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Win a Solo Exhibition in May 2026 + An Exclusive Interview!
Win a Solo Exhibition in May 2026 + An Exclusive Interview!
Fran Forman
Photo © Julia Dean, 2019
Fran Forman
Fran Forman

Fran Forman

Country: United States

Fran's photo paintings have been exhibited widely, both locally and internationally, and are in many private collections as well the permanent collections of the Museum of Fine Arts Boston, the Smithsonian National Air and Space Museum (Washington, DC), the Museum of Fine Arts, Houston, The Grace Museum (Texas), the Sunnhordland Museum (Norway), Western Carolina University Fine Art Museum, the Comer Collection at the University of Texas, and the County Down Museum (Northern Ireland).

Fran's 2nd major monograph, The Rest Between Two Notes, with 100 color plates and 224 pages is published by Unicorn Publishing and available March 2020.

Escape Artist: The Art of Fran Forman was published by SchifferBooks and was selected as one of the Best PhotoBooks of 2014 by Elizabeth Avedon and won First Place in an international competition.

Monographs of Fran's solo exhibitions were published by Pucker Gallery in 2018, 2016, and 2014. Fran is also featured in Contemporary Cape Cod Artists: People and Places, 2014, Photoshop Masking and Compositing, 2012, and Internationales Magazin fur Sinnliche Fotografie (Fine Art Photo), 2014, The Hand Magazine, 2016, Blur Magazine (2016), two Pucker Gallery publications, and Shadow and Light, 2015 and 2018. She was Artist in Residence at Holsnoy Kloster, Norway, in 2016 and at The Studios of Key West in 2015. Additionally, she is often asked to juror and curate photo exhibitions.

Most recently, Fran has mounted solo exhibitions at The Fox Talbot Museum, Lacock Abbey, England, The Massachusetts State House (The Griffin Museum of Photography), AfterImage Gallery (Dallas), the University of North Dakota, Galeria Photo/Graphica (Mexico), and the Pucker Gallery (Boston), as well as numerous group shows. In the past decade, Fran has won numerous significant awards and prizes; most recently, first place from the Julia Margaret Cameron awards and three awards (First Place, Gold and Silver) from PX3 Prix de la Photographie, Paris. In 2011, she exhibited at the 2nd Biennial International Exhibition, Lishui, China (one of only thirty Americans); she also won the second prize from the World Photography Gala Award (out of over 8000 entries) in People and Portraits; in 2010, she won 1st place in Collage for the Lucie Foundation's International Photo Awards (IPA). She was also a finalist for four straight years in PhotoLucida's Critical Mass.

She is represented by Pucker Gallery (Boston), AfterImage Gallery (Dallas), SusanSpiritus Gallery (California), and Galeria Photo/Graphica (Mexico).

She is an Affiliated Scholar at the Women's Studies Research Center at Brandeis University, a recipient of several grants and Artist Residencies, and teaches advanced photo-collage internationally.

Fran studied art and sociology at Brandeis University, received an MSW in psychiatric social work, and then an MFA from Boston University. She resides in the New England area.
 

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More Great Photographers To Discover

