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B Jane Levine
B Jane Levine
B Jane Levine

B Jane Levine

Country: United States

B Jane Levine was raised in the suburbs of New Jersey, a short bus ride from New York City. She has a PhD in Biochemistry from Columbia University, but left the field of molecular biology research to raise her family.

After leaving research, she took an interest in photography and began taking classes at ICP and other online platforms. She further honed her skills through many photography trips all over the world. Her photography spans many genres including street photography, landscape photography, and long exposure cityscapes. Currently, her focus is a series of candid portraits of strangers captured on the streets of New York City.

Statement
I prefer to capture moments on the street without the knowledge of the subject so that the expression, gesture and/or movement are authentic. Sometimes I get caught and a subject will give me that nod of recognition at the moment of the shot or after I press the shutter. I often go out with no expectations of subject matter other than looking for a moment, which elicits some emotion that I respond to with the subject, it is mainly driven by an internal signal that connects me to the subject or situation.

Experimentation keeps me in the moment. I try to respect the subjects that I photograph. People show themselves on the street the way they want others to perceive them. I take an image of a moment, which I observe with no other intent other than to memorialize the moment, which I recognize is real for the subject as well as myself. The people in the photographs all possess a characteristic, gesture, or physical trait that I identifies as part of my own story. The series is a composite of pieces of my life – a self-portrait.
 

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More Great Photographers To Discover

Nanda Hagenaars
Netherlands
''El Duende'' is a word used by the Spanish people to describe it is what moves you, what drives you. It comes from inside you. El duende is a bodily reaction to art or artistic perfomance such as Flamenco. It comes from the soles of the feet and flows free throughout the body till the top of your head. El duende is the spirit of evocation. An emotional and physical reaction. It can make you smile or cry or both. This mysterious power which everyone can sense and no philosopher can explain is in sum the spirith of the earth. It touches you in such a magical way that you are moved instantly. Nanda Hagenaars was born in the Netherlands in 1988 and is currently living in Amsterdam. She studied International Business and Languages in Sevilla. This is where she felt the spirit of el Duende in such a strong way that this place instantly became like a harbour for her. Back in the Netherlands, Nanda started working in the advertising industry and after nearly 4 years left her office job and crashed fully into photography and art. After studying languages, she discovered a new kind of language; through photography. Between 2007 and 2017, Nanda traveled frequently back to south Spain where she somehow always felt touched by culture and the simple vibe of the magnificent gypsy city. In 2016, Nanda made her first documentary photography project in Sevilla, where she won a price for New Dutch Photo talent 2017. Nanda’s captivating black and white style blends poetry and intuition, delving into the eternal essence of life. Through her lens, Nanda captures stories and forges a profound connection with the portrayed. At times, she surrenders to the unknown, creating intuïtively and spontaneously. Through her art she aims to touch others, offering solace and unity through shared emotions. So.. to Nanda, photography is a way to translate, meditate, and communicate. A universal language. AAP Magazine Magazine #31 Portrait Article Exclusive Interview
Mark Steinmetz
United States
1961
Mark Christopher Steinmetz (born 1961) is an American photographer. He makes black and white photographs "of ordinary people in the ordinary landscapes they inhabit". Steinmetz's work was shown in a group exhibition at the Museum of Modern Art, New York in 1993/1994 and in solo exhibitions at the Ogden Museum of Southern Art in 2015, the High Museum of Art in 2018 and at Fotohof in Salzburg, Austria in 2019. He is the recipient of a Guggenheim Fellowship. His work is held in the collections of the Art Institute of Chicago, Hunter Museum of American Art, Museum of Contemporary Photography, Chicago, Metropolitan Museum of Art, Whitney Museum of American Art and Museum of Modern Art, New York, and Nelson-Atkins Museum of Art. Steinmetz was born in New York City and raised in the Boston suburbs of Cambridge and Newton until he was 12. He then moved to the midwest before, aged 21, he went to study photography at the Yale School of Art in New Haven, Connecticut. He left that MFA program after one semester and in mid 1983, aged 22, moved to Los Angeles in search of the photographer Garry Winogrand, whom he befriended. He moved to Athens, Georgia in 1999 and was still living and working there as of 2017. Marc Steinmetz makes photographs "of ordinary people in the ordinary landscapes they inhabit", and "in the midst of activity". Most of his work has been made in the USA but also in Berlin, Paris, and Italy. His books combine portraits (portrait-like but spontaneous) and candid photos of people, and also include animals and still life photos. He finds many of his subjects whilst walking around but he has also spent time at Little League Baseball and summer camps. Steinmetz predominantly works with black and white film, usually medium format, developed and printed in his own darkroom. He has mostly worked the same way with the same film, chemicals, and cameras since beginning in the mid 1980s.Source: Wikipedia Mark Steinmetz is an Athens, Georgia-based photographer whose work captures black-and-white images of Southern Americana as seen in urban, rural and suburban landscapes. “I like to stress the poetry and ambiance of a place, while still trying to be truthful,” he has remarked, and his candid shots of everyday life reflect this statement. Examples of this sentiment are strikingly portrayed in Steinmetz's new photo series Terminus, showing the everyday moments of people passing through airports. “At the airport, people from all over the world and from all walks of life can be found in the midst of their journeys,” Mark Steinmetz has said. “Though my main subject has been the passengers, I am also photographing the people who work at the airport, the interiors and exteriors of the planes, as well as the hotels, parking lots and neighborhoods that surround and support the airport.” Mark Steinmetz draws inspiration from a number of Southern artists whose talents extend beyond the realm of photography, and has remarked “the South has many great writers—William Faulkner, Flannery O'Connor, Carson McCullers—and they've influenced me.” Surprisingly, Mark Steinmetz did not originate in the South. In fact, he attended high school in Iowa and received his MFA from Yale University in 1986. (Though he initially dropped out in 1983 in order to move to Los Angeles and work with photographer Garry Winogrand) It wasn’t until 1999 that he left shooting freelance in Chicago and moved south for a teaching job at the University of Tennessee. He has remained in the South ever since. “I love the South for the weeds growing through the cracks of its sidewalks, for its humidity and for its chaos,” he has said. Interestingly, Mark Steinmetz has worked with analog since the beginning of his career, and even uses the same camera, film and development process today as he did as a novice photographer. Mark Steinmetz’ monographs include South Central (2007), South East (2008), Greater Atlanta (2009) and Summertime (2012). He has also been published in Aperture, Blind Spot and DoubleTake magazines. In 1994, he was awarded a Guggenheim Fellowship, and in 1998 he participated in Light Work’s Artist-in-Residence Program. Mark Steinmetz has taught at a number of institutions, including Harvard, Sarah Lawrence College, Emory University and Yale. Steinmetz’ photos can be found in the collections of The Museum of Modern Art, The Metropolitan Museum of Art, The Whitney Museum of American Art, The Art Institute of Chicago and the Los Angeles County Museum of Art.Source: Jackson Fine Art
Yas Crawford
United Kingdom
1961
Yas Crawford was born in Pembrokeshire in Wales where the geological landscape and biological make-up have subliminally influenced her work. Yas has had a career in geology, microbiology and life sciences, only later finding her way into photography. She now works in the 'Grey Space' between disciplines, connecting them via internal and external human landscapes often revealing micro and macro environments intertwined. She attempts to explain the emotion, not necessarily the science. She examines the point where science falls short and art steps in. Using digital and analogue photography, Yas's work has naturally developed in a fine art form because this is how she imagines the condition or the situation. Her multidisciplinary background enables her to explore abstraction, recognise areas of ambiguity often through topographical and geometrical shape. The repetitive nature of Yas's images reveals her scientific thinking: the constant production of sets of images produced as if they are a scientific experiment, carefully catalogued for success or failure and reflected in the images' numbering. The abstraction in her images gently removes the objectivity, however, and leaves her imagery open to everyone for interpretation, making it a safe place for her audience to absorb the information. Yas's work has been exhibited internationally, won several awards for her work and a finalist at the RPS Science Photographer of the Year 2019 with 'Oxygen Ib' A Biological Journey Biology defines us, it's almost rule-less unlike physics and chemistry, which are laden with laws, regulation and procedure, a necessity but limited. The path of the cycle of life remains in the 'Grey Space' that space in-between disciplines and is challenging. The Holocene Epoch; a journey of geological creation, the first life on earth, adapting genetics, human behaviour and interaction, environmental change and viral contamination remains a biological mystery undefined, ambiguous, unknown and often uncontrolled by humankind. Working within the 'Grey Space' I anticipate a journey tracing time, stimulating our senses, finding consciousness in the subconscious and allowing us to live, for a moment, in the present.
David Goldblatt
South Africa
1930 | † 2018
David Goldblatt was born in 1930 in Randfontein, South Africa. He has photographed the structures, people and landscapes of his country since 1948. In 1989, Goldblatt founded the Market Photography Workshop in Johannesburg. In 1998 he was the first South African to be given a solo exhibition at the Museum of Modern Art in New York. In 2001, a retrospective of his work, David Goldblatt Fifty-One Years began a tour of galleries and museums. He was one of the few South African artists to exhibit at Documenta 11 (2002) and Documenta 12 (2007) in Kassel, Germany. He has held solo exhibitions at the Jewish Museum and the New Museum, both in New York. His work was included in the exhibition ILLUMInations at the 54th Venice Biennale in 2011, and has featured on shows at the San Francisco Museum of Modern Art and Barbican Centre in London and in 2018, a major retrospective at the Centre Pompidou in Paris. Goldblatt is the recipient of the 2006 Hasselblad award, the 2009 Henri Cartier-Bresson Award, the 2013 ICP Infinity Award and in 2016, he was awarded the Commandeur des Arts et des Lettres by the Ministry of Culture of France.Source: Goodman Gallery He shot mostly in black-and-white for much of his career. In 1998 the Museum of Modern Art in New York gave him a solo exhibition. Its 40 photographs were all black-and-white because, he explained, "color seemed too sweet a medium to express the anger, disgust and fear that apartheid inspired." But in the 1990s Mr. Goldblatt began working in color, adapting to the digital age. "I’ve found the venture into color quite exciting," he said in 2011, "largely because new technology has enabled me to work with color on the computer as I have done with black and white in the darkroom."Source: The New York Times David Goldblatt was South African photographer known for his uncompromising images of his country during apartheid and afterward. “I was very interested in the events that were taking place in the country as a citizen but, as a photographer, I’m not particularly interested, and I wasn’t then, in photographing the moment that something happens. I’m interested in the conditions that give rise to events,” he once explained. Born on November 29, 1930 in Randfontein, South Africa, he began photographing at an early age but his father’s illness required Goldblatt to run his family business while studying at Witwatersrand University in Johannesburg. After selling the company in 1963, Goldblatt focused entirely on a career in photography. His involvement with various artistic circles in Johannesburg granted him access to a broad range of ethnic and socioeconomic groups. Though he refused to belong to any political organization and argued that his photographs should not be used for propaganda purposes, his works were presented in an exhibition organized by an anti-apartheid photographer’s collective in 1990. In 1998, Goldblatt became the first South African artist to have a solo exhibition at The Museum of Modern Art in New York. The artist died on June 25, 2018 in Johannesburg, South Africa. Today, his photographs are held in the collections of the South African National Gallery in Cape Town, the Victoria and Albert Museum in London, and the Fotomuseum Winterthur in Switzerland, among others.Source: Artnet
Mo Verlaan
Netherlands
1963
"After graduating from the Rietvelt Art Academy in Amsterdam, I started out in experimental theatre, creating sets on location as well as performing. In 1993, I founded De Drie Gezusters with my sisters catering to (inter)national film crews on location from a converted truck. Eight years ago, my love for photography made me enter the Photo Academy. The book and series titled Resonance was part of my graduation in 2016. In these photographs my fascination with light and luminance finds its expression. The Memory of Time is a study about the plasticity of time and light, to see time and light as something elastic. For me there is a strong correlation between the impermanence of light and the fluidity of time." "In The Memory of Time I explore abstract spaces. What interests me most, are architectural structures where light can fleet in and out, creating a new space. To me light is both a tangible and evanescent medium, if not a language. By fading, molding and carving the light in my photographs, I transform reality and move into an imaginative and intuitive realm. The process involves composing layered images that nearly look like drawings, scraping off the innate realism that is part of photography, thus creating a more sensorial and subliminal world." Winner Single Image 9th Julia Margaret Cameron Award 2016, Category Architecture. Works from the series Resonance received several Honorable Mentions: Tokyo International Foto Awards 2016 (2x), The Monochrome Awards 2016 (4x), The Monovision Photography Awards 2017 (6x), IPA 2017 (2x), IPA 2018 One Shot Harmony (1x). The series Resonance was exhibited at The Indian Photography Festival 2016. The book Resonance was exhibited at: Scan Photobooks (Spain), The Griffin Museum (USA), RPSP (UK), Tripp Gallery (UK), Unveil'd (UK). Publication in the NEW2017, 100 Best Emerging Dutch Photographers of the year 2017.
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All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry