All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Win a Solo Exhibition in June 2026 + An Exclusive Interview!
Win a Solo Exhibition in June 2026 + An Exclusive Interview!
Guillermo Espinosa
Guillermo Espinosa
Guillermo Espinosa

Guillermo Espinosa

Country: Spain
Birth: 1985

Guillermo Espinosa is a Spanish photographer born in Madrid in 1985 and currently based in Berlin. He studied Graphic arts and wine making in Madrid. He started in photography around 7 years ago, making pictures in the streets of Madrid with an old reflex camera. Later on he moved to Germany to work as a waiter. It was then when he saw the potential of street photography as a way to grow personally and escape from the routine. Since then he has combined his job as a waiter with some jobs related to photography such as Cruiseship photographer or photographer for a german decoration shop. He is currently involved in a few ongoing street photography projects in the city of Berlin.

Statement
My artwork is about the relation between the human being and the public enviroment, searching for the insual in the usual or mundane. Trying to find candid moments in the dalily life using what the enviroment gives me, such a light, subjects, geometry, etc. Another distinguising feature is the friction created by the layers (physical or conceptual). I have been always attracted by the contrasts that happen in everyday life, the juxtaposition in any "normal" situation that can create many humoristic, visual or critic lectures. Even a frontal shot of a character on the street can be read in many different ways depending on the viewer, place or epoque. My main aproach is to create a connection with the viewer that can go beyond the aesthetics, making an image more than a 2D object that comfrontes the previous concept of the daily life
 

