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Mina Teslaru
Mina Teslaru
Mina Teslaru

Mina Teslaru

Country: Romania

Born in Bucharest, Romania, Mina spent her childhood in theatre, amongst preparing actors, dusty props and costumes, and most summers by the Black sea, capturing the world with her plastic panoramic camera.

Fascinated by movies and cinematography, she frames the world in overexposed imagery that reflects the luminosity of her vision. Since her move to NYC, she fell irreversibly in love with Coney Island, a subject that has been the center of her work for the past 3 years. She was a featured artist of the Greenpoint Gallery in Brooklyn and is a member of Norfolks NYC Art Collective.

Mina lives in NYC and travels often, in search of serendipity driven by restless creativity.
 

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More Great Photographers To Discover

Gabriele Viertel
German fine art photographer, born near Cologne, Gabriele Viertel now lives and works in Eindhoven, Netherlands. She grew up as the youngest of 3 children in a rural area with an extended family of aunts, uncles and cousins. Inspired by her father, an avid filmmaker and amateur photographer, she took for the first time at the age of 14 his analogue camera to photograph the children of the family. During the education in technical design, she worked as a model to fund the studie. Completed the degree, Gabriele decided to move on to pursue the international career as a model and worked more than a decade for designers such as Dior and Karl Lagerfeld. Since 2008 she dedicated herself entirely to the art of photography as a freelance artist. Conceptually, Viertel's images play with the dialog between the mediums of painting and photography. The magical, often surreal pictorial language and the chiaroscuro light are characteristic means of expression. The major part of her works is staged underwater. Gabriele has received numerous awards, most recently the platin award of Graphis New York, the gold medal of the International Color Award, the silver medal of Prix de la Photographie Paris as well as the Merit Award of Best of Contemporary Photography, Fort Wayne Museum of Art. Her work has been featured in international exhibitions and publications in Europe and North America, notably the Museum of Art Fort Wayne and the Heritage Municipal Museum Malaga. One book on her work has been published by Associazione Artistico Culturale Cameraraw.it. Gabriele's works are in the public collections of the Fort Wayne Museum of Art, Indiana USA and the University of Art, Rotterdam NL as well as in various private collections.
Kaat Stieber
The Netherlands
1972
Kaat Stieber is a fine art photographer who weaves the worlds of surrealism and noble Dutch art into her images. Born on a Dutch island, but shaped by her many years abroad and views on the world, Kaat is moved by diverse sceneries. From architecture in ancient cities to fields closer to home, the visuals are stored in her imagination. Capturing instants of nature and structure for later recall. The goal? Crafting her own, new world. Mixing a broad set of creative skills with an internationally acclaimed background in theatre and costume design, Kaat's photos are assembled with vast craftmanship. Kaat Stieber's main mission within the art industry, is to create painterly pictures. Working from her imagination, she combines crafts such as photography, costume making, concepting ideas, directing and over twenty years of experience in theatre into one rich final product. Always building and replaying stories in mind, always clutching a camera to capture specific scenes. Her works of art resemble tableaus from the Dutch Golden Age, clearly depicting pride in Dutch roots and an identification with classic Dutch culture. An admiration of surrealists adds to the scene. Kaat Stieber, crafting from the brain of a dreamer, mostly works with children for her portraits. The children in her images are seen as wholesome humans, each one strongly portraying a certain character. Kaat Stieber is clear in the direction of her pictures - she follows her own, distinctive path and doesn't compromise. The life experiences that lead her to creating her own painterly realms come with a patience in building exactly what is necessary for a photo. Even if that means one picture takes two months to create.
Peter Ydeen
United States
1957
Peter Ydeen currently lives in Easton, Pennsylvania and works in New York City. He studied painting and sculpture at Virginia Tech, under Ray Kass, (BA), Brooklyn College under Alan D'Arcangelo and Robert Henry and Phillip Pearlstien, (MFA Fellowship) and at Skowhegan School of Painting and Sculpture (Scholarship) with visiting artists, Francesco Clemente, Judy Pfaff, William Wegman, Mark Di Suvero and others. After his studies were completed, Peter made his way in a variety of jobs, including set construction, lighting, illustrations, architectural modeling working in architecture, stage, advertising and film. Later, after marrying his wife Mei li, they opened a gallery in New York City selling African, Chinese and Tibetan sculpture. Over the last several years Peter has concentrated on photography where he is able to use the many years spent learning to see. All about Easton Nights Easton Nights is a story which grew from the unique and uncommon valley in which the city lies; and is told with the images of unpeopled landscapes taken at night. Here, in the small hours, the world we see as mundane, cascades into dream. Like a surreal scene from a Guillermo del Toro film, trash bins and Toyotas, stop signs and doorways; all become animated. They lean; they stretch, and emanate, all with umbrageous hues, which seem to exhale from the nights own personal color wheel. Scattered signs give the words, marking our place in time, while the geometries show our relentless effort to arrange our world in a box. These are our stages, with the houses our beehives, the machines our toys, and the doors our portals. Complete they are a mimesis of our daily life, as can only shown in the mystical emptiness of night. Then with the dawn comes the beginning, where we all wake, then act; all while these magical and romantic worlds return to sleep.
Sabine Weiss
Switzerland
1924
Sabine Weiss was born in Switzerland in 1924. In 1942, she wonders what she will do with her life, and decides that she should become a photographer because it is what she loves to do. She is the daughter of a mother who showed her art galleries and Roman churches at a very young age, and of a researcher chemist father who loved to see her print her little photos with the resources available at the time. From 1942 until 1945 she was an apprentice at Boissonnas in Geneva, house of a dynasty of photographers that celebrated its 80th birthday. In 1945 Sabine Weiss moved to a studio in Geneva, but in 1946 she decided to leave the city of her childhood to live in Paris. She knew there was no turning back. She asked Willy Maywald to become her assistant. In 1949, she met the painter Hugh Weiss and realized right away that she would spend her life with him. Sabine Weiss left Maywald, where she mastered her craft and started a long career, experimenting fashion, photojournalism, advertising and everything else she was asked to do. During her free time, she liked to immortalize the depths of man in all simplicity. Her photographs moved Edward Steichen when preparing his major exhibition "The Family of Man" therefore he decided to present three of her images. In recent years, Sabine Weiss has dedicated her time to exhibitions that showcase the humanist side of her work because it meant a lot to her. Key dates 1924 July 23rd Birth at Gingolph in Switzerland, Naturalized French in 1995. 1942-45 Apprentice at Boissonas in Geneva 1945 Swiss diploma of photography 1946 Settles permanently in Paris 1946-50 Assistant of Willy Maywald 1950 Weds the American artist Hugh Weiss 1951 Works for several advertising agencies 1952-61 Contract with Vogue Magazine (Fashion and Assignments) 1952 Enters the Agency Rapho 1952 Free-lance for major magazines in the USA and in Europe like Paris Match, Life, Time, Newsweek, Town And Country, Fortune, Holiday, European Travel And Life, Esquire... covering countries in Europe, Africa, North America and Asia. Most recent exhibitions: 2014 Vannes, Festival de la Photo de Mer "Portugal, 1954" 2014 Zürich, Photobastei, Rétrospective 2014 Genève, Galerie Patrick Cramer, Portraits d’artistes (Giacometti et Miro) 2014 Salon de la Photo, Paris, Porte de Versailles, rétrospective « Chère Sabine » (Tribute to the photographer's 90th birthday) Decorations 1987 Chevalier des Arts et des Lettres (Knight of Arts and Letters) 1999 Officier des Arts et des Lettres (Officer of the Ordre des Arts et des Lettres) 2010 Ordre national du Mérite (French National Order of Merit) Discover Sabine Weiss' Interview
Erika Zolli
Italy
1986
Erika Zolli is a photographer specialized in Fine Art. Currently she lives and works in Milan. She holds workshops of creative photography in Italy and in Spain. In her photos new worlds and new realities are created, in order to show and explore the invisible dreamlike dimension that lies in the human mind. Her works have been mentioned in several magazines and newspapers including: Fotografia Reflex, Il Fotografo, L'Espresso, L'OEil de la photographie, La Repubblica, ANSA.it, Creathead (VICE), Art Parasites, Click Blog, Bored Panda, Fubiz, Creative Boom etc. She won the first prize of the 'My City' competition organized by the European Environment Agency and the T2gE Conference award during the Transition to the Green Economy (T2gE) conference held in Bratislava. Metamorphosis of Self: The art of Erika Zolli's Self-Portrait Surreal, geometric and figurative photographic shots assemble the latest series by the Italian artist Erika Zolli. In this new project, "Metamorphosis of Self", the photographer shows a representation of herself made of symbolism that acts as a bridge towards a deep observation of conscious and unconscious feelings. In these images, creativity intertwines with a dreamlike and surreal world: origamis that surround the subject, gears that move head and heart, crystal glasses that reflect a face, a silver metamorphosis taking place, and skies that connect with geometric shapes harmoniously. "In this project, I wanted to create thirteen representations of myself. Each image expresses a concept that is fundamental to me: strengths and weaknesses which, through photographic art, are laid bare to be observed by an eye that retracts. The self-portrait invites us to get out of ourselves. During this process, we become foreigners ourselves, and through this movement, we want to identify by creating a sort of zone of blindness. Here, the opposition between sensible and intelligible overcomes and acts as a bridge between the two sides, allowing a better knowledge of one's unconscious. These thirteen images are characterized by vivid and strong colors to further enhance the subject which, despite being immobile and posing, maintains stability imbued with dynamic force".
Katerina Belkina
Katerina Belkina was born in Samara, a city in the South-East of the European part of Russia. She grew up in an artistic atmosphere; her mother is a visual artist and, in herplace of birth, she got an education in the art of painting at the Art Academy. She continued her education in 2000 at an Academy for Photography also in Samara and exhibitions of her mysterious self-portraits ensued in Moscow and Paris. Katerina Belkina was nominated for the prestigious Kandinsky Prize (comparable to the British Turner prize) in Moscow in 2007. At the moment, Katerina Belkina is living and working in Moscow and Berlin.AAP: Where did you study photography?I started in a studio of photography and then I decided to study photography in an Art College. After several years I learned photography at the Photo Academy in Samara, Russia.AAP:How did you become a photographer?I think of myself as an artist in the broad sense of the word. For me photography is just a medium like a painting, drawing etc. However I like to use photography as a basis for my works. This form of art was always interesting for me. As well as drawing. I was influenced by my family in my childhood to like both mediums.AAP: Do you remember your first shot? What was it?When I was in fifth grade I took my school photo-group. Otherwise everything around me: school friends, street dogs, home yard.AAP:What was your first paid assignment/job?It was for an inexpensive portrait. The client was a girl who looked very similar to Marilyn Monroe. I found out that only when I looked at her in the viewfinder.AAP: What or who inspires you?Other people working in my field. When I see good results and when I see how they work. AAP: Do you spend a lot of time editing your images? For what purpose?Yes, a lot. At first I like the process of editing. In my case it is a combination of photo elements and then layer by layer drawing or correcting and making post-productions. I like when any art work include skills and labor. Every good idea should be perfectly executed.AAP: How do you choose your subjects?I always choose a topic that could be interesting for me at that moment. Then comes the process of thinking about. In the beginning ideas are always abstract. After a while it takes a shape: I choose a subject, composition, color combinations and details. AAP: Can you explain the process that you use to set up a portrait?When the idea takes shape in my mind, I draw a sketch, prepare all the necessary things for shooting and then start. Despite the fact that I know very exactly what I want for my future composition, I like to allow improvisation in the process. Because the result can be interesting and unexpectable. To take self-portraits I use a stative and make it by myself or I ask an assistant.AAP: Your worst souvenir as a photographer?Oh yes I remember! A meeting with a client who paid me and thought the world should rotate around him just because of that.AAP: What advice would you give a young photographer?Shoot a lot, take everything that could be interesting for you. Try new things, make discoveries. This is the most important thing. Don’t listen to anybody when they want to teach you something especially when it is in a critical way. AAP: What mistake should a young photographer avoid?Don’t try to be or to do like someone else. Your photography style will become unique over time. You need to be interested by what you are doing even if other photographers or artists can inspire you.
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