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Erik Hijweege
Erik Hijweege
Erik Hijweege

Erik Hijweege

Country: The Netherlands
Birth: 1963

Erik Hijweege (1963) is fascinated with the overwhelming power of nature. He started chasing big weather and tornadoes in 2006. During his first years of stormchasing Hijweege chose an alter ego for this body of work in the making. Kevin Erskine a farmer from Valentine Nebraska was born. This resulted for Erskine (a.k.a Hijweege) in his first international solo show in New York and the Supercell book. Sequel to Supercell are his Sublime Nature series focusing on the beauty of nature that is grand and dangerous.

Following his 19th century inspired longing for remote places and distant shores he travels the world working on his long-term Uncharted and waterfalls projects. Capturing landscapes on tintype and using old copper lenses, he shows us the world as seen through the eyes of early explorers.

The multiple threats of our natural surroundings triggered Hijweege to start a second line in his work focusing on endangered species. Based on the Red List of the IUCN he photographed 23 endangered animals preserved in ice. Being a fragile subject matter Hijweege used the 19th century wetplate collodion process to capture these frozen animals on ambrotype. His Endangered series was exhibited at the Dutch Natural History Museum in Rotterdam raising awareness for this important matter. The Endangered book was published in 2014. In succession of this series Hijweege is currently working on 'New Habitat'. This series is about relocating endangered species to safer grounds. New Habitat is exhibited in the Dutch Natural History Museum during the first three months of 2020.
 

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More Great Photographers To Discover

