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Eadweard Muybridge
Eadweard Muybridge
Eadweard Muybridge

Eadweard Muybridge

Country: United Kingdom
Birth: 1830 | Death: 1904

Eadweard James Muybridge was an English photographer important for his pioneering work in photographic studies of motion and in motion-picture projection. He adopted the name Eadweard Muybridge, believing it to be the original Anglo-Saxon form of his name. He immigrated to the United States as a young man but remained obscure until 1868, when his large photographs of Yosemite Valley, California, made him world famous. Muybridge is known for his pioneering work on animal locomotion in 1877 and 1878, which used multiple cameras to capture motion in stop-action photographs, and his zoopraxiscope, a device for projecting motion pictures that pre-dated the flexible perforated film strip used in cinematography.

In his earlier years in San Francisco, Muybridge had become known for his landscape photography, particularly of the Yosemite Valley. He also photographed the Tlingit people in Alaska, and was commissioned by the United States Army to photograph the Modoc War in 1873. In 1874 he shot and killed Major Harry Larkyns, his wife's lover, and was acquitted in a jury trial on the grounds of justifiable homicide. He travelled for more than a year in Central America on a photographic expedition in 1875.

In the 1880s, Muybridge entered a very productive period at the University of Pennsylvania in Philadelphia, producing over 100,000 images of animals and humans in motion, capturing what the human eye could not distinguish as separate movements. He spent much of his later years giving public lectures and demonstrations of his photography and early motion picture sequences. He also edited and published compilations of his work, which greatly influenced visual artists and the developing fields of scientific and industrial photography.

Source: Wikipedia

 

