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LAST CALL TO Win a Solo Exhibition in July 2026 + An Exclusive Interview!
LAST CALL TO Win a Solo Exhibition in July 2026 + An Exclusive Interview!
Fran Forman
Photo © Julia Dean, 2019
Fran Forman
Fran Forman

Fran Forman

Country: United States

Fran's photo paintings have been exhibited widely, both locally and internationally, and are in many private collections as well the permanent collections of the Museum of Fine Arts Boston, the Smithsonian National Air and Space Museum (Washington, DC), the Museum of Fine Arts, Houston, The Grace Museum (Texas), the Sunnhordland Museum (Norway), Western Carolina University Fine Art Museum, the Comer Collection at the University of Texas, and the County Down Museum (Northern Ireland).

Fran's 2nd major monograph, The Rest Between Two Notes, with 100 color plates and 224 pages is published by Unicorn Publishing and available March 2020.

Escape Artist: The Art of Fran Forman was published by SchifferBooks and was selected as one of the Best PhotoBooks of 2014 by Elizabeth Avedon and won First Place in an international competition.

Monographs of Fran's solo exhibitions were published by Pucker Gallery in 2018, 2016, and 2014. Fran is also featured in Contemporary Cape Cod Artists: People and Places, 2014, Photoshop Masking and Compositing, 2012, and Internationales Magazin fur Sinnliche Fotografie (Fine Art Photo), 2014, The Hand Magazine, 2016, Blur Magazine (2016), two Pucker Gallery publications, and Shadow and Light, 2015 and 2018. She was Artist in Residence at Holsnoy Kloster, Norway, in 2016 and at The Studios of Key West in 2015. Additionally, she is often asked to juror and curate photo exhibitions.

Most recently, Fran has mounted solo exhibitions at The Fox Talbot Museum, Lacock Abbey, England, The Massachusetts State House (The Griffin Museum of Photography), AfterImage Gallery (Dallas), the University of North Dakota, Galeria Photo/Graphica (Mexico), and the Pucker Gallery (Boston), as well as numerous group shows. In the past decade, Fran has won numerous significant awards and prizes; most recently, first place from the Julia Margaret Cameron awards and three awards (First Place, Gold and Silver) from PX3 Prix de la Photographie, Paris. In 2011, she exhibited at the 2nd Biennial International Exhibition, Lishui, China (one of only thirty Americans); she also won the second prize from the World Photography Gala Award (out of over 8000 entries) in People and Portraits; in 2010, she won 1st place in Collage for the Lucie Foundation's International Photo Awards (IPA). She was also a finalist for four straight years in PhotoLucida's Critical Mass.

She is represented by Pucker Gallery (Boston), AfterImage Gallery (Dallas), SusanSpiritus Gallery (California), and Galeria Photo/Graphica (Mexico).

She is an Affiliated Scholar at the Women's Studies Research Center at Brandeis University, a recipient of several grants and Artist Residencies, and teaches advanced photo-collage internationally.

Fran studied art and sociology at Brandeis University, received an MSW in psychiatric social work, and then an MFA from Boston University. She resides in the New England area.
 

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More Great Photographers To Discover

