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Jagjit Singh
Jagjit Singh
Jagjit Singh

Jagjit Singh

Country: India
Birth: 1974

I am a freelance travel photographer based at Chandigarh - the foothills of the Shivalik range of the Himalayas in northwest India. In this continuous endeavour of self-learning, tried to portray the moments that my eyes appreciated. Always strive to capture the beauty of the nature which can be a feast for the eyes.

India is a land of many cultures and religions. It has always been a integral part of the Indian traditions. They portray the rich cultural heritage of this country. I love to click the spectrum of Indian festivals/fairs with their significance.
 

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Paul Brouns
The Netherlands
I am a Dutch photographing artist that lives and works in Almere (near Amsterdam). I was born in 1967 in a small village in the South of the Netherlands. In 1990 I graduated from the Academy of Fine Arts in Tilburg (NL) in painting, drawing and photography. In the 1990's photography was still an analogue process and not having a darkroom of my own, in those early decades I was busy painting, because I wanted to work with colours and that was the most direct way to do this. However after the development of digital photography all of this started to change. By now my camera and the computer have gradually become my main tools for creation. Rhythm, color and geometry have always been important in my work and for this architecture has proven to be an ideal subject. As a photographer I am attracted by the abstract, rhythmic expression of buildings. It is my aim to captivate the viewers by feasts of dancing shadows, sunlit reflections or colour combinations. I hope that through my work they will learn to appreciate and enjoy the visual music that surrounds us. The Music of Architecture My motto "the music of architecture" stands for the artistic desire to communicate the abstract beauty of buildings. In the abstraction I see an important parallel with instrumental music. Terms like rhythm, composition, texture, scale and colour can be used to describe the feeling of my work, but it also can be applied to describe music. I try to visualise the sensation of a building as purely as possible: many images show façades that are completely frontal and fill the entire composition, so the rhythm and shallow depth of the building surface plays the main role. This ongoing series is called "Urban Tapestries". In other works the perspective depth and its converging lines play an important role. A third element is using my photographic elements to create a new reality. What unites these different elements is my desire to express myself through images that are all about the fascination with colour and rhythm.
John Engstead
United States
1909 | † 1983
John Engstead (22 September 1909 in California - 15 April 1983 in West Hollywood, California) was an American photographer. Engstead began his career in 1926, when he was hired as an office boy by Paramount Pictures' head of studio publicity, Harold Harley. In 1927, Engstead pleased his boss by arranging a photo session for actress Clara Bow with photographer Otto Dyer using an outdoor setting which was unusual at that time. Engstead's creative direction of photographs of actress Louise Brooks led to a promotion to art supervisor, where he oversaw the production of Paramount's publicity stills. In 1932, due to a strike by photographers, Engstead assumed the position of studio portrait photographer, despite having never previously photographed anyone. Actor Cary Grant posed for his practice shots. He returned to his job as art supervisor after the strike was resolved. In 1941, Paramount Pictures fired Engstead, and Harper's Bazaar hired him for freelance advertising and portrait photography assignments. From 1941 to 1949, he took fashion photography assignments from numerous other magazines, including Collier's, Esquire, House Beautiful, Ladies Home Journal, Life, Look, Mademoiselle, McCall's, Vogue, and Women's Home Companion. In the 1940s, Engstead photographed many celebrities, including Joan Crawford, Bette Davis, Maureen O'Hara and Shirley Temple. Unlike other photographers, he often shot his subjects at home or outdoors, and his portraits of a young Judy Garland in Carmel, California were particularly successful. During this decade, he built a studio in Los Angeles that became a gathering place for celebrities. Engstead continued to photograph movie stars and other celebrities through the 1950s (Marilyn Monroe) and 1960s. He produced promotional material for many television personalities, including Pat Boone, Carmel Quinn, Donna Reed, Ozzie and Harriet, Eve Arden, and Lucille Ball. He also shot cover photos for albums recorded by singers such as Peggy Lee and Connie Francis, as well as society portraits. His work extended into governmental figures in the 1950s, including then-Second Lady Pat Nixon. Engstead closed his studio in 1970 but continued to accept special portrait and television assignments until his death in 1984 at age 72. Engstead's images are represented by the Motion Picture and Television Photo Archive and can be viewed by the public at MPTV.net. Source: Wikipedia Engstead began his career in 1926, when he was hired as an office boy by Paramount Pictures’ head of studio publicity. Engstead impressed bosses and was promoted to art supervisor, where he oversaw the production of Paramount’s publicity stills. In 1932, Engstead assumed the position of studio portrait photographer, despite having never previously photographed anyone. By 1941, Engstead was working for various magazines, including Harper’s Bazaar, Esquire, Life, Look and Vogue. Engstead built a studio in Los Angeles that became a gathering place for celebrities. Engstead continued to photograph movie stars and other celebrities through the 1950s and 1960s. Engstead closed his studio in 1970 but continued to accept special portrait and television assignments until his death.Source: Motion Picture and Television Photo Archive