Elisabeth Sunday
United States
Elisabeth Sunday has been photographing indigenous people across the African continent for the last 26 years. Using a flexible mirror she created for the purpose (and hand carries unaccompanied to some of the most remote and dangerous spots on earth), Sunday has created her own analog process that prefigured Photoshop that she calls "Mirror Photography". Her method of photographing her subjects emphasizes and enhances their grace, elongating the body and the folds of their garments, creating an impressionistic effect one might be used to seeing in painting but which is unexpected in a medium from which we often expect a more literal representation. The effect is closer to that of dance, in which the body has reshaped itself and learned to move in a way that proclaims and exaggerates all its best qualities, while momentarily silencing its flaws, and in which movement itself has an aesthetic, rather than merely practical, purpose. Typically Sunday captures an elongated vertical reflection, rushing and bleeding like a single expressive brush stroke. Although Sunday herself is never visible in the frame, she is as much actor as she is director within the drama of these photographs, as she strives to represent not so much the personal characteristics of her subjects, but an essential gesture that connects a given incarnation with the long history of the soul. In her Anima and Animus series, Sunday mediates on eternal masculine and feminine energies, using warlike Koro men and nomadic Tuareg women as subjects. The Anima women are hidden under flowing garments, slanting to left or right or reaching upward like dark flames against the steady white curve of a dune. The Animus figures rise like tough young trees or spears, rooted somewhere beneath the picture plane. Grace and violence here seem cast together in a solid block, As with so many of Elisabeth Sunday's figures, these seem composed of stone or bone more than living flesh. Elisabeth Sunday has shown in galleries and Museums the world over including the Cleveland Museum of Art, Centre cultural Calouste Gulbenkian, Paris, France, the African American Museum, Los Angeles; International Photography Biennial, Brecsia, Italy, UC Berkeley Art Museum; Salle d' Exposition, Arles, France, Le Maison de la Photographie, Aosta, Italy, Exploratorium Museum, San Francisco, CA Smithsonian Anakostia Museum, Center for African American History and Culture, Washington D.C. The Museum of Fine Arts, Houston, and The Los Angeles County Museum of Art. Her work is included in major collections: The Corcoran Art Gallery, The University Art Museum at Berkeley, The Cantor Art Center at Stanford University, The Los Angeles Museum of Art, The Museum of Fine Art-Houston, Le Bibliothèque Nationale de Paris, France, The San Francisco Museum of Art, and The Eastman Kodak Collection. Her private collectors include Graham Nash, Quincy Jones, Gloria Steinem, Linda Grey, Bill Cosby, Bonnie Raitt and Alice Walker.Source Frank Pictures Gallery
Anastasia Egonyan
Ukraine/Armenia
1987
Anastasia Egonyan (b.1987, Kharkiv, Ukraine) is an international artist of Armenian descent based in Berlin. Her practice is driven by emotional fluctuations and psychological experiences that are deeply rooted in her introspective life experiences. She continues to balance a longstanding practice in photography with evolving focus on painting and textile. Frequent engagement with family narratives, Armenian ancestry, and the exploration of female fragility are closely integrated into the evolving sense of self, as she continues to expand her approach across diverse mediums. Anastasia integrates textiles and predominantly natural materials into her artistic practice, delving into the tactile and symbolic dimensions of her heritage. Her work includes manual photo transfer techniques, traditional Armenian sheep wool, and the delicate use of pearls. By incorporating Armenian words and common phrases into her creations, she preserves and celebrates her cultural identity. Anastasia finds profound symbolism in the simplicity of everyday life while honouring the strength and resilience of women through historical and cultural lenses. Egonyan’s artistic practice is grounded in psychological self-reflection, where themes of ancestral heritage and identity gradually unfold. Her use of oil paint, textile, photography collages, and mixed media often employs layering techniques to shield the vulnerable aspects of emotional and personal experience. These layers, whether of paint or fabric, serve to shield the intimacy of these personal explorations, preserving a sense of privacy while concealing the raw intensity of the truth. The act of layering thus becomes an allegory, creating a barrier between the deeply personal and the viewer, who may not yet be prepared for such exposure. ցավդ տանեմ - I take your pain mixed media (textile, wool, photography transfer) 220 x 320 cm With love for the people of Artsakh who lost their homes. My family heritage originates from the village of Togh (Տող) in the Hadrut region, Artsakh. The great ancestor wrote at the entrance of his chamber “I did not allow that people from Armenia be taken captive.” In September 2023, history took a different course as the indigenous people of Artsakh were forcibly displaced. Over 100,000 individuals lost their homes, and the land now falls under the control and administration of occupying forces, with the region being transformed into a nature reserve. I take your pain is an object that represents the traditional Armenian way of making wool blankets. With the use of sheep wool and cotton fabric it is quilted in the original manner, following the rectangular shape. It is common for every Armenian family to own several of these blankets and mattresses, which are typically crafted by the women of the household. The object is composed of multiple layers of textile and wool, forming a mosaic of fabrics sourced from my collection of vintage scraps and family garments. It connects to my family, my current residence, my place of birth, and the lost land that forever holds my heart and soul.
Cindy Sherman
United States
1954
Cindy Sherman was born in 1954 in Glen Ridge, New Jersey. Sherman earned a BA from Buffalo State College, State University of New York (1976). In self-reflexive photographs and films, Cindy Sherman invents myriad guises, metamorphosing from Hollywood starlet to clown to society matron. Often with the simplest of means—a camera, a wig, makeup, an outfit—Sherman fashions ambiguous but memorable characters that suggest complex lives that exist outside of the frame. Leaving her works untitled, Sherman refuses to impose descriptive language on her images—relying instead on the viewer’s ability to develop narratives, as an essential component of appreciating the work. While rarely revealing her private intentions, Sherman’s investigations have a compelling relationship to public images, from kitsch (film stills and centerfolds) to art history (Old Masters and Surrealism) to green-screen technology and the latest advances in digital photography. Sherman’s exhaustive study of portraiture and self-portraiture—often a playful mixture of camp and horror, heightened by gritty realism—provides a new lens through which to examine societal assumptions surrounding gender and the valuation of concept over style. Among her awards are the Guild Hall Academy of the Arts Lifetime Achievement Award for Visual Arts (2005); American Academy of Arts and Sciences Award (2003); National Arts Award (2001); a John D. and Catherine T. MacArthur Foundation Award (1995); and others. Her work has appeared in major exhibitions at Sprüth Magers, Berlin (2009); Jeu de Paume, Paris (2006); the Museum of Modern Art, New York (1997); and the Museum of Contemporary Art, Los Angeles (1997); among others. Sherman has participated in many international events, including SITE Santa Fe (2004); the Venice Biennale (1982, 1995); and five Whitney Biennial exhibitions. Cindy Sherman lives and works in New York.
Réhahn
France
1979
Referred to as someone who "captures the souls of his models", (Wanderlust Travel Magazine, 2018) Réhahn is more than just a man behind a camera. Behind each click is a story. Whether the photograph shows a child with startling blue eyes, a woman pulling a needle through indigo fabric or a man walking alone down a brightly painted street, these are more than just images to Réhahn. They are the culmination of an experience. The stories of his subjects as well as his passion to learn more about their culture, diversity and changing traditions are what drives Réhahn's work. Réhahn's unique combination of fine art photography and documentary styles results in images that both inform and mesmerize. His portraits of Vietnam, Cuba, and India are particularly well-known for exactly this reason. They take the viewer along on the voyage to catch a glimpse of authentic interactions with people, their smiles, their wisdom, their daily lives. For Réhahn, photography is a way to approach people, to document what is happening in the present while also learning about the traditions and heritage of their past. Réhahn visited over 35 countries before making Hoi An, Vietnam his home in 2011. His first book Vietnam, Mosaic of Contrasts has been a bestseller since 2014. He followed this success with four subsequent books: Vietnam, Mosaic of Contrasts, Volume ll in 2015; The Collection, Réhahn - 10 Years of Photography in 2017; 100 Iconic Portraits in 2019; and Vietnam Mosaic of Contrasts, Volume III in 2020. In 2016, for International Women's day, Réhahn's portrait of Madam Xong was placed in the permanent collection at the Hanoi Women's museum. The resulting media coverage amassed more than 80 articles and 10 television interviews. Now just over two years later, Réhahn has been featured in international media totaling more than 500 articles and interviews and over 50 television appearances. One memorable career moment took place in 2018. Réhahn was honored during an official ceremony, which was organized to celebrate 45 years of friendship between France and Vietnam. Vietnam's Secretary of the Party, Nguyen Phu Trong, who has since become the President of Vietnam, gifted Réhahn's portrait Madam Xong to French President Emmanuel Macron. In addition to his four COULEURS BY RÉHAHN galleries, Réhahn opened the PRECIOUS HERITAGE museum located in the UNESCO World Heritage site of Hoi An ancient town in 2017 to showcase his portraits of Vietnam's diverse ethnic groups, their traditional costumes, stories, music, and artifacts. The museum is free to the public.
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