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Hoang Long Ly
Hoang Long Ly
Hoang Long Ly

Hoang Long Ly

Country: Vietnam
Birth: 1965

Ly Hoang Long was born in 1965 in Dalat, a city located on the high plateaus of central Vietnam. Since childhood, the photographer has been fascinated by colours and images and began his professional career as a graphic designer. He discovered photography in 1993 through a friend, bought his first analogue reflex and two years later, made a dark room in his apartment. One thing led to another and he definitely abandoned design in order to devote his time to his images. With over twenty years experience to his name and 310 international prizes, including that of best travel photographer in 2014 (TFOTY). Several of his pictures also won awards in the same year at the CBRE Urban Photographer of the Year and from National Geographic.

Mud wrestling
Mud wrestling with a ball was a traditional game organized every four year in Van village, Bac Ninh province, the north of Vietnam.

Like basket ball, but instead of the baskets hanging up, here there were two holes (like a goal) and the playing ground was filled up with wet mud, there were 16 players divided into two teams, they competed vigorously to score by putting the heavy wooden ball in their competitors's hole.

The audiences supported all the teams, they were screamming and laughing because the game looked so amusing; it was not easy at all to seized a ball, keep it in arms and run on the slippery surface and cross a barrier of competitors.

After three day-competing, the both teams would gather in the courtyard of the temple to worship their ancestors, the game completely ended in peace and happiness.
 

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Ralph Steiner
United States
1899 | † 1986
Ralph Steiner was an American photographer, pioneer documentarian and a key figure among avant-garde filmmakers in the 1930s. Born in Cleveland, Steiner studied chemistry at Dartmouth, but in 1921 entered the Clarence H. White School of Modern Photography. White helped Steiner in finding a job at the Manhattan Photogravure Company, and Steiner worked on making photogravure plates of scenes from Robert Flaherty's 1922 Nanook of the North. Not long after, Steiner's work as a freelance photographer in New York began, working mostly in advertising and for publications like Ladies' Home Journal. With fellow graduate Anton Bruehl (1900–1982), in 1925, they opened a studio on 47th Street, producing a narrative series of amusing table-top shots of three cut‑out figures dressed in suits for The New Yorker magazine; advertisements for Weber and Heilbroner menswear in a running weekly series. Their client was wiped out in the Wall Street Crash. Through the encouragement of fellow photographer Paul Strand, Steiner joined the left-of-center Film and Photo League around 1927. He was also to influence the photography of Walker Evans, giving him guidance, technical assistance, and one of his view cameras. Steiner's still photographs are notable for their odd angles, abstraction and sometimes bizarre subject matter; the 1944 image Gypsy Rose Lee and Her Girls is sometimes mistaken for Weegee. His experimental films, however, are considered central to the literature of early American avant-garde cinema, and the influence of Ralph Steiner's visual style continues to assert itself; for example, contemporary avant-garde filmmaker Timoleon Wilkins cites Steiner as an inspiration. In his appreciation of Steiner, author Scott McDonald expands that list to include Dorsky, Andrew Noren, Larry Gottheim and Peter Hutton. The links between the first generation of American avant-garde filmmakers such as Steiner with the second – exemplified by Maya Deren, Stan Brakhage and others – are few, but Steiner is among those who managed to bridge the gap.Source: Wikipedia At the end of the 1960s Steiner relocated to Vermont. After making three more films he devoted himself to photographing clouds for nearly twenty years, primarily on the coast of Maine and in Oaxaca, Mexico. Clouds have been of longstanding interest to painters throughout the history of art. In photography, the subject is often associated with Alfred Stieglitz, who made photographs of clouds entitled Equivalents, believing them to appeal directly to the subconscious mind. Steiner similarly saw the evocative potential in cloud formations, although he felt the meaning of any given image was far more mercurial than his predecessor. Leaving his works deliberately untitled, he invites viewers to use their imaginations and provide their own titles, which, in his estimation, becomes a process of testing out different descriptions and metaphors. In 1985, shortly before his death, Steiner published a book of these studies, In Pursuit of Clouds.Source: MoCP
 Synchrodogs
Synchrodogs is a duo of photographers and art directors from Ukraine - Tania Shcheglova (b.1989) and Roman Noven (b.1984) working together since 2008. Tania graduated from Information technology department of Ivano-Frankivsk national technical university of oil and gas in 2011, Roman graduated from Lutsk National Technical University in 2006. Both photographers are self-taught, currently residing in Ukraine. Artistic duo is represented by Stieglitz19 gallery in Antwerpen and Galleri Urbane in Dallas. Synchrodogs were shortlisted for PinchukArtCentre Prize in 2013 (Kyiv, Ukraine), won FOAM Construct 2012 competition held by FOAM magazine (Netherlands), won First Prize in nomination ‘Art Photography’, Photographer of The Year competition in Ukraine, and Best Fine Art Photographer Title in Vogue Talent competition (Milano, Italy), Best portfolio prize in Weitsprung n5 (Hamburg, Germany) in 2016, shortlisted for Palm* Photo Prize 2019, became winners of Feature Shoot Emerging Photography award and finalists of LensCulture Visual Storytelling Award in 2019. They also became one of winners of PH Museum Photography Grant Prize in 2021.https://phmuseum.com/ During 2010-2021 had solo shows in Chicago, London, Barcelona, Milano, Krakow, Venice, Amsterdam, Antwerpen, Riga, solo exhibition in Dallas Contemporary museum in 2015. Synchrodogs took part in numerous group exhibitions in galleries and museums like Benaki Museum (Athens), Boston Museum of Fine Arts, Guy Hepner gallery (New York), Palais de Tokyo (Paris), Somos Gallery (Berlin), The Annenberg Space for Photography (Los Angeles), ArtPrize Hub (Grand Rapids, Michigan), Galerie Blanc (Montréal) etc. Their artworks were published in many magazines like Esquire, Numero, The Wall Street Journal, Purple Fashion, Vogue, Harper's Bazaar, L’Officiel, Odda, Liberation magazine, Sueddeutsche Zeitung, Vice, Metal, TUSH, Dust, Vision, Another, Oyster, Duel, Jalouse, shot Femen activists for Dazed and Confused, published on the covers of The British Journal of Photography (UK), Vogue (Ukraine), Stylist (France), Impression (USA), TUSH, Neon, Zeit Campus magazine (Germany), S magazine, shot Mark Zuckerberg for Afisha magazine cover (Russia) etc. In 2013 Synchrodogs published their first big monograph called Byzantine with Norwegian publisher Editions du Lic. In 2020 Synchrodogs’ second book Fashion Eye of Ukraine was published by Louis Vuitton. Artist Statement Synchrodogs work explores the everlasting tension between man and nature, with images of raw, animalistic beauty, which also manage to come across as awkwardly sophisticated. Discovering how far people managed to intrude into the territories that were meant to be wild, they work together in an intimate synchronized choreography, sharing the same aesthetic and ideas acquired through a self-made meditation technique that takes place on the verge between sleep and wakefulness. Observing the new ways the Earth begins to look as a result of human interventions into the environmental processes, their work balances between the real and imagined, drawing the viewer into an unconscious, wild and dream-like world. Working on personal projects artistic duo travels for thousands of miles to find desolate places and explore the unknown, re-creating their visions and aiming to inspire people live a decent life full of respect and responsibility for Planet Earth.
Anthony Goicolea
United States/Cuba
1971
Anthony Goicolea is a New York-based fine art photographer. Goicolea's photographs frequently deal with issues of androgyny, homosexuality, and child sexuality. Goicolea, Cuban-American and gay, was educated at the University of Georgia and studied painting, photography, and sculpture at that institution. He holds an MFA in fine arts from the Pratt Institute. He made his debut in 1999, and now shows work with Postmasters gallery in New York and Aurel Scheibler in Berlin, Germany. In 2005, he received the BMW-Award for Photography. Some of his work features photographs of "pre- to barely pubescent boys" (Art in America, Dec, 2001) in elaborately staged tableau settings, commonly showing multiple boys wearing traditional private school uniforms either engaged in school-life or recreation after school — but with often transgressive and erotic twists in their activities. Of great interest in these compositions is the fact that Goicolea himself portrays all of the boys in his photographs through the astute use of costumes, wigs, make-up, and post-production editing via the software Adobe Photoshop; "always looking uncannily like a boy on the edge of puberty" (The Advocate, August 14, 2001). Therefore, despite having numerous figures in them, Goicolea's photographs are actually very complex large-scale self-portraits, and are always done in a flawlessly realist manner. The pioneering fine-art photographer Cindy Sherman is an apparent influence on Goicolea's work, given her own extensive use of self-portraits and emphasis on sexually-charged narrative topics. Sherman and Goicolea have also had several joint exhibitions. His work can be strongly compared to similar manipulated and/or staged art photography featuring children and adolescents, such as that of Bernard Faucon, Loretta Lux, and Justine Kurland. Recently, Goicolea has also been producing and exhibiting his drawings, which follow much of the same subject matter as his photographs. He has also published several books. Goicolea is also represented by Gow Langsford Gallery based in Auckland, New Zealand.Source Wikipedia
Giandomenico Veneziani
My name is Giandomenico Veneziani. I am an Italian photographer. I approached photography from a young age. I have learned over time the techniques and the infinite possibilities of artistic creation. Photographic experimentation finds ample expression during my travels. I was inspired by people, their stories, faces, emotions. Photography for me is an important means of sharing feelings and stories of the people I photograph. I take inspiration mainly from painting, books and films. I also studied the most important photographers who made the history of photography. I really like portraits and fashion photography. I try to make unique and unconventional shots giving my portraits a cinematic vision. Bringing my point of view to the public eye is my main goal. Getting someone into my inner world is something extraordinary just as photography is extraordinary. In every shot there is my person, my fragility, my emotions. I love photographing people and interacting with them drawing their essence through the photographic medium. My greatest gratification is being told "I feel beautiful because I am just like that". These shots represent me and also the photographed subject. Portrait photography is the testimony of an encounter, in fact the photographer's task is to guide the person so that she is able to bring out herself. Establishing a relationship of trust between the artist and the photographed subject leads to the creation of a connection that enriches both, since in the realization of a photographic project the fundamental element is to create a path whose journey is carried out side by side between photographer and model. I really like using artificial lights to create the right atmosphere. I take great pleasure in presenting my projects that deviate from a usual reality, which everyone sees. Sometimes it is very distorted, I represent parallel and imaginary visions and worlds belonging to a dystopian future. I like it for this because it is different and the different is beautiful because it is unique.
Niki Feijen
Netherlands
1977
Dutch photographer Niki Feijen immortilizes an astonishingly intact glimpse into the past. This autodidact specializes in documenting and capturing historic architecture and abandoned buildings. Each photo fuses together the conflicting notions of beauty and decay and corresponds with his desire to capture and silently communicate with his audience about the subject's very essence. Niki wants to recreate the exact same scene as he sees while standing in a location but the lightspectrum your eye can capture is much, much wider than a camera can capture. Photographing a dark setting with extreme highlights like a window causes the highlights to wash out into white or dark areas can become obscure black blobs. It's impossible to shoot a photo that captures both ends of this spectrum. Since Niki does not use any artificial lighting he uses different exposures to capture a much wider light spectrum than a traditional photograph. The result is a hyper realistic photo which would replicate the exact same thing you would see standing inside the location yourself. In 2010 Feijen visited the quintessential location of desertion: the Chernobyl Exclusion Zone. After a catastrophic nuclear accident occurred in 1986 the entire city of Pripyat, all 50,000 inhabitants, were evacuated within 48 hours. Most of the belongings of the evacuated inhabitants were left behind and never returned to again. The incredible deafening silence of this location, in its absence of the living, permeates the senses and mind of visitors who venture to there to this day. Feijen is currently travelling around the globe looking for more hidden gems tucked away behind 'Do Not Enter' signs. Curious about what lies on the other side, he goes in search of the hidden world that is often in plain sight. When Feijen comes across impressive yet eerie locations, such as homes located in ghost towns, asylums, decaying hospitals, abandoned castles and long forgotten hotels, he intends to preserve the what is left of the past by encapsulating these forgotten masterpieces' ethos in a photo before they crumble and collapse. The impressions left from these places are represented in visual form for the public in three separate books. All works, 'Disciple of Decay' (April 2013) 'Frozen' (September 2014) and 'Tempus Fugit' (December 2017), have been independently published. The first sold out in six months. On top of these publications, Feijen's photographs are exhibited at art galleries and international art fairs several times a year. His works have been featured by NBC, BBC, The Huffington Post, ABC News, The Daily Mail and Chase Jarvis, among a variety of others. As of 2014 Feijen's work is part of the Sir Elton John Photography Collection where his name is among legendary photographers as ; Edward Weston, David LaChapelle, Diane Arbus and Henri Cartier-Bresson.
Agata Vera Schiller
Agata Vera Schiller was born in 1980 in Inowroclaw, Poland. Grew up in the countryside surrounded by loving family and beautiful nature. She has graduated at the Faculty of Journalism in Poznan in 2003. Lived for several months in Scotland, spending time drawing and taking pictures of landscapes with her first camera Zenit. In 2006, she has made Masters at the Academy of Fine Arts in Poznan, drawing workshop. Moved to Warsaw and began postgraduate studies at the Department of Interior Architecture at the Academy of Fine Arts in Krakow, which she graduated in 2009. Worked for several years as an interior and furniture designer. In 2010 she moved to Beijing for 3 years, working, living and taking lifestyle pictures. In Beijing began her journey in darkroom focused on discovery old techniques of classical photography such as wet plate. Beijing is also a place, where was held her first solo exhibition „Sol oriens” in 2011 at the Polish Embassy in Beijing, and then at the Chaoyang Culture Center in Beijing. She took part in several collective photo exhibitions in Poland. Her photography is not only a lifestyle photography looking for a beauty in simplicity of Scandinavian interior style and magic of everyday life. But the closest to her heart are nostalgic portraits of women, found somewhere between the worlds, living in a dreams. Agata’s fine art photography is characterized by tension between sensual experience and intellectual construction. Agata currently lives and works in Warsaw as a freelance photographer.
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