Constance Jaeggi
Switzerland
1990
I have always had a fascination with horses which in part stems from my interest in the essential role they played in the development of modern civilizations. At the heart of the relationship between horses and humans is a large paradox. At once a tool in conquests and war because of their tremendous power and capacity for speed, they remain a herd and prey animal. Through photography both inside and outside of the studio, I explore the duality of these flighty yet mighty animals, as well as their relationships with humans, in particular with women whose livelihoods still depend on these animals. My journey with photography started in 2013, after earning my bachelor’s degree from Texas Christian University. After this, I completed a short course in Photography at the New York Film Academy and a Masters in Art History and Art World Practice at Christie’s in 2021. Over the past three years, I have been documenting Camilla Naprous of the Devil's Horsemen with my film cameras and the resulting project The Devils is subject of an ongoing exhibition at the Cowgirl Museum in Fort Worth, TX. Statement I spent most of the pandemic cloistered at the Devil’s Horsemen outside London, UK, a leading supplier of horses and stunt men and women in the film industry. Using my film cameras to get closer to the team who were also locked down at the farm, I documented the small group of women during their daily routines as they cared for the horses and continued training in anticipation of the reopening. From very different walks of life, the people at the Devil’s Horsemen are brought together by their love of horses and their determination to make a life for themselves in which horses play a central role. The company is today led by Camilla Naprous, a second-generation horse master whose father founded it in the 1970’s. Far from the glamour of Hollywood, this project pulls back the curtain on a fascinating way of life, a mix between intimacy and arduous labor where the relationship between horse and woman knows no boundaries.
Lesia Maruschak
Canada
1961
Lesia Maruschak is a Canadian artist of Ukrainian descent. She holds a MA from the University of Saskatchewan, and a MBA from the University of Ottawa. She studied Fine Art in the US and Romania. Maruschak creates narrative-specific installations that include static and moving images and hard and soft sculptural elements. They explore the histories of colonized peoples and their manifestations of geopolitical shifts. These organic systems pivot on historic atrocities, creating immersive spaces facilitating audience engagement. This offering explores how the spaces between and within us—lived experience, memory, and perception—are mediated and reverberate. Her series often include intricate and highly coveted limited edition art books, fine art photographs and touring exhibitions. Maruschak current project Poems of Our Children explores the plight of children impacted trauma funded by the Canada Council of the Arts. She is also currently completing two books concerning Canada’s first world war internment operations funded by the Canada First World War Internment Recognition Endowment Council. Select Collections The National Art Library, Victoria and Albert Museum Thomas Watson Library at the Metropolitan Museum of Art Maison Européenne de la Photographie Boston Athenaeum City of Ottawa Art Collection David M. Rubenstein Rare Book & Manuscript Library at Duke University Green Library-Special Collections at Stanford University Rare Books & Special Collections at the Library of Congress Butler Library-Special Collections at Columbia University About Project MARIA Project MARIA memorializes the millions of victims of the 1932-33 genocide-famine in Soviet Ukraine. It functions as a mobile multimedia installation and includes artwork, film, and performance, inspired by a single vernacular photograph of a young girl, Maria F., who survived the Holodomor and currently resides in Canada. Holodomor refers to the genocide manufactured by Stalin and the Politburo in Soviet Ukraine during 1932-1933. Despite an estimated death toll of over four million by forced starvation the Holodomor, remains largely ignored in the context of global genocides. Project MARIA has been shortlisted for numerous awards and won over 13 including 12th Pollux Award Human Rights and Segregation (2018), Director’s Choice CENTER Review Santa Fe (2019), Landskrona Foto (2020), 16th Julia Margaret Cameron Segregation and Human Rights (2021), and FORMAT22 Director’s Review (2022). Its exhibition record includes 11 solo and more than 15 group exhibitions, in seven countries (2018-2023). Project MARIA recognized by the National Holodomor Genocide Museum, Kyiv, as the most important exhibition on the Holodomor premiered there in 2020. Its multi-city tour of Ukraine which included the LVIV History Museum and the Henryk Siemiradzki Art Gallery, Karazin University, Kharkiv, was interrupted by Russia’s aggression. The tour will recommence this Fall at the Vinnytsia Regional Museum. Other international solo exhibitions include Musée Ukraina Museum, Saskatoon; Turchin Centre for the Visual Arts, Boone; Objectif Femmes, Paris; and the Embassy of Ukraine in the Kingdom of Sweden, Stockholm.
Devanshu Jha
India
2006
