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Dave Jordano
Dave Jordano
Dave Jordano

Dave Jordano

Country: United States
Birth: 1948

Dave Jordano was born in Detroit, Michigan in 1948. He received a BFA in photography from the College for Creative Studies in 1974. In 1977 he established a successful commercial photography studio in Chicago, IL, shooting major print campaigns for national advertising agencies.

Since 2000, Jordano has concentrated on and established himself as an awarding winning mid-career fine art documentary photographer. He was awarded an honorable mention in the Houston Center for Photography’s Long Term Fellowship Project in 2003, and received the Curator’s Choice Award the following year for his documentary work on Small African American Storefront churches on the south side of Chicago. In 2006, 2008, 2013, and 2016 Jordano has been selected as a top 20 finalist in Photolucida's "Critical Mass" International Photography Competition. He was also selected for inclusion in "One Hundred Portfolios", a compilation featuring the work of 100 leading photographers from around the world and sponsored by Wright State University, Dayton, OH. A major exhibition of his work from the "Articles of Faith" project was held at the Chicago Cultural Center, Chicago, Illinois in 2009.

In 2014-15 he was a finalist in the LensCulture Exposure Awards for his documentary work on Detroit and was also included in the highly competitive Outwin Boochever Portrait Competition at the National Portrait Gallery in Washington DC. Most notably, Jordano won the prestigious Canadian AIAMI / AGO Photography prize for 2015, which included a $50,000 prize and a six week, fully paid residency anywhere in Canada which he fulfilled by documenting the northern arctic town of Iqaluit, Nunavut, Canada.

Jordano has exhibited both nationally and internationally and his work is included in several private, corporate, and museum collections. Most notably the Library of Congress, Prints and Photographs Division, Washington DC, the Museum of Contemporary Photography, Chicago, IL, The Museum of Fine Arts Boston, The Museum of Fine Arts Houston, The Detroit Institute of Arts, The Mary & Leigh Block Museum of Art at Northwestern University, Evanston, IL, the Harris Bank Collection, and the Federal Reserve Bank.

His second book, published by the Center for American Places at Columbia College, Chicago titled, "Articles of Faith, Small African American Community Churches of Chicago", released in April 2009.

His most recent publication, "Detroit - Unbroken Down" documents the cultural and societal changes of his home town of Detroit and was published in the fall of 2015 by PowerHouse Books, Brooklyn, NY.

His fourth coming publication "A Detroit Nocturne" with an essay by Karen Irvine, Co-Director of the Museum of Contemporary Photography, Chicago, will also be published by PowerHouse Books and has a launch date scheduled for April 2018.

Dave Jordano currently lives in Chicago, Illinois.
 

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More Great Photographers To Discover

Michael Kenna
United Kingdom
1953
Michael Kenna was born in Widnes, England in 1953. As one of 6 children born to a working class Irish-Catholic family, he initially aspired to enter the priesthood but his passion for the arts led him to The Banbury School of Art where he studied painting and then photography. Later he attended The London College of Printing and began working as a photographer and artist. He moved to San Francisco in 1977 where he was astounded by the number of galleries the city housed which allowed artists to showcase and sell their work. San Francisco has remained his home ever since. Michael Kenna's work has often been described as enigmatic, graceful and hauntingly beautiful much like the Japanese landscape. Kenna first visited Japan in 1987 for a one-person exhibition and was utterly seduced by the country's terrain. Over the years he has traveled throughout almost the entire country constantly taking photographs. From these many treks the book Japan, featuring 95 of these photographs, was conceived. The simplicity and clarity of Kenna's Japan alludes to rather than describes his subject allowing the viewer to have a completely unique and tailored interpretation. He has described this body of work as, "more like a haiku rather than a prose"; his work being like photographs written in short poem form. Kenna's photographs are often made at dawn or in the dark hours of night with exposures up to 10 hours. Kenna has said "you can't always see what's otherwise noticeable during the day... with long exposures you can photograph what the human eye is incapable of seeing". Michael Kenna's prints have been shown in numerous exhibitions throughout the world with permanent collections in the Bibliotheque, Paris; The Museum of Decorative Arts, Prague; The National Gallery of Art, Washington DC; and the Victoria and Albert Museum, London. Kenna has also done a great deal of commercial work for such clients as Volvo, Rolls Royce, Audi, Sprint, Dom Perignon and The Spanish Tourist Board. Japan is one of 18 books of Kenna's photography to have been published to date. Source: Supervision With more than fifty monographs documenting his travels, Michael Kenna shows no signs of slowing down in his endless pursuit of nature's haunting beauty. Whether working in his native England, Easter Island, the coastal towns of France or the islands in Japan, Kenna seeks places of solitude which speak volumes about humanity. Barren seascapes, abandoned fishing nets, fragmented piers, mysterious horizons, trees emerging from under snow drifts – these are just some of the images which dominate Michael Kenna's work from Japan. The result of his efforts can be seen in two books, Hokkaido (2006) and Japan (2002), both published by Nazraeli Press. His newest book, Mont St Michel, continues his passion for solace. Originally built as a community for Benedictine monks, Mont St Michel became a place of prayer, meditation and silence. Kenna made may journeys to Mont St Michel, staying for days at a time, living among the residents, following their codes of silence and prayer. Armed with a camera, Kenna walked the halls, crypts and towers, watching shadows sneak their way around columns and spires, recording the passing of time. Mont St Michel is dedicated to Michael's father who recently passed away. As Kenna states in his introduction: "My dad was a quiet man, he didn't seem to have a need to talk very much...We walked pretty much everywhere, and I liked to walk with my Dad...I think the time in-between destinations was most special for me. We didn't need to say very much to each other. Walking, observing, listening, waiting. Somehow I associate those walks with my time at Mont St Michel...He taught me that it's alright to walk alone sometimes." Whether photographing in Mont St Michel, Japan, China, or the United States, Michael Kenna invites the viewer to walk along with him as he captures moments between events, when human presence seems right around the corner and silence is always present... Source: Catherine Edelman Gallery
Patrick Wack
France
1979
Patrick Wack was born in Cannes in 1979 and grew up in the Paris suburbs. A former top sportsman, he has a degree in foreign languages and a diploma from the Ecole Supérieure de Commerce de Paris. His studies took him to the United States, Sweden and Germany. A self-taught photographer, he left Berlin in 2006 for China with the ambition of documenting its emergence, and the hope of living a life off the beaten track. He was based in Shanghai for eleven years as a freelance photographer alternating between commissions for the international press and institutional clients. He also worked on long-term documentary projects on themes important to the understanding of our times. These include urban change and forced modernisation in China, the Tibetan question, inter-ethnic tensions in the Balkans and the 'pioneering front' of the New Silk Road in its aesthetic, social and political dimensions. After eleven years in China, he now divides his time between Europe, China and Russia. His reports have been published in Time magazine, The Sunday Times, Géo, The British Journal of Photography and Courrier International, among others. He is one of the co-founders of the photographic cooperative Inland. DUST Dust, a monographic book by photographer Patrick Wack on the Uyghur communities. The monograph DUST gathers four years of work by French photographer Patrick Wack shot in the areas of Central Asia known as East Turkistan or Xinjiang Uyghur Autonomous Region under the current Chinese administration. In recent years, the region has been at the centre of an international outcry following the mass-incarceration of its Uyghur population and other Muslim minorities. This body of work captures a visual narrative of the region and is a testimony to its abrupt descent into an Orwellian dystopia. In 2016 and 2017, Wack spent more than two months in Xinjiang photographing Out West, his first long-term project about the region. He decided to return in 2018, upon reading reports of the mass arbitrary detention system being set up there. In 2019, he travelled to Xinjiang on two separate occasions for another project, The Night Is Thick. This second reportage aimed at documenting life under acute repression among the Uyghur minority alongside the disturbing simultaneous increase of Han-Chinese tourism in the region. These images have been widely published and exhibited over the past four years, illustrating the situation in the region, and have received numerous accolades. Recent events in Xinjiang are now considered some of the most severe crimes against humanity currently unfolding in the world and this project is possibly the most complete photographic documentation of the region in recent years. Find out more about DUST
Denis Dailleux
France
1958
Denis Dailleux, (b. 1958, Angers) lives in Paris when he is not in India, Egypt or Ghana. Represented by Agency VU', Camera Obscura Gallery (Paris), Galerie 127 (Marrakech), Galerie Peter Sellem (Francfort) and the Box Galerie (Brussels), his work has been exhibited and distinguished worldwide. He is the acclaimed author of several books about Egypt: Habibi Cairo, Le Caire mon amour (Filigranes, 1997), Le Caire (Le Chêne, 2001), Impressions d'Egypte (La Martinière, 2011), Egypte, Les Martyrs de la révolution (Le Bec en lair, 2014), Mères et fils (Le Bec en l'air, 2014), Ghana (Le Bec en l'air, 2016) and Persan-Beaumont (Le Bec en l'air, 2018). "Imbued with his distinctive delicacy, Denis Dailleux's photographic work appears calm on the surface, yet is incredibly demanding, run through by an undercurrent of constant self-doubt and propelled by the essential personal bond he develops with those (and that which) he frames with his camera. His passion for people has naturally led him to develop portraiture as his preferred means of representing those whose true self he feels an urge to get closer to. Which he has, with actress Catherine Deneuve as well as with countless anonymous subjects from the slums of Cairo, working with the same discretion, waiting to get from his subjects what he is hoping they will offer him, without ever asking for it, simply hoping that it will happen. That is how he has patiently constructed a unique portrait of his beloved Cairo to create, with black and whites of exemplary classicism and colors of rare subtlety, the definite alternative to the heaps of cultural and touristic clichés which clutter our minds." -- Christian Caujolle These past years, while continuing to photograph Egypt, Denis Dailleux has traveled regularly to Ghana where he explores new relations with regard to body and space, life and death, community, the sea, which opens up new horizons to his photographic research. Regularly exhibited and published in the national and international press, Denis Dailleux is also the winner of prestigious prizes, including the World Press Photo - Category Staged Portraits for his series Mother and Son in 2014, and in 2019 the Roger Pic Prize awarded by Scam for his series In Ghana - We shall meet again. Article Discover Denis Dailleux's Exclusive Interview Galleries Galerie Camera Obscura Galerie 127 Galerie Peter Sellem Box Galerie
Arthur Leipzig
United States
1918 | † 2014
Arthur Leipzig (October 25, 1918 – December 5, 2014) was an American photographer who specialized in street photography and was known for his photographs of New York City. Leipzig was born in Brooklyn. After sustaining a serious injury to his right hand while working at a glass wholesaler, Leipzig joined the Photo League where he studied photography, took part in Sid Grossman's Documentary Workshop, taught Advanced Technique classes for three years, and exhibited his work. From 1942 until 1946 he was a staff photographer for PM. He also studied under Paul Strand before quitting the League to pursue a career as a freelance photojournalist. In 1955 Leipzig's 1943 photograph King of the Hill, depicting two little boys challenging each other on a sand heap, was selected by Edward Steichen for the world-touring exhibition The Family of Man at the Museum of Modern Art in New York, that was seen by 9 million visitors. Leipzig was a professor of art and the director of photography at the CW Post Campus of Long Island University from 1968–1991. In an effort to build his department and enhance the quality of photographic techniques, Leipzig recruited two well-known photojournalists, Louis Stettner and Ken Johnson (formerly a photo editor with Black Star) to his staff. He also recruited the now, highly regarded female photographer, Christine Osinski. Leipzig contributed his work to many publications including Fortune, Look, Parade, and Natural History, while continuing to pursue his independent projects. In 2004, he won the Lucie Award for Outstanding Achievement in Fine Art Photography. Leipzig died in Sea Cliff, New York on December 5, 2014, aged 96.Source: Wikipedia Leipzig shot thousands of rolls of film over five decades, producing beautifully constructed yet socially powerful photographs that take a sincere look at street life. Among the most memorable are photo essays on children’s street games, city workers atop the Brooklyn Bridge, Coney Island, and V-Day. Leipzig candidly captured New York’s favorite personalities as Louis Prima, W.C. Handy and Mayor La Guardia. His assignment locales outside of New York City included Peru, Sudan, and the Sahara, as well as places closer to home like West Virginia, Kansas and Jones Beach. Acclaimed as a sensitive and impassioned documentary photographer, Arthur Leipzig has always directed his camera toward the human condition and his deep love of people, shooting in a straightforward fashion, never forcing the moment but rather allowing a human story to transform simply and spontaneously. As a result, his photographs depict the human community with great intimacy and dynamic energy.Source: Howard Greenberg Gallery Arthur Leipzig's photography is represented in the permanent collections of The Museum of Modern Art, The Brooklyn Museum, The National Portrait Gallery, The Jewish Museum, and The Bibliothèque nationale de France. His solo exhibitions include Arthur Leipzig: a World View at the Howard Greenberg Gallery, Growing Up in New York at the Museum of the City of New York, Jewish Life Around the World at the Nassau County Museum of Fine Art.Source: Jackson Fine Art
Andy Fabrykant
Andy Fabrykant was born in Argentina in 1984. He studied filmmaking at the Film University of Buenos Aires (FUC) and he did a master degree in Czech Republic at FAMU. Today he lives in Paris and he has already made 5 exhibitions (2011 - Paris, des lieux et de gens - Paris / 2011 - Nomade - Bourg-en-Bresse / 2012 - Tremplin Jaunes Talents - Saint-Mandé / 2013 - Besares - Buenos Aires / 2014 - L’Argentine à l’honneur - Neuilly-sur-seine). Even thought he is a filmaker he has been always around a film cameras.fter many years of walking around as a "flâneur" in my own city Buenos Aires (and after in Czech Republic and France) using my camera as a tool to get related with people and the city without knowing exactly what I was looking for, I realized that after the taxonomy of my work I could find the meaning of it. Because, what is a photographer more than a collector of images? That's how I started to find out which were my interests. In general, I am attracted to the relationship between the subject and the space. Sometimes it is an architectural approach where there is a lack of human activity and sometimes is completely the opposite, the subject verbs the object. I have been working around this topic for the last 5 years creating different activities or how I like to call them: games. Each game has it's own rule and I try to change them so I can always have a fresh and new approach. For example I just follow someone on the street and I let him take me to places that I don't know. Normally I don't take pictures of the subject, I just let him be an excuse bring me to where I am.I know a piece is done when I let the person go or when I get interested in someone else.
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