Hilary Duffy
United States
Hilary began her photography career in news and travel for The Tico Times while she lived in Costa Rica in the 1990's. Over the course of seven years, she immersed herself in the culture of Costa Rica as an educator and honed her photography skills. In 2000, Hilary graduated from the International Center of Photography's Documentary/PJ Program and later assisted the Maine Photo Workshops in Havana, Cuba. Compelled to share photography with local youth, she developed a photo library and directed the Havana Youth Photo course in 2003—sharing her passion for photography and educating a younger generation. As a recipient of the ICP/Johnson & Johnson Fellowship in 2002 and 2004, Hilary completed assignments for Johnson & Johnson's corporate social responsibility at the U.S.-Mexico border, then India and Vietnam. This led to subsequent assignments for NGOs in the U.S., Asia, Latin America, the Caribbean and tsunami-affected regions. Hilary's international work and experience provided the opportunity to document the plight and rehabilitation of street children for Covenant House/Latin America. Her project Young Lives at Risk on the Streets was featured on Media Voices for Children, PhotoPhilanthropy and socialdocumentary.net. These collaborations have allowed Hilary to strengthen her passion as a socially concerned photographer and led to a permanent exhibit at Covenant House Headquarters in New York City. In addition, Hilary has exhibited in Costa Rica, Cuba, Guatemala and the U.S. And her stock photography has been represented in Aurora, Corbis and the National Geographic Image Collection. Hilary's curiosity, honesty, compassion and cultural sensitivity are reflected in her imagery.
Arkady Shaikhet
Russia
1898 | † 1959
Arkady Samoylovich Shaikhet was at the beginning a locksmith apprentice at a shipyard in Nikolaiev where he was born. He came to Moscow in 1918. At first he worked in a photographic studio were he retouched images of others but in 1924 his career as a photojournalist started. He worked for Rabochaïa Gazeta and the weekly Ogonek/Ogoniok. He was a pioneer in a new style of documentary photography called " artistic reportage". He became a member of the union of proletarian russian photographers (ROPF), a rival group of the other "October" founded by Aleksander Rodtchenko. Shaikhet favored a rigorous journalistic point of vue and his work was very sensitive to sociological problems. His images were at the frontier of documentary and artistic photography. In 1931 with two of his friends, M. Alpert and Sergueï Toules and also the editor in chief Mezhericher, he took 80 pictures in four days and called his series "24 hours in the life of the family Filippov, steelworker in the red proletarian factory of Moscow" These documents were published in the German magazine "Arbeiter Illustrierte Zeitung (A.I.Z.) and then in the Russian magazine "USSR in Construction". They had a huge international impact. In 1928 Shaikhet presented 30 images at the big exhibition "Ten years of Soviet photography" and won the first prize. In 1930 he helped Russian photojournalists show their work at the Camera Club in London. During the 30s he took a lot of images of the economical and social changes happening in his country. He followed the Turkestan–Siberian railway, that connects Central Asia and Siberia but also the first cars and tractors. He was a war reporter during World War II for the newspaper Frontavaïa Illioustratsia.
Bert Stern
United States
1929 | † 2013
Bertram Stern (October 3, 1929 – June 26, 2013) was a self-taught American commercial photographer. He was the son of Jewish immigrants and grew up in Brooklyn. His father worked as a children’s portrait photographer. After dropping out of high school at the age of 16, he gained a job in the mail room at Look magazine. He became art director at Mayfair magazine, where Stern learned how to develop film and make contact sheets, and started taking his own pictures. In 1951, Stern was drafted into the US Army and was sent to Japan and assigned to the photographic department. In the 1960s Stern's heavy use of amphetamines, led to the destruction to his marriage to Balanchine ballerina, Allegra Kent. By the late 1970s Stern returned to the U.S. to photograph portraits and fashion. He was the subject of the 2010 documentary, "Bert Stern: Original Madman," directed by his secret wife, Shannah Laumeister. Ms. Laumeister and Stern never lived together, and Stern had a long standing relationship of 20+ years with Lynette Lavender who was his constant and devoted companion. His first professional assignment was in 1955 for a Madison Avenue advertising agency for Smirnoff vodka. His best known work is arguably The Last Sitting, is a collection of 2,500 photographs taken for Vogue of Marilyn Monroe over a three-day period, six weeks before her death. Stern's book The Last Sitting was published in 1982 and again in 2000. He has photographed Audrey Hepburn, Elizabeth Taylor, Madonna, Kylie Minogue, Drew Barrymore and Lindsay Lohan (recreating The Last Sitting), among others, in addition to his work for advertising and travel publications.(Source: en.wikipedia.org)
Nicola Balestrazzi
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Ada Trillo
United States
1976
Ada Trillo is a photographer based in Philadelphia, PA, and Juarez, Mexico. Trillo holds degrees from the Istituto Marangoni in Milan and Drexel University in Philadelphia. Trillo's work is concerned with human rights issues facing Latin America. Trillo has documented forced prostitution in Juarez, Mexico, the infamous La Bestia train, the migrant caravans of 2018 and 2020, and the struggles of asylum seekers directly affected by Trump's Remain in Mexico policy. Trillo has exhibited internationally at Saint Josephs University in Philadelphia, The Photo Meetings in Luxembourg, The Passion for Freedom Art Festival in London, Festival Internazionale di Fotografia in Cortona Italy and at the Anya and Andrew Shiva Gallery at the John Jay College in New, York. In 2017, Trillo received a Leeway Foundation Art and Change Grant. Her work has been featured in The British Journal of Photography, The Guardian, and Smithsonian Magazine. Trillo was recently awarded a CFEVA Fellowship by The Center For Emerging Visual Artists and was named the Visual Artist-in-Residence for Fleisher Art Memorial in Philadelphia. Her work is included in the permanent collection of the Philadelphia Museum of Art and The West Collection. Trillo was awarded First Place in Editorial Photos with the Tokyo International Foto Awards. She was recently awarded the ME&Eve grant with the Center of photographic arts in Santa Fe. Statement I was born in El Paso, Texas but I was raised in Juarez, Mexico. As a teenager, I traveled back and forth between the two cities so I could attend school in the states. Witnessing life on the border as a young adult had a strong influence on my worldview and art practice. After years of working as a painter, I picked up a camera and started making pictures. For the past four years, I've been documenting the journey migrants take to reach the US-Mexico border. In 2017, I photographed aboard the infamous La Bestia, a dangerous journey by a freight train that migrants from Mexico and Central America ride every year to reach the border. In 2018 & 2019 I photographed overpopulated migrant shelters in Juarez and Tijuana. I also traveled with the migrant caravans of 2018 and 2020, from Honduras, through Guatemala, and into Mexico. In 2019, I photographed asylum seekers who were barred entry into the US under Trump's, Remain in Mexico Policy. While the media often covers what is happening at the border, they all too often overlook the individual trials, struggles, and humanity of those seeking to escape violence in pursuit of a better life. Spending countless days and nights living alongside those I photograph, I hope to present an honest, unadulterated view of migrant life. I photograph exclusively with a 35mm camera and fixed lenses. My process of making pictures is about creating real connections with my subjects in search of depth and intimacy in my work. My goal is to humanize their struggle and share their stories with the world.
Sim Chi Yin
Singapore
1978
Sim Chi Yin (born 1978) is a Singaporean photographer, based between Beijing, China, and London. She works as a documentary photographer and artist who pursues self-directed projects in Asia and is "interested in history, memory, and migration and its consequences". As well as photography she uses film, sound, text and archival material. The Long Road Home: Journeys Of Indonesian Migrant Workers was published in 2011. Sim is a nominee member of Magnum Photos. Sim Chi Yin was born in Singapore. She learned history and international relations at the London School of Economics on a scholarship. She worked as a print journalist and foreign correspondent at The Straits Times for nine years. In 2010 she quit to work full time as a photographer. Within four years she was working as a photojournalist, getting regular assignments from The New York Times. Her first major work was The Rat Tribe, about blue-collar workers in Beijing. It has been published widely and was shown at the Rencontres d'Arles in 2012. Sim spent four years photographing Chinese gold miners living with the occupational lung disease silicosis, published in the photo essay Dying To Breathe, much of it about He Quangui, also the subject of a short film. She was commissioned as the Nobel Peace Prize photographer in 2017 to make work about its winner, the International Campaign to Abolish Nuclear Weapons. Her photographs of similarities in landscapes related to nuclear weapons, both in the USA and along the China-North Korea border, were exhibited at the Nobel Peace Center museum in Oslo, Norway. In 2014 she became an interim member of VII Photo Agency, a full member in 2016 then left in 2017. In 2018 she became a nominee member of Magnum Photos. She has been awarded a Magnum Foundation Social Justice and Photography fellowship and the Chris Hondros Award. She is newly based in Berlin.Source: Wikipedia Sim Chi Yin’s work combines deep research with intimate storytelling. She explores history, memory, conflict and migration using photography, film, sound, text and archival material, in a multidisciplinary practice. Chi Yin was commissioned as the Nobel Peace Prize photographer in 2017 and created a solo show for the Nobel Peace Centre museum in Oslo on nuclear weapons, combining video installation and still photography. Other notable projects include One Day We’ll Understand, an ongoing excavation of histories from the anti-colonial resistance movement in British Malaya during the early Cold War, Dying to Breathe which chronicled the slow death of a Chinese gold miner from “Black Lung” disease and Shifting Sands, an on-going visual investigation into world’s dependence on a non-renewable resource. Her work has been exhibited in the Istanbul Biennale (2017), at the Institute of Contemporary Arts Singapore, the Annenberg Space For Photography in Los Angeles, Gyeonggi Museum of Modern Art in South Korea, and other galleries and institutions in Europe, the United States and Asia. Her film and multimedia work have also been screened at Les rencontres d’Arles and Visa pour l'Image festivals in France, and the Singapore International Film Festival. She has worked on assignments for global publications, such as The New York Times Magazine, Time Magazine, National Geographic, The New Yorker and Harper's Bazaar. Chi Yin read history at the London School of Economics and Political Science for her first two degrees and was a staff journalist and foreign correspondent for a decade before quitting to become an independent visual practitioner in 2011. She is currently also a PhD candidate on scholarship at King’s College London, in War Studies. Chi Yin became a Magnum nominee in 2018.Source: Magnum Photos Recent solo exhibitions include One Day We’ll Understand, Les Rencontres d’Arles (2021), One Day We’ll Understand, Landskrona Foto Festival, Sweden (2020), One Day We’ll Understand, Hanart TZ Gallery, Hong Kong (2019) and Most People Were Silent, Institute of Contemporary Arts, LASALLE College of the Arts, Singapore (2018), Fallout, Nobel Peace Museum, Oslo (2017). Her work has also been included in group shows such as Most People Were Silent, Aesthetica Art Prize, York Art Gallery, United Kingdom (2019); UnAuthorised Medium, Framer Framed, Amsterdam, The Netherlands; Relics, Jendela (Visual Arts Space) Gallery, Esplanade, Singapore (both 2018); and the Guangzhou Image Triennial ( 2021), the 15th Istanbul Biennial, Turkey (2017). Sim was commissioned as the Nobel Peace Prize photographer in 2017, nominated for the Vera List Center’s Jane Lombard Prize for Art and Social Justice 2020.Source: chiyinsim.com
Espen Rasmussen
Norway
1976
Espen Rasmussen is based at Nesodden, close to Oslo, Norway. He works as a photo editor in VG Helg — the weekend magazine of the biggest daily Norwegian newspaper VG. At the same time he is constantly working on his own photo projects. Rasmussen focuses specially on humanitarian issues and the challenges related to climate change. He is represented by Panos Pictures. In 2008 he was listed by Photo District News on the prestigeous PDNs 30 — New and Emerging Photographers to Watch. He has won numerous awards for his work, including two prizes from World Press Photo, several in the Picture of the Year international (POYi) and 28 awards in the Norwegian Picture of the Year. In 2007, Espen received 60.000 dollar from the Freedom of Expression Foundation to continue his long-term project on refugees and IDPs around the world, which was published as the book TRANSIT in 2011, as well as a major exhibition. Rasmussen is freelance lecturing photography at schools such as the Oslo University College and Bilder Nordic school of Photography. He is also frequently giving presentations at photo festivals and for a wide range of other audiences. For the last two years, he has been one of three editors/mentors in Norwegian Journal of Photography (NJP). His work has been exhibited at the Nobel Peace Center (Oslo), The Humanity House (The Hague), UNHCR headquarter (Geneva) and DokuFest international film festival (Kosovo), among other places. Clients include the New York Times, The Independent, Intelligent Life, Fader magazine, MSF (Doctors Without Borders), NRC (The Norwegian Refugee Council) and UNHCR. His work has appeared in magazines such as Time, Newsweek, National Geographic, Der Spiegel and the Economist and newspapers such as The Sunday Telegraph and New York Times.
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