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Win a Solo Exhibition in July 2026 + An Exclusive Interview!
Win a Solo Exhibition in July 2026 + An Exclusive Interview!
Morteza Nikoubazl
Morteza Nikoubazl
Morteza Nikoubazl

Morteza Nikoubazl

Country: Iran
Birth: 1974

I was born in Tehran, Iran in 1974 and studied art and photography there. I started work as a freelance photographer for Iranian daily and weekly newspapers. I began working with the Reuters team as Freelance photographer since 1999 till 2013. After Reuters I worked with the New York Times International magazine, Polaris Images, Zuma Press and SIPA PRESS photo agencies and now I am working with the NurPhoto press photo agency. I am also UNHCR trusted photographer in Iran.

Sense of death amid the COVID-19 outbreak in Iran
Today is about one year after Government announced officially the COVID-19 cases in Iran and death still is everywhere. I could see patients who were infected by the new coronavirus in COVID-19 wards of hospitals who were breathing and after two hours they were died. In fact, life seems gone, time were stoped and people were looking for an empty hospital bed for their relatives. Sense of death is covered the daily life of people who have to fight with a new invisible enemy, and it will be getting worse when a country is under International sanctions.

I was in the city of Bam for covering the earthquake in 2002-2003 and could see a U.S. Military cargo airplane landed after about 25 years since the Victory of the Islamic Revolution in Iran and I could see how the humanity could pass over the politic, but today I am witness how politic cover the humanity, sanctions still work and it pushed Iran to the end of the line of vaccine. People die left and right also medical personnel, But they hear about barriers to the import of the COVID-19 vaccines from western countries. When it comes to people's health, politics should be the last priority of countries, but it seems the politic is the first priority for the U.S., Iran and the European countries. On the other hand, Iranians cannot trust the China- Made, or Russian-Made vaccine and prefer the Iranian one, but they must wait until next year and try to be alive.
 

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Barry Salzman
United States
1963
Barry Salzman is an award-winning contemporary artist who currently works in photography, video and mixed media and whose projects have been shown widely around the world. He lives and works between New York City and Cape Town, South Africa. His photographic work in particular, began with a fascination for the practice as a teenager, during a time when it served as a way for him to grapple with the racial segregation in apartheid South Africa. Today, his work continues to explore challenging themes around social, political and economic narratives, often coming down to the core concept of identity. Acutely relevant and brave in its willingness to confront, Salzman's photography garnered the 2018 International Photographer of the Year Award in the Deeper Perspective category at the International Photography Awards for his project, The Day I Became Another Genocide Victim, which endeavors to humaize victims of the Rwandan genocide. For the last six years, Salzman has worked on ongoing projects that attempt to challenge the universal fatigue around the genocide narrative. Mostly, he applies visual tools of abstraction to landscape images shot at precise locations around the world where acts of genocide were perpetrated as a means of reminding us that 'that place' can be 'any place'. In writing about his ongoing genocide landscape work Salzman says, "The landscape witnesses all. It sheds its leaves in cover-up and complicity. But through its rebirth, so it rejuvenates. It carries with it the traces of the past and promises of the future. It triumphs over trauma. It is inextricably intertwined with our darkest moments and brightest days." The following images were made in Ukraine, Poland and Rwanda at precise locations where acts of genocide were perpetrated. For additional information, please see: www.barrysalzman.net
Marco Gualazzini
Born in Parma in 1976, Marco Gualazzini began his career as a photographer in 2004, with his home town's local daily, La Gazzetta di Parma. His works include reportage photography on microfinance in India, on the freedom of expression in Myanmar, on the discrimination of minorities in Pakistan. For the last few years he has been covering Africa extensively. He devised and took part in the creation of a documentary for the Italian national TV network RAI on the caste system in India, which has been selected at IDFA- The International Documentary Film Festival Amsterdam, and has been awarded with the Best Camera Work Award at the Aljazeera International Documentary Film Festival 2014. Gualazzini published in national and international titles and he has received numerous accolades, including the Getty Images Grant for Editorial Photography, the PDN and the World Press Photo. Represented by CONTRASTO Agency Resilient is his first book and it's published by ContrastoBooks PUBLICATION: The New York Times, GEO, Al-Jazeera, Paris Match, LIGHTBOX- TIME magazine, Courrier International, L'Express, 6Mois, Internazionale, L'Espresso, InsideOver, CNN, M (Le Monde), Der Spiegel, The Sunday Times Magazine, Newsweek Japan, and Vanity Fair. AWARDS: Nomination award HPA2011- the Humanity photo awards 2011 Finalist CGAP 2011- Microfinance Photograpy contest Short-Listed, premio internacional de fotografia humanitaria Luis ValtueÑa 2011 Short-Listed 3rd Lumix Festival for Young Photojournalism, Hannover 2012 Silver Medal, category press-war, Prix de la Photographie 2013 Premio giornalistico Marco Luchetta- Miran Hrovatin 2013, 1st Prize Getty Images Grants for Editorial Photography Recipient 2013 Short Listed Premio giornalistico Internazionale Marco Luchetta - Miran Hrovatin 2014 Lucie Fondation, Photo Taken Scholarship Recipient 2015 Winner in PDN Photo Annual photo contest 2016 Final 100 to The Other Hundred Educators, The Other Hundred 2016 Photographer of the year All About Photo Awards, 2017 Short Listed - Premio giornalistico Internazionale Marco Luchetta 2017 Wiki Loves Africa, 2nd Prize All About Photo Awards 2019, 4th Prize Wiki Loves Africa, 1st Prize World Press Photo 2019 Photo Contest, Environment, Stories, 1st Prize EXHIBITIONS & SCREENINGS: Palazzo Pigorini, Collettiva sulla città con i fotografi NEOS, Parma, Italy, 2009 Galleria d'arte Camera Sedici, Storie in tre scatti, Milano, Italy, 2010 FoFu Phot'arte, Festival internazionale fotografico, Fucecchio (FI), Italy, 2011 Medicos del Mundo, premio Luis ValtueÑa, Madrid, Spain, 2011 The Humanity photo awards, Memories of Mankind VII, con il patrocinio dell' UNESCO, Beijing, Cina, 2011 3rd Lumix Festival for Young Photojournalism, Hannover, Germany, 2012 Angkor Photo Festival, Angkor, Cambodia, 2013 Les Rencontres d'Arles, Screening, Arles, France, 2013 Visa pour L'image, Screening, Perpignan, France, 2013 'Italy. Another View' Vadehra Art Gallery, India Art Fair, NSIC Exhibition Grounds, New Delhi, India, 2014 One Day in Africa - Spazio Oberdan, Milan, Italy, 2014 "One World" - Photofestival Horizonte, Zingst, Germany, 2014 Angkor Photo Festival, Screening, Angkor, Cambodia, 2015 World Humanitarian Summit, Istanbul, Turkey, 2016 Pune Biennale, Pune, India, 2017 Visa pour l'image, Screening in Campo Santo, Perpignan, France, 2017 Spazio Forma Meravigli, solo exhibition , Milan, Italy, 2019 Palazzo Pigorini, solo exhibition , Parma, Italy, 2019 World Press Photo, World Wide, 2019 RESILIENTI2020 - Installation Art Città di Parma, Parma, 2020
Nat Fein
United States
1914 | † 2000
Nathaniel Fein (August 7, 1914 – September 26, 2000) was a photographer for the New York Herald Tribune for 33 years. Fein is known for photographing Babe Ruth towards the end of his life, winning the 1949 Pulitzer Prize for his photograph The Babe Bows Out. Fein was born and raised on the Lower East Side of Manhattan. He was a press photographer at the New York Herald Tribune from 1933 to 1966. Known for setting a scene correctly, he would climb buildings and bridges to get the shot he was after. Fein's main subject matter was New York following World War II. Albert Einstein, Ty Cobb, Queen Elizabeth and Harry S. Truman were among the many public figures that he photographed. Nat Fein won more press photo awards than any of his contemporaries. Although considered to be one of the greatest human interest photographers in journalism, he carried the distinction of having taken "the most celebrated photograph in sports history." -- The New York Times, 1992. A resident of Tappan, New York, Fein died on September 26, 2000, at the age of 86.Source: Wikipedia Babe Bows Out", photograph of Babe Ruth during a ceremony at Yankee Stadium to retire his number, 13 June 1948 (This photo won the 1949 Pulitzer Prize for photography) © Nat Fein / Public Domain Babe Ruth’s dominating influence changed the game itself. He became the face of the New York Yankees and embodied the ethos of the game of baseball, American sports culture, and New York heritage. In Babe Bows Out photographer Nat Fein captures the beloved athlete and showman in an image that has become synonymous with the immensity of its subject. Nat Fein began to work for the New York Herald Tribune as a copyboy in 1932. After investing in a camera years later, he became a press photographer for the paper, creating a working relationship that lasted 33 years. While working as a staff photographer at the Tribune, Fein had not been assigned to work on the day that the New York Yankee’s would retire Babe Ruth’s number three jersey. On the day when the Yankees would celebrate the 25th anniversary of the Yankee stadium and retire “The Great Bambino’s” number, the mainstay sports photographer for the Tribune called in sick. Thus, on June 13 of 1948, Nat Fein was set out to cover what many suspected could be Babe Ruth’s last public appearance. While other press photographers attempted to capture a portrait of the great American baseball hero wearing his uniform one last time, Nat Fein, tried to capture the iconic number on his jersey, stating: “All the photographers were in the front, and I wanted to see how he looks from the back. So I figured, well, number three is out. The Babe bows out…” – Nat Fein The final image is filled with emotion, a bidding farewell to the greatest player in baseball. Among an interminable crowd of onlookers and accompanied by current Yankees players, Ruth bows out in the stage where his legendary mythology was created. At the time of the photograph in 1948, Babe Ruth had not played for the Yankees for over a decade. Ruth had also been ill for some time, and his appearance had changed; his thin legs and face showed signs of his fragile condition. Fein’s photograph, instead of highlighting the aged features of the passing of time or sickness, captures the silhouette of the baseball giant. The picture presenting Ruth with his classic number three jersey underlines the monumental influence he exuded over the game and New York. The image not only symbolizes a sports hero but a man who was larger than life. His rough childhood with frequent visits to orphanages and hospitals, his kindness to black baseball players in a time of racial inequity, his fondness to volunteer his time for kids sick with Polio, and his larger physique, generate empathy in his farewell photograph. The photograph presents a poetic image that connects us through its resounding human and empathetic quality, connecting the viewer to an unwavering American hero. Babe Bows Out eventually became the first sports photograph to win the Pulitzer Prize. It cemented the importance of the medium of photography. It is considered one of Time Magazine’s 100 most influential images of all time and is featured in the National Baseball Hall of Fame and the Smithsonian Institute. Never surrendering to sickness or ill-health, the photograph commemorates the hometown hero. It immortalizes the strong and imposing Babe Ruth as the towering figure we remember and speak of today. A man whose recognition has reigned supreme over baseball, New York, and the world of sports for over 100 years. Nat Fein’s Babe Bows Out is one of the most excellent images of baseball lore.Source: Holden Luntz Gallery
Albert Watson
Scotland
1942
Albert Watson (born 1942) is a Scottish photographer well known for his fashion, celebrity and art photography, and whose work is featured in galleries and museums worldwide. He has shot over 200 covers of Vogue around the world and 40 covers of Rolling Stone magazine since the mid-1970s. Photo District News named Watson one of the 20 most influential photographers of all time, along with Richard Avedon and Irving Penn, among others. Watson has won numerous honors, including a Lucie Award, a Grammy Award, the Hasselblad Masters Award and three ANDY Awards,. He was awarded The Royal Photographic Society's Centenary Medal and Honorary Fellowship (HonFRPS) in recognition of a sustained, significant contribution to the art of photography in 2010. He was born in Edinburgh, Scotland, the son of a physical education teacher and a boxer. He grew up in Penicuik, Midlothian, and attended the Rudolf Steiner School in Edinburgh and Lasswade High School, followed study at the Duncan of Jordonstone College of Art in Dundee and the Royal College of Art in London. Watson studied graphic design at the Duncan of Jordanstone College of Art and Design, and film and television at the Royal College of Art. Though blind in one eye since birth, Watson also studied photography as part of his curriculum. In 1970, he moved to the United States with his wife, Elizabeth, who got a job as an elementary school teacher in Los Angeles, where Watson began shooting photos, mostly as a hobby. Later that year, Watson was introduced to an art director at Max Factor, who offered him his first test session, from which the company purchased two images. Watson’s distinctive style garnered the attention of American and European fashion magazines such as Mademoiselle, GQ and Harper’s Bazaar, and he began commuting between Los Angeles and New York. Albert photographed his first celebrity in 1973, a portrait of Alfred Hitchcock holding a dead goose with a ribbon around its neck, for that year's Harper's Bazaar's Christmas issue. The image has become one of Watson's most famous portraits on a list that now includes hundreds of well-known iconic photographs of movie stars, rock stars, rappers, supermodels, even President Clinton and Queen Elizabeth II. In 1975, Watson won a Grammy Award for the photography on the cover of the Mason Proffit album “Come and Gone,” and in 1976, he landed his first job for Vogue. With his move to New York that same year, his career took off. In addition to photography for the world's top magazines, Watson has created the images for hundreds of successful advertising campaigns for major corporations, such as the Gap, Levi’s, Revlon and Chanel, and he has directed more than 500 TV commercials and photographed dozens of posters for major Hollywood movies, such as "Kill Bill," "Memoirs of a Geisha," and "The Da Vinci Code.". All the while, Watson has spent much of his time working on personal projects, taking photographs from his travels and interests, from Marrakech to Las Vegas to the Orkney Islands. Much of this work, along with his well-known portraits and fashion photographs, has been featured in museum and gallery shows around the world, and Watson's limited-edition prints have become highly sought after by collectors. In 2007, a large-format Watson print of a Kate Moss photograph taken in 1993 sold at Christie's in London for $108,000, five times the low pre-sale estimate. Since 2004, Watson has had solo shows at the Museum of Modern Art in Milan, Italy; the KunstHausWien in Vienna, Austria; the City Art Centre in Edinburgh; the FotoMuseum in Antwerp, Belgium; and the NRW Forum in Düsseldorf, Germany. Watson’s photographs have also been featured in many group shows at museums, including the National Portrait Gallery in London, the Metropolitan Museum of Art in New York, the Pushkin Museum of Fine Arts in Moscow, the International Center of Photography in New York, and the Deichtorhallen in Hamburg, Germany. His photographs are included in the permanent collections at the National Portrait Gallery and the Metropolitan Museum of Art. Watson has published several books, including Cyclops (1994), Maroc (1998)., and "Albert Watson" (2007). Two books were released in the fall of 2010: "UFO: Unified Fashion Objectives," a look at 40 years of selected Watson fashion photographs, and "Strip Search," a two-volume set of hundreds of photographs Watson took in Las Vegas. In addition, many catalogs of Watson’s photographs have been published in conjunction with shows, including "The Vienna Album" (2005). Watson received a Ph.D from the University of Dundee in 1995 and was inducted into the Scottish Fashion Awards Hall of Fame in 2006. His first exhibition in his homeland, Frozen, was held at the City Art Centre of Edinburgh in 2006.Source: Wikipedia
Jelena Jankovic
Serbia
1985
Jelena Janković is fine art photographer from Belgrade, specialized in dance and theater photography. Actively engaged in the documentary, freelance fashion, conceptual and experimental photography. Recipient of significant awards for her photography, such as Grand Prix Balkan Photo Awards 2016, 2017 Sony World Photography Awards, Siena International Photo Awards 2017, First Prize of 2017 Andrei Stenin International Press Photo Contest, FIAP plate of Sterijino Pozorje for Theatre Photography... She has exhibited at twenty groups and seven solo exhibitions and has been credited for photography in over 40 theater productions. Her photographs have been published: Rolling Stone (DE), Professional Photographer(USA), ELLE (SRB) Digital SLR Photographer magazine (UK), fotoMAGAZINE (DE), LensCulture, Lürzer's Archive, GEO (DE, ESP), National Geographic (SPA)... She is a member of The Association of Fine Arts Artist and Designers of Serbia. Statement Photography helped me to express myself, through it I study about myself and and about people around me. I create in several fields: Documentary photography is my reflection on the world around me; i use it to educate about the truths that exist. Dance and theatre photography is about expressing my inner emotion; the power and fragility of dance is affecting my most profound and intimate feelings. Fashion is the platform for staging my theatre play; it is the blend of knowledge, imagination, and precision. Conceptual and Experimental photography. photography is the space without borders; it liberates my vision beyond known conventions. The project Bird talks about me. I am 32 years old and recently I have been diagnosed with dyslexia. Because of the very poor school system, uneducated teachers that were not able to distinguish dyslexia and me not being able to discover it in time, I have been living my whole life in fear and hiding. Unaware of the problem that I’m living with, frustrated with my inability to work and study normally, I developed various methods with whom I managed to avoid reading in front of my friends and professors. I didn’t knew how to explain that the letters are shaking in front of my eyes while I was reading and that I unconsciously twisted the letters and words that I was writing. I was feeling like a bird locked in a cage. The only safe place that I felt was my art creation; creative expression was my escape. I visited zoological gardens in Belgrade and Amsterdam and photographed locked birds in cages that were representing me and all the others that were living in a similar fear. Afterwards I would draw across the photos combining different techniques like painting and collage, so I can show to the world all the freedoms that exist from the inside. This project was developed as a wish, so people can discuss openly about dyslexia, all the problems that this disease carries, and so we can set ourselves free and stop the process of hiding because of the fear of judgements. The second project is The chosen ones Inspired by visual effects, I watched a bunch of people that reminded me of the great army. In these glorious visual moments, the lights chose some of them randomly, but some of them chose themselves by taking selfies. Selfie culture started to determine our existence; everybody needs to know where we are or are we doing something. Social media has a huge impact on our views about current issues. Social media has become one of the largest epidemics that affect the social relationship between people. While we are waiting for the approval of others, we miss the opportunity to enjoy the mysterious world around us.
Isabel Muñoz
Spain
1951
Born in Barcelona in 1951, she moved to Madrid in 1970 where nine years later, she registered at PhotoCentro to completely dedicate herself to professional photography. She worked for the press and advertising sector in 1981, and made various still photos during film shoots. After a spell in New York to further her training, she returned to Madrid in 1986 where she produced Toques, her first exhibition. She travelled the world between 1990 and 2007, discovering and immersing herself in different artistic and cultural expressions, before producing her following series and exhibitions: Shaolín, Camboya Herida, Capoeira, Contorsionistas, Tanger, Tango and Toros. She usually works in black and white. She received the Gold Medal for Merit in Fine Arts in 2009 for her work. Source: Spain Culture When she was 20 years old, she moved to Madrid and started studying photography in 1979 in Photocentro. In 1986, she made her first exhibition, Toques and she has already made more exhibitions in several countries of the world for more than 20 years. Her black-and-white photos are a study of people through pieces of the human body or pictures of toreros, dancers or warriors, by using a handmade and meticulous process of developing. Her works are in the Maison Européenne de la Photographie, in Paris, the New Museum of Contemporary Art, in New York City, the Contemporary Arts Museum in Houston or private collections. Source: Wikipedia Isabel Muñoz stands out as an assertive photographer. Platinum developments and extra-large formats are favourite techniques used in order to strengthen her message of passion for the body as a means of approaching the study of human beings. Tango and Flamenco (1989) are considered the starting point of her unremitting search of the sentiments and emotions of world groups and cultures in an attempt to capture the expressions of beauty of the human body. When Muñoz focuses her camera on dancers, wrestlers, warrior monks, bullfighters or deprived children she does it with a strong sense of commitment. Her first individual exhibition, Toques, in 1986 at the French Institute in Madrid and her participation in the Mois de la Photographie in Paris in 1990, set her international projection as a high profile photographer without boundaries. These will be the first of many exhibitions throughout the main cities of Europe, the Americas and Asia. Her photographs are shown at the Museo Nacional Centro de Arte Reina Sofía (Madrid), Foto Colectania (Barcelona), Fundación Canal (Madrid), Maison Européenne de la Photographie (París), New Museum of Contemporary Art (New York) and Instituto Cervantes (Mexico, Guatemala, Bolivia, Shanghai, Tokio). Isabel Muñoz work has been widely recognized with numerous honours and distinctions. Recent awards include Fundación DEARTE (2012), the UNICEF Spain Awareness Rasing Award in 2010, Bartolomé Ros Prize (PHotoEspaña 2009), the Spanish Ministry of Culture Gold Medal to Fine Arts in Spain (2009), the first prize in photography by Comunidad de Madrid (2006), the two World Press Photo prizes (2000 and 2004), the Biennial of Alexandria Gold Medal (1999), Isabel Muñoz was born in Barcelona in 1951 and lives in Madrid since 1970. Source: LensCulture
Lindokuhle Sobekwa
South Africa
1995
Lindokuhle Sobekwa (born 1995) is a South African documentary photographer. He is a Nominee member of Magnum Photos and based in Johannesburg. Sobekwa was born in Katlehong, a township, 35 km from Johannesburg, South Africa. He learned photography in 2012 through participation in the first Of Soul and Joy Project, an educational program for young people run in the township of Thokoza; the workshop was given by Bieke Depoorter and Cyprien Clément-Delmas. His photo essay, Nyaope, about people who use the drug Nyaope in the township in which he lived and beyond, was published by the South African newspaper Mail & Guardian in 2014 and by Vice Magazine and De Standaard in 2015. Source: Wikipedia In 2015, Sobekwa received a scholarship to study at the Market Photo Workshop where he completed his foundation course. His Series Nyaope was exhibited in the ensuing group show, Free From My Happiness, organized by Rubis Mecenat at the International Photo Festival of Ghent in Belgium. In 2016, he left South Africa for a Residency in Tehran, Iran, with the No Man’s Art Gallery. The same year his work was displayed in the traveling iteration of Free from my Happiness. His work features in the book Free from my Happiness edited by Bieke Depoorter and Tjorven Bruyneel . He also took part in the group show Fresh Produce, organized by Assemblages and VANSA at the Turbine Art Fair in Johannesburg. Lindokuhle Sobekwa is also an assistant manager to the Of Soul and Joy Project, as well as a trainee at Mikhael Subotzky Studio. In 2017, Sobekwa was selected by the Magnum Foundation for Photography and Social Justice to develop the project I Carry Her Photo With Me. In 2018, he received the Magnum Foundation Fund to continue with his longterm project Nyaope, and has been selected for the residency Cité des Arts Réunion. Sobekwa became a Magnum nominee member in 2018.Source: Magnum Photos About I Carry Her Photo With Me The day his older sister Ziyanda disappeared, Lindokuhle Sobekwa was hit by a car. The two were walking together along a road in the Johannesburg suburb of Thokoza when Ziyanda began to chase the seven-year-old Sobekwa. Out of fear, he began to run, and then he was hit. Above him, he recalled before blacking out, was the blurry silhouette of a woman or girl. His sister vanished in the ensuing scramble, with no word as to why. “She was in a period of being a very secretive person,” Sobekwa remembers. She was thirteen years old. Sobekwa would not see Ziyanda again for a dozen years. Then one day, he returned from school, and Ziyanda was at home. She was reunited with the family for a couple of weeks. At the time, in 2014, Sobekwa was coming into his own as a photographer. He was in his final year of high school and working under the mentorship of Magnum photographer Bieke Depoorter and filmmaker Cyprien Clément-Delmas through the Of Soul and Joy project, an artistic initiative based in Thokoza. He remembers walking into Ziyanda’s room one day; in that moment, he saw his favorite would-be portrait of his sister: “She was lying in bed, there was a beautiful light. She said, ‘If you take a photo, I’m going to kill you.’ A few days after that, she passed away.” Disappearances are not rare in South Africa, Sobekwa says. Most Black South African families are familiar with the trauma of disappearances, which date back to the late 1980s and early ’90s, the height of the apartheid crisis. During this time, an ethnopolitical war between two rival parties, the African National Congress (ANC) and the Inkatha Freedom Party (IFP), suffused the townships with panic, as residents along the factional line were routinely vanished by violence. In Sobekwa’s family, the cycle began with his grandfather, who was the first of the line to come to Johannesburg, in the 1960s. He never returned to the countryside; his fate is still unknown. In 2017, the Magnum Foundation named Sobekwa a Photography and Social Justice Fellow. Suddenly, he had the resources to expand his search for his sister and develop his personal journal into a full-fledged series, I carry Her photo with Me (2017–ongoing). “I had my own unanswered questions, maybe guilt of some sort,” says Sobekwa. “I felt the need to go into these spaces and make the camera my excuse. I realized that going alone, it would be difficult.” With his camera in hand, he slipped once more into the role of documentarian.Source: Aperture
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For this interview, we wanted to focus specifically on The Face of the Mundari and the wider Pastoral Peoples and Practices series. We spoke with Trevor about his long-term work among the Mundari, what continues to draw him back to their cattle camps, and the experience of documenting a culture whose identity remains deeply connected to livestock, tradition, and the natural environment.
Exclusive Interview with Frank Meo
In our latest exclusive feature for All About Photo, I speak with veteran photography representative Frank Meo about what it truly takes to build a sustainable creative career today. Frank brings decades of experience working with Fortune 500 companies, major agencies, and documentary photographers to the table. We dive into the critical business skills often left out of art school curriculums, the power of mentorship, and the inspiring evolution of PROJECTIONS—his international salon platform for visual storytellers. It’s an essential read for anyone navigating the commercial or editorial photography landscape today.
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American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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