Devanshu Jha is an 18-year-old photographer based in Mumbai, India. He is currently pursuing a Bachelor’s in Engineering Physics at the Indian Institute of Technology Bombay while primarily focusing on street photography. His journey with photography began at the young age of 11, capturing some flowers on his parent's mobile phones. Over the years, Devanshu refined his craft, documenting the streets of India with a distinctive blend of visual storytelling and compositional aesthetics. With a keen eye for composition and lighting, his work goes beyond mere documentation, weaving entire narratives within a single frame. His images reflect the rich social fabric of India, capturing its immense diversity with an artistic and cinematic approach. Beyond photography, Devanshu has a diverse background in visual arts and storytelling, having studied both cinema and photographic theory extensively before gaining access to professional tools. This analytical approach has helped him craft images that not only capture reality but also shape it, finding beauty in fleeting moments and coincidences that often go unnoticed." Statement "Before university, I learned photography purely from a theoretical perspective—I didn’t have the tools or the freedom to practice it. Instead, I studied photographs, analyzed cinema, and tried to understand the essence of what makes an image truly powerful. When I finally got my hands on an old DSLR from a friend, I never looked back. Since that day, I’ve spent countless mornings waking up at 4 AM, wandering the streets of Mumbai, documenting the endless stories unfolding around me. Photography has become an adventure—sometimes, I am just an observer, and at other times, I become part of the story itself, capturing the small coincidences that make everyday life extraordinary." Awarded Photographer of the Week - Week 07
Jacque Rupp
United States
Jacque Rupp is a humanist photographer residing in Silicon Valley. She picked up her first camera, a Rollei, in her teens, and immediately fell in love with the entire process- but especially how the camera connected her to others. Because she moved extensively as a child, Jacque learned quickly how to walk into new situations and build trust with people. She draws on these early experiences when creating a rapport with her photographic subjects. Jacque was an executive in the technology industry, responsible for recruiting top talent for many years. Interviewing and learning about people's stories fits directly into her style of photography. Jacque goes deep, looking to capture the human spirit by using layers, complexity, and emotion in her work. She received her MBA from Santa Clara University. She is on the Advisory Board for the United Nations Affiliated Film Festival at Stanford University and for the Weston Collective in Carmel. She has exhibited at the Center for Photographic Arts in Carmel, Foothill College in Los Altos Hills, The Daily Photograph and numerous on-line venues. Statement It's always about the people. Curiosity and connection. It's very personal for me. I'm drawn by intensity, intimacy and authenticity in my subjects. I am curious about different cultures, here and abroad, and search for stories about everyday people in everyday life. I look for a face that is lived in, a spirit I can connect with, a truth that is shared and a story to tell. I am seeking a sense of identity and place. When I engage with my subjects, this moment shared between us is an honor. In my photographs, I strive to show the humanity and universal spirit that binds all of us together. Spirit of India India, and especially its religious spirit, has always held a special place in my heart. My first visit was during a very vulnerable time in my life, my husband was terminally ill, and I found the calming spirit to be very healing. These images are a collection of my favorites over years. I love the spirit, the orderly chaos and the warmth of its people. As a visual artist, I see and very much appreciate the theatre and cast of characters.
Mauro De Bettio
Marsha Guggenheim
United States
1948
Marsha Guggenheim is a fine art photographer based in San Francisco. Storytelling is a guiding influence in her work. Marsha is deeply interested in photographing people and uses her diverse city to capture their stories. A street photographer for many years, her comfort and ease while shooting on the street has provided numerous opportunities for closer connections within her community. Complementing her street photography, Marsha spent years working as a photographer with formerly homeless women. This work resulted in the monograph, “Facing Forward,” which highlights these hard-working, proud women through portraits and stories of their life experiences. Without a Map is a personal project Marsha has developed over the past five years. Through the use of family photos, creating pictures from her memories and by turning the camera on herself, she has found the means to evoke, reinterpret and address unanswered questions that were buried long ago. Without a Map "How does one move through life with the scars of the past? When I was ten, my mother died unexpectedly from a heart attack. I couldn’t understand where she went or when she would return. Just as I began to comprehend this loss, my father died. I was without support from my family and community. I was lost. Without a Map reimagines this time that’s deeply rooted in my memories. Visiting my childhood home, synagogue and family plot provided an entry into this personal retelling. Working with family photos, creating new images from my past and turning the camera on myself, I found the means to evoke, reinterpret and address unanswered questions born from early imprints that were buried long ago."
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry