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Robi Chakraborty
Robi Chakraborty
Robi Chakraborty

Robi Chakraborty

Country: United States/India
Birth: 1959

Originally from India, Robi Chakraborty studied photography under the prestigious O.P. Sharma at Triveni Kala Sangam Photography in New Delhi. He began his career doing both commercial and press photography in the early 1980s, but through wanderlust and with a spirit to explore, Robi became drawn to photographing the people in the cities and villages of his native India. Taking roads less traveled, Robi sought out cultures and ways of life that were quickly becoming lost in the contemporary, more homogenized world of today.

With his knack for finding people and places where tradition survives in the face of modernity, Robi delves below the surface and succinctly and eloquently captures moments in time that wonderfully illustrate the connection forged with the peoples and cultures that he encounters on his journeys. His work tells his subjects' stories in a way that is relatable and invites the viewer directly into their worlds.

Having lived in India, Nepal, Africa and the US, Robi portrays his global view of the world through his photography by celebrating both the diversity of his subjects yet beautifully revealing the striking similarities and capturing the humanity that we can all relate to.

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Website

www.robichakraborty.com

 

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More Great Photographers To Discover

Sharon Tribelsky
Sharon Tribelsky
Israel
Professional photographer. Live in Israel. Most of my work is landscape photography and street photography from all over the world. For the last 5 years I have been taking a lot of drone images and always trying to find the most interesting point of view. I am looking for the best light and the perfect timing for my shoots with my DSLR and drone. Point of View The 'Point of view' series is made of images I took from an unusual point of view mainly with a drone, trying to look at all kinds of places and things in a surprising way that is impossible to see in everyday life. Pools and waterparks are great places for this kind of images for all the colors and shapes combined together.
Oliver Curtis
Oliver Curtis
United Kingdom
1963
Brought up in the Cotswolds, Curtis began his photographic education studying photography at the renowned course at Filton Technical College in Bristol. He went on to study film and television at the London College of Printing and has been balancing work in stills and moving image ever since. Curtis continues to produce stills portraiture for major broadcasters as well as generating his own projects for exhibition and publication. He sites as key influences William Eggleston, Saul Leiter and Paul Graham. He continues to plough a distinctly idiosyncratic path as Director of Photography on feature films as diverse as Clare Kilner's The Wedding Date, Frank Oz's Death At A Funeral and Joanna Hogg's Unrelated as well as experimental gallery-based installations such as Gideon Koppel's Borth. He remains in great demand worldwide shooting commercials for high profile clients such as Pantene, L'Oreal, La Perla, Ferragamo, Palmolive, Rimmel, Coca Cola, Sony, Guinness, Canon and Cadbury's. About Volte-Face: On visiting the Pyramids of Giza in Cairo in 2012, Oliver Curtis turned away and looked back in the direction he had come from. What he saw fascinated him so much that he has since made a point of turning his back on some of world's most photographed monuments and historic sites, looking at their counter-views and forgotten faces. Taken over a period of four years, Volte-face is an invitation to turn around and see a new aspect of the over-photographed sites of the world - to send our gaze elsewhere and to favour the incidental over the monumental... Curtis feels that despite the landmark not being present in the photograph, the images are still suffused with the aura of the construction. The camera lens effectively acts as a nodal point and, by giving the photograph the title of the unseen partner, this duality becomes a virtue. Volte-face will be published by Dewi Lewis featuring an essay by Geoff Dyer: https://www.dewilewis.com/collections/new-titles/products/volte-face The first exhibition of the Volte-face project was held at the Royal Geographical Society in London, Sept 2016. The collection has received a great deal of acclaim worldwide and has featured in the Financial Times Magazine (UK), NPR Radio New Hampshire (USA), Liberation (France) Wired.com and BBC World Update amongst many others.
Yasser Alaa Mobarak
Yasser Alaa Mobarak
Egypt
1993
Yasser Alaa Mobarak is a 24-year-old, Egyptian award-winning photographer based in Delhi, India. He has won photography prizes from National Geographic Traveler India, National Geographic Egypt, International Federation of Photographic Art, Photographic Society of America and Prix De La Photographie Paris. Yasser's works have been featured in Digital Camera World Magazine, Amateur Photographer Magazine, Smart Photography Magazine, Silvershotz Magazine, Adobe Blog, PBS NewsHour and Xinhua News Agency. He is holder of AFIAP distinction from the International Federation of Photographic Art and holder of Associateship from Image Colleague Society International. He was judge at Adobe Youth Voices Awards, Romania's National Creativity Contest and The Photographic Angle.
