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Jacqui Turner
Jacqui Turner
Jacqui Turner

Jacqui Turner

Country: United States
Birth: 1955

Art enables us to find ourselves and lose ourselves at the same time. - Thomas Merton

I am a Fine Art Photographer residing in Monterey Bay. My work consists of abstracts, surrealism, still lifes, landscapes, architecture, and portraits. I strive to create works of art that exhibit beauty, timelessness, and meaning.

My photography has been nourished by my career as a dancer/choreographer. Engaging in the elements of shape, form, design, light, and emotion, empowers me to express reflections of our experience of reality.

As I pick up my camera, a creative evolution begins. Approaching the natural world with awe and wonderment, I am transported. My photographs express what I am feeling within, what I am drawn to,

what touches me, then I frame it, and the final interpretation is left up to the viewer. I am a longtime member of the Center for Photographic Art Carmel, CA and ImageMakers of Monterey, in which I was Director for 6 years. I also teach photography and art to youth, and have been a photography assistant for several local photography workshops over the years. My work has been displayed at the New York Center for Photographic Art, A. Smith Gallery, SE Center for Photography, RI Center for Photographic Art, Center for Photographic Art, Praxis Gallery, All About Photo, Pacific Grove Art Center, Monterey Maritime Museum, ArtVale Gallery, Alvarado Gallery, Marjorie Evans Gallery, Carmel Visual Arts, Homescapes, Carl Cherry Center, Spider Awards Online Exhibits, Triton Museum Online Exhibit, Merit Award Black And White Magazine, and other venues.

Statement
I spent most of my life as a dancer and a choreographer, and now I find that I respond to the visual world through that lens. In shapes and forms, I see grace, mystery, fluidity, and emotion. Through this series, Veiled in Light, the leaves created their own dance, a dance expressed through the use of light, form, texture, and dimension. Within these images, light and dark reveal the sensuality of objects from the natural world. Working with a minimalist intent, I created this series to encompass what I love about nature. There is a transformation in the free flowing forms, evoking nature's seductiveness while instilling a sense of peace and serenity, a combination that I perceive as a dance, a performance, a celebration of the beauty of the natural world.

Websites

www.jacquiturnerphotography.com

@jacqui_turner_photography

 

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More Great Photographers To Discover

Laura Pannack
Laura Pannack
United Kingdom
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Laura Pannack is a London-based, award-winning photographer. Renowned for her recognizable portraiture and social documentary artwork, she often seeks to explore the complex relationship between subject and photographer. Her work heavily focuses on the youth. She was educated at the University of Brighton, Central Saint Martins College of Art and LCP. Pannack's work has been extensively exhibited throughout the UK and abroad, including at The National Portrait Gallery, Somerset House, the Royal Festival Hall and the Houses of Parliament. Driven by research-led, self-initiated projects, Pannack seeks to fully understand the lives of those she captures on film in order to portray them as truthfully as possible. Perceiving “time, trust and understanding” to be the key elements to achieving this, many of her projects develop over several years, helping her achieve a genuine connection between herself and her sitter and allowing her to capture the intimacy, shared ideas and shared experiences of this relationship. Pannack chooses to shoot with analogue film on her personal projects. By using traditional methods of working from negatives, as well as shooting with Polaroid, she finds beauty in the mistakes that come from working with unpredictable material. Her artwork has received much acclaim and won numerous awards, among which are the John Kobal Award , Vic Odden prize,World Photo Press Awards and the HSBC Prix de la Photographie prize In addition to her own practice, Pannack lectures, critiques and teaches at universities, workshops and festivals around the world, and in 2015, judged the portrait category in World Photo Press Awards in Amsterdam. Pannack has also been widely published, both commercially and as a photographic artist, with work appearing in The British Journal of Photography, Hotshoe International, TIME, The Guardian Weekend, The Telegraph, The Sunday Times, Creative Review. Her monograph 'Against the dying of the light' was published by Acts de Suds in 2016 and YOUTH Vol 1 was released in 2018 by Polite company
Richard Learoyd
Richard Learoyd
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Richard Learoyd was born in the small mill town of Nelson, Lancashire, England in 1966. At the age of 15, his mother insisted he take a pinhole photography workshop, which he attributes as the start of his interest in photography. In 1990 he graduated from the Glasgow School of Art with a degree in Fine Art Photography. While there he studied with American photographer Thomas Joshua Cooper. In 1991 Learoyd was awarded an artist-in-residence at the Scottish Ballet. Learoyd taught photography at Bournemouth and Poole College from 1994 until 1999. In 2000, he moved to London where he worked as a commercial photographer. Source: Wikipedia Richard Learoyd’s color images are made with one of the most antiquarian of photographic processes: the camera obscura. Literally translated from Latin as “dark room,” Learoyd has created a room-sized camera in which the photographic paper is exposed. The subject—often a person, sometimes a still life—is in the adjacent room, separated by a lens. Light falling on the subject is directly focused onto the photographic paper without an interposing film negative. The result is an entirely grainless image. The overall sense of these larger-than-life images redefines the photographic illusion. Learoyd’s subjects, composed simply and directly, are described with the thinnest plane of focus, re-creating and exaggerating the way that the human eye perceives, and not without a small acknowledgement to Dutch Master painting. Learoyd’s black-and-white gelatin silver contact prints are made using the negative/positive process invented roughly 170 years ago by Englishman W. H. Fox Talbot. Working with a large and portable camera obscura of his own construction, Learoyd has journeyed outside of his London studio, into the art-historically rich English countryside, along the California coast, and throughout Eastern Europe, producing images that have long been latent in his imagination. The negatives are up to 80 inches wide, resulting in the largest gelatin-silver contact prints ever made. In 2015, Aperture released Richard Learoyd: Day for Night, a comprehensive book of color portraits and studio work, and concurrently, the Victoria & Albert Museum in London mounted a his first solo museum exhibition, Dark Mirror. In 2016, the J. Paul Getty Museum opened a solo exhibition of his large-scale portrait and still-life photographs, which then traveled to the Nelson-Atkins Museum of Art. In 2019, a survey exhibition will open at Fundación MAPFRE in Spain. Learoyd’s work is included in the collections of The Getty, Tate, Victoria & Albert Museum, Centre Pompidou, The Metropolitan Museum of Art, San Francisco Museum of Modern Art, Nelson-Atkins Museum, National Gallery of Canada, and Yale University Art Gallery, among others. Source: Fraenkel Gallery
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Mattia Vacca
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Stephen Wilkes
Stephen Wilkes
United States
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Since opening his studio in New York City in 1983, photographer Stephen Wilkes has built an unprecedented body of work and a reputation as one of America's most iconic photographers, widely recognized for his fine art, editorial and commercial work. His photographs are included in the collections of the George Eastman Museum, James A. Michener Art Museum, Houston Museum of Fine Arts, Dow Jones Collection, Carl & Marilynn Thoma Art Foundation, Jewish Museum of NY, Library of Congress, Snite Museum of Art, The Historic New Orleans Collection, Museum of the City of New York, 9/11 Memorial Museum and numerous private collections. His editorial work has appeared in, and on the covers of leading publications such as the New York Times Magazine, Vanity Fair, Time, Fortune, National Geographic, Sports Illustrated , and many others. 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Klaus Lenzen
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Bartosz Michalik
Bartosz Michalik
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