Inspiring Portfolios

Call for Entries
AAP Magazine #58 B&W
Publish your work in our printed magazine and win $1,000 cash prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Robert Bergman
United States
1944
Over more than 50 years, largely outside the mainstream, Robert Bergman has pursued a vision of advancing psychological and philosophical depth in photography and of transcending the boundaries between painting and photography. In Toni Morrison's words in her introduction to his classic 1998 book A Kind of Rapture, his color portraits are "... a master template of the singularity, the community, and the unextinguishable sacredness of the human race." In his Epilogue to that book, the pre-eminent art historian, Professor Meyer Schapiro, wrote, "... his recent color portraits ... have no forerunners in photography. ... he has introduced the processes of unification, as in painting, with the search for harmony, movement, variety and distinction within it, beyond what I have ever seen in a photograph.... His finest works bring to mind some of the greatest painted portraits. ... truly profound works of art." Placing Bergman in the context of other, better known master American photographers, John Yau, poet, critic, and author of The United States of Jasper Johns, has said, "Diane Arbus, Robert Frank, Garry Winogrand, and William Eggleston. ...he is certainly in their league. ... One day Bergman will get credit for the richness of his photographs, the way they transcend image." Robert Bergman is currently producing a limited edition KEY SET of new master prints of 150-200 photographs that, together with the 51 A Kind of Rapture prints, will reveal the organic unity, the arc, of his creative journey: black & white street work of people and cityscapes; black & white portraits in nursing homes; black & white abstracts; hundreds of color portraits on the streets of American cities; and most recently, large-scale color abstracts. Bergman has had solo exhibitions at The National Gallery of Art in Washington, DC, MoMA/P.S.1 in New York, Minneapolis Institute of Arts, Yossi Milo Gallery in New York, and Michael Hoppen Contemporary in London. Group shows include the Amon Carter Museum of American Art, MoMA, the Ackland Art Museum in Chapel Hill, North Carolina, and the "Come Together: Surviving Sandy" exhibition in Brooklyn, NY. In addition to the collections of the Hill Art Foundation and Agnes Gund, President Emerita, MoMA, and numerous other individual's collections, Robert Bergman's work is in the permanent collections of the Amon Carter Museum of American Art, which recently acquired a vintage set of the 51 A Kind of Rapture color portraits, the Cleveland Museum, the Houston Museum of Fine Arts, the Minneapolis Institute of Arts, The National Gallery of Art, the 21C Museum in Louisville, KY. His work has also been highlighted in books, magazines, and newspapers in the United States, Great Britain, France, and Germany as well as on National Public Radio and the Public Broadcasting System. He received the Pollock-Krasner Foundation Grant in 2017.
Steve Dinberg
United States
The sense of adventure that comes with exploring new places and meeting new people is what keeps me interested in street photography. A fellow photographer once told me, “There are two reasons people travel: the first is to see something new, the other is to experience something old.” I have always been a passionate photographer. I look for that decisive moment, and I am constantly in search of that special magical light, interesting faces that reveal personal history, hands that tell a story, and amazing eyes that convey emotion, but most of all, I try to capture that moment of interaction. I instinctively look for the colors, shapes, and textures in a defined area. As a lifelong traveler, I look for a street, alleyway, or even the face of a person that conveys meaning to their surroundings. Every Face Has A Story I had the opportunity to visit the country of Romania and quickly fell in love with the people, their traditions and the magical countryside villages. Traveling through these Romanian villages high in the Carpathian mountains, I learned that their life style and traditions are quickly vanishing because the younger members are leaving the hard mountain life and have moved to the larger cities where life is clearly much easier. Everyone I met and spent time with are living alone high in the mountains because they refuse to leave their homes and leave behind their Romanian traditions, and each always welcomed me into their homes. These photographs give a close-up glimpse into their life and charm of the Romanian people.
Imani McCray
United States
1992
"Born in Baltimore Maryland 1992, the probability of me being dead or negative statistic was inherited from birth. With the help of those who have come into my life, I have triumphed over those odds and wish it help others overcome their adversity. Progressive art aids social justice by using its polyrhythmic mediums to give form to the thoughts, needs, and pains of a broken society. As an advocate for social justice and artist, my goal is to use impactful images, easily accessible copy, and strategic design to engage and inspire my audience. Passion, deception, faith, and spontaneity, are constant themes throughout our world. Navigating these experiences through different mediums is my attempt to shape this reality with imagination and passion. Photography and graphic design are the mediums I nurture as a way of bringing tangibility to my imagination." Statement "2020 has presented the world with a myriad of challenges being met in succession. The events that continue to transpire are radically reshaping our societies and mindsets. People have been tasked with navigating the well-being of themselves, their livelihood, and conscious contribution to change. Our individual and collective ability to adapt is continually being pushed. With the future uncertain, we must be proactive in creating our reality. We must be the change we want to see. Be The Change is a multifaceted photo-journalistic design series highlighting some amazing people working to shape a better future through vast forms of social justice. I progress the second issue is focused on documenting the changes our society is going through from the frontline. As a minority I have marched in solidarity with others striving to defend our most basic human rights to life, to freedom, to vote, and to love in public without the threat of an oppressive society continuing to cause us harm. Protesters have occupied streets and been used in social justice movements to remind others of our humanity. January 6th was a sight that should have been relegated only to horror movies and pre-reconstruction ignorance-not 2021. What we witnessed wasn't protest-peaceful or otherwise. It was an insurrection and the manifestation and mass personification of white privilege and fragility. The mob implored the tactics of a victimhood mentality, while simultaneously showing a broad sense of entitlement. They should be held accountable for their actions and not allowed to shrink back into the shadows of ignorance and hate. For the last four years, we have watched as America's darker truths were aired for the entire world to see. We have watched white privilege documented and the murder of black bodies go without justice. America has never been the land of the free, but we have always believed we can be more. The entire world has had to adapt to the adversity of a global pandemic and overcome the fear of the unknown. The American dream is based on success through adversity. The American reality is adversity reveals character and many Americans should be ashamed of what happened on January 6 and all that led up to it. From the ones that stormed the Capitol with malicious intent to the ones that allow ignorance to go unchecked, and all the in-between-we all hold responsibility. There is always room to be better and be the change you want to see. As Amanda Gorman, National Youth Poet Laureate said at the inauguration of a new President, 'There is always light if we're brave enough to see it. There's always light if we're brave enough to be it.' I aim for my photography and Be the Change to be a path forward with both truth and light." -- Imani McCray
Josephine Sacabo
United States
1944
Artist Statement: "I believe in Art as a means of transcendence and connection. My images are simply what I’ve made from what I have been given. I hope they have done justice to their sources and that they will, for a moment, ‘stay the shadows of contentment too short lived.’” Sacabo divides her time between New Orleans and Mexico. Both places inform her work, resulting in imagery that is as dreamlike, surreal, and romantic as the places that she calls home. Born in Laredo, Texas, in 1944, she was educated at Bard College in New York. Prior to coming to New Orleans, Sacabo lived and worked extensively in France and England. Her earlier work was in the photo-journalistic tradition and influenced by Robert Frank, Josef Koudelka, and Henri Cartier-Bresson. She now works in a very subjective, introspective style, using poetry as the genesis for her work. Her many portfolios are visual manifestations of the written word, and she lists poets as her most important influences, including Rilke, Baudelaire, Pedro Salinas, Vincente Huiobro, and Juan Rulfo, Mallarmé, and Sor Juana Ines de la Cruz. Her images transfer the viewer into a world of constructed beauty. During her 36 year career her work has been featured in over 40 gallery and museum exhibitions in the U.S., Europe and Mexico. She has been the recipient of multiple awards and is included in the permanent collections of the George Eastman House, the International Center of Photography, the Metropolitan Museum of Art and la Bibliothèque Nationale, Paris, France. Source: josephinesacabo.com
David Hurn
United Kingdom
1934
David Hurn is a British documentary photographer and member of Magnum Photos. Hurn was born on 21 July 1934 in Redhill, Surrey, England. He was raised in Cardiff, Wales. Because of his dyslexia he joined the school camera club. After leaving school he headed for London, hoping to become a photographer. Hurn is a self-taught photographer. He began his career in 1955 when he worked for Reflex Agency. He gained his reputation as a photojournalist for his documentation of the Hungarian revolution of 1956, and is featured in two of Ken Russell's films for the Monitor television arts' series, A House in Bayswater (1960), and Watch the Birdie (1963). In 1965 he became associated with Magnum Photos and became a full member in 1967. In 1963, Hurn was commissioned by the producers of the James Bond films to shoot a series of stills with Sean Connery and the actresses of From Russia with Love. When the theatrical property Walther PPK pistol didn't arrive, Hurn volunteered the use of his own Walther LP-53 air pistol. The pistol became a symbol of James Bond on many film posters of the series. In 1967 Dino de Laurentiis asked Hurn to travel to Rome to shoot photos of Jane Fonda in Barbarella. Hurn returned to Wales in the late 1960s, initially living in a van for a year photographing the country. He was married from 1964-71 to American actress Alita Naughton (1942-2019), best known for her role in Ken Russell’s French Dressing (1964). In 1973 he set up the School of Documentary Photography in Newport, Wales. Eventually, he turned away from documentary photojournalism, bringing a more personal approach to his image making. He says, "There are many forms of photography. I consider myself simply a recorder of that which I find of interest around me. I personally have no desire to create or stage direct ideas." His book, Wales: Land of My Father (2000), illustrates the traditional and the modern aspects of Wales. In 2001 he was diagnosed with colon cancer but made a full recovery. He continues to live and work in Wales, and has donated a collection of photographs taken by him and other leading contemporary photographers, including Henri Cartier-Bresson, Eve Arnold, and Bill Brandt, to the National Museum of Wales. Hurn has been an avid collector of photography. Remarkably, he has amassed his private collection by swapping works with other photographers. The collection National Museum Cardiff comprises approximately 700 photographs. Swaps: Photographs from the David Hurn Collection, National Museum Cardiff, Wales, September 2017 – April 2018. In 2017 Hurn donated 1500 of his photographs, and 700 of other peoples' photographs, to Amgueddfa Cymru – National Museum Wales. He built his private collection of other peoples' work by swapping prints with them. National Museum Cardiff held an exhibition of the latter collection in 2017/2018, entitled Swaps: Photographs from the David Hurn Collection.Source: Wikipedia
Advertisement
AAP Magazine #58 B&W
Win a Solo Exhibition in June
AAP Magazine #58 B&W

Latest Interviews

Exclusive Interview with Carolyn Moore
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Call for Entries
Win A Solo Exhibition in June
Get International Exposure and Connect with Industry Insiders