Andrew Moore
Andrew Moore
United States
1957
Andrew Moore’s work is in the collection of the Whitney Museum of American Art, Yale University Art Gallery, the Library of Congress, the Israel Museum, the High Museum, the George Eastman House and the Canadian Centre for Architecture. Recent exhibitions include The Queens Museum, Columbia University and The Museum of the City of New York in conjunction with a retrospective on the legacy of Robert Moses. Moore has had recent solo shows in Minneapolis, Moscow, Paris, San Francisco, and Nebraska. In 1975, Moore enrolled at Princeton University, where he worked on an independent major in photography under the guidance and mentorship of the historian Peter Bunnell and the photographer Emmet Gowin, who at the time, was completing his first monograph. During that time, Moore also had the benefit of working with visiting artists including Frederick Sommer, Jim Dow, and Joel Meyerowitz. Moore graduated summa cum laude in 1979. After a brief stint working with commercial photographers in New York City, Moore moved to New Orleans, where he continued a body of work first started for his senior thesis. Over the next two years, he focused on the city’s disappearing commercial district, where he found subjects such as a coffin workshop, a broom factory, and a raw furrier–places employing artisans and outdated machinery. The New Orleans Downtown Development District awarded Moore a grant which enabled him to produce a portfolio of one-hundred 8x10 color contact prints, which were placed in the city’s archives. In 1981, Moore returned to New York City, where he began a three-year project documenting the rapid changes to the urban landscape, specifically at the South Street Seaport and Fulton Fish Market in lower Manhattan. At the start of his project, the demolition of the present marketplace and shopping pier was just getting underway. Moore returned many times over the following months, often photographing at night to portray the architecture and ambiance of the surrounding neighborhood amidst massive, rapid transformation. For this work, Moore and two other photographers, Barbara Mensch and Jeff Perkell, were awarded grants from the JM Kaplan Foundation, and the New York State Council on the Arts, which enabled the completed project, South Street Survey to be shown at the Municipal Art Society in 1985. During this time, Moore was also working on a series of photographs of grain elevators in Buffalo, New York with the assistance of an NYSCA individual grant. In Buffalo, Moore met a group of artists working with appropriated imagery, which inspired him to begin using mechanical and chemical processes to incorporate multiple negatives, paintings, drawings, and xeroxes into complex montage images outside of strict documentary practice. This method of recombination, in the era before Photoshop, created images of convulsive beauty and were the subject of Moore’s first solo exhibition in New York at Lieberman and Saul Gallery in 1986, following his first solo show at Real Art Ways in Hartford, CT in 1985. Moore continued this method of montaging imagery for the next 7 years, expanding his practice into experimental short films. During this time, Moore collaborated on short films with others including the artists Lee Breuer and David Byrne. His film Nosferatu 1989 was nationally broadcast on MTV and PBS’s New Television series. 42nd Street In 1995, Moore returned to his roots in documentary practice as the texture of New York’s 42nd Street was rapidly changing. With all of the theaters between 7th and 8th avenues scheduled to be razed or refurbished, Moore sought permission to photograph the torn seats and faded fire curtains which told the stories of those spaces. In 1997, Moore showed these photographs at Yancey Richardson Gallery in New York. Despite his change of style, the work was well-received; in a review for The New Yorker, Andrew Long noted, “The straight forward treatment is a departure for the photographer, who characteristically produces multi-image evocations of New York City. Nothing is lost however - his earlier poetic constructs now give way to broader arenas for the imagination to roam.” Cuba Moore first traveled to Cuba in 1998 to photograph Havana’s decaying theaters. The project soon expanded in scope to document the larger effects of Cuba’s permanent Revolution, which were particularly apparent during the economic depression known as the “Período especial.” Moore’s large-scale color photographs of Havana reveal an elegant but crumbling metropolis of muted pastel interiors, courtyards, and scenes of daily life. Moore returned to photograph Cuba’s architecture and environment over the next 14 years, in the process publishing two monographs Inside Havana (Chronicle Books, 2002) and Cuba (Damiani, 2012). Moore has said his work intends to show, “how contemporary history, and specifically cultures in transition, are expressed through architecture.” The photographer Julius Shulman wrote of Inside Havana, “Exhibited throughout Moore’s work is a genuine flavor of ‘presence’. He does not attempt to gloss over questionable conditions, nor does he try to contort reality. With tremendous sensitivity, Moore creates art statements of the architecture he shows us. His images are painterly and poetic.” Moore’s photographs from Cuba appeared as a cover story in the September 23, 2012 issue of New York Times Magazine. Russia While working in Cuba, Moore became interested in the island nation’s long relationship with Russia. This led him to photograph the architectural environments where Russian history and politics collide in unexpected ways. Between 2000 and 2004 Moore made 8 trips around Russia from St. Petersburg to the remotest parts of the country. The New Yorker wrote of the work, “in taking Russia - its contradictions and gorgeous ruins - at face value, he captures a country’s diversity and history.” For example, Moore photographed a “czarist church [that] was turned into a soap factory during the Soviet period, and now has been restored into a kind of youth center.” Moore remarked, “For me these kinds of subjects present a cross-section through time: they address Russia’s complex past, as well as the larger compacting and collapsing processes of contemporary history.” In 2004, Moore published the monograph Russia Beyond Utopia (Chronicle Books, 2004). Detroit In 2008 and 2009, Moore traveled to Detroit to portray in photographs “the idea that in an urban setting you could also have a landscape happening, the forces of nature intersecting with American urbanism, the process of decline also intersecting with the revival of nature.” In 2010, Moore released Detroit Disassembled (Damiani, 2010), with an introduction by Detroit-native and Poet Laureate Philip Levine, to coincide with an exhibition at the Akron Art Museum. He was originally invited to document the city by two young French photographers, Yves Marchand and Romain Meffre, who had been photographing Detroit’s abandoned spaces since 2005. While Moore’s Detroit series follows the themes of transformation and decaying space explored in previous bodies of work, his focus on the motor city generated controversy in the pages of The New Republic and the journal Guernica. The photographs were decried as “ruin porn,” which Mike Rubin defined in The New York Times as “urban decay as empty cliché, smacking of voyeurism and exploitation.” Curator Sarah Kennel writes in The Memory of Time, an exhibition catalog from the National Gallery of Art, that, “in Moore’s photographs, ruination serves more explicitly as an allegory of modernity’s failure.” Other critics argue that whether or not Moore’s Detroit photographs fit the category of “ruin porn” is a matter of academic debate. Joseph Stanhope Cialdella argues in the journal Environmental History that Moore’s work instead conveys the “aesthetic of a postindustrial sublime” which “gives nature the authority to transform the image of Detroit into a novel, yet disturbing landscape that blurs the lines between wilderness and the city.” Dora Apel writes in Beautiful Terrible Ruins that Moore’s “pictures of Detroit tend to emphasize the relationship of nature and culture, with nature in the ascendancy.” Apel ultimately argues that the “ruin porn” images and debate fail to focus on the political and economic policies that are the root causes of the ruins. Dirt Meridian From 2005 to 2014, Moore photographed the people and landscape of “great American Desert,” which roughly includes the area west of the 100th meridian to the Rocky Mountains, from Texas north to Canada. The area is one of the most sparsely populated regions in the country, “where the daily reality is often defined by drought and hardship.” To make many of the photographs, Moore collaborated with Doug Dean, the pilot of a single-engine aircraft, to create bird’s-eye perspectives revealing the vastness of the land. Rather than flying high above the plains, Moore chose perspectives that have “the sense of being within the landscape rather than above it.” For an essay accompanying Moore’s photographs in The New York Times Magazine, Inara Verzemnieks wrote, “From above, the land is like one endless, unpunctuated idea - sand, tumbleweed, turkey, bunch stem, buffalo, meadow, cow, rick of hay, creek, sunflower, sand — and only rarely did a house or a windmill or a barn suddenly appear to suspend the sense of limitlessness.” On the ground, Moore photographed the people who inhabit this unforgiving landscape and the evidence of their efforts, from active homesteads to abandoned schoolhouses. These photographs are published in Moore’s newest monograph: Dirt Meridian (Damiani, 2015).
Jacque Rupp
Jacque Rupp
United States
Jacque Rupp is a humanist photographer residing in Silicon Valley. She picked up her first camera, a Rollei, in her teens, and immediately fell in love with the entire process- but especially how the camera connected her to others. Because she moved extensively as a child, Jacque learned quickly how to walk into new situations and build trust with people. She draws on these early experiences when creating a rapport with her photographic subjects. Jacque was an executive in the technology industry, responsible for recruiting top talent for many years. Interviewing and learning about people's stories fits directly into her style of photography. Jacque goes deep, looking to capture the human spirit by using layers, complexity, and emotion in her work. She received her MBA from Santa Clara University. She is on the Advisory Board for the United Nations Affiliated Film Festival at Stanford University and for the Weston Collective in Carmel. She has exhibited at the Center for Photographic Arts in Carmel, Foothill College in Los Altos Hills, The Daily Photograph and numerous on-line venues. Statement It's always about the people. Curiosity and connection. It's very personal for me. I'm drawn by intensity, intimacy and authenticity in my subjects. I am curious about different cultures, here and abroad, and search for stories about everyday people in everyday life. I look for a face that is lived in, a spirit I can connect with, a truth that is shared and a story to tell. I am seeking a sense of identity and place. When I engage with my subjects, this moment shared between us is an honor. In my photographs, I strive to show the humanity and universal spirit that binds all of us together. Spirit of India India, and especially its religious spirit, has always held a special place in my heart. My first visit was during a very vulnerable time in my life, my husband was terminally ill, and I found the calming spirit to be very healing. These images are a collection of my favorites over years. I love the spirit, the orderly chaos and the warmth of its people. As a visual artist, I see and very much appreciate the theatre and cast of characters.
Kim Watson
Kim Watson
United States
A multi-dimensional artist with decades of experience, Kim Watson has written, filmed, and photographed subjects ranging from the iconic entertainers of our time to the ''invisible'' people of marginalized communities. A highly influential director in music videos' early days, Watson has directed Grammy winners, shot in uniquely remote locations, and written across genres that include advertising, feature films for Hollywood studios such as Universal (Honey), MTV Films, and Warner Brothers, and publishers such as Simon & Schuster. His passionate marriage of art and social justice has been a life-long endeavor, and, in 2020, after consulting on Engagement & Impact for ITVS/PBS, Kim returned to the streets to create TRESPASS, documenting the images and stories of LA's unhoused. TRESPASS exhibited at The BAG (Bestor Architecture Gallery) in Silver Lake, Los Angeles, September 17, 2022 - October 11, 2022. Statement ''I'm gonna be an artist!'' That was my childhood mantra—even before I knew what it meant. You see, growing up in St. Albans, Queens and with family roots firmly planted in Harlem, I was surrounded by artistic expression, much of it created by my own family and much more blooming from the talented artists like Count Basie, James Brown and others who lived in our community—a community that would also bring us Run DMC, LL Cool J and Tribe Called Quest. Yes, I knew the path I would take but had no idea of the journey it would become. Untethered by labels, I have scratched my creative itch through writing, filmmaking, photography, and music; always aspiring to tell a story that touches and inspires us to see the world a little bit differently and with a little more empathy. It was while living in Brooklyn as a ''struggling artist'' that I truly saw art being used as a powerful social and political tool, capable of engaging, influencing and changing hearts and minds for the better. Since then, I have had the good fortune of both performing and producing music on the New York scene, and following a return to film school, directing a variety of projects, including over 40 music videos with Hip-Hop innovators and Grammy winners alike, from Roxanne Shante to Al Jarreau, receiving Best Music Video nominations from MTV and the Soul Train Awards, as well as NAACP recognition for my presentation of positive images of African Americans. Did I mention a move to Los Angles? Oh well... My passion for writing led to assignments for Disney Channel, Nickelodeon, Simon & Schuster, Warner Brothers Films, MTV Films, Kidz Bop, movies of the week and the Universal Pictures hit HONEY, starring Jessica Alba. I have partnered on entertainment and tech ventures, consulted on engagement and impact for ITVS/PBS and written, blogged, filmed and photographed around the world, often on assignment and sometimes merely to feed my soul. I guess you could say that I am in love with everything about the creative process, no matter the medium. For these opportunities I am eternally grateful. For the past year I have been immersed in TRESPASS... photographs and writing which bring focus to Los Angeles' homeless community; sharing the stories we need to hear and connecting with those too often unseen and unheard. I am thankful for the many relationships that have grown out of TRESPASS and the amazing individuals who share their world with me. Please take a look at Trespass as well as the other photo-essays, articles and more, I hope I have found a way to touch your heart, feed your soul and bring us all closer together. Exclusive Interview with Kim Watson
Cristina de Middel
Cristina de Middel
Spain
1975
Cristina de Middel (born 1975) is a Spanish documentary photographer and artist living and working in Uruapan, Mexico. De Middel self-published The Afronauts in 2012, a photobook about the short-lived Zambian space program in Southern Africa. The book quickly sold out and the work was met with critical acclaim. She was nominated for the 2013 Deutsche Börse Photography Prize for The Afronauts. In 2013, de Middel received the Infinity Award from the International Center of Photography. In 2017 she became a nominee member of Magnum Photos and in 2019 an associate member. Source: Wikipedia Cristina de Middel investigates photography’s ambiguous relationship to truth. Blending documentary and conceptual photographic practices, she plays with reconstructions and archetypes in order to build a more layered understanding of the subjects she approaches. Working from the premise that mass media is reducing our real understanding of the world we live in, De Middel responds to an urgency to re-imagine tired aesthetic tropes and insert opinion in place of facts. Her impulse for an unconventional angle developed after a 10-year career as a photojournalist when De Middel stepped outside of straight documentary and produced the acclaimed series The Afronauts (2012). It explored the history of a failed space program in Zambia in the 1960s through staged reenactments of obscure narratives, challenging the traditional depiction of the African continent. De Middel’s ongoing project Gentleman’s Club (which began in Rio de Janeiro in 2015 and has now expanded to every continent around the globe bar Australasia) focuses on prostitution’s less documented side: the male clients. Her intimate portraits of these men subvert the paradigms of the status quo to provide new sources of insight and understanding. As well as her acclaimed personal projects, De Middel has worked on commission for clients including The Nobel Peace Foundation, Christian Dior, Vanity Fair USA, Vogue USA and FC Barcelona. De Middel was born in Spain and is based between Mexico and Brazil. She became a Magnum nominee in 2017.Source: Magnum Photos
Lucianio Gerini
Lucianio Gerini
Italy
1956
With a varied photographic background, I started taking photos as a child because my father loved it too — he was my first teacher. Like Cartier-Bresson, the camera is like a notebook to me, so I shoot often, at any time and in any weather. I love lines and light, the way they play with shapes, so I photograph mainly buildings, but also landscapes, still lifes, and, more rarely, people. As a civil engineer, I've taken many photos at various construction sites to document their progress. As a geographer, I document them during my travels in Italy and abroad, for myself or as a tour guide. I also have three ongoing projects on the stone quarries around Rome and on two old, disused buildings (an aqueduct and a work area). I've also photographed a few weddings, and some of my articles have been published online by a photography magazine. So, a mix of work and hobby — and... I love it! AAP Magazine: AAP Magazine 49: B&W
Paul Coghlin
Paul Coghlin
United Kingdom
1967
Growing-up near southern England's beautiful New Forest and coast, Paul Coghlin developed an interest in creative photography from a young age, regularly travelling out with a camera to capture the natural surroundings. Now based in eastern England, the award-winning photographer has continued to expand his creative style across a range of subjects, with his images regularly appearing in exhibitions and international publications, and is a Fellow of the British Institute of Professional Photography (BIPP). In 2011, Paul's work was also selected for the high profile “Wild Aid Auction” in San Francisco and for the prestigious Royal Academy of Arts' “Summer Exhibition” in London. At the beginning of 2013, Paul released his largest body of work to date: "Petalum", a series of thirty stunning black and white botanical studies, featuring the fine-art photographer's distinctive style and attention to subtle detail. In addition to his photographic qualifications, Paul also holds a BSc(Hons) Degree in Environmental Science from Plymouth University and a Post-Graduate Diploma in Remote Sensing (Earth imaging/Photogrammetry) from University College London/Imperial College.
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Latest Interviews

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Interview
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
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Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
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American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
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Exclusive Interview with Robert Mack
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Exclusive Interview with Robert Mack
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Exclusive Interview with Alan Schaller About Irys
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Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry
© Fernando Morales Roca
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