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Lisa Kristine
Lisa Kristine
Lisa Kristine

Lisa Kristine

Country: United States
Birth: 1965

Acclaimed humanitarian photographer Lisa Kristine specializes in images of remote indigenous peoples. Best known for her evocative and saturated use of color, her fine art prints are among the most sought after and collected in the world. Lisa has documented in over 100 countries on six continents, using a 19th century 4×5” field view camera for the majority of her work.

Lisa Kristine was born in San Francisco, California, on September 2, 1965. She developed an early interest in anthropology and photography. Lisa was mentored in her youth in Silver Gelatin and Cibachrome printing. Following graduation from the Fashion Institute of Design and Merchandising in San Francisco, Lisa photographed for nearly five years in Europe and Asia. Lisa has collaborated with international humanitarian organizations. When the State of the World Forum convened in San Francisco in 1999 and in New York in 2000, Lisa was asked to present her work to help inspire discussions on human rights, social change, and global security. Her work was auctioned by Christie’s New York to benefit the United Nations with Kofi Annan. She was also honored to be the sole exhibitor at the 2009 Vancouver Peace Summit with His Holiness the Dalai Lama, Reverend Tutu and award winning Nobel Laureates.

In 2010 Lisa collaborated with Free the Slaves documenting modern day slavery. She traveled into the heart of broiling brick kilns, down rickety mine shafts, and into hidden lairs of sex slavery. She bore witness to the most horrible abuses imaginable and the astonishing glimpses of the indomitable human spirit. A groundbreaking photographic book entitled Slavery in which Archbishop Desmond Tutu wrote the foreword was released in the fall of 2010. The sales of the book will help to end slavery. John C. Sweeney, Director of the United Nations, says of her work, “Lisa Kristine’s sensitive and beautiful portrayal of isolated and distant peoples helps us to better appreciate the diversity of the world. She captures the sheer beauty of the differences in people and places and allows us to comprehend the shared nature of the human condition: its hope, its joy and its complexity.”

Her work is made distinctive by her passion and intuition and her intense interest in the humanity of her subjects. “I want a person to feel at ease with me, so that they remain who they are and are unchanged by a new, foreign element such as a stranger (myself) or a camera. In order for me to photograph a person in this unaffected environment of ‘self,’ there must be a firm trust between us. Without this, one might still create a beautiful image, but not a stirring one. I’m drawn to people who have been living closer to the earth, and who have very old traditions. People who have not, in any way, been altered by modernity.” “The saturation of color opens our eyes to those who are living in ways very different from our own,” says Paul Oppenheimer, a highly regarded philosopher and teacher. “Lisa invites each of us as humans to look into the eyes of those whom we cannot understand—in a setting that does not diminish our differences. In those differences we find the roots of our unity.”

The images, both inspiring and evocative, draw a connection between the viewer and the subject. Lisa Kristine’s art is her personal statement about the connection of humanity, and about the diversity, beauty, and hardship of our world. Published in 2003, Lisa’s limited edition hardcover monograph A Human Thread of 120 photographs sold out within a year. The accompanying short documentary film, A Human Thread, explores the process behind the photographs and includes interviews with Kristine as well as footage of her on location. Following on the success of her first book, Kristine published This Moment in 2007. This Moment won the bronze metal for the Independent Publisher Book Awards The book consists of 62 full color plates showcasing her use of the large-format 4x5 field view camera. A second documentary film, Through the Lens, was produced in association with the book. The film illuminates her photographic and artistic process in using a 4x5 large-format view camera.
 

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More Great Photographers To Discover

Réhahn
France
1979
Referred to as someone who "captures the souls of his models", (Wanderlust Travel Magazine, 2018) Réhahn is more than just a man behind a camera. Behind each click is a story. Whether the photograph shows a child with startling blue eyes, a woman pulling a needle through indigo fabric or a man walking alone down a brightly painted street, these are more than just images to Réhahn. They are the culmination of an experience. The stories of his subjects as well as his passion to learn more about their culture, diversity and changing traditions are what drives Réhahn's work. Réhahn's unique combination of fine art photography and documentary styles results in images that both inform and mesmerize. His portraits of Vietnam, Cuba, and India are particularly well-known for exactly this reason. They take the viewer along on the voyage to catch a glimpse of authentic interactions with people, their smiles, their wisdom, their daily lives. For Réhahn, photography is a way to approach people, to document what is happening in the present while also learning about the traditions and heritage of their past. Réhahn visited over 35 countries before making Hoi An, Vietnam his home in 2011. His first book "Vietnam, Mosaic of Contrasts” has been a bestseller since 2014. He followed this success with four subsequent books: “Vietnam, Mosaic of Contrasts, Volume ll” in 2015; “The Collection, Réhahn - 10 Years of Photography” in 2017; “100 Iconic Portraits” in 2019; and “Vietnam Mosaic of Contrasts, Volume III” in 2020. In 2016, for International Women's day, Réhahn's portrait of Madam Xong was placed in the permanent collection at the Hanoi Women's museum. The resulting media coverage amassed more than 80 articles and 10 television interviews. Now just over two years later, Réhahn has been featured in international media totalling more than 500 articles and interviews and over 50 television appearances. One memorable career moment took place in 2018. Réhahn was honored during an official ceremony, which was organized to celebrate 45 years of friendship between France and Vietnam. Vietnam's Secretary of the Party, Nguyen Phu Trong, who has since become the President of Vietnam, gifted Réhahn's portrait "Madam Xong" to French President Emmanuel Macron. In addition to his four COULEURS BY RÉHAHN galleries, Réhahn opened the PRECIOUS HERITAGE museum located in the UNESCO World Heritage site of Hoi An ancient town in 2017 to showcase his portraits of Vietnam's diverse ethnic groups, their traditional costumes, stories, music, and artifacts. The museum is free to the public.
Mohammad Sorkhabi
Mohammad Sorkhabi was born in Mashhad-Iran in 1985. He has been engaged in portrait photography since 2013. Most of his artworks are inspired by Renascence and Baroque portrait paintings so he mostly uses the classical lighting techniques and pictorial editing of the works with a subtle expression-filled by emotions and poetic feelings that indicate social issues. Mood Photography is the style of Mohammad which makes the audience communicate with the poetic feeling of his art better. His portraits emphasizing on social issues through deep abstract feelings and delicate expressions in the eyes of his models. Awards: Fine Art's first reward in Canada Tirgan Festival-2015. Two artworks of him have been chosen for the final section and have been displayed in Malaysia-Kuala Lumpur portrait contest-2015. Also second and third place in beauty and portrait category and four honorable mention in Moscow photo awards(MIFA)-2015. Winning medal in Asahi Shimbun photo contest, Japan 2017 Mourning for the father War is defined as a long-term structured conflict involving the use of arms and weapons between nations, governments and different groups, which is associated with severe hostility, social disruption, and excessive financial loss and casualties. Today, we constantly witness such conflicts across the world, with the media spotlighting the loss of thousands of soldiers and death of civilians during wars. However, we are rarely informed on the survivors of wars and their destiny. What becomes of them? How does war influence the lives of those who have lost their loved ones? How do women mourn the deaths of their husbands, fathers, and brothers and cope with such grave tragedies? These contemplations have urged me to start a project in order to shed light on these events and reflect the grand suffering of war survivors only partly. My photographs have been inspired by the works of Renaissance painters, and this can be seen in the classical lighting techniques and pictorial editing of the works. In addition, the black veils on the models signify the spiritual aspect of the photographs, symbolizing the catharsis born out of a plethora of grief and agony.
Fran Forman
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Robert Mapplethorpe
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MD Tanveer Rohan
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Angela Bacon-Kidwell
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