All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Last Call AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Last Call AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Gabriele Basilico
Gabriele Basilico

Gabriele Basilico

Country: Italy
Birth: 1944 | Death: 2013

From Wikipedia
Gabriele Basilico was an Italian photographer. He defined himself as a measurer of space. Born in Milan, after studying architecture Basilico began his profession as a photographer devoting to landscape photography and more particularly to architectural photography. To give him international fame in 1982, it was a photographic report on the industrial areas of Milan (Ritratti di Fabbriche, Sugarco). In the mid 80s he was part of the group of photographers committed by the French Government to document the transformation of the Transalpine landscape. In 1991 with the celebrated Beirut 1991 he documented the war effects on the Lebanese capital. His last work was showed in December 2012, at the inauguration of new square Gae Aulenti in Milan: a series of photographs that portrayed the Porta Nuova Project from its inception. He worked mostly with a view camera and film in black and white. He received the Osella d'Oro at the 1996 Venice Biennale.

From Galerie VU
Trained as an architect, Gabriele Basilico takes an interest in architectural photography in the mid 1970’s. He gives it a new breath by questioning urban issues of this time. He shoots contemporary, urban and industrial landscape, uninhabited spaces, bright lights and deep shadows. Black and white highlights volumes and graphic characteristics of buildings.

Gallery

Galerie VU

 

Selected Books

Inspiring Portfolios

Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Joakim Eskildsen
Denmark
1971
Joakim Eskildsen was born in Copenhagen in 1971 where he trained with Royal Court photographer, Mrs. Rigmor Mydtskov. In 1994, he moved to Finland to learn the craft of photographic book making with Jyrki Parantainen and Pentti Sammallahti at the University of Art and Design in Helsinki, graduating with an MA degree in photography in 1998. He often collaborates on projects with writer Cia Rinne, and his publications include Nordic Signs (1995), Blue-tide (1997), iChickenMoon (1999), which was awarded Best Foreign Title of 2000 in the Photo-Eye Books & Prints Annual Awards, the portfolio al-Madina (2002), which was made in collaboration with Kristoffer Albrecht and Pentti Sammallahti, and the book The Roma Journeys (Steidl 2007), which a.o. has been awarded with the Amilcare Ponchielli Award in 2008, Deutscher Fotobuchpreis (Gold) 2009, the Otto Pankok Promotion Prize, and the David Octavius Hill-medal awarded by Deutsche Fotografsche Akademie in 2009. Joakim lives and works in Berlin.Source: www.joakimeskildsen.com Joakim Eskildsen (born 1971 in Copenhagen) is a Danish art photographer. Eskildsen was a pupil of Rigmor Mydtskov in Copenhagen and went to Finland in 1994 to study photographic book making with Pentti Sammallahti at the University of Art and Design Helsinki. He lives near Copenhagen and has shown some of his works in Europe (including Germany, Denmark, Finland, Sweden, France, England, Italy), China, and South Africa. From 2000-2006, together with the writer Cia Rinne, Eskildsen sought out Roma in various (mainly Eastern European) countries and other ethnic groups in India who are possibly related to the Roma. The fruits of this work have found their way into the book The Roma Journeys, which delivers insight into the life of the Roma by its text and more than 200 photographs. Source: Wikipedia
Benita Suchodrev
United States
1975
Benita Suchodrev was born in the former Soviet Union and immigrated to the United States where she received her Bachelor's degree in Liberal Arts with a focus on Art History from SUNY Purchase, New York, continuing to a Master of Arts in English Literature, graduating with high honors. It was in the university darkroom where Benita developed and produced her first black and white prints. In 2008 Benita relocated to Berlin where she began an extensive documentation of the cosmopolitan city's multifaceted art scene while working on diverse photographic projects. Later she studied at the Neue Schule für Fotografie in the class of Eva Bertram. Her portrait and documentary work has been exhibited in solo and group shows nationally and internationally and is part of the Rafael Tous Foundation for Contemporary Art in Barcelona, the Michael Horbach Stiftung in Cologne as well as private collections in Moscow, Berlin and New York. She has published Of Lions and Lambs (2019) and 48 Hours Blackpool (2018) with KEHRER Verlag. Her photographs have appeared in NACHTLEBEN BERLIN 1974 – BIS HEUTE (Metrolit Verlag, 2013), BERLIN NOW (teNeues Verlag, 2009) and have been covered by various media including ARTE, THE GUARDIAN, ZEIT ONLINE, ARD, RBB24 Kulturradio, Frankfurter Allgemeine Zeitung, Berliner Zeitung, STERN.DE, AMICA Italy, ART, MARE Magazine, Neues Deutschland, Die Tageszeitung, Tagesspiegel, MIND China, The Moscow Times, Искусство – The Art Magazine Russia, among others. Benita currently lives and works in Berlin. Artist Statement "I am attracted to the poetic and the bizarre, the bold and the vulnerable. But of all things I am interested in the transitional moment between states, between blinks; that elusive split of a second between what was, what is to come, and the traces it leaves behind. The drama and ambiguity of human expression and gesture during this transitional moment is what fascinates me the most."
Larry Clark
United States
1943
Lawrence Donald Clark (born January 19, 1943) is an American film director, photographer, writer and film producer who is best known for his controversial teen film Kids (1995) and his photography book Tulsa (1971). His work focuses primarily on youth who casually engage in illegal drug use, underage sex, and violence, and who are part of a specific subculture, such as surfing, punk rock, or skateboarding. Larry Clark was born in Tulsa, Oklahoma. He learned photography at an early age. His mother was an itinerant baby photographer, and he was enlisted in the family business from the age of 13. His father was a traveling sales manager for the Reader Service Bureau, selling books and magazines door-to-door, and was rarely home. In 1959, Clark began injecting amphetamines with his friends. He attended the Layton School of Art in Milwaukee, Wisconsin, where he studied under Walter Sheffer and Gerhard Bakker. In 1964, he moved to New York City to freelance, but was drafted within two months into the United States Army. From 1964 to 1965, he served in the Vietnam War in a unit that supplied ammunition to units fighting in the north. His experiences there led him to publish the 1971 book Tulsa, a photo documentary illustrating his young friends' drug use in black and white. Routinely carrying a camera, from 1963 to 1971 Clark produced pictures of his drug-shooting coterie that have been described by critics as "exposing the reality of American suburban life at the fringe and ... shattering long-held mythical conventions that drugs and violence were an experience solely indicative of the urban landscape." His follow-up was Teenage Lust (1983), an "autobiography" of his teen past through the images of others. It included his family photos, more teenage drug use, graphic pictures of teenage sexual activity, and young male hustlers in Times Square, New York City. Clark constructed a photographic essay titled The Perfect Childhood that examined the effect of media in youth culture. His photographs are part of public collections at several art museums including the Whitney Museum of Art, Museum of Photographic Arts, and the Museum of Fine Arts, Boston. In 1993, Clark directed Chris Isaak's music video Solitary Man. This experience developed into an interest in film direction. After publishing other photographic collections, Clark met Harmony Korine in New York City and asked Korine to write the screenplay for his first feature film Kids, which was released to controversy and mixed critical reception in 1995. Clark continued directing, filming a handful of additional independent feature films in the several years after this. In 2001, Clark shot three features Bully, Ken Park, and Teenage Caveman over a span of nine months. As of 2017, they are his last films to feature professional actors. Ken Park is a more sexually and violently graphic film than Kids, including a scene of auto-erotic asphyxiation and ejaculation by an emotionally rattled high-school boy (portrayed by James Ransone, then in his early 20s). As of 2015, it has not been widely released or distributed in the United States. In 2002, Clark spent several hours in a police cell after punching and trying to strangle Hamish McAlpine, the head of Metro Tartan, the UK distributor for Clark's film Ken Park. According to McAlpine, who was left with a broken nose, the incident arose from an argument about Israel and the Middle East, and he claims that he did not provoke Clark. In a 2016 interview, Clark discussed his lifelong struggle with drug abuse, although stating he maintained total sobriety while filmmaking. He confessed that the only exception made to his practice of abstinence while filming was Marfa Girl. Clark explained that while filming that movie he used opiates for pain due to double knee replacement surgery. In 2015, Clark collaborated alongside notable skateboard and clothing brand, Supreme, to celebrate the 20th anniversary of Kids with a collection of decks, T-shirts, and sweatshirts that feature stills from the iconic film. The collection was released on May 21, 2015 in Supreme's New York, Los Angeles, and London locations and on May 23 in their Japan location.Source: Wikipedia Larry Clark, born in Tulsa, worked in his family's commercial photographic portrait business before studying photography with Walter Sheffer at the Layton School of Art in Milwaukee, Wisconsin from 1961 to 1963. He served in the military during the Vietnam War and has been a freelance photographer based in New York since 1966. During the 1960s, Clark documented the culture of drug use and illicit activity of his friends in Tulsa, and his photographs from those years were published as Tulsa (1971). Considered shocking for its graphic portrayal of the intimate details of its subjects' risky lives, the book launched Clark's career. After Tulsa, he produced Teenage Lust (1983), a series of photographs depicting adolescent sexuality, Larry Clark (1992), and The Perfect Childhood (1993). His work has been included in group and solo exhibitions since the early 1970s, and he was the recipient of a National Endowment for the Arts Photographers' Fellowship in 1973 and a Creative Arts Public Service photographers' grant in 1980. Clark has also produced films; Kids (1994), based on his experiences with New York City teenagers and their culture of drugs, alcohol, and sex, and Another Day in Paradise (1999). Larry Clark's photographs in Tulsa are unflinching portrayals of difficult and often unsightly circumstances viewed through a participant's eyes. Their first-hand intensity recollects the work of Danny Lyon and Bruce Davidson, but Clark's raw voyeurism and insistent exposure of detail results in a somberness that differentiates his work from that of others in the early 1970s. His recent photography addresses similar subjects, but with the distance of an observer, and a more prominent formal sensibility.Source: International Center of Photography
Bill Gekas
Australia
Australia-based photographer Bill Gekas has a real knack for portraiture, particularly the kind that results in an homage to many Old Masters of classic paintings, including artists like Vemeer and Rembrandt. Using his five-year-old daughter as the model, Gekas recreates many mid-18th century settings that are inspired by portraits of adults from famous paintings. He styles the environment and his daughter to fit the time period, and uses strobe lights to maintain the appearance of soft, natural lighting. The self-taught photographer learned on 35mm and has since turned to digital techniques. He uses post-processing to put the final touches on each of his photographs. Through hard work, experimentation, and a grand vision, the talented artist has successfully produced an extensive collection—a tribute to both the well-known artists as well as to his young daughter. As Gekas has evolved as a photographer, so has his unique style. He says "Don’t be scared of taking certain elements from different works and molding them into something to call your own. You might like the lighting from a photo you saw somewhere, a prop from another photo, colors from another. The key is not to limit yourself with the excuse, ‘It’s all been done before.’ Yes, many things have been done before, but with some careful thought you can adjust a concept to give it your signature. Experiment!”From www.billgekas.comMy name is Bill Gekas and I was born and live in Melbourne, Australia. A self taught photographer that learnt the technicals of photography using a 35mm film slr camera from the mid 90's and switched to digital in 2005, practicing the art of photography and constantly refining my style. Source: My Modern Met
Pieter Henket
The Netherland
1979
Pieter Henket is a Dutch photographer living and working in New York City. His notable work includes shooting the cover of Lady Gaga’s debut album The Fame, and photographing National Congolese acting out their mythologies in the Congo rainforest for the book Congo Tales published by Random House / Prestel Publishing in 2018. He is known for a photographic style that takes inspiration from the 17th-century Dutch Golden Age of painting. Henket was born in Geldrop, Netherlands. He is the son of the Dutch architect Hubert-Jan Henket and the nephew of the Dutch photographer Bertien van Manen. After high school in the Netherlands, Henket moved to the States to take a three-month film course at the New York Film Academy, followed by a documentary-film-making course at the NYU film school. Shortly after, Henket got his start by interning for director Joel Schumacher. In 1999, he worked on the set of the film Flawless, starring Robert De Niro and Philip Seymour Hoffman. He had a long-time collaboration with recording artist and producer Ryan Leslie. He has worked with celebrities such as Anjelica Huston, Mary-Kate Olsen, Sir Ben Kingsley, Kristen Stewart and Lady Gaga for whose debut album The Fame Henket shot. In 2010, the iconic image was presented at the American Woman exhibition at the Metropolitan Museum of Art in New York. In 2015 Henket was commissioned by Tales of Us in Berlin to photograph Congolese from the Mbomo District acting out their mythologies in the Odzala Kokoua National Park for the book Congo Tales. Source: Wikipedia About Congo Tales In the deep heart of Africa lies a tropical rainforest second only in size to the Amazon – the Congo Basin. It measures 500 million acres, spans 6 nations, and is home to some of the largest swaths of intact tropical rainforest in the world, with the pristine Odzala Kokoua National Park as the crown jewel. Known to ecologists as the world’s second lung, the Congo Basin is the Earth’s other Amazon – as vital to preventing runaway Climate Change as the Brazilian rainforest and as vulnerable to deforestation and abuse. Yet the Congo Basin falls far short of the Amazon when it comes to the world’s awareness of it as a major player in the global environment, a cathedral of nature’s treasures, and a stopgap against looming ecological catastrophe. Published in 2018 by Prestel, Congo Tales is intended to help solve this lack of awareness, and help create a conservation infrastructure for this critical pillar of the world’s fragile ecological balance. Upturning the traditional conventions of fear-based environmental messaging and the portrayal of Africa solely as a place of plague and war, Congo Tales takes a completely different approach to communicating the urgency of conservation efforts in this region. Channeling the primal heartbeat of one of the world’s most powerful ecosystems and the people who call it home, the mythological tales of the Congolese – of supernatural forces in control of life and death, of ritualistic initiations into adulthood, of the laws of nature that lie outside the laws of people – are revealed as a treasure trove of universal wisdom that is both existential and pragmatic, with the unspoiled Odzala Kokoua National Park as stage and actor.Source: The Independant Photographer
Erik Johansson
Sweden
1985
Erik Johansson (born 1985) is a photographer and visual artist from Sweden based in Prague, Czech Republic. His work can be described as surreal world created by combining different photographs. Erik works on both personal and commissioned projects with clients all around the world. In contrast to traditional photography he doesn't capture moments, he captures ideas with the help of his camera and imagination. The goal is to make it look as realistic as possible even if the scene itself contains impossible elements. In the end it all comes down to problem solving, finding a way to capture the impossible. To Erik it's always important with a high level of realism in his work. He want's the viewer to feel like they are part of the scene. Although his work consists of a lot of work in post-production and combining photogaphs he always tries to capture as much as possible in camera. "No one can tell you that it doesn’t look realistic if you actually captured it for real." Light and perspective are crucial parts when combining images in a realistic way and if some parts are not possible to shoot on location, a similar scene has to be built up in a controlled environment. Having an understanding of both photography and post production is very important to make everything come together seamlessly. Every photograph and part has its purpose. Erik always do all the post production himself to be in complete control of the end result. The idea, photography and post production are all connected. The final image doesn’t become better than the photographs used to capture it. Just like the photographs don’t become stronger than the idea. There are no computer generated-, illustrated- or stock photos in Erik's personal work, just complex combinations of his own photographs. It's a long process and he only creates 6-8 new images a year (excluding commissioned work). Artist Statement "My name is Erik Johansson, I was born in 1985 outside a small town called Götene in the middle of Sweden. I grew up on a farm with my parents and two younger sisters. For as long as I can remember I have liked drawing. Probably because of my grandmother who was a painter. Early I also got interested in computers, escaping to other worlds in computer games. At the age of 15 I got my first digital camera which opened up a new world. Being used to drawing it felt quite strange to be done after capturing a photo, it wasn’t the process of creating something in the same way. Having an interest in computers made it a quite natural step to start playing around with the photos and creating something that you couldn’t capture with the camera. It was a great way of learning, learning by trying. But I didn’t considered it as a profession until years later. In 2005 I moved to Gothenburg to study Computer engineering at Chalmers University of Technology. During my time studying I took up my interest for retouch once again. I had a lot of ideas that I wanted to realize and I saw it as problem solving trying to make it as realistic as possible. After publishing some of my images online I started to get requests about commissioned work from some local advertisement agencies. I started out freelancing in parallel with my studies while still working on personal projects. I got more and more jobs and at the time I finished my studies with a master in Interaction Design I felt like I rather wanted to try out the photography path. I moved to Norrköping in the eastern part of Sweden to start working full time as a freelance. I made new friends and got to work on interesting projects, both local and abroad. In early 2012 it was time for something new as I moved to Berlin, Germany. A very artistic city with lots of inspiration. Today I work with both personal and commissioned projects and I also started doing photography street illusions."Source: www.erikjo.com/
Advertisement
AAP Magazine #54 Nature
Win a Solo Exhibition this January
AAP Magazine #54 Nature

Latest Interviews

Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Exclusive Interview with Guillaume Bonn
With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
Exclusive Interview with Sander Vos
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
Exclusive Interview with Tomasz Trzebiatowski Editor-in-chief FRAMES Magazine
Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age. In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes