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Win a Solo Exhibition this October, Open Theme. Juror Aline Smithson.
Win a Solo Exhibition this October, Open Theme. Juror Aline Smithson.
Rajan Dosaj
Rajan Dosaj
Rajan Dosaj

Rajan Dosaj

Country: United States
Birth: 1958

Born and raised in the United States, I spent nearly 20 years in the theater world, first as a dancer and singer in Broadway musicals and later as an actor and director. Upon my retirement from theater, I settled into the business world but it wouldn't be long before I was in need of a creative outlet and the Sebastiao Salgado documentary, The Salt of the Earth, rekindled my brief high school interest in photography. Soon, the books of Alec Soth, Nancy Rexroth, Sally Mann, Joshua Jackson, and many more were on my selves and with a newly purchased camera in hand, I started out on my latest adventure.

Naturally, I started with dance portraits and found it incredibly exciting and fulfilling but soon I ventured into other genres to improve my work. Whether it was wildlife, street, architecture, portrait, or fine art photography, I was either taking a class or teaching myself about the genre in order to become a better photographer.

In my short time behind the camera, I have been fortunate enough to have some of my images appear in galleries across the country, including Photo Place Gallery, A Smith Gallery, Praxis Gallery, Black Box Gallery, SE Center for Photography, and the Decode Gallery.

With my background in theater, I know that photography can be a frustrating art form where most of the time I end up kicking myself for the mistakes that I continuously make over and over. But every once in a while, those rare moments come along when my eyes through a camera are able to see and capture an extraordinary moment.
 

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More Great Photographers To Discover

MD Tanveer Rohan
Bangladesh
1982
Md. Tanveer Hassan Rohan was born and brought up in Dhaka, the capital city of Bangladesh. He has an utter passion for photography and photography has been his passion for a very long time. Growing up in Dhaka, he has realized that beauty manifests in many forms. This city is a manifestation of the contrast of nature and urbanization. As a photographer, his essential aim is to capture the moments of life and give them significance by making them static in time. He loves to travel and be in different places, meet new people, and enjoy the experience that photography offers, which is to capture Earth's beautiful and awe-inspiring moments. He also loves to experiment with his photography. He has finished his Basic Photography course From Prism . He has taken part in many National and International Photography contest and till now he has won many national and more than 200 international photography awards, including IPA 2015 (2nd Place in General News Category and 7 Honorable mentions in different categories), MIFA 2015 (1st Place In General News Category and 3 Honorable mentions in different categories), Grand Winner in "Photo for Tolerance +" International Youth Photography Contest 2015. 1st prize in Sony World Photography Awards 2016, National Award ,2nd Prize in Photojournalism category from Xposure International Photography Competition 2016, 9 (3 Gold, 1 Silver, 1 Bronze , 3 Honorable mentions and also 2nd Place in People category) awards from Tokyo International Photography awards 2016. 2 Awards (1st Place in Reportage and 2nd Place in People category) from VIAP 2016, Bulgaria. He has been selected as a best Authors three times in FIAP patronage Photography Contest in France, Czech Republic and Bangladesh. His photographs exhibited in more than 45 countries.He has been awarded AFIAP distinction from Fédération Internationale de l'Art Photographique (FIAP) in early 2016, and BEPSS Distinction From The Photographic Society of Singapore (PSS) in November 2016 and PPSA Distinction FromPhotographic Society Of America in December 2016. It is with utmost diligent and inspiration that he is willing to carry on this passion throughout his life.
Piotr Zbierski
Piotr Zbierski studied photography at National Film School. Author of three individual exhibitions (White Elephants, Here, Love has to be reinvented), a participant in collective exhibitions and publications including Photokina and Lab East. He presented his works in many countries like Poland, Germany, Portugal, Russia, Slovakia. As well as magazines (Shots Magazine, Ninja Mag, Archivo Zine, Die Nacht, Gup Magazine). In 2012 he won the prestigious prize for young photographer Leica Oscar Barnack Newcomer Award. His work was nominated to Deutsche Börse Photography Prize and has been shortlisted in many other prizes (Les Nuits Photographiques 2012, Terry O’Neill Award) for his series Pass by me. His works has been shown at Rencontres Internationales de la Photographie in Arles 2012 and are in collection of Kiyosato Museum of Photographic Arts. He lives and works in Lodz. About Love has to be reinvented "The series 'Love has to be reinvented' began in 2012 and its starting point was not an image but my personal experience, which changed my view and redefined my opinion on many issues. At the same time, it is neither my diary nor any personal document; recently such a name is given to whatever cannot be named. Titles of my series are just mottos for my creative works at their particular stages. Words are created by letters in the alphabet, which is a matter of convention depending on the culture. I build my series out of emotions, which are a biological fact, they are unquestionable. The key objective I identify for myself is the availability of a feeling. I really want the person looking at my photographs to experience something more and not just say whether photographs are good or bad. Photography does not begin with an image, it does not end with an image, either; I put on authenticity, and not on originality. An image is a form of communication of a higher art form, which is life itself. I took the title from the French poet, Artur Rimbaud, who wrote these words and expressed criticism of France and times he lived in about a hundred years ago. I returned to these words because I think the world has not changed so much, and I criticize a contemporary world, which has gone in the wrong direction, in my opinion. And I do not mean people but structures built around the castle, which the book hero has never reached. A major objective of my work is to get through to the essence of human emotions, to their purest form with no additions, no gadgets. To show a man in the way he has been created, a man from a primeval village. In a contemporary world, such an image may be created using a certain type of imagination because we are very far away from such a status quo; therefore, my work is reality-based but it is not the reality itself. It is an attempt to invoke and depict certain human impulses with full acceptance of their inherent contradictions. Like love: it is as full of adoration as hatred; a day could not exist without a night. I will finish this three-year series in spring 2015 during the total solar eclipse, which can be observed in Iceland. It is a characteristic clamp for my creative work in which I start from a personal, private and single experience at the very beginning, and come through an image to a part, which is common for us all, and independent of me. A macro-scale has its reflection in a micro scale while a normal scale, in which we live in, is its pulsating reflection. To follow theories of contemporary scientists, only a ballet dancer may be smaller, and on a macro-scale - a multiple universe. Life is a film directed by the universe while the world is the largest accumulation of sensually available metaphors, a secret in secret or a metaphor in a metaphor. Rimbaud has also written that eternity is skies mixed with water; quite right: black and white, grey on grey; in a child's drawing huge blue and objectively sacred transparency. In my opinion, there is one reality and infinitely many visions. To sum it up as simple as I can: if the world is a tree growing more and more branches (metaphors), then life is the fruit. While love is the juice of various tastes in the same way as the resin is what a tree uses for weeping. All this happens in the surroundings of eternal gases where toxic ones come away leaving space to healthy ones. Rootstocks and roots grow expanding in the same way. Who are people then?Undoubtedly, they are savages from a primeval village who have learned what a real taste of love is: they adored each other at the expense of "god's" hatred, they are Adam and Eve. It is only owing to such a full image of love that new generations could come into existence. I also invite to see the video work titled "Lodz", in which I develop motifs I have earlier discussed. Another continuing video is in progress. The bottomless source is RGB without DNA." - Piotr Zbierski
David Goldblatt
South Africa
1930 | † 2018
David Goldblatt was born in 1930 in Randfontein, South Africa. He has photographed the structures, people and landscapes of his country since 1948. In 1989, Goldblatt founded the Market Photography Workshop in Johannesburg. In 1998 he was the first South African to be given a solo exhibition at the Museum of Modern Art in New York. In 2001, a retrospective of his work, David Goldblatt Fifty-One Years began a tour of galleries and museums. He was one of the few South African artists to exhibit at Documenta 11 (2002) and Documenta 12 (2007) in Kassel, Germany. He has held solo exhibitions at the Jewish Museum and the New Museum, both in New York. His work was included in the exhibition ILLUMInations at the 54th Venice Biennale in 2011, and has featured on shows at the San Francisco Museum of Modern Art and Barbican Centre in London and in 2018, a major retrospective at the Centre Pompidou in Paris. Goldblatt is the recipient of the 2006 Hasselblad award, the 2009 Henri Cartier-Bresson Award, the 2013 ICP Infinity Award and in 2016, he was awarded the Commandeur des Arts et des Lettres by the Ministry of Culture of France.Source: Goodman Gallery He shot mostly in black-and-white for much of his career. In 1998 the Museum of Modern Art in New York gave him a solo exhibition. Its 40 photographs were all black-and-white because, he explained, "color seemed too sweet a medium to express the anger, disgust and fear that apartheid inspired." But in the 1990s Mr. Goldblatt began working in color, adapting to the digital age. "I’ve found the venture into color quite exciting," he said in 2011, "largely because new technology has enabled me to work with color on the computer as I have done with black and white in the darkroom."Source: The New York Times David Goldblatt was South African photographer known for his uncompromising images of his country during apartheid and afterward. “I was very interested in the events that were taking place in the country as a citizen but, as a photographer, I’m not particularly interested, and I wasn’t then, in photographing the moment that something happens. I’m interested in the conditions that give rise to events,” he once explained. Born on November 29, 1930 in Randfontein, South Africa, he began photographing at an early age but his father’s illness required Goldblatt to run his family business while studying at Witwatersrand University in Johannesburg. After selling the company in 1963, Goldblatt focused entirely on a career in photography. His involvement with various artistic circles in Johannesburg granted him access to a broad range of ethnic and socioeconomic groups. Though he refused to belong to any political organization and argued that his photographs should not be used for propaganda purposes, his works were presented in an exhibition organized by an anti-apartheid photographer’s collective in 1990. In 1998, Goldblatt became the first South African artist to have a solo exhibition at The Museum of Modern Art in New York. The artist died on June 25, 2018 in Johannesburg, South Africa. Today, his photographs are held in the collections of the South African National Gallery in Cape Town, the Victoria and Albert Museum in London, and the Fotomuseum Winterthur in Switzerland, among others.Source: Artnet
Jana Šantavá
Slovakia
1978
Jana Šantavá is a visual artist and fine art photographer based in Bratislava, Slovakia. Her work explores themes of introspection, identity, and the space between reality and dream, often through staged, cinematic imagery that invites the viewer into layered narratives. Using mirrors, duplicated figures, and subtle surreal elements, she creates photographs that function as both visual poetry and metaphorical self-portraits of the human psyche. Her photographs have been exhibited internationally in cities such as Paris, Milan, New York, Venice, Arles, Budapest, and Athens, as well as across Slovakia. She has received multiple awards, including the Gold Medal at the Budapest International Foto Awards 2023, Silver at the World Photo Annual 2023, and recognition from PX3 de la Photographie Paris 2023. In 2024, she presented her solo exhibition Echoes of Identity at the Slovak Institute in Berlin. In 2025, her works are featured at ImageNation London and ImageNation New York, continuing her presence on the international fine art photography scene. Through her distinctive visual language, Šantavá challenges the boundaries between staged reality and dreamlike fiction, offering viewers a space for reflection, emotion, and self-discovery. Artist Statement "In my work, I explore silence, introspection, and the space between reality and dream. I am fascinated by the idea of the doppelgänger – the second self – reflecting our inner divisions and untold stories. In my photographs, a figure often turns away, gazes through a curtain, or into a mirror. This moment of indirect gaze becomes a key to intimacy – opening a space for the viewer to become the co-author of the narrative. I stage scenes where I work with mirrors, duplicated figures, and strong color contrasts. My aim is not only aesthetic but also metaphorical – a reflection of our inner dialogues, desires, and contradictions. Each photograph is, for me, a visual trace of an emotional movement that cannot be captured in words. My goal is to create images that awaken questions rather than provide answers, opening an inner conversation about what might be hidden behind an apparent calm." Awarded Photographer of the Week - Week 34, 2025
Evelyn Bencicova
Slovakia
1992
Evelyn Bencicova is a visual creative specialising in photography and art direction. Informed by her background in fine art and new media studies (University for Applied Arts, Vienna), Evelyn's practice combines her interest in contemporary culture with academic research to create a unique aesthetic space in which the conceptual meets the visual. Evelyn's work is never quite what first appears to be. Her photographs depict meticulously-controlled compositions characterised by an aesthetic sterility, tinged with poetic undertones of timeless desire and longing. Evelyn constructs compelling narrative scenarios that blur the lines between reality, memory and imagination — "fictions based on truth". Depicting multifaceted representations as illusions, Evelyn plays with the viewer's perception to entice them into the secret labyrinth of her imagination. Her disturbingly beautiful visual language and washed-out colour palette, set within curiously symbolic environments, allow for a deep exploration of the themes that take her images far beyond what they reveal at first glance. Evelyn's client repertoire includes fashion and luxury brands such as Gucci, Cartier and Nehera, as well as cultural institutions such as Frieze, Berghain, Kunsthalle Basel, Royal Opera House, Slovak National Theatre and Ballet and Museums Quartier Vienna. In 2018, Bencicova was invited to create visuals for the Institute of Molecular Biology in Austria, and to perform at the closing ceremony for Atonal Berlin. Evelyn's commercial and artistic projects have been featured in the likes of Vogue Portugal, Vogue Czechoslovakia, ZEIT Magazine, ELLE, Dazed & Confused, GUP, HANT and Metal Magazine. Her work has been published in prestigious international photography books and on several online platforms (Juxtapoz, iGNANT.com, Fubiz media) and she has participated in solo and group exhibitions across Stockholm, London, Tokyo, Paris, Berlin, Vienna, Milan, Amsterdam, Brussels, Prague and Rome to mention few. In 2016, Bencicova received the prestigious Hasselblad Masters and Broncolor GenNext awards. She was shortlisted and awarded by Taylor Wessing Photographic Portrait Prize, LensCulture, Independent Photographer, Gomma Grant, Life Framer, Photo IS:RAEL, Young Guns 17, Tokyo International Photo Award and Photo Vogue and OFF Festival. Her fashion film "Asymptote" (2016), co-created with Adam Csoka Keller, received the "Best New Fashion Film" award at the Fashion Film Festival Milano 2017, and was featured at SHOWstudio Fashion Film Awards, the Austrian American Short Film Festival and at Diane Pernet's A Shaded View on Fashion. Evelyn was selected as one of 30 under 30 Female photographers by Artpil.
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