Ralph Gibson
United States
1939
Ralph Gibson is an American art photographer best known for his photographic books. His images often incorporate fragments with erotic and mysterious undertones, building narrative meaning through contextualization and surreal juxtaposition. Ralph Gibson studied photography while in the US Navy and then at the San Francisco Art Institute. He began his professional career as an assistant to Dorothea Lange and went on to work with Robert Frank on two films. Gibson has maintained a lifelong fascination with books and book-making. Since the appearance in 1970 of The Somnambulist, his work has been steadily impelled towards the printed page. To date he has produced over 40 monographs, his most current projects being State of the Axe published by Yale University Press in Fall of 2008 and Nude by Taschen (2009). His photographs are included in over one hundred and fifty museum collections around the world, and have appeared in hundreds of exhibitions. Gibson has received fellowships from the National Endowment for the Arts (1973, 1975, 1986), a Deutscher Akademischer Austauschdienst (D.A.A.D.) Exchange, Berlin (1977), a New York State Council of the Arts (C.A.P.S.) fellowship (1977), and the John Simon Guggenheim Memorial Foundation (1985). The Rencontres d'Arles festival presented his work in 1975, 1976, 1977, 1979, 1989 and 1994. I embrace the abstract in photography and exist on a few bits of order extracted from the chaos of reality. -- Ralph Gibson His book Syntax received a mention for the Rencontres d'Arles Book Award in 1983. He was decorated as an Officier de L'Ordre des Arts et des Lettres (1986) and appointed, Commandeur de L'Ordre des Arts et des Lettres (2005) by the French government. His awards include: Leica Medal of Excellence Award (1988), "150 Years of Photography" Award, Photographic Society of Japan (1989), a Grande Medaille de la Ville d'Arles (1994) and the Lucie Award for lifetime achievement (2008). Gibson also received an honorary doctorate of Fine Arts from the University of Maryland (1991), and a second honorary doctorate from the Ohio Wesleyan University (1998). He has worked exclusively with Leica for almost 50 years. Gibson currently lives in New York and travels frequently to Europe and Brazil.Source: Wikipedia Having begun his acclaimed photographic career as an apprentice to the great documentarians Dorothea Lange and Robert Frank, Ralph Gibson is known for his highly distinctive vision in still photography. By intensifying contrast and emphasizing the grain of the film in his prints, Gibson concentrates on the minute details: the edge of a café table, the arc of a hip, the glint of a fork. Gibson’s works are both formally vigorous and eternally evocative. His photographs are in major private and public collections worldwide, including the Metropolitan Museum of Art, the Museum of Modern Art, and the Bibliothèque Nationale de France.Source: Weston Gallery I’m interested in producing truncated shapes in proportion to the frame and composition, shapes that are preferably luminous. I’m not interested in the full-figure. I want to abstract forms. -- Ralph Gibson
David Seymour (Chim)
United States
1911 | † 1956
David Seymour, also known as Chim, was a Polish-born photographer who is best known for his work as a member of the photographic cooperative Magnum Photos. He was born in 1911 in Warsaw, Poland and spent his early years studying in Germany before moving to France in 1933. Seymour's interest in photography began at a young age, and he quickly became skilled in the art of photography. He began his professional career as a photographer in Paris, working for various newspapers and magazines. In 1936, he joined the photographic cooperative Magnum Photos, which was founded by photographers Robert Capa, Henri Cartier-Bresson, and George Rodger. Chim told me not to follow too closely the advice of Capa, and Capa told me not to take any notice of Henri’s advice. So I was a bit mixed up and went to see George Rodger... and he said, “Don’t listen to any of them, only to me.” -- Marc Riboud, on joining the Magnum photo agency in 1953 As a member of Magnum Photos, David Seymour traveled extensively, capturing powerful images of people and events from around the world. He covered a wide range of subjects, including politics, war, and social issues. He was particularly known for his ability to capture the humanity of his subjects, and his images often conveyed a sense of empathy and compassion. Seymour's work as a war photographer began during World War II, when he covered the Spanish Civil War and the Second World War. He was one of the first photographers to document the horrors of the Holocaust, and his images of concentration camps and Jewish ghettos are among his most powerful and moving works. In 1948, David Seymour traveled to Palestine to cover the Arab-Israeli conflict, and his images of the fighting and the suffering of the Palestinian people helped to raise awareness of the issue around the world. He also covered the Korean War, the Suez Crisis, and the Hungarian Revolution, and his images of these conflicts were widely published in newspapers and magazines. In addition to his work as a war photographer, Seymour also documented social issues and political events. He covered the civil rights movement in the United States, and his images of the struggles of African Americans helped to raise awareness of the issue. He also covered the Cuban Revolution and the rise of Fidel Castro, and his images of the revolution and its aftermath helped to shape the way that the world viewed Cuba and its leader. Seymour's work as a photographer was widely recognized and respected during his lifetime, and he received numerous awards and honors for his contributions to the field of photography. He was a member of the French Legion of Honor, and in 1957 he was awarded the prestigious Robert Capa Gold Medal for his contributions to photojournalism. Despite his success as a photographer, Seymour's life was cut short when he was killed in 1956 while covering the Suez Crisis in Egypt. He was only 45 years old at the time of his death, but his legacy as a photographer lives on through his powerful images and his influence on the field of photojournalism. Today, Seymour's work continues to be widely admired and studied, and his images are considered to be some of the most powerful and important photographs of the 20th century. His work has been featured in numerous exhibitions and publications, and his images continue to inspire and influence photographers around the world. David Seymour Chim was a remarkable photographer who was able to capture the essence of humanity and the complexities of human nature. His photographs are moving and powerful, and his ability to document the world's most significant events and moments in history is a testament to his skill and dedication to his craft. His legacy as a photographer lives on, and his work will continue to be appreciated for generations to come.
Oksana Omelchuk
Ukraine
1983
Oksana Omelchuk is a Kyiv-based visual artist and fine-art photographer whose practice moves between photography, scanography, and digital art. Her journey began with fine art: she studied painting, drawing, sculpture, and applied arts for six years at an art school before pursuing a degree in economics. Photography came later, almost by accident: she first appeared in front of the camera as a model for a friend studying at the Kyiv School of Photography. Curious to learn how to see through the lens herself, she joined the school in 2021, just to take pictures for pleasure. But soon, photography became her main artistic language. She continues her studies at Form, an international educational platform for photographic education, based in France. Through experimentation, she discovered that her true signature lies in drawing: in the imaginative world she had as a child, now translated into contemporary visual form. Her works are not about the moment, but about emotion - each object, whether a flower, an X-ray, or a fragment of furniture, becomes a character carrying a feeling. Oksana creates intuitively, following emotion more than perfection, balancing analysis and spontaneity. Her process is like opening a piano lid before improvisation: uncertain, yet full of discovery. Inspired by music and Renaissance painting, she builds delicate color harmonies that reflect both control and freedom. Her recurring themes explore the anatomy of feelings and the dreamlike dialogue between tenderness and strength. Statement: Art has been part of my life for as long as I can remember. What began with painting in childhood has evolved into a visual language that moves between photography and digital art. I am drawn to the moment where reality dissolves into imagination. Instead of brushes, I use light, scans, and digital tools - painting emotions rather than objects, reinterpreting the visible world through the colors of my inner states. My process is intuitive, experimental, and deeply emotional. I often begin with a photograph and then layer it with digital textures, hand-drawn traces, or scanned materials, allowing the image to transform organically: from documentation into a state of feeling. I explore memory, transformation, and perception - how fragility and strength coexist in a single gesture. For me, art is a quiet dialogue with the world: a way to speak without words, to hold tenderness and truth in the same breath. Articles: AAP Magazine 51 Colors The Garden of My Tenderness
Ian McFarlane
United States
1970
Horst P. Horst
Germany/United States
1906 | † 1999
Horst P. Horst (born Horst Paul Albert Bohrmann), was a German-American fashion photographer. The younger of two sons, Horst was born in Weißenfels-an-der-Saale, Germany, to Klara (Schönbrodt) and Max Bohrmann. His father was a successful merchant. In his teens, he met dancer Evan Weidemann at the home of his aunt, and this aroused his interest in avant-garde art. In the late 1920s, Horst studied at Hamburg Kunstgewerbeschule, leaving there in 1930 to go to Paris to study under the architect Le Corbusier. While in Paris, he befriended many people in the art community and attended many galleries. In 1930 he met Vogue photographer Baron George Hoyningen-Huene, a half-Baltic, half-American nobleman, and became his photographic assistant, occasional model, and lover. He traveled to England with him that winter. While there, they visited photographer Cecil Beaton, who was working for the British edition of Vogue. In 1931, Horst began his association with Vogue, publishing his first photograph in the French edition of Vogue in December of that year. It was a full-page advertisement showing a model in black velvet holding a Klytia scent bottle. His first exhibition took place at La Plume d'Or in Paris in 1932. It was reviewed by Janet Flanner in The New Yorker, and this review, which appeared after the exhibition ended, made Horst instantly prominent. Horst made a portrait of Bette Davis the same year, the first in a series of public figures he would photograph during his career. Within two years, he had photographed Noël Coward, Yvonne Printemps, Lisa Fonssagrives, Count Luchino Visconti di Madrone, Duke Fulco di Verdura, Baron Nicolas de Gunzburg, Princess Natalia Pavlovna Paley, Daisy Fellowes, Princess Marina of Greece and Denmark, Cole Porter, Elsa Schiaparelli, and others like Eve Curie. Horst rented an apartment in New York City in 1937, and while residing there met Coco Chanel, whom Horst called "the queen of the whole thing". He would photograph her fashions for three decades. He met Valentine Lawford, British diplomat in 1938, and they lived together until Lawford's death in 1991. Horst adopted a son, Richard J. Horst, whom they raised together. In 1941, Horst applied for United States citizenship. In 1942, he passed an Army physical, and joined the Army on July 2, 1943. On October 21, he received his United States citizenship as Horst P. Horst. He became an Army photographer, with much of his work printed in the forces' magazine Belvoir Castle. In 1945, he photographed United States President Harry S. Truman, with whom he became friends, and he photographed every First Lady in the post-war period at the invitation of the White House. In 1947, Horst moved into his house in Oyster Bay, New York. He designed the white stucco-clad building himself, the design inspired by the houses that he had seen in Tunisia during his relationship with Hoyningen-Huene. Horst is best known for his photographs of women and fashion, but is also recognized for his photographs of interior architecture, still lifes, especially ones including plants, and environmental portraits. One of the great iconic photos of the Twentieth-Century is "The Mainbocher Corset" with its erotically charged mystery, captured by Horst in Vogue’s Paris studio in 1939. Designers like Donna Karan continue to use the timeless beauty of "The Mainbocher Corset" as an inspiration for their outerwear collections today. His work frequently reflects his interest in surrealism and his regard of the ancient Greek ideal of physical beauty. Lighting is more complex than one thinks. There appears to be only one source of light. But there were actually reflectors and other spotlights. I really don’t know how I did it. I would not be able to repeat it. -- Horst P. Horst, on his 1939 photograph Mainbocher Corset His method of work typically entailed careful preparation for the shoot, with the lighting and studio props (of which he used many) arranged in advance. His instructions to models are remembered as being brief and to the point. His published work uses lighting to pick out the subject; he frequently used four spotlights, often one of them pointing down from the ceiling. Only rarely do his photos include shadows falling on the background of the set. Horst rarely, if ever, used filters. While most of his work is in black & white, much of his color photography includes largely monochromatic settings to set off a colorful fashion. Horst's color photography did include documentation of society interior design, well noted in the volume Horst Interiors. He photographed a number of interiors designed by Robert Denning and Vincent Fourcade of Denning & Fourcade and often visited their homes in Manhattan and Long Island. After making the photograph, Horst generally left it up to others to develop, print, crop, and edit his work. One of his most famous portraits is of Marlene Dietrich, taken in 1942. She protested the lighting that he had selected and arranged, but he used it anyway. Dietrich liked the results and subsequently used a photo from the session in her own publicity. In the 1960s, encouraged by Vogue editor Diana Vreeland, Horst began a series of photos illustrating the lifestyle of international high society which included people like: Consuelo Vanderbilt, Marella Agnelli, Gloria Guinness, Baroness Pauline de Rothschild and Baron Philippe de Rothschild, Helen of Greece and Denmark, Baroness Geoffroy de Waldner, Princess Tatiana of Sayn-Wittgenstein-Berleburg, Lee Radziwill, Duke of Windsor and Duchess of Windsor, Peregrine Eliot, 10th Earl of St Germans and Lady Jacquetta Eliot, Countess of St Germans, Antenor Patiño, Oscar de la Renta and Françoise de Langlade, Desmond Guinness and Princess Henriette Marie-Gabrielle von Urach, Andy Warhol, Nancy Lancaster, Yves Saint Laurent, Doris Duke, Emilio Pucci, Cy Twombly, Billy Baldwin, Jacqueline Kennedy Onassis, Amanda Burden, Paloma Picasso and Comtesse Jacqueline de Ribes. The articles were written by the photographer's longtime companion, Valentine Lawford, a former English diplomat. From this point until nearly the time of his death, Horst spent most of his time traveling and photographing. In the mid-1970s, he began working for House & Garden magazine as well as for Vogue. Horst's last photograph for British Vogue was in 1991 with Princess Michael of Kent, shown against a background of tapestry and wearing a tiara belonging to her mother-in-law, Princess Marina, who he had photographed in 1934. He died at his home in Palm Beach Gardens, Florida at 93 years of age.Source: Wikipedia I don’t think photography has anything remotely to do with the brain. It has to do with eye appeal. -- Horst P. Horst
Margo Ryan
United Kingdom
Angela Bacon-Kidwell
Angela Bacon-Kidwell is an award winning photographer and visual artist that lives and works in Texas. Angela has a BFA from Midwestern State University, Wichita Falls, Texas, with specialization in painting and photography. Her work emerges from her journey of recovering a sense of self, strength and spirituality through an examination of her identities as daughter, granddaughter, wife, mother and artist. Her photographic work has received numerous awards and honors and has been exhibited and published both nationally and internationally. Recent awards and recognition’s include: nominated for the Santa Fe Prize for Photography in 2011, Finalist for the John Clarence Laughlin Award, First place in the Palm Springs Photo Festival, First Place in the Texas Photographic Society International Competition and 2012 lecture at the Annenberg Space for Photography in Los Angeles.She is currently represented by Afterimage Gallery, Dallas, Texas, Wallspace Gallery, Santa Barbara, CA and Galerie BMG, Woodstock, NYHome by Nightfall (2012-2014)Silence ceased for him in 2011 not a whisper, but a relentless roaring thunder molding his spirit into mourning In his misery, a new vaporous malice was brewing the ringing was a warning tinnitus and cancer were converging Every known eradication was pursued He and I, separated by many miles, shared a need for solitude cultivated by lucid country drives We drove separately through the dark districts of our minds invariably contemplating what was to come, a symbiotic transitory landscape emerged and the thunder soared in 2013 Questions, Answers, Questions, Answers Questions, Answers, Questions, Answers Questions, Answers, Questions, Answers all tedious throbbing answers How many miles in a life? What shape is the color grey? When does an echo become whole? During the three years of relentless discord, I created images of these ambiguous queries emoting, sensing, seeking There is a truth in "big" questions with small answers Clarity in the midst of chaos Hope in the face of despair Silence returned for him on May 24, 2014 He was my father.
Michelle Sank
South Africa
Michelle Sank was born in South Africa and settled in the UK in 1987. She cites this background of growing up during Apartheid and being the child of immigrant parents as informing her interest in sub-cultures and the exploration of contemporary social issues and challenges. Her crafted portraits meld place and person creating sociological, visual and psychological landscapes and narratives. Known for her work on youth culture, her practice has expanded into long term projects documenting communities and cultures in depth. Sank undertook a BA Fine Art Degree at The Michaelis School of Fine Art in Cape Town where her work was picked up by David Goldblatt who became a lifelong mentor. In leaving South Africa in the late 70’s she had a big gap in her career redefining her practice after many years when she completed her MA at De Montford University, Leicester in 2001. Her photographs have been exhibited and published extensively in the UK, Europe, Australia and Mexico, South Africa and the U.S.A. and her imagery is held in private and permanent collections worldwide to include Open Eye Gallery, Liverpool, The Museum of Youth Culture, UK, Southeast Museum of Photography, Florida and The Museum of Fine Arts, Houston, Texas. She has undertaken continuous commissions and residencies for prominent galleries and magazines in Europe and the USA and her work has won awards in numerous prestigious competitions to include the Taylor Wessing Prize, British Journal of Photography, Head on Foundation, IPA awards, Lens Culture and The Juliet Margaret Cameron award for Female Photographers. She was recently a winner in The Portrait of Britain and in 2024 she won the Open Portrait section in the Sony World Photography Awards. She has just been granted an Honorary Fellowship by The Royal Photographic Society. Sank has five published books to date her latest being “Burnthouse Lane” published by Dewi Lewis, 2024 – a celebratory account of an historic working class community in Exeter, Devon, UK. Burnthouse Lane The Burnthouse Lane estate was first dreamt up by Exeter City council in the idealistic 1920s in the UK to rehouse people from the West Quarter slum. Designed along garden city lines and purposely self-contained, it was a place for working-class families to live. The deprivation it was supposed to overcome has continued to haunt it, but the isolated nature of the estate and its intricate labyrinth of lanes have also made for positives, such as a close-knit community and a sense of solidarity among the residents. Ballade Ballade is a poetic homage to my birthplace, Cape Town. My strongest memories are of the Sea Point Promenade in Cape Town and its accompanying Pavilion swimming pool where I frequented the long walkway and its bordering vast grass areas through all of my formative years. I was born there, and my recall is one of tableaus transpiring through play, encounters and festivities. The pool, the walkway, the beaches and the green areas continue to serve as stage sets within which diverse performances unfold. Article Burnt House Lane
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