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Deb Achak
United States
Raised in New Hampshire, Deb Achak holds a master's degree in social work and is a self-trained photographer and filmmaker. She lives in Seattle, WA with her husband and sons in a grand old home that was once a bed and breakfast. Deb's fine art photography explores natural elements of water and grasses - earth elements with clean, simple compositions meant to calm and soothe. Her children are also a growing subject of her fine art work. Her photographs have been exhibited at the Black Box Gallery, Portland, OR; Sante Fe Photographic Workshops, Sante Fe, NM; the SE Center for Photography, Greenville, SC: and Vermont Center for Photography, Brattleboro, VT. About She Told Us To Trust Our Intuition My mother's last words to my siblings and I before she died were "trust your gut instincts". It's struck me over the years how profound and revolutionary that one simple phrase is. It has become my mantra - my north star. When we still our mind, free it of conscious thought, intuition can be heard and felt, and becomes the perfect guide. Some years ago, I started to notice that when I am in a deep flow with my art, it becomes a meditation and I am able to hear my inner voice with complete clarity. In this series I use water, color, movement and the human form to express the meditative quality I feel when I am in synch with the flow of creating. I seek to capture that single moment where my camera, my intuition, and the natural world are perfectly aligned, and to give gratitude to my mother for bestowing such a powerful parting gift. All the Colors I Am Inside
Slim Aarons
United States
1916 | † 2006
Slim Aarons was an American photographer noted for his images of socialites, jet-setters, and celebrities. At 18 years old, Aarons enlisted in the United States Army, worked as a photographer at the United States Military Academy, and later served as a combat photographer in World War II and earned a Purple Heart. Aarons said combat had taught him the only beach worth landing on was "decorated with beautiful, seminude girls tanning in a tranquil sun." After the war, Aarons moved to California and began photographing celebrities. In California, he shot his most praised photo, Kings of Hollywood, a 1957 New's Year's Eve photograph depicting Clark Gable, Van Heflin, Gary Cooper, and James Stewart relaxing at a bar in full formal wear. Aaron's work appeared in Life, Town & Country, and Holiday magazines. Aarons never used a stylist, or a makeup artist. He made his career out of what he called "photographing attractive people doing attractive things in attractive places." An oft-cited example of this approach is his 1970 Poolside Gossip shot at the Kaufmann Desert House designed by Richard Neutra, with owner Nelda Linsk as one of the models in the photo. "I knew everyone," he said in an interview with The (London) Independent in 2002. "They would invite me to one of their parties because they knew I wouldn't hurt them. I was one of them." Alfred Hitchcock's film, Rear Window (1954), whose main character is a photographer played by Jimmy Stewart, is set in an apartment reputed to be based on Aarons' apartment. When you photograph a lot of women, you get to know things. -- Slim Aarons In 1997, Mark Getty, the co-founder of Getty Images, visited Aarons in his home and bought Aarons' entire archive. In 2017, filmmaker Fritz Mitchell released a documentary about Aarons, called Slim Aarons: The High Life. In the documentary, it is revealed that Aarons was Jewish and grew up in conditions that were in complete contrast to what he told friends and family of his childhood. Aarons claimed that he was raised in New Hampshire, was an orphan, and had no living relations. After his death in 2006, his widow and daughter learned the truth that Aarons had grown up in a poor immigrant Yiddish-speaking family on the Lower East Side of Manhattan. As a boy his mother was diagnosed with mental health issues and admitted to a psychiatric hospital, which caused him to be passed around among relatives. He resented and had no relationship with his father and had a brother, Harry, who would later commit suicide. Several documentary interviewees postulate that if Aarons's true origins had been known, his career would have been unlikely to succeed within the restricted world of celebrity and WASP privilege his photography glamorized.Source: Wikipedia Slim Aarons was a celebrated American photographer who chronicled the leisurely lifestyle of the rich and famous in his captivating shots of beguiling figures in luxurious environments. The glamorous world of his photographs, in which effortlessly beautiful and wealthy people lounge poolside, became an iconic series that allowed Aarons access to shoot some of the most candid portraiture of the 20th century. We love how Aarons worked without any need for stylists or elaborate lighting, instead preferring to photograph celebrities just as they were, creating alluring scenes that are a window into a different lifestyle. In presenting glimpses of the rich and famous engrossed in leisurely pursuits, the artist exposes elements of a life that would otherwise not be on view, allowing his audience to live the high life - vicariously. Born and raised in New York, Aarons began taking pictures at the age of eighteen, after enlisting in the US Army, where he served as an official combat photographer during WWII. In a career that spanned six decades, Aarons’ camera lens moved from soldiers to stars and celebrities, and the self-proclaimed realisation that the only beaches worth photographing were "decorated with beautiful, seminude girls tanning in a tranquil sun." Over the course of his 50 year career, Aarons was a regular contributor to magazines such as Life, Town & Country, Vogue and Holiday and received an exclusive look into the lives of figures such as the Kennedys, Marilyn Monroe and Grace Kelly. In 1997, Mark Getty of Getty Images bought Aarons’ entire archive of photographs, and published a book of his work Poolside with Slim Aarons a decade later. Aarons’ intimately candid scenes have given him an era-defining legacy as one of the most influential photographers of his generation. Source: Art Republic
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France
1910 | † 2009
