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George Hoyningen-Huene
George Hoyningen-Huene

George Hoyningen-Huene

Country: United States/France
Birth: 1900 | Death: 1968

Baron George Hoyningen-Huene was a seminal fashion photographer of the 1920s and 1930s. He was born in Russia to Baltic German and American parents and spent his working life in France, England, and the United States.

Born in Saint Petersburg, Russia, on September 4, 1900, Hoyningen-Huene was the only son of Baron Barthold Theodor Hermann (Theodorevitch) von Hoyningen-Huene (1859-1942), a Baltic nobleman, military officer, and lord of Navesti manor (near Võhma), and his wife, Emily Anne "Nan" Lothrop (1860-1927), a daughter of George Van Ness Lothrop, an American minister to Russia. (The couple was married in Detroit, Michigan, in 1888.) He had two sisters. Helen (died 1976) became a fashion designer in France and the United States, using the name Helen de Huene. Elizabeth (1891-1973), also known as Betty, also became a fashion designer (using the name Mme. Yteb in the 1920s and 1930s) and married, first, Baron Wrangel, and, second, Lt. Col. Charles Norman Buzzard, a British Army officer.

During the Russian Revolution, the Hoyningen-Huenes fled to first London, and later Paris. By 1925 George had already worked his way up to chief of photography of the French Vogue. In 1931 he met Horst, the future photographer, who became his lover and frequent model and traveled to England with him that winter. While there, they visited photographer Cecil Beaton, who was working for the British edition of Vogue. In 1931, Horst began his association with Vogue, publishing his first photograph in the French edition of Vogue in November of that year.

In 1935 Hoyningen-Huene moved to New York City where he did most of his work for Harper's Bazaar. He published two art books on Greece and Egypt before relocating to Hollywood, where he earned his wedge by shooting glamorous portraits for the film industry. Hoyningen-Huene worked in huge studios and with whatever lighting worked best. Beyond fashion, he was a master portraitist as well from Hollywood stars to other celebrities. He also worked in Hollywood in various capacities in the film industry, working closely with George Cukor, notably as a special visual and color consultant for the 1954 Judy Garland movie A Star Is Born. He served a similar role for the 1957 film Les Girls, which starred Kay Kendall and Mitzi Gaynor, the Sophia Loren film Heller in Pink Tights, and The Chapman Report.

In 1952 his cousin Baron Ernst Lyssardt von Hoyningen-Huene, whom he had adopted, married Nancy Oakes, the daughter of the gold mining tycoon Sir Harry Oakes. That union lasted until 1956 and produced one son Baron Alexander von Hoyningen-Huene, also known as Sasha. He died at 68 years of age in Los Angeles.

Source: Wikipedia

 

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She simply could no longer see the light at the end of the tunnel. We started thinking about adoption more and more intensely. However, this procedure also required a lot of energy and research. Above all, the social work center first had to obtain a certificate proving that we were a suitable candidates for adoption. At the same time we had to obtain a psychological assessment from a psychologist. It took more than ten hearings at the social work center and a visit from a social worker at our home to obtain the certificate. We also found out during the procedure that in most countries where adoptions take place, applicants are required to be officially together for at least ten years before they apply for adoption. In addition, they must be officially married. We therefore had to get married officially, this time in Slovenia. With all the papers we obtained and with the help of our acquaintances, a possibility arose to adopt a child in one of the African countries. 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Thierry Camus
France
1959
From the black and white film photo lab of my teenage high school to my full-size CANON of today, passing through slides in the 90s and the arrival of digital in the early 2000s : a lifetime with photography as a passion, amateur and self-taught. Over the years, my way of taking pictures matured and I felt like "interpreting" what I was seing, discovering the world and showing it in my own way. Taking pictures meets the need and the secret desire, to leave a trace of this vision and to convey an emotion. Offering my point of view and expressing my uniqueness, this is what being a photographer means to me. ARCHITECTURAL photography fascinates me and the city is my inexhaustible source of inspiration, the URBAN BODY. It’s not the building itself that interests me, but its LINES and COLORS, as shown by my first serie "my LINES on BLUE" and "STRICTLY LINE". Then architectural photography became URBAN LANDSCAPE, mixing stone and urban objets, always without human pesence, to forget scale and remain abstract. That brought me to my serie "STRICTLY COLOR". « Locked up at home » during the first confinement, I discovered that natural light could create interesting shadows and reflections on my everyday objects surrounding me. It was giving them poeetry and even sensuality, and a real architectural spirit … I created my last series "at HOME" and "my POETRY of the ORDINARY". Always the same thread : LINES and COLORS. Exterior or interior architecture, with details taken out of their context, with frontal, tight and minimalist framings, and unusual angle views, all references are lost. My images become almost unreal and theatrical, in order to exacerbate strength, materiality, power and sometimes violence of buildings and objects. Playing with geometry and shapes being drawn by colors, they are highly graphic. I like that « decisive moment » when I look for the photo, find it, integrate it, then shoot it and, last but not least, interpret and finalize it. I am happy to share this work.
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