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Win the First Solo Exhibition of 2026! Submit your best project now. Open Theme
Win the First Solo Exhibition of 2026! Submit your best project now. Open Theme
Oliver Stegmann
Oliver Stegmann
Oliver Stegmann

Oliver Stegmann

Country: Switzerland
Birth: 1970

I was born in 1970 in Basel, Switzerland. Since my late teen years, photography has become a key medium for me to express myself. Professionally, however, I took a different path, studying economics and now working in a management position. I'm married and a father of two lovely daughters.

On many trips to different continents, I have continuously worked on improving my skills as a photographer and on developing my own visual language. I participated in various workshops of well-known photographers such as Mary Ellen Mark, Anders Petersen or Ernesto Bazan.

Until 2007 I photographed exclusively with black-and-white film and made all prints in my own darkroom. In 2005, I started scanning the negatives, editing them in Photoshop and creating fine art prints. Two years later, I started to use also digital cameras.

My long-term project on circuses behind the scenes is planned to be published as a photo book in 2021. My other on-going personal project is to document the childhood years of my children.

Statement
I love music, but I have never played an instrument. So the camera has become the "instrument" for my creative work: I compose images instead of songs. I prefer black and white photography because leaving out the colors, the way we usually see the world, directs the viewer's eye to the essence of the image.

I have always had a passion for observing people. Their emotions, facial expressions, interactions, activities and personal moments inspire me. Photographing people is a way to communicate with them, to capture perhaps just a fraction of their lives. A powerful photograph becomes a true gift of the moment when it manages to capture some sort of mystery or magic.

My photos are meant to transport the viewer into a world less known to them, perhaps reminding them of experiences long past or leading them mentally into a possible future. With my photos I do not want to tell everything, but deliberately suggest unanswerable behind what is shown.
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Circus Noir
 

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More Great Photographers To Discover

Paul Caponigro
United States
1932
Paul Caponigro (born December 7, 1932), is an American photographer from Boston, Massachusetts. He started having interests in photography at age 13. However, he also had a strong passion for music and began to study music at Boston University College of Music in 1950, before eventually deciding to focus on studying photography at the California School of Fine Art. Caponigro studied with Minor White and has been awarded two Guggenheim Fellowships and three grants from the NEA. His best-known photographs are Running White Deer and Galaxy Apple. His subject matter includes landscape and still life, taking an interest in natural forms. He is best known for his landscape works and for the mystical and spiritual qualities of his work. He is often regarded as one of America's foremost landscape photographers. Caponigro's first one-man exhibition took place at the George Eastman House in 1958. In the 1960s Caponigro taught photography part-time at Boston University while consulting the Polaroid Corporation on various technical research. Caponigro lived in El Rancho de San Sebastian during his time in New Mexico from 1973-1993. In 1971, his work was exhibited in group exhibition "Le Groupe Libre Expression : Expo 5", presented by Jean-Claude Gautrand, at Les Rencontres d'Arles festival, France. Caponigro's work is included in the collections of the Guggenheim, Whitney, Norton Simon Museum, New Mexico Museum of Art and San Francisco Museum of Modern Art. He was awarded The Royal Photographic Society's Centenary Medal and Honorary Fellowship (HonFRPS) in recognition of a sustained, significant contribution to the art of photography in 2001. Caponigro is a dedicated pianist and considers his training with music to be essential to his photographic imagery. His son, John Paul Caponigro, is a digital photographic artist.Source: Wikipedia Paul Caponigro is one of America’s foremost landscape photographers. While he became interested in photography at age of thirteen, he also had a strong passion for music; he studied at Boston University College of Music in 1950 before deciding to focus on photography at the California School of Fine Art, where Ansel Adams had established one of the first photography programs in the United States. Despite the shift from music to photography early in his artistic career, Caponigro remains a dedicated piano player who believes that his musical training and insight influences his photographic imagery. Caponigro is best known for his interest in natural forms, landscapes, and still lives. His subjects include Stonehenge and other Celtic megaliths of England and Ireland; the temples, shrines and sacred gardens of Japan; and the deep mystical woodland of New England.Source: International Center of Photography Paul Caponigro, renowned as one of America’s most significant master photographers is known for his captivating and mystical landscape images. His exquisite silver gelatin prints depict images of nature, including flowers, cloud formations, and forest settings. His work forms a visual bridge between the material world of physical forms and the living spirit behind them.Source: Jackson Fine Art
Sebastião Salgado
Brazil
1944 | † 2025
Sebastião Salgado was born on February 8th, 1944 in Aimorés, in the state of Minas Gerais, Brazil. Having studied economics, Salgado began his career as a professional photographer in 1973 in Paris, working with the photo agencies Sygma, Gamma, and Magnum Photos until 1994, when he and Lélia Wanick Salgado formed Amazonas images, an agency created exclusively for his work. He has travelled in over 100 countries for his photographic projects. Most of these, besides appearing in numerous press publications, have also been presented in books such as Other Americas (1986), Sahel: l’homme en détresse (1986), Sahel: el fin del camino (1988), Workers (1993), Terra (1997), Migrations and Portraits (2000), and Africa (2007). Touring exhibitions of this work have been, and continue to be, presented throughout the world. Salgado has been awarded numerous major photographic prizes in recognition of his accomplishments. He is a UNICEF Goodwill Ambassador, and an honorary member of the Academy of Arts and Sciences in the United States. In 2004, Salgado began a project named Genesis, aiming at the presentation of the unblemished faces of nature and humanity. It consists of a series of photographs of landscapes and wildlife, as well as of human communities that continue to live in accordance with their ancestral traditions and cultures. This body of work is conceived as a potential path to humanity’s rediscovery of itself in nature. Together with his wife, Lélia, Salgado has worked since the 1990’s on the restoration of a small part of the Atlantic Forest in Brazil. In 1998, they succeeded in turning this land into a nature reserve and created the Instituto Terra. The Instituto is dedicated to a mission of reforestation, conservation, and environmental education. (Amazonas Images) "I have named this project GENESIS because my aim is to return to the beginnings of our planet: to the air, water and the fire that gave birth to life, to the animal species that have resisted domestication, to the remote tribes whose 'primitive' way of life is still untouched, to the existing examples of the earliest forms of human settlement and organization. A potential path towards humanity's rediscovery of itself. So many times I've photographed stories that show the degradation of the planet, I thought the only way to give us an incentive, to bring hope, is to show the pictures of the pristine planet - to see the innocence. And then we can understand what we must preserve." —Sebastião Salgado Source: Peter Fetterman Gallery After a somewhat itinerant childhood, Salgado initially trained as an economist, earning a master’s degree in economics from the University of São Paulo in Brazil. He began work as an economist for the International Coffee Organization, often traveling to Africa on missions for the World Bank, when he first started seriously taking photographs. He chose to abandon a career as an economist and switched to photography in 1973, working initially on news assignments before veering more towards documentary-type work. Salgado initially worked with the photo agency Sygma and the Paris-based Gamma, but in 1979, he joined the international cooperative of photographers Magnum Photos. He left Magnum in 1994 and with his wife Lélia Wanick Salgado formed his own agency, Amazonas Images, in Paris, to represent his work. He is particularly noted for his social documentary photography of workers in less developed nations. They reside in Paris. He has been a UNICEF Goodwill Ambassador since 2001. Salgado works on long term, self-assigned projects many of which have been published as books: The Other Americas, Sahel, Workers, Migrations, and Genesis. The latter three are mammoth collections with hundreds of images each from all around the world. His most famous pictures are of a gold mine in Brazil called Serra Pelada. Between 2004 and 2011, Salgado worked on "Genesis," aiming at the presentation of the unblemished faces of nature and humanity. It consists of a series of photographs of landscapes and wildlife, as well as of human communities that continue to live in accordance with their ancestral traditions and cultures. This body of work is conceived as a potential path to humanity’s rediscovery of itself in nature. In September and October 2007, Salgado displayed his photographs of coffee workers from India, Guatemala, Ethiopia and Brazil at the Brazilian Embassy in London. The aim of the project was to raise public awareness of the origins of the popular drink. Together, Lélia and Sebastião, have worked since the 1990s on the restoration of a small part of the Atlantic Forest in Brazil. In 1998, they succeeded in turning this land into a nature reserve and created the Instituto Terra. The institute is dedicated to a mission of reforestation, conservation and environmental education. Salgado and his work are the focus of the film The Salt of the Earth (2014), directed by Wim Wenders and Salgado's son, Juliano Ribeiro Salgado. The film won a special award at Cannes Film Festival and was nominated for the best Documentary Feature at the 2015 Academy Awards. Source: Wikipedia
Lauren Semivan
United States
1981
Lauren Semivan (b. 1981) was born in Detroit, Michigan. She received a BA in studio art from Lawrence University in Appleton, Wisconsin, and an MFA in photography from Cranbrook Academy of Art. Her work has been exhibited at the Nelson Atkins Museum of Art, Detroit Center for Contemporary Photography, The Griffin Museum of Photography, The Hunterdon Art Museum, Cranbrook Art Museum, Paris Photo, and The AIPAD Photography Show among others. She has taught photography at College for Creative Studies, The Ohio State University, Virginia Commonwealth University, and Wayne State University. Semivan has received numerous awards for her work including Photolucida Critical Mass Top 50, and The Griffin Museum of Photography’s Griffin Award. In 2014, she was a finalist for The John Gutmann Photography Fellowship, and SF Camerawork’s Baum Award for Emerging Photographers. Her work was recently published in Series of Dreams (Skeleton Key Press, 2018) and has appeared in The New Yorker, Artforum, Harper's Magazine, Interview Magazine, The Village Voice, and Photograph magazine. Semivan’s work is part of permanent collections at the Nelson Atkins Museum of Art, Cranbrook Art Museum, The Wriston Art Galleries at Lawrence University, and The Elton John Photography Collection. She lives in Appleton, WI and is represented by Benrubi Gallery in New York, and David Klein Gallery in Detroit, Michigan. Artist Statement "The staged photograph exists as a document of a pre-conceived, imagined event. It can be compared to a scientific apparatus, utilizing both control and the unknown. My ongoing body of work, Observatory, combines drawing, an archive of objects, and the human presence as a narrative tool. In scientific disciplines, a line is classified as an event. Something as primitive as a scrawl on a surface reveals an aggregate of events, intersecting and changing course. Drawings made on the seamless backdrop describe an emotional space. Science is inherently experiential, as is art making. Knowing and feeling are not separate, and the whole of the environment can be used as a pedagogic instrument. Observatory elegantly draws upon a tension that exists between irrational and physical worlds. Within each image, ghosts of previous drawings create a sense of time suspended, evoking gesture, atmosphere and memory. Photographs allow me to access the extraordinary, to keep a record of dreams, and to employ the unknown. My interest in photography is interdisciplinary and synergistic, informed by the written word, painting, drawing, sculpture, and the raw material of human experience. All images are made using an early 20th century 8x10" view camera. Large format negatives are scanned and printed without digital manipulation in editions of 5 (40"x50") and 10 (24"x30")."Source: www.laurensemivan.com Her ongoing body of work, Observatory, combines drawing, an archive of objects, and the human presence as a narrative tool. Within each image, ghosts of previous drawings create a sense of time suspended, evoking gesture, atmosphere and memory. "Photographs allow me to access the extraordinary, to keep a record of dreams, and to employ the unknown. Science is inherently experiential, as is art making. Knowing and feeling are not separate, and the whole of the environment can be used as a pedagogic instrument. Observatory elegantly draws upon a tension that exists between irrational and physical worlds". Semivan’s work resides in the collections of the Nelson Atkins Museum, Cranbrook Art Museum, and the Wriston Art Center at Lawrence University, and has been featured in Wall Street International Magazine, the New Yorker, Artforum, and Photograph magazine.Source: Benrubi Gallery
Yelena Zhavoronkova
United States
1956
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