Willy Ronis was a French photographer best known for his photographs of life in postwar Paris and Provence, who spent his career roaming the Parisian streets capturing people in love, at work, and at play in lyrical black-and-white images, claimed an interest in "ordinary people with ordinary lives." He was a central figure in the "humanist photography" movement, alongside colleagues Robert Doisneau, Henri Cartier-Bresson, and George Brassaï, celebrating the poetry in the everyday in warm, witty images. I have never sought out the extraordinary or the scoop. I looked for what complemented my life. The beauty of the ordinary was always the source of my greatest emotions. -- Willy Ronis Working in his parents' photography studio, Willy Ronis honed his sense of proportion and composition. Ronis was born in Paris; his father was a Jewish refugee from Odessa, and his mother was a Lithuanian refugee who had fled the pogroms. His father established a photography studio in Montmartre, and his mother taught piano. The boy's first love was music, and he aspired to be a composer. When Ronis returned from military service in 1932, his violin studies were put on hold because his father's cancer forced him to take over the family portrait business; His love of music can be seen in his photographs. When his father died in 1936, the business collapsed, and Ronis went freelance, with his first photographs appearing in Regards. Willy Ronis met David Szymin and Robert Capa in 1937 and did his first work for Plaisir de France; in 1938-39, he reported on a Citroen strike and traveled in the Balkans. Ronis, like Cartier-Bresson, was a member of the Association des Écrivains et Artistes Révolutionnaires and remained a leftist. Ronis was inspired to start exploring photography by the work of photographers Alfred Stieglitz and Ansel Adams. After his father died in 1936, he closed the studio and joined the photo agency Rapho, where he worked alongside Brassaï, Robert Doisneau, and Ergy Landau. Most of my photographs were taken on the spur of the moment, very quickly, just as they occurred. All attention focuses on the specific instant, almost too good to be true, which can only vanish in the following one. -- Willy Ronis Willy Ronis was the first French photographer to work for Life magazine. In 1953, Edward Steichen curated a show at the Museum of Modern Art called Five French Photographers, which featured Ronis, Henri Cartier-Bresson, Robert Doisneau, Izis, and Brassaï. He was also featured in the Family of Man exhibition in 1955, and received in 1957 the Gold Medal from the Venice Biennale. Ronis began teaching at the School of Fine Arts in Avignon, Aix-en-Provence, and Saint Charles, Marseilles in the 1950s. The Minister of Culture awarded him the Grand Prix des Arts et Lettres for Photography in 1979. In 1981, Ronis won the Prix Nadar for his photobook Sur le fil du hasard. Marie-Anne Lansiaux (1910-91), a Communist militant painter, was the subject of Ronis' well-known 1949 photograph, Nu provençal (Provençal naked). The photograph, which was taken in a house that Marie-Anne and he had just purchased in Gordes, showed Marie-Anne washing at a basin with a water pitcher on the floor and an open window through which the viewer can see a garden; it is notable for its ability to convey an easy feeling of Provençal life. "The destiny of this image, published constantly around the world, still astonishes me," Ronis said of the photograph. Ronis spent the 1960s and 1980s in Provence and photographed Marie-Anne, who was suffering from Alzheimer's disease at the time, sitting alone in a park surrounded by autumn trees.
Benoît Rondelet
Belgium
1970
As a witness to life, Benoît Rondelet photographs nature as one might listen to a whispered secret. His images are fragments of silence where the beauty and fragility of the world meet. A thoracic surgeon and lung transplant specialist, he dedicated his life for many years to restoring human breath before turning his attention to the breath of nature. During the COVID-19 pandemic, as Medical Director of the UCL Namur University Hospital Group (Belgium), he experienced firsthand the extreme tension between life and its limits. From this experience arose an urgent need: to bear witness to life in all its forms. His wildlife photographs do not merely capture a moment; they reveal a presence, a silent communion between humankind and the wild. Through light, textures, and gazes, he seeks to approach a tangible truth: that of a universe where every being, from the humblest to the most majestic, shares in the same breath. For Benoît Rondelet, photography becomes an act of faith. A faith without dogma, nourished by science, ethics, and spirituality, where Nature reveals itself as a living whole—Cosmos, Creation, or simply a miracle of reality. His work poses the question: what remains of humanity if it forgets to love that which gave it birth? At the crossroads of sight and breath, his photographic approach asserts itself as a humanism of the living. Each image then becomes a meditation, a secular prayer, an attempt to reconcile the rigor of knowledge with the emotion of beauty. To look at his photographs is to accept being looked at by the world itself. Benoit Rondelet has received numerous distinctions in international competitions and recently obtained a gold winner and two silver awards at the New York Photography Awards 2025. AAP Magazine AAP Magazine 54 Nature
Yuyang Liu
China
1991
Yuyang Liu, b.1991, graduated from Department of History, East China Normal University. He is a freelancer photographer based in Guangzhou, China. When he was a high school student, he started to love taking photos and decided to be a photographer. His images focus on the change and connection of people in the changing society. He had won Magnum Foundation Human Rights & Photography Fellowship, Abigail Cohen Fellowship in Documentary Photography and Ian Parry Scholarship. His work was published on TIME, New York Times, the Guardian, NPR and BBC World Service. Awards Ian Parry Scholarship, 2015 Abigail Cohen Fellowship in Documentary Photography (Magnum Foundation/ChinaFile, 2015 National Geographic Photo Contest China, Honorable Mention, 2014 Magnum Foundation: The Human Rights & Photography Fellowship, 2014 ND Scholarship, 3rd Prize, 2014 2013 Shanghai Youth Art Exhibition, Shortlisted, 2013 5th Foundation of OFPiX Photo Agency, Shortlisted, 2012 Exhibitions & Events Magnum Foundation Human Rights & Photography Fellowship Program Forum: Inter Art Center and Gallery, Beijing, China, 2014 Home of Youth: High School No.7 Chengdu (multimedia):PhotoChina Original International Photographic Exhibition, Confucius’ Hall, Guiyang, China, 2014 Neither Here Nor There (multimedia): LOOKbetween 2014, Virginia, USA, 2014 Auspicious Things: Lishui International Photography Festival Hand-made Books Workshop, Pump Factory, Lishui, China, 2013 Auspicious Things: 2013 Shanghai Youth Art Exhibition, China Art Museum, Shanghai, China, 2013 About the project: At home with mental illness: In 2014 there were reportedly 16 million people in China living with severe mental illness. 80% of patients diagnosed did not receive sufficient or necessary treatment due to China’s flawed health care system. Most people who suffer from these illnesses are forced to live at home with their families or on their own. They are overlooked or often not recognized at all within society, they are invisible. So I decide to film these patients and families who have mental illness such as psychosis or dysgnosia. I’ve been to several towns and villages in Guangdong Province which is the richest region in southern China and filmed some mental illness at home. This project aims to explore the unique relationship between the mentally ill, their families, and society at large.
Pieter Henket
The Netherland
1979
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