has travelled to 150 countries photographing indigenous cultures and people while covering issues concerning the human condition. She is a recipient of the Dorothea Lange Award in Documentary Photography, a two-time winner of the Lowell Thomas Travel Journalism Award, and an Explorers Club Fellow. She was recently named a National Geographic Traveler of the Year as someone who travels "with a sense of passion and purpose." Alison has published ten books. Her upcoming book, Grit and Grace: Women at Work documents the empowerment of women working in global communities (Schiffer 2021). Her work has been published in numerous magazines including National Geographic, National Geographic Traveler, National Geographic Adventure, Outside, Islands and Smithsonian. Alison's life was nearly cut short during a devastating bus accident on a remote jungle road in Laos. Her best-selling memoir, Learning to Breathe; One Woman's Journey of Spirit and Survival, chronicles her inspirational story of survival, the years of rehabilitation and her ongoing determination to recover and continue traveling the world as an intrepid visual storyteller. This experience while working in post disaster/conflict areas inspired her to establish a foundation called Faces of Hope (facesofhope.org); a non-profit that globally supports women and children's rights by creating visual awareness and donating directly to grass-roots organizations that help sustain them through education and healthcare. About Human Tribe "The emotive beauty and grace of the human face, in all its diversity, will never cease to inspire me but it's the enduring spirit of our collective tribe of humanity that will always certainly amaze me. One of the many things I have learned during my years of global travel as a documentary photographer is that no matter how unique we may look in appearance, from the exotic to the mundane, we basically have the same universal desires and concerns. Our needs are actually quite simple: to love and be loved; to have a useful place in our society with some meaningful and fulfilling occupation in our life; work that will hopefully provide us with enough money in our pocket to get by; food on the table; education, health and safety for ourselves, our family and our children. The freedom to be oneself is a right that creates the exquisiteness of our human race. These portraits are an unguarded moment in the lives of a few of the people I have photographed from our remarkable human tapestry. Some are celebrating significant events, while others are living out ordinary days. Others are merely struggling to survive. Many are from countries whose lives are in flux or change due to war, natural disaster or the inevitable rapid progression of modernity. I feel drawn to those who live close to the land, documenting communities that may not last even another generation. Most are surprised that I actually wanted to stop and photograph someone who is considered in their culture to be such an ordinary looking person. From tribes in Africa, to nomads in Asia, survivors of post conflict and disaster, families and individuals around the world have graciously opened up their homes and hearts to me. Surprisingly, I have discovered that it is often the ones who have the least who share the most. I find compassion in what can seem to be a world of chaos. The planet, at times, can seem so vast, with the numbers almost too large for us to comprehend. But when you capture the look in someone's eyes, an intimate stare, a knowing glance, his or her situation becomes a shared experience, a more personal connection. Their eyes seem to radiate a dignity, a claim for a right to be seen, no matter what their circumstances. These eyes are what initially draws us in and connects us together. These photos are a celebration of the universal human spirit within us all. It is what bonds us as humankind, a continued thread, as together we continue this journey on the pilgrimage of life. "
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Latest Interviews

Exclusive Interview with Carolyn Moore
Interview
Exclusive Interview with Carolyn Moore
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
Interview
Publication
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
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Interview
Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
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Exclusive Interview with Jan Janssen
Interview
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
Read the full interview
Exclusive Interview with Henk Kosche
Interview
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
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Exclusive Interview with Anastasia Samoylova
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Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Interview with Maureen Ruddy Burkhart
Interview
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Read the full interview
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