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Andre Cypriano
Andre Cypriano
Andre Cypriano

Andre Cypriano

Country: Brazil
Birth: 1964

A native of Brazil, André Cypriano was born in 1964 and educated in São Paulo with a university degree in business administration. Concerned with environmental issues, he contributed time and effort as the administrator of "Salva Mar" Save the Sea - a Brazilian organization dedicated to save the whales in North Brazil.

In 1990, one year after relocating to the U.S., André began to study photography in San Francisco. He has since completed several projects which have been exhibited in several galleries and museums in Brazil and the USA.

André has been a recipient of the first place award in San Francisco City College's Photography Department of Scholarship (July 1992), first runner-up in the World Image Award Competition promoted by Photo District News in N.Y. (Dec. 1992), first place in New Works Awards - promoted by En Foco in N.Y. (July 1998), as well as first place in the Mother Jones International Fund for Documentary Photography (Oct. 1998). As part of a long term project, Cypriano began to document traditional lifestyles and practices of lesser known societies in remote corners of the world with a slant toward the unique and unusual. Thus far, he has photographed the people of Nias, an island off the northwest coast of Sumatra (Nias: Jumping Stones), the dogs of Bali (Spiritual Quest), the infamous penitentiary of Candido Mendes, in Rio de Janeiro (The Devil's Caldron), as well as the largest shanty town in Latin America, Rio de Janeiro (Rocinha - An Orphan Town). His ongoing projects have been used in educational workshops.

Currently, André Cypriano works as a free-lance photographer in New York and continues to be involved in social and cultural activities.

Gallery

Scott Nichols Gallery

Website

www.andrecypriano.com

 

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More Great Photographers To Discover

Laurent Dequick
Laurent Dequick
France
Laurent Dequick is a professional architect in his forties. His photographic work has been influenced by architecture, since it is primarily focused on ideas surrounding the contemporary city and more specifically, urban sprawl. The photographer’s message is to accurately convey the impression of freneticism stemming from population density and activity in urban zones: “As you walk down the street, the lights, noises, traffic, hustle and bustle, and mix of smells are so striking that no single shot could capture all of it. So do we have to make choices? I don’t think so and I don’t want to.” To convey in images this “congestion” of urban life, Laurent Dequick does not hesitate to juxtapose, superimpose, or imbricate his shots. He fits together photographs representing architectural complexes, highways, and people, all with the same intensity. He condenses the images like the city condenses the sum of the lives of all of its inhabitants. His style is reminiscent of cubism in its rendering, which verges on abstraction in its representation of constant motion. Source: Yellow Korner The passing of time is a fascinating concept which happens all around us, at every single moment of every single day. French photographer Laurent Dequick decided to capture these fleeting seconds in a series of photographs entitled Vibrations Urbaines. Each image is a collective sequence of multiple photographs, superimposed together to visually reflect the chaos and congestion of large urban areas. The series features colorful and energetic portraits of both New York and Berlin. Viewers might feel a bit hyper as they view the still photograph which so strongly convey the motion of cars zipping past and the life of people rushing by. Dequick says his work is “primarily a reflection on the contemporary city and more specifically the proliferation of modern urban space.” Through these compositions, the artist portrays the constant urban action and excitement that are generally challenging to communicate through just one still photograph. Source: My Modern Met
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Marsha Guggenheim is a fine art photographer based in San Francisco. Storytelling is a guiding influence in her work. Marsha is deeply interested in photographing people and uses her diverse city to capture their stories. A street photographer for many years, her comfort and ease while shooting on the street has provided numerous opportunities for closer connections within her community. Complementing her street photography, Marsha spent years working as a photographer with formerly homeless women. This work resulted in the monograph, “Facing Forward,” which highlights these hard-working, proud women through portraits and stories of their life experiences. Without a Map is a personal project Marsha has developed over the past five years. Through the use of family photos, creating pictures from her memories and by turning the camera on herself, she has found the means to evoke, reinterpret and address unanswered questions that were buried long ago. Without a Map "How does one move through life with the scars of the past? When I was ten, my mother died unexpectedly from a heart attack. I couldn’t understand where she went or when she would return. Just as I began to comprehend this loss, my father died. I was without support from my family and community. I was lost. Without a Map reimagines this time that’s deeply rooted in my memories. Visiting my childhood home, synagogue and family plot provided an entry into this personal retelling. Working with family photos, creating new images from my past and turning the camera on myself, I found the means to evoke, reinterpret and address unanswered questions born from early imprints that were buried long ago."
Warren Agee
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Warren Agee, born 1966 in Buffalo, NY, USA, is a fine art photographer whose practice explores his connection with the natural world. After attempting many different creative careers including drawing, architecture, jewelry-making and the fiber arts, Warren accidentally discovered photography in the mid 1990s while making color transparencies of his jewelry to submit to juried art fairs. He soon pointed his camera to everything growing in his yard and never looked back. He fully embraced digital technologies in the early 2000s. He works primarily in monochrome. "Unless it is the focal point of an image, I find color tends to distract from form and content. My photographer's eye primarily sees structure, composition, and texture." His work has been exhibited in various galleries including Middlebury, VT. and Minneapolis, MN, as well as receiving honorable mentions in the 2021 Monovisions Awards. He currently resides in Petaluma, CA, USA. Statement The slopes of Mt. Tamalpais ("Mt. Tam"), which rises over 2500 feet above Marin County just north of San Francisco, consists of a vast and varied landscape of rolling grasslands, meadows, canyons, lakes, waterfalls, and redwood forests. Marine fog rolls in off the Pacific coast and supplies moisture year-round, creating what seems to be a tropical rainforest complete with moss-covered oaks and boulders. It is an unlikely setting for a region located a mere 20 miles from a bustling city. The average age of the redwoods on Mt. Tam is 600-800 years, a mind-boggling number to consider as you stand underneath them. These images attempt to portray the otherworld quality of Mt. Tamalpais., where one half-expects fairies and trolls to greet you as you hike along the trails.
Robert S Johnson
Robert S Johnson
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Robert S Johnson was born and raised on the grounds of the Boston State Hospital which was founded in 1839 under the name "Boston Lunatic Hospital". He returned to work on the locked wards for his gap year and for summers while in college. The first image he remembers taking was of a bear climbing on the family car in Yellowstone Park. The adults were frozen but he grabbed his mom’s Brownie and shot away. After five careers, ranging from Artistic Director of THECO, a theater company, to Regional Vice President of a for-profit, after-school education company, he turned to photography fulltime in 2008. He lives in New York City and Wellfleet MA with his wife, Katherine, and their son, Asher, a (very recent) 2018 graduate of Smith College.
Laura Berson
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Shelby Lee Adams
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United States
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Christian Tagliavini
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Christian Tagliavini was born in 1971 in Switzerland, where he currently lives and works as a fine art photographer and craftsman. His work is heavily shaped by a childhood spent in Parma, where he grew up immersed in the rich artistic culture of the Plain of the Po, Italy’s longest river. Tagliavini’s evocative images represent just the final stage in his artistic process. His photographs capture the creative vision in his mind’s eye, which he brings to life with handcrafted props, made-to-measure costumes and unconventional models. This behind-the-scenes work establishes him as an artisan- photographer. Choosing unexplored concepts as themes, Tagliavini’s work narrates open-ended stories, inviting the viewer to actively experience unique ideas, sensations and feelings, and ultimately decide the ending for themselves. A self-taught photographer, Tagliavini originally trained in architecture and worked as a graphic designer. His interest in photography was sparked in 2000, at a photographic exhibition in Milan. Fascinated by the technical aspects of photography, he tried his hand at several photographic disciplines before discovering that the mise-en-scène technique was the most effective way to capture the stories that lived in his imagination. Embracing the art of slow photography, Tagliavini’s creative approach involves meticulous planning and careful design. Each project begins with initial historical and iconographic research, feasibility assessments, sketches, storyboarding, colour experimentation, and composition before he sets about making his vision a reality. Tagliavini uses various techniques to handcraft each and every detail, including the props and backdrops. Each costume is fashioned to Christian’s detailed designs, including the fabric and colour choices, and is made-to-measure for each model. Where possible, Tagliavini prefers to work with non-professional models, drawing inspiration from their spontaneity and curiosity. A champion of unconventional beauty, he has always favoured personality over a classical aesthetic. His models represent the only detail of his work that he cannot control: their expressiveness is instinctive and they often inspire him to take his stories in completely new directions. This unscripted detail casts him in the role of observer rather than director. Christian Tagliavini won the Hasselblad Masters Fine Art Category in 2012 and the IPA Fine Art: Portrait prize in 2013. His work has been exhibited in many art galleries and museums worldwide.
Joydeep Deb
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Marine Engineer by Profession Photographer by Passion. My work life takes me across the 5 continents, travelling mostly in the seas and sometimes in land. My exposure is thus spread across plural cultures, diverse architectures and plural languages of humanity. Often my in journeys I take to the streets to focus on the sights and sounds of the place and pause to frame them. Photography is my language, to access, to communicate, to identify and mostly to make it hear. The best part about being a photographer is that I am able to articulate the experience of the voiceless and bring their identities to the forefront which gives meaning and purpose to my own life. Life in Geometry My eyes through the rounded lens seek life among the defined shapes patterns and geometry of modern world. The moment of magic happens when the silhouette of life and shadow breaks these patterns against light.
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