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Tamara Dean
Tamara Dean
Tamara Dean

Tamara Dean

Country: Australia
Birth: 1976

Tamara Dean (b. 1976, Sydney, Australia) is a photographic artist whose works explore the informal rites of passage and rituals of young people within the natural world.
Her solo shows include Ritualism, Divine Rites, This too Shall Pass and Only Human.
Dean has received numerous awards including a $10,000 High Commendation prize in the 2013 Moran Contemporary Photographic Award, the 2011 Olive Cotton Award and 2009 Sydney Life: Art & About.

Dean’s works have been widely exhibited both nationally and internationally. Her works have featured in ‘Dangerous Beauty’ curated by Stephan Stoyanov, Bulgaria 2013, the 2013 Aspettando FotoLeggendo festival in Rome, Fotofever Brussels Art Fair, 2012 and Pingyao Photography Festival, China, 2012 as well as at leading Australian galleries including Inheritance 2009 and Hijacked 2 – New Australian & German Photography 2010, both at the Australian Centre for Photography; Sydney Now – New Australian Photojournalism, Museum of Sydney 2007; Terra Australis Incognita at Monash Gallery of Art.

Dean has been awarded artist residencies with ArtOmi, New York (2013), and previously Taronga Zoo, Montsalvat and repeatedly in the remote gold-mining town of Hill End, NSW.
For a decade Dean was a member of Oculi photographic collective.

Dean’s work is held in a number of public and private collections including Artbank, Sydney; The Francis J. Greenburger Collection, New York; the Mordant Family Collection, Australia; and is represented by Olsen Irwin Gallery Sydney and James Makin Gallery Melbourne.

Source: www.tamaradean.com

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More Great Photographers To Discover

Anna Atkins
Anna Atkins
United Kingdom
1799 | † 1871
Anna Atkins (1799-1871) was an English botanist and photographer best known for her early work in photography. She is widely regarded as the first female photographer and one of the art form's pioneers. Anna Atkins was born on March 16, 1799, in Tonbridge, Kent, England, into a family with a strong interest in science and botany. Her father, John George Children, was a well-known chemist and mineralogist, which may have influenced her early interest in science. Anna was educated in science, art, and natural history, which was unusual for a woman of her time. She developed a particular interest in botany and was well-versed in plant classification and study. Anna Atkins worked with her father's close friend, Sir John Herschel, an astronomer and mathematician who had also made significant contributions to the early development of photography, in 1841. She adopted the cyanotype process, an early photographic technique that produces blue-toned images, after being inspired by Herschel's work. Botanical specimens, such as ferns and seaweeds, were placed on light-sensitized paper and then exposed to sunlight as part of the cyanotype process. The areas that were not covered by the specimens turned blue, while the areas that were covered by the plants remained white. Anna Atkins used this technique to create a series of stunning and scientifically accurate photograms. In October 1843, Anna released her most famous work, "Photographs of British Algae: Cyanotype Impressions." This three-volume collaboration with Anne Dixon featured over 400 cyanotype images of various algae species found along the British coast. It was the first book to be entirely illustrated with photographs. Only a few copies of the book are known to exist today, as each copy was hand-assembled. Anna Atkins' work was not only artistic; it was also scientifically significant. The cyanotype images were a valuable resource for botanical documentation and classification, as well as an early example of photographic scientific illustration. Despite her contributions to photography and botany, Anna Atkins received little recognition during her lifetime. Photography was still a new medium at the time, and her work was relatively unknown until recently. Anna Atkins died on June 9, 1871, in Halstead, Kent, leaving behind a legacy as a pioneering female photographer and a prominent figure in photography and botany history. Her innovative use of the cyanotype process, as well as her dedication to scientific documentation through photography, are still admired and recognized by the art and science communities.
Aga Szydlik
Aga Szydlik
United States
Aga began her professional career in Thailand as a fight photographer, where she developed a passion for Muay Thai. Later, she moved to Indonesia and South Africa for new experiences. Aga works with different NGOs and as an independent contributor, aiming to capture the essence of the people Aga photographs in a powerful and meaningful way. She actively supports human rights movements, environmental protection, and conservation efforts.
Marina Dego
Marina Dego
Italy
1977
Born by the lake but marine by name and by nature, she spends half her life in London, rushing from one end of the city to the other, in perpetual motion. One day she wakes up, drops everything and takes the plunge without a safety net, but with a burning desire to change her perspective. From a career in the fashion world to a new path made up of images and words, she explores the inner and outer worlds guided by her heart, driven by a restless curiosity. She constantly wonders what she’ll do when she grows up, even though she’s been an adult for quite some time. She believes in human connections, genuine exchange and kindness. She loves listening to stories and giving them a voice. Perhaps the world can be saved this way, one story at a time. Statement Driven by a restless curiosity, both a source of energy and a curse, I oscillate between the search for light and a more or less conscious attraction to darkness. In a world that I often perceive as chaotic, photography and writing are compasses and anchors that I rely on to chart a route and bring order to my thoughts and stimuli. My research often plunges into the depths of the soul and memory, only to re-emerge and wander the world, with the intention of discovering wonder, lightening pain, making my gaze more responsible and able to return the stories I encounter. All About Photo Competitions Photographer of the Week 17, 2026
Nadia Eeckhout
Nadia Eeckhout
Belgium
I am Nadia Eeckhout, born in Blankenberge (Belgium), but since about thirty years based in Ghent (Belgium), a cozy vibrant city where I often take my pictures. I’ve always been interested in what people think and do but then again, I don’t want to know the full story, leaving space for my imagination to breathe. I’ve shaped my interest in short written stories, drawings and paintings; pen and brush being mine of course. About five years ago (2019), I started photographing on the streets (mainly people) and soon discovered a therapeutic effect of street photography on my mind. To me, it is about being in the open air, with my camera, merged in a crowd that never sleeps, hoping to encounter small -if very lucky poetic- stories I’m eager to catch and frame. I am very much fascinated by the effect of windows, glass or any other transparent medium. They do not only welcome any weather condition on their panes (in this way enhancing mood and triggering my imagination), they are even as generous as to reflect what is on the other side, bringing different stories together, presenting them as a new tale. To be able to capture that tale in a photograph is what makes street photography so interesting and valuable to me. I’ve been shooting through windows for about three years now and it feels like I have not finished the project yet.
Brandon Stanton
Brandon Stanton
United States
1984
Brandon Stanton is an American author, photographer, and blogger. He is the author of Humans of New York, a photoblog and book. He was named to Time's "30 Under 30 People Changing The World" list. Since 2010, Stanton has taken hundreds of portraits of people living and working primarily in New York City, accompanied by bits of conversations about their lives. He has also traveled outside of the United States, capturing people and their lives in more than 20 countries, including Iran, Iraq, Uganda, Democratic Republic of the Congo, Ukraine, Vietnam, and Mexico. Stanton grew up in Marietta, Georgia, a suburb of Atlanta, where he completed his schooling at The Walker School in 2002. He majored in history at the University of Georgia. In 2010, he bought a camera while working as a bond trader in Chicago, and started taking photographs in downtown Chicago on the weekends. When he lost his job a short time later, he decided to pursue photography full-time. Moving to New York City, he set out to photograph 10,000 New Yorkers and plot their portraits on a map of the city, surviving on unemployment checks to "almost pay rent" and borrowing money from friends and family. Eventually, he moved his photographs to the Humans of New York Facebook page, which he started in November 2010. After posting a photo of a woman including a quote from her, he soon began adding captions and quotes to his photographs, which eventually evolved into full interviews. His Humans of New York book was published in October 2013. It received positive reviews and sold 30,000 copies as preorders. The book reached the number 1 position on the New York Times Non-Fiction Best Sellers of 2013 for the week beginning November 3, 2013. The book remained on the list for 26 weeks, again reaching the number one position on December 21, 2014. In August 2014, Stanton traveled to the Middle East to photograph people as part of a 50-day trip through 10 countries in the region under the auspices of the United Nations. In July 2015 he traveled to Pakistan and again to Iran to do the same. At the conclusion of his trip to Pakistan, Stanton crowd funded $2.3 million to help end bonded labor in Pakistan. In January 2015, Stanton was invited to the Oval Office to interview President Barack Obama. The trip concluded a two-week crowdfunding campaign on Humans of New York in which $1.4 million was raised. In March 2016, Stanton opposed Donald Trump's presidential campaign, criticizing Trump on social media for hateful speech, such as delayed disavowing "white supremacy" and defending those who commit violence at his rallies. A day after his Facebook post, it had over 1.6 million likes and was shared nearly 1 million times. Stanton has posted stories and photos from the Pediatrics Department of Memorial Sloan Kettering Cancer Center in New York City. As he did for his other projects, Stanton created a fundraising campaign, and raised over $3.8 million for pediatric cancer research.
Calli McCaw
Calli McCaw
United States
1954
Although I came to photography later in life after a career in the corporate world, I had always been personally immersed in the arts as a collector of fine and decorative American arts and an enthusiast of art history. When I decided to leave the business world I did so to satisfy these lifelong personal interests in the arts, earning a second Master’s degree in Modern Art, History of the Art Market, and Connoisseurship from Christie’s. My time at Christie’s led me to pursue further post-graduate studies in the cross-cultural aspects of modern art at Columbia University and, subsequently, photography at the International Center of Photography. As a result, a passion for art history informs all of my photography as does a marriage of aesthetics and message, the balance of which may vary though both are essential.
Herman Leonard
Herman Leonard
United States
1923 | † 2010
Herman Leonard was born in 1923 in Allentown, Pennsylvania to Romanian immigrants. At the young age of 9, he first witnessed an image being developed in his brother's darkroom and became enthralled with the magic of photography. As the official photographer for his high school, Herman quickly learned that with a camera in hand, he had an "open sesame" to people and events, that his shyness might have prevented him from experiencing. When it came time for college, Herman chose Ohio University, "The only university at the time that could offer me a degree in Photography." His college studies were interrupted from 1943-1945, as Herman joined the United States Army and was sent to Burma with the 13th Mountain Medical Battalion. He had hoped to be a field photographer, but was ironically assigned as a combat anesthetist when he failed a test, which required him to identify the chemical ingredients of film developer. After the war, Herman returned to college and graduated in 1947 with a Bachelor of Fine Arts Degree. Upon graduation from Ohio University, he took a chance and drove to Ottawa, Canada in hopes of working with a famed portraiture photographer, Yousuf Karsh. Karsh was impressed with his determination and took him on as an apprentice. Herman assisted Karsh in the darkroom and with photographic sittings including, Martha Graham, Harry Truman, and Albert Einstein. Karsh's photographic advice to Leonard, "Tell the truth, but in terms to beauty." During a portrait session with Albert Einstein, Leonard questioned the professor about the connection between a musician and a mathematician. Einstein's response, "Improvisation." Leonard was inspired by these two influential men and applied their credos to his work. In 1948, Herman's passion for jazz brought him to New York City's Greenwich Village, where he set up a small studio at 220 Sullivan Street. He made his way into the swinging clubs of Broadway, 52nd Street and Harlem. With his camera as his free ticket, he offered to shoot publicity stills at the jazz clubs for admission. While shooting at The Royal Roost and Birdland, he quickly developed friendships with the some of the greats of jazz royalty, including Duke Ellington, Miles Davis, Dizzy Gillespie, Charlie Parker, Lena Horne, Billie Holiday, Louis Armstrong, Quincy Jones and many more. His stunning photographs began appearing in Downbeat and Metronome magazines, and on the covers of albums while working for jazz producer Norman Granz. In 1956, he was hired by Marlon Brando as his personal photographer and traveled with him on an extensive research trip throughout the Far East. Upon his return to NYC, he was offered a position at Barclay Records in Paris, France. He continued to photograph the prolific jazz scene, with many of the American jazz artists now living there, he also photographed many French recording artists such as Charles Aznavour, Jacques Brel, Eddy Mitchell and Johnny Hallyday. Paris would be his home for the next 25 years, working from his studio in Paris's Neuilly-sur-Seine neighborhood. He also had a successful career working in advertising, for fashion houses Yves St. Laurent and Dior, as well as many international magazines including Life, Time and early Playboy. In 1980, he left France for a more tranquil life, and moved his family to the Spanish island of Ibiza. During that time he rediscovered his jazz negatives that had been stored in a box under his bed, and in 1985 released his first book, The Eye of Jazz, published by Hachette/Filipachi Publications. In 1988 he moved to London where he had the first exhibition of his jazz photographs at the Special Photographers Company. After rave reviews by the London Times and the BBC, he became an overnight sensation, with 10,000 people coming to the small Notting Hill gallery to view his unseen images. The following year he premiered his first US show, which toured nationally. After living in Europe for over thirty years, he returned to the U.S. In 1992, an exhibit in New Orleans would change his life. He fell in love with the city and moved there to immerse himself in its vibrant and lively jazz scene. He continued to exhibit his work around the world in numerous solo shows. In 1995, Leonard released his second book, Jazz Memories, published by Editions Filipacchi, and in that same year was awarded an "Honorary Masters of Science in Photography" from The Brooks Institute of Photography. Other awards received at this time included the "Milt Hinton Award for Excellence in Jazz Photography," from Jazz Photographer's Association, the "Excellence in Photography Award" from the Jazz Journalists Association, and a "Lifetime Achievement Award" from Downbeat Magazine in 2004. In August 2005, Hurricane Katrina destroyed his home and studio when it was flooded with over 8 feet of water. The storm claimed his life's work, some 8,000 silver gelatin photographs that had been hand printed by him, a master printer in his own right. As the storm blew in, Leonard's crew had gathered the negatives and securely placed them in the care of the Ogden Museum of Southern Art, where they were stored in an upper level vault. At the age of 82, and with his city in ruins, he decided to move with his family to Los Angeles to reestablish his life and business. In 2006, he released his third book, Jazz, Giants, And Journeys: The Photography of Herman Leonard, published by Scala Publishers, Ltd. In the forward to the book, Quincy Jones wrote, "When people think of jazz, their mental picture is likely one of Herman's." Herman Leonard's photographs, now considered fine art collector's items, are a unique record of the jazz scene in the 1940's, 50's and 60's. Throughout his long life, he traveled and lived around the world, capturing images with his distinctive style. Whether he was photographing Miles Davis, Frank Sinatra, Louis Armstrong or a street musician in his home in New Orleans, Herman's smile, warmth and engaging personality continued to open doors for him and his camera; to reveal a world we might have missed. Certainly Herman Leonard's iconic photographs will long be remembered not only for their enduring historic significance, but also for their breathtaking artistic beauty. They are part of the permanent archives of the Smithsonian Museum in Washington, D.C., where they are considered as essential to American music history as Benny Goodman's clarinet or Louis Armstrong's trumpet. His legacy has continued to be honored with major touring exhibitions of his work including the GRAMMY Museum in Los Angeles, Jazz at Lincoln Center in NYC, the San Francisco Jazz Center (SFJAZZ), the National Portrait Gallery in Washington, DC, and The Clinton Presidential Center. President Bill Clinton has called Herman Leonard, "The greatest jazz photographer in the history of the genre." In the last years of his life, Herman Leonard's goal was to bring his entire jazz collection, comprising a visual documentation of America's original art form, back to life and preserve it for future generations. Source: hermanleonard.com
Anka Zhuravleva
Anka Zhuravleva
Russia
1980
Anka (born Anna Belova) was born on December 4, 1980. She spent her childhood with books on art and her mothers’ drawing tools, covering acres of paper with her drawings. In 1997 she entered the Moscow Architectural Institute deciding to follow in her mothers’ footsteps. But at the end of 1997 her mother was diagnosed with cancer and died in less that a year. Then her father died in 1999. After that Anka’s life changed dramatically. In attempt to keep sane, she plunged into an alternative lifestyle – working as a tattoo artist, singing in a rock-band, sometimes looking for escape in alcohol. In order to make a living while studying, Anka worked at several modeling agencies. Thanks to the drawing lessons she wasn’t afraid to pose nude, and her photos appeared in the Playboy and XXL magazines and at the Playboy 1999 photo exhibition. But she was not looking for a modeling career – it was just a way to make some money. In 2001 Anka was working in the post-production department at the Mosfilm StudiosThat same winter one of her colleagues invited her to spend a weekend in Saint-Petersburg with his friend, composer and musician Alexander Zhuravlev. In less than a month Anka said farewell to Moscow, her friends, her Mosfilm career and moved in with Alexander in Saint-Petersburg. Living with her loved one healed her soul, and she regained the urge for painting. She made several graphic works and ventured into other areas of visual arts. In 2002 Gavriil Lubnin, the famous painter and her husband’s friend, showed her the oil painting technique, which she experimented with for the following several years. During that period she made just a few works because each one required unleashing of a serious emotional charge. All those paintings are different as if created by different people. Anka’s first exhibition took place on a local TV channel live on the air - the studio was decorated with her works. Several exhibitions followed. Private collections in Russia and abroad feature her paintings and sketches. In 2006 Anka noticed that her inspiration often came from photos and decided to take up photography. Since that time Anka took part in numerous projects - magazine publications and covers, book and CD covers, exhibitions. She is engage in digital photo art and analog film photography as well. In 2013 Anka with her husband moves to live in Porto, Portugal. Source: anka-zhuravleva.com Interview With Anka Zhuravleva All About Photo: When did you realize you wanted to be a photographer? Anka Zhuravleva: "I always was about visual arts so I can't name exact date or year.. But I turned to photography completely in 2010." AAP: Where did you study photography? AZ: "I am self-educated. I took some individual workshops dedicated to analog processes but it was technical things." AAP:Do you have a mentor? AZ: "No." AAP: Do you remember your first shot? What was it? AZ: "I was 6 years.. I shot horses with small film lomo-camera." AAP: What or who inspires you? AZ: "Life, everything I got around me, my dreams, interesting people, my husband's music." AAP: How could you describe your style? AZ: "I have no special style. Different series in different styles." AAP:Do you have a favorite photograph or series? AZ: "No, I love them all!" AAP: What kind of gear do you use? Camera, lens, digital, film? AZ: "A lot... And they are changing all the time. Digital 35mm, film medium format, vintage cameras and cameras made by my husband. About 20 different lens, modern ones and vintage brass ones as well." AAP: Do you spend a lot of time editing your images? For what purpose? AZ: "It depends. I always edit digital a lot to reach exactly that tone and mood wich I need. And I also do analog process in darkroom without any computer at all." AAP: Favorite(s) photographer(s)? AZ: "This is a difficult question..." AAP: What advice would you give a young photographer? AZ: "To keep eyes wide open." AAP: What mistake should a young photographer avoid? AZ: "I don't know... Everybody make mistakes. I suppose it's important not "not making" mistakes, but learn after doing mistakes." AAP: The compliment that touched you most? AZ: "When people telling me that my pictures bring their mind, fantasy and soul to childhood or let them think about miracles.. Or making a good mood..." AAP: If you were someone else who would it be? AZ: "Hum... Maybe a baker? Just joking, I don't know..."
Andrea Torrei
Andrea Torrei
Italy
1967
Born and based in Italy, Andrea Torrei studied photography at CSF Adams and Officine Fotografiche in Rome and attended also workshops and seminars exploring different genres and approaches. Her work spans the genres of portraiture, street and documentary paying special attention to gender and social issues. B&W or in color, the main focus of her body of work is people and their stories.
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