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Marsha Guggenheim
Marsha Guggenheim
Marsha Guggenheim

Marsha Guggenheim

Country: United States
Birth: 1948

Marsha Guggenheim is a fine art photographer based in San Francisco. Storytelling is a guiding influence in her work. Marsha is deeply interested in photographing people and uses her diverse city to capture their stories.

A street photographer for many years, her comfort and ease while shooting on the street has provided numerous opportunities for closer connections within her community.

Complementing her street photography, Marsha spent years working as a photographer with formerly homeless women. This work resulted in the monograph, “Facing Forward,” which highlights these hard-working, proud women through portraits and stories of their life experiences.

Without a Map is a personal project Marsha has developed over the past five years. Through the use of family photos, creating pictures from her memories and by turning the camera on herself, she has found the means to evoke, reinterpret and address unanswered questions that were buried long ago.

Without a Map
"How does one move through life with the scars of the past? When I was ten, my mother died unexpectedly from a heart attack. I couldn’t understand where she went or when she would return. Just as I began to comprehend this loss, my father died. I was without support from my family and community. I was lost.

Without a Map reimagines this time that’s deeply rooted in my memories. Visiting my childhood home, synagogue and family plot provided an entry into this personal retelling. Working with family photos, creating new images from my past and turning the camera on myself, I found the means to evoke, reinterpret and address unanswered questions born from early imprints that were buried long ago."
 

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More Great Photographers To Discover

Bruce Gilden
United States
1946
An Iconic street photographer with a unique style, Bruce Gilden was born in Brooklyn, New York in 1946. He first went to Penn State University but he found his sociology courses too boring for his temperament and he quit college. Gilden briefly toyed with the idea of being an actor but in 1967, he decided to buy a camera and to become a photographer. Although he did attend some evening classes at the School of Visual Arts in New York, Bruce Gilden is to be considered substantially a self-taught photographer. Right from childhood, he has always been fascinated by the life on thestreets and the complicated and fascinating motion it involves, and this was the spark that inspired his first long-term personal projects, photographing in Coney Island and then during theMardi Gras in New Orleans. Over the years he has produced long and detailed photographic projects in New York, Haiti, France, Ireland, India, Russia, Japan, England and now in America. Since the seventies his work has been exhibited in museum and art galleries all over the world and is part of many collections. The photographic style of Bruce Gilden is defined by the dynamic accent of his pictures, his special graphic qualities, and his original and direct manner of shooting the faces of passers-by with a flash. Gilden’s powerful images in black and white and now in color have brought the Magnum photographer worldwide fame.Gilden has received many awards and grants for his work, including National Endowments for the Arts fellowships (1980, 1984 and 1992), French ''Villa Medicis Hors les Murs'' grant (1995), grants from the New York State Foundation for the Arts (1979, 1992 and 2000), a Japan Foundation Artist Fellowship (1999) and in 2013 a Guggenheim Foundation fellowship.Bruce Gilden has published 23 monographs of his work, among them: Facing New York, 1992; Bleus, 1994; Haiti, 1996 (European Publishers Award for Photography); After The Off, 1999; Go, 2000; Coney Island, 2002; A Beautiful Catastrophe, 2004; Foreclosures, 2013; A complete Examination of Middlesex, 2014. In 2015, Gilden published Face, and Hey Mister Throw Me Some Beads! Un Nouveau Regard Sur la Mobilité Urbaine featuring the commission he did for the French transporation system RATP was released in April 2016. Only God Can Judge Me 2018, Lost And Found 2019, Palermo Gilden 2020, Cherry Blossom 2021.   Bruce Gilden joined Magnum Photos in 1998. He lives in Beacon, New York. Source: www.brucegilden.com Bruce Gilden is one of the most iconic street photographers of our time. Known for his graphic and often confrontational close-ups made using flash, his images have a degree of intimacy and directness that have become a signature in his work. Though he cut his teeth on the sidewalks of New York City where he grew up, he has since made significant bodies of work in Haiti, Japan, Moscow, France, Ireland and India. “I’m known for taking pictures very close,” says Gilden of his practice. “And the older I get, the closer I get.” Gilden was born in Brooklyn, New York in 1946. He studied sociology at Penn State University but didn’t complete the course. Although he briefly flirted with the idea of being an actor, Gilden decided to become a photographer in 1967, when he bought his first camera. He attended evening classes at the School of Visual Arts in New York, but largely considers himself to be self-taught. As well as his many acclaimed personal projects, Gilden has worked on commissions for Louis Vuitton, RATP Parisian transportation system, The Climate Group, and Mission Photographique Transmanche as well as publications including Wallpaper, New York Times Magazine. Gilden has received many awards and grants for his work, including National Endowments for the Arts fellowships (1980, 1984 and 1992), French “Villa Medicis Hors les Murs” grant (1995), grants from the New York State Foundation for the Arts (1979, 1992 and 2000), a Japan Foundation Artist Fellowship (1999) and in 2013 a Guggenheim Foundation fellowship. Since the seventies, his work has been exhibited in museums and galleries all over the world.Source: Magnum Photos
Mark Seymour
United Kingdom
1960
Mark Seymour is a highly acclaimed documentary wedding photographer based in Berkshire, UK, with a career spanning over 30 years. His passion for capturing authentic, candid moments has led him to photograph more than 1,000 weddings, earning him a reputation for excellence in the industry. Mark's distinctive style focuses on storytelling, aiming to document the genuine emotions and unique narratives of each couple's special day. Throughout his illustrious career, Mark has received numerous accolades, including being named the UK Wedding Photographer of the Year three times by the Master Photographers Association (MPA). He holds the distinction of being the first photographer to receive a double Fellowship and Master Craftsman status in documentary wedding photography, a recognition akin to earning three Michelin stars in the culinary world. Mark also served as a Nikon UK Ambassador from 2013 to 2018, highlighting his influence and expertise in the field Mark's work extends beyond weddings; his documentary photography has been featured in esteemed publications such as National Geographic. One of his notable portraits, capturing designer Jimmy Choo, is part of the National Portrait Gallery's collection in London. In addition to his photography, Mark is dedicated to education, leading street and documentary photography workshops through Light & Land. His workshops take participants to culturally rich destinations like India, Vietnam, and Venice, offering immersive experiences that inspire photographers to see the world through new perspectives. Mark's commitment to meaningful storytelling is evident in his personal project, "Living with Alzheimer's: A Harmonica for Ronnie," which documents his father's battle with dementia. This poignant series was exhibited at the Andipa Gallery in London during World Alzheimer's Month in 2016 and featured on Sky TV, raising awareness about the impact of Alzheimer's disease. For couples seeking a wedding photographer who combines technical precision with an empathetic approach, Mark Seymour offers a wealth of experience and a genuine passion for capturing life's most cherished moments. His work not only preserves memories but also tells the unique story of each couple's journey together.
Marco Sanges
Italian
1970
SANGES is an imaginative and innovative photographer who has exhibited worldwide and published extensively. Clients and art projects include: Agent Provocateur, Cutler & Gross, Vogue, National Opera Munich,Dolce & Gabbana National Opera Stuttgart, Dario Argento, Stash Klossowski de Rola and Gunther Von Hagens' Body World. Academy of Art New York. Magazines include: Sunday Telegraph, Silver Shotz, Photo, All About Photos, Musee, Katalog, Lomography, Normal, Elle, Esquire, The Times, Independent, Fault , Aesthetica , Shoot, Harpers Bazar, L’œil De la Photographie. Wonderland Some of his short films include : Sugar, Meet me in Winter, Circumstances, Music Sound Machine, Sonnambula, Wunderkamera. His books include : Circumstances, Venus, Wild, and Erotic Photography, Love Lust Desire, Dolce & Gabbana Animal, National Opera Munich, The Cutting Room. Mefistofele Opera Stuttgart by Arrigo Boito. A multi-disciplinary artist, his film 'Circumstances' won Best Art Film at the Portobello Film Festival in London and Best Experimental Film at the Open Cinema Film Festival, St. Petersburg, Russia. Sanges' work is exhibited in the Virginia Museum of Fine Arts permanent collection and at the Center for Creative Photography in Arizona - USA His distinctive photographs have been shown at major contemporary photography festivals including Helsinki Photo Festival and Batumi PhotoDays in Georgia and the Lodz Photofestiwal in Poland. One of his latest project 'Wunderkamera' has been exhibited at the Hospital Club in London and at the Chateau de Dampierre (France) and will be exhibited in the Gallerie de Buci in Paris February 2020.
Harry Callahan
United States
1912 | † 1999
Harry Callahan (Harry Morey Callahan) (October 22, 1912 – March 15, 1999) was an American photographer and educator. He taught at both the Institute of Design in Chicago and the Rhode Island School of Design. Callahan's first solo exhibition was at the Art Institute of Chicago in 1951. He had a retrospective at the Museum of Modern Art in New York in 1976/1977. Callahan was a recipient of the Edward MacDowell Medal and the National Medal of Arts. Along with the painter Richard Diebenkorn, he represented the United States in the Venice Biennale in 1978. Harry Callahan was born in Detroit, Michigan. He worked at Chrysler when he was a young man then left the company to study engineering at Michigan State University. He dropped out, returned to Chrysler and joined its camera club. Callahan began teaching himself photography in 1938. He formed a friendship with Todd Webb who was also to become a photographer. A talk given by Ansel Adams in 1941 inspired him to take his work seriously. In 1941, Callahan and Webb visited Rocky Mountain State Park but didn't return with any photographs. In 1946 he was invited to teach photography at the Institute of Design in Chicago by László Moholy-Nagy. He moved to Rhode Island in 1961 to establish a photography program at the Rhode Island School of Design, eventually inviting his close friend and fellow artist Aaron Siskind to join him, teaching there until his retirement in 1977. Callahan met his future wife, Eleanor Knapp, on a blind date in 1933. At that time she was a secretary at Chrysler Motors in Detroit and he was a clerk. They married three years later. In 1950 their daughter Barbara was born. Callahan died in Atlanta in 1999. His wife Eleanor died on February 28, 2012 in a hospice in Atlanta at the age of 95. Callahan left almost no written records—no diaries, letters, scrapbooks or teaching notes. His technical photographic method was to go out almost every morning, walk through the city he lived in and take numerous pictures. He then spent almost every afternoon making proof prints of that day's best negatives. Yet, for all his photographic activity, Callahan, at his own estimation, produced no more than half a dozen final images a year. He photographed his wife and daughter and the streets, scenes and buildings of cities where he lived, showing a strong sense of line and form, and light and darkness. Even prior to birth, his daughter showed up in photographs of Eleanor's pregnancy. From 1948 to 1953 Eleanor, and sometimes Barbara, were shown out in the landscape as a tiny counterpoint to large expanses of park, skyline or water. He also worked with multiple exposures. Callahan's work was a deeply personal response to his own life. He encouraged his students to turn their cameras on their own lives, leading by example. Callahan photographed his wife over a period of fifteen years, as his prime subject. Eleanor was essential to his art from 1947 to 1960. He photographed her everywhere—at home, in the city streets, in the landscape; alone, with their daughter, in black and white and in color, nude and clothed, distant and close. He tried several technical experiments—double and triple exposure, blurs, large and small format film. Callahan was one of the few innovators of modern American photography noted as much for his work in color as for his work in black and white. In 1955 Edward Steichen included his work in The Family of Man, MoMA's popular international touring exhibition. In 1956, he received the Graham Foundation Award, which allowed him to spend a year in France with his family from 1957 to 1958. He settled in Aix-en-Provence, where he took many photographs. In 1994, he selected 130 original prints with the help of the gallery owner Peter MacGill, and brought them together under the name of French Archives, to offer them to the Maison Européenne de la Photographie in Paris. Some of these images were taken in Aix-en-Provence and in the South of France, and are the subject of a temporary exhibition at the Granet Museum in Aix-en-Provence in 2019. Callahan left behind 100,000 negatives and over 10,000 proof prints. The Center for Creative Photography at the University of Arizona maintains his photographic archives. In 2013, Vancouver Art Gallery received a gift of almost 600 Callahan photographs from the Larry and Cookie Rossy Family Foundation.Source: Wikipedia Harry Callahan has won many awards for his photography, including a Guggenheim Fellowship in 1972 and the Photographer and Educator Award from the Society for Photographic Education in 1976, and he was designated Honored Photographer of the Rencontres Internationales de la Photographie in Arles, France in 1977, and received ICP's Master of Photography Infinity Award in 1991. Among the major exhibitions of his work were Photographs of Harry Callahan and Robert Frank (1962), one of the last shows curated by Edward Steichen at the Museum of Modern Art, and retrospectives at the Museum of Modern Art (1976) and at the National Gallery in Washington, DC (1996). Callahan was widely respected in the photography community for his open mind and experimental attitude, qualities reinforced by his association with Moholy-Nagy and the principles of Bauhaus design. He produced work in both formalist and more documentary modes and worked in both black-and-white and color. He used a 35-millimeter and an 8x10 camera and worked with multiple exposures as well as straight images. Such versatility contributed to his success as a teacher, his students ranging widely in style--among them Ray K. Metzker, Emmet Gowin, Kenneth Josephson, and Bill Burke.Source: International Center of Photography
Wang Qingsong
China
1966
Born in Daqing, Heilongjiang Province, China 1966 1993: Oil Painting Department of Sichuan Academy of Fine Arts, Sichuan, China Lives and works in Beijing since 1993 Awards: 2006 Outreach Award from Rencontres de la Photographie, Arles, France Wang Qingsong graduated from the Oil Painting Department of the Sichuan Academy of Fine Arts and currently lives and works in Beijing. After starting his career as an oil painter engaged in the Gaudi movement, he began taking highly staged photographs that explore the influence of Western consumer culture in China. In more recent works he has explored political and social themes including the struggles of the migrant population and Chinese diplomacy. His photographs are known for their massive scale, deep symbolism and careful staging, which can sometimes take several weeks and involve up to 300 extras. Although photography is his main medium, he has explored performance and video art in more recent years. Qingsong’s work has been presented at prestigious galleries, museums and art fairs across the globe including the 55th Venice Biennale China Pavillion (Venice), the International Centre of Photography (NY), the Hammer Museum (Los Angeles), the Victoria and Albert Museum (London), the 42nd Rencontres de la Photographie (Arles), the Daegu Art Museum (Seoul), MOCA (Taipei), the Rockbund Art Museum (Shanghai) and the Mori Art Museum (Tokyo). Wang Qingsong is a contemporary Chinese artist whose large-format photographs address the rapidly changing society of China. His photographs, appearing at first humorous and ironic, have a much deeper message. Critical of the proliferation of Western consumerism in China, his, Competition (2004), depicts the artist standing with a megaphone in front of a city hall covered in advertisements for brands such as Citibank, Starbucks, and Art Basel. "I think it is very meaningless if an artist only creates art for art's sake," he said. "I think it would be absurd for an artist to ignore what's going on in society." Born in 1966 in Heilongjiang Province, China, Wang studied at the Sichuan Academy of Fine Arts. Although he was trained as a painter, Wang began taking photographs in the 1990s as a way to better document the tension of cultural shifts. The artist's works have been in exhibitions at the Hammer Museum in Los Angeles and the National Gallery of Victoria in Melbourne. Wang currently lives and works in Beijing, China. Source: Artnet
Judi Iranyi
Hungary/United States
1943
Judi Iranyi was born in Hungary (1943). After World War II, she and her family lived in a displaced persons camp in Germany for a few years before emigrating to Venezuela, where she lived until she finished high school. She has also lived in Trinidad, Barbados, Germany, and Okinawa before moving to San Francisco in 1971. Ms. Iranyi became interested in photography in the sixties. She earned a BA degree in Art/Photography from San Francisco State University. Later she received an MA degree in Visual Design from U.C. Berkeley; completed a master!s level museum studies program at John F. Kennedy University; and an MSW Degree in Social Work at San Francisco State University. Ms. Iranyi has worked as a freelance photographer taking environmental portraits. She was also a staff photographer at the Judah L. Magnes Museum in Berkeley and worked at the San Francisco Fine Arts Museums. She also worked as a California Licensed Clinical Social Worker until her retirement. After retirement, Ms Iranyi dedicated her time to photography. Her work includes portraits, travel photography, documentary, and street photography. Recently she has shifted her emphasis to botanicals and still life photography. Three of her life passions are traveling, literature, and photography, which have broadened her view of the world. Flowers for Klara On the 40th anniversary of my mother’s death, I decided to create a series of floral bouquets to honor her memory. She had a difficult life, living during WWII, living in displaced peoples’ camps and two emigrations one to Venezuela and then to Germany where she died in her mid fifties after a long illness. Exclusive Interview with Judi Iranyi and Remembering Michael
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Win a Solo Exhibition this December
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