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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Guillermo Espinosa
Guillermo Espinosa
Guillermo Espinosa

Guillermo Espinosa

Country: Spain
Birth: 1985

Guillermo Espinosa is a Spanish photographer born in Madrid in 1985 and currently based in Berlin. He studied Graphic arts and wine making in Madrid. He started in photography around 7 years ago, making pictures in the streets of Madrid with an old reflex camera. Later on he moved to Germany to work as a waiter. It was then when he saw the potential of street photography as a way to grow personally and escape from the routine. Since then he has combined his job as a waiter with some jobs related to photography such as Cruiseship photographer or photographer for a german decoration shop. He is currently involved in a few ongoing street photography projects in the city of Berlin.

Statement
My artwork is about the relation between the human being and the public enviroment, searching for the insual in the usual or mundane. Trying to find candid moments in the dalily life using what the enviroment gives me, such a light, subjects, geometry, etc. Another distinguising feature is the friction created by the layers (physical or conceptual). I have been always attracted by the contrasts that happen in everyday life, the juxtaposition in any "normal" situation that can create many humoristic, visual or critic lectures. Even a frontal shot of a character on the street can be read in many different ways depending on the viewer, place or epoque. My main aproach is to create a connection with the viewer that can go beyond the aesthetics, making an image more than a 2D object that comfrontes the previous concept of the daily life
 

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Leonard Freed
United States
1929 | † 2006
Leonard Freed was a documentary photojournalist and longtime Magnum member. He was born to Jewish, working-class parents of Eastern European descent. Freed had wanted to be a painter, but began taking photographs in the Netherlands and discovered a new passion. He traveled in Europe and Africa before returning to the United States where he attended the New School and studied with Alexey Brodovitch, the art director of Harper's Bazaar. In 1958 he moved to Amsterdam to photograph its Jewish community. Through the 1960s he continued to work as a freelance photojournalist, traveling widely. He documented such events and subjects as the Civil Rights movement in America (1964–65), the Yom Kippur War in 1973, and the New York City police department (1972–79). His career blossomed during the American civil rights movement, when he traveled the country with Martin Luther King, Jr. in his celebrated march across the US from Alabama to Washington. This journey gave him the opportunity to produce his 1968 book, Black in White America, which brought considerable attention. His work on New York City law enforcement also led to a book, Police Work which was published in 1980. Early in Freed's career, Edward Steichen purchased three photographs from Freed for the collection of the Museum of Modern Art.[ In 1967, Cornell Capa selected Freed as one of five photographers to participate in his "Concerned Photography" exhibition. Freed joined Magnum Photos in 1972. Publications to which Freed contributed over the years included Der Spiegel, Die Zeit, Fortune, Libération, Life, Look, Paris-Match, Stern, and The Sunday Times Magazine of London. In later years, Freed continued shooting photographs in Italy, Turkey, Germany, Lebanon and the U.S. He also shot four films for Japanese, Dutch and Belgian television.Source: Wikipedia Born in Brooklyn, New York, to working-class Jewish parents of Eastern European descent, Leonard Freed first wanted to become a painter. However, he began taking photographs while in the Netherlands in 1953, and discovered that this was where his passion lay. In 1954, after trips through Europe and North Africa, he returned to the United States and studied in Alexei Brodovitch's 'design laboratory'. He moved to Amsterdam in 1958 and photographed the Jewish community there. He pursued this concern in numerous books and films, examining German society and his own Jewish roots; his book on the Jews in Germany was published in 1961, and Made in Germany, about post-war Germany, appeared in 1965. Working as a freelance photographer from 1961 onwards, Freed began to travel widely, photographing blacks in America (1964-65), events in Israel (1967-68), the Yom Kippur War in 1973, and the New York City police department (1972-79). He also shot four films for Japanese, Dutch and Belgian television. Early in Freed's career, Edward Steichen, then Director of Photography at the Museum of Modern Art, bought three of his photographs for the museum. Steichen told Freed that he was one of the three best young photographers he had seen and urged him to remain an amateur, as the other two were now doing commercial photography and their work had become uninteresting. 'Preferably,' he advised, 'be a truck driver.' Freed joined Magnum in 1972. His coverage of the American civil rights movement first made him famous, but he also produced major essays on Poland, Asian immigration in England, North Sea oil development, and Spain after Franco. Photography became Freed's means of exploring societal violence and racial discrimination. Leonard Freed died in Garrison, New York, on 30 November 2006.Source: Steven Kasher Gallery
Chuck Kimmerle
United States
Despite knowing little about photography at the time, I knew I was destined to make my living as a photographer when I received my first camera, a Canon Canonet QL17 GIII, as a high school graduation present. The entire process mesmerized me. I was hooked. However, a prior enlistment in the U.S. Army Infantry, which began shortly afterwards, put that dream on the back burner for a few years.Following my discharge, I enrolled in the Photographic Engineering Technology program at St. Cloud State University, thinking it a solid career backup plan should my dream of being a photographer be unrealized. The technically-focused program provided me with a solid background in photographic science, chemistry, processes and sensitometry.While at the university, I began working at the school paper, which was followed by a photojournalism position at the St. Cloud Times and, subsequently, jobs at newspapers in Pennsylvania and finally North Dakota, where I was part of a four-person staff named as finalists for the 1998 Pulitzer Prize for Spot News Photography. In 2000, I left the erratic schedule of photojournalism to the more predictable hours as the staff photographer at the University of North Dakota, where I remained for the next 10 years.In 2010 I followed my wife, a New York City native, to her new job in the least populated state in the U.S., Wyoming, where I now work as an educational and commercial freelance photographer.Throughout the years working as a photographer for others, I spent a great deal of my free time doing personal work for myself. These images, which were infinitely more important to me that the work images, were primarily landscapes. However, I have never considered myself a nature photographer. Instead, I tend to gravitate towards those areas which are influenced by both man and nature.Despite having embraced the digital medium, I consider myself a landscape photographer in the traditional sense of the word. My style is straightforward and formal, with a deep depth-of-field and an unabashed honesty to the subject matter, and is in direct contrast to the contemporary trend of highly conceptualized pictorials. Who says newer is always better?In the past few years I've had the honor to study with such esteemed photographers as Alan Ross, George DeWolfe, Jean Meile, Jay Dusard, Jack Dykinga and Bruce Barnbaum. Source: chuckkimmerle.com
Jefferson Caine Lankford
United States
1993
Jefferson Caine Lankford is a photographer born and currently based in the United States. He uses a range of photographic techniques including alternative, analog, and digital practices. Jefferson earned a BFA in photography at East Carolina University in 2016 and also attended the Australian National University, located in Canberra, Australia - where he studied documentary photography. His work focuses on a variety of subjects, ranging from environmental concerns and foreign cultures to the various aspects of the American South, such as agriculture, poverty, and society. To Be, Rather Than to Seem The American South has an essence that sparingly reveals itself, thus requiring unprecedented determination and patience to photograph all its splendor. Nevertheless, and despite its elusiveness, this essence I am chasing - permeates; it lingers in the air of North Carolina, and when discovered, puts on a magnificent display. This essence appears in the eyes of a jet-black cat within an abandoned barn: it agonizes within the face of an elderly Amish man; it breathes deep within the shadow of a stray dog crossing a back road; it flourishes within the wings of starlings above a farm after heavy rain; it shines on a dilapidated door in the middle of nowhere, and it tirelessly works in the tobacco fields without complaint. Over the past three years, I have traveled throughout many impoverished towns and across countless acres of farmland to document and share an original story of existence - life and death as it occurs in rural North Carolina. The photographs within this ongoing project, To Be, Rather Than to Seem - provides a window for others to witness these fleeting moments for themselves and embrace the beautiful raw essence of my homeland.
John Rankin
United Kingdom
1966
Synonymous with compelling portraiture, Rankin's lens captures, creates and unveils icons. Rankin made his name in publishing, founding the seminal monthly magazine Dazed & Confused with Jefferson Hack in 1992. It provided a platform for innovation for emerging stylists, designers, photographers and writers. The magazine went on to forge a distinctive mark in the arts and publishing spheres, and developed a cult status by forming and moulding trends, and bringing some of the brightest lights in fashion to the foreground. Rankin has created landmark editorial and advertising campaigns. His body of work features some of the most celebrated publications, biggest brands and pioneering charities, including Nike, Swatch, Dove, Pantene, Diageo, Women's Aid, and Breakthrough Breast Cancer. He has shot covers for Elle, German Vogue, Harper's Bazaar, Esquire, GQ, Rolling Stone and Wonderland. His work has always endeavoured to question social norms and ideas of beauty and, in late 2000, Rankin published the heteroclite quarterly Rank, an experimental anti-fashion magazine celebrating the unconventional. In 2001, Jefferson and Rankin launched AnOther Magazine. With a focus on fashion, originality, and distinction. In response to the expanding menswear market, in 2005 AnOther Man was introduced, combining intelligent editorial with groundbreaking design and style. More recently, the Dazed Group has established itself as an online authority, via AnOthermag.com, Dazeddigital.com and Dazedtv.com. Rankin celebrated Dazed & Confused's 20th anniversary, shooting 20 front covers of Dazed favourites and 20 inside covers of the next generation of talent, for the December 2011 issue. Tapping into the consciousness of the 90s and 00s with his intimate approach and playful sense of humour, Rankin became known for his portraiture of bands, artists, supermodels and politicians. Having photographed everyone from the Queen of England to the Queen of Pop, Rankin is often seen as a celebrity photographer. However, his plethora of campaigns and projects featuring 'real women' marked him out as a genuinely passionate portrait photographer, no matter who the subject. Always pursuing personal projects which push his limits, high impact charity projects, and groundbreaking commercial campaigns, Rankin has stood out for his creative fearlessness. His first major worldwide and award-winning campaign - Dove's 'Real Women' - epitomised his approach: to reveal the honesty of the connection and collaborative process between photographer and subject. Personal or commercial, Rankin's images have become part of contemporary iconography, evidence of his frankness and passion for all aspects of modern culture, and its representation in the photographed image. Rankin has published over 30 books, is regularly exhibited in galleries around the world, as well as his own London gallery. His museum-scale exhibition Show Off opened at NRW Dusseldorf in September 2012, pulling in over 30,000 visitors in 3 months. In the last few years, he has frequently turned his hand to studies of photography through TV presenting. Working with the BBC, he has featured in a number of seminal documentaries - The Seven Photographs that Changed Fashion, South Africa in Pictures, Shooting the Stars, The Life Magazine Photographers and most recently, an in-depth documentary into the modern approach to death in, Alive: In the Face of Death. His affiliation with charities has seen Rankin travel the world, creating powerful campaigns both as a photographer and a director. With Oxfam, he visited the Democratic Republic of the Congo and Kenya, and in 2011 hosted an Oxglam exhibition, featuring work from some of the world's most talented emerging young photographers, and raising money for the charity. 2013 sees a planned trip to Jordan and Lebanon with Oxfam. In 2009, Rankin undertook the biggest project of his career - Rankin Live, a mammoth, interactive spectacle and exhibition. Always interested in the democratisation of the image, and also a keen advocate of the amazing digital advances of the photographic industry, Rankin Live was the culmination of the accessibility and speed of modern photography. Rankin proved that everyone can look like a magazine cover star as, for 7 straight weeks, he photographed people off the street, one every 15 minutes - retouching, printing and hanging the image within half an hour of the shutter being fired. Rankin photographed over 1600 Londoners, before then taking Rankin Live on tour in Mexico and New York. In 2011, Rankin Film Productions was born. Rankin developed a taste for film directing music videos, commercials, and short films with co-director Chris Cottam between 2002 and 2009, including their debut feature film, The Lives of Saints. Written by Toni Grisoni (Fear and Loathing in Las Vegas), it won the grand jury prize at the Salento International Film Festival. Since 2009, Rankin has continued to direct independently on both commercial and personal projects. Taking on the new role of Executive Producer, Rankin recently founded Collabor8te, in association with The Bureau and Dazed TV. Collabor8te calls on scriptwriters and directors to submit their ideas for narrative film, promising to turn a selection of these dreams into a reality, producing them, featuring them on Dazed TV, and running them on the international film festival circuit. In November 2011, Rankin returned to magazine publishing with a fresh offering - The Hunger. A biannual fashion, culture and lifestyle magazine, The Hunger and its associated Hunger TV website - a video-based digital platform featuring in-depth interviews, fashion films, blogs, updates, and previews - marked Rankin's return to the fashion world with an understanding that the future is not only printed but digital too. Rankin lives in London with his wife, Tuuli, and son, Lyle. Articles Back in the Dazed: Rankin 1991-2001 Photographer Rankin leads a campaign with Aquafresh to address the confidence crisis in British children. British fashion photographer Rankin partners on charity campaign to end global acid violence Rankin Live An Exploding World Rankin from Portraiture to Fashion
Zhou HanShun
Singapore
1975
Born 1975, and raised in Singapore, Zhou HanShun is a Photographic Artist, Printmaker and Art Director.After graduating from Nanyang Academy of Fine Arts Singapore and RMIT University, he went on to make a living as an art director, and continues to pursue his passion as a visual storyteller and photographer.He uses photography as a way to explore, investigate and document the culture and people in the cities he lived in.HanShun has exhibited at the Tumbas Cultural Center in Thessaloniki, Greece for Photoeidolo (2017), the Molekyl Gallery in Sweden, for the Malmo Fotobiennal (2017), the Gallery under Theater in Bratislava, Slovakia for The Month of Photography Bratislava(2017), the Czech China Contemporary Museum in Beijing for the SongZhuang International Photo Biennale(2017), the PhotoMetria "Parallel Voices" exhibition in Greece (2016), the Addis FotoFest in Ethiopia (2016), among others.HanShun was awarded a Special Mention at the Balkan Photo Festival (2016), Shortlisted for the Hariban Award (2017) and was a finalist of Photolucida Critical Mass (2016), among others.About Frenetic City To say life moves fast in a city is an understatement. People go through life in an uncompromising, chaotic pace, overcoming and absorbing anything in their path. Time in the city seem to flow quicker, memories in the city tend to fade away faster. Nothing seems to stand still in a city. I use photography as a way to explore, investigate and document the culture, society and people in the cities that I have lived in. Using Hong Kong as a starting point, this project aims to be a documentation of our increasingly overpopulated world. When I first landed, I was immediately confronted by a society that is in fierce competition for physical and mental space. I decided to capture and re-create the tension and chaos that I experienced in photographic form, using multiple exposures on B&W negatives. The creation of each photograph requires me to be fixed at a specific location from between 5 to 7 hours per session. Through the viewfinder of an old Hasselblad, I created each photograph by overlapping selected individuals or groups of people within the 6 x 6 frame. The resulting photograph is not of a singular moment in time, but a multitude of moments in time captured in a single frame.
Mitch Rouse
United States
1940
Mitch was a transportation entrepreneur in Long Beach, and is now a photographer based out of Cody, Wyoming. Before Mitch shot aerial images, he was an avid self-taught landscape photographer. In the realm of aerial photography, he began with with high tech drones and evolved into flying fixed wing. Unsatisfied with the limitations of these methods, he has now found the sweet spot between the two, by developing a system that incorporates a Bell helicopter with a 150 MP Phase One Industrial camera, inside a Shot Over gimbal, mounted to its nose. Mitch most enjoys shooting abstract land patterns and beautiful farmlands throughout the western states. He is also interested in industrial sites including agriculture, transportation, shipping, ports, solar power, wind power, oil and gas. His current projects include Los Angeles - Long Beach Harbor, piers of California, highway interchanges, oil and gas fields in the Central Valley of California, agriculture in the Central Valley of California, and agriculture in the Palouse region Washington, Oregon and Idaho. Top Views of The Palouse Symmetrical farmscapes and the asymmetrical patterns of natural landscapes have always been intriguing to Mitch Rouse, a photographer based out of Cody, Wyoming. Over the last four years, his passion for landscape photography and his deep desire to capture a unique perspective, evolved into taking to the skies with the right technology to capture those exclusive scenes from above. The Palouse in SE Washington is one of his favourite places to explore. Due to its geological heritage, the rolling hills of grasses are an endless sea. Farmland is scattered over this peculiar dune-like landscape, which formed sometime during the last several ice ages, when glacial silt was blown across the region forming dunes called "loess". The farmers who settled on this land had to develop methods of successful harvesting, where to avoid the steep slopes becoming hazardous to their tractors and combines, they would plough along the contours of the hills, this led to the use of special self-levelling harvesters that can cut crops safely and efficiently by constantly adjusting to the different gradients of the slopes. As you can imagine, the lines and patterns that these farming techniques produce, combined with the already picturesque landscape, are captivating from the air. These aerial photographs of The Palouse captured by Mitch, resemble topographical maps where the colour contrasts, line patterns and contour shapes have become a distinctive form of art. Two seasons in The Palouse are equally magnificent in their colours and textures. Mitch enjoys capturing both the vibrant green silky grass seas of Springtime, and the golden brown rough textures of the Harvest. The most appealing thing about photographing The Palouse is this combination of classic features of farmland, spread across this canvas of ‘dunes', resulting in truly mesmerising endless lines in both linear, and in curved patterns, with the play of the light across those textures and gradients, creating shadows and variations in the colour spectrums of the greens and yellows or of the browns and the golds. The aerial perspective gives these abstract art forms a boldness that cannot be fully appreciated from the ground. Mitch's favourite lens to use is a 35mm. This is due to its versatility with 100mp resolution, he can crop in with fantastic detail, or leave it at a wide angle. We think you'll agree that these resulting shots are really stunning and showcase this truly individual area of American geography.
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AAP Magazine #54 Nature
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