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Parisa Azadi
Parisa Azadi
Parisa Azadi

Parisa Azadi

Country: Iran/Canada
Birth: 1986

Parisa Azadi is an Iranian-Canadian visual journalist whose work is grounded in themes of systematic violence, social injustice, and radical resistance within historically oppressed communities. Parisa has reported across the Middle East, South Asia, Africa, and Canada, covering civil unrest and state repression—including the Syrian refugee crisis in Jordan, missing and murdered Indigenous women in Canada, and religious extremism in Bangladesh. Since 2017, Parisa has been working in Iran, examining the nuanced dynamics of communities living in the aftermath of political violence.

Parisa’s work has been shown in solo and group exhibitions across Europe and the U.S., including Cortona On The Move, Belfast Festival, the American Center For Photographers, Melike Bilir Gallery, among others. Her work has been recognized by the World Press Photo 6×6 Global Talent Program and the Chris Hondros Fund Award. In 2023, Parisa was named one of the British Journal of Photography’s Ones to Watch, received the Magnum Foundation Mobility Grant, and joined the South Asia Incubator Program. Her photographs have appeared in The New York Times, The Guardian, Courrier International, Annabelle Magazine, among others.

Article:

Ordinary Grief

Exhibition

Cortona On The Move

Websites

www.parisaphotography.com

@parisa_images

 

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More Great Photographers To Discover

Chad Cowan
Chad Cowan
United States
1984
Chad Cowan is a photographer and aspiring filmmaker who has been chasing storms across America's Tornado Alley over the past 10 years and 200,000 miles. His goal is to capture the awe inspiring beauty of nature in the most extreme and violent weather on earth. Cowan's current film project for which he is seeking financing and distribution is a collection of timelapses of these supercells shot in 8k resolution. Growing up in Kansas, the epicenter of severe weather on the planet, he quickly became obsessed with thunderstorms. Inspired by a few timely weather-related gifts from his grandfather at a young age, Cowan decided he wanted to chase them once he had his driver's license. Cowan's photos have been published around the globe and his work has appeared in major motion pictures, and on most national news outlets. In 2010, his 'Icemaker' photo of the supercell that dropped the largest hailstone ever recorded on earth came in second place in a National Geographic photo contest. He has a BS in Economics from Kansas State University
Chris van Dolleweerd
Chris van Dolleweerd
Netherlands
Chris van Dolleweerd is a Dutch photographer who approaches the city as a quiet stage of light, lines, and chance. In his street photography, it is not the hustle that takes center stage, but the moment of stillness—when people and their surroundings briefly meet in form and rhythm. His work is characterized by clean compositions, the play of shadow, and a strong graphic eye. Figures often appear as silhouettes or shadows, integrated into the larger whole of architecture and space. It is photography that both observes and invites observation—thoughtful, poetic, and precise. Chris is guided by observation and intuition. He waits patiently for the moment when a scene arranges itself, without intervention. His images do not tell stories but evoke feelings—of calm, structure, or wonder at the everyday. AAP Magazine AAP Magazine 52 Street
Lucas Foglia
Lucas Foglia
United States
1983
Lucas Foglia grew up on a small family farm in New York and currently lives in San Francisco. His work focuses on the intersection of human belief systems and the natural world. He recently published his third book of photographs, Human Nature, with Nazraeli Press. Foglia exhibits internationally, and his prints are in notable collections including International Center of Photography, San Francisco Museum of Modern Art, and Victoria and Albert Museum. He photographs for magazines including Bloomberg Businessweek, National Geographic Magazine, and The New York Times Sunday Magazine. Foglia also collaborates with non-profit organizations including Sierra Club, The Nature Conservancy, and Winrock International. Source: lucasfoglia.com A Natural Order I grew up with my extended family on a small farm in the suburbs of New York City. While malls and supermarkets developed around us, we farmed and canned our food, and heated our house with wood. We bartered the plants we grew for everything from shoes to dental work. But, while my family followed many principles of the back-to-the-land movement, by the time I was eighteen we owned three tractors, four cars, and five computers. This mixing of the modern world into our otherwise rustic life made me curious to see what a completely self-sufficient way of living might look like. From 2006 through 2010, I traveled throughout the southeastern United States befriending, photographing, and interviewing a network of people who left cities and suburbs to live off the grid. Motivated by environmental concerns, religious beliefs, or the global economic recession, they chose to build their homes from local materials, obtain their water from nearby springs, and hunt, gather, or grow their own food. All the people in my photographs aspire to be self-sufficient, but no one I found lives in complete isolation from the mainstream. Many have websites that they update using laptop computers, and cell phones that they charge on car batteries or solar panels. They do not wholly reject the modern world. Instead, they step away from it and choose the parts that they want to bring with them. Frontcountry The American West is famous for being wild, even though its rural areas have been settled for generations. The regions I photographed between are some of the least populated in the United States. In rural Nevada, there are still twice as many cows as there are people. While the ranchers I met were struggling to survive the economic recession and years of drought, almost anyone could get a job at the mines. Coal, oil, natural gas, and gold were booming. Ranching and mining in the American West have had parallel histories and a common landscape. Cowboys and ranching culture are the chosen representatives of the region. Men on horseback ride through countless movies. Their images are printed on license plates and tourist souvenirs. But, the biggest profits are in mining. Though miners haven't found any raw nuggets for generations, the American West remains one of the largest gold producing regions in the world. Companies are digging increasingly bigger holes to find smaller deposits, leaving pits where there once were mountains. When I first visited, I expected cowboys to be nomads, herding animals on the edge of wilderness. I quickly learned that most ranchers have homes with mortgages. I also learned that all mines close eventually. When a mine closes, the land is scarred. The company leaves and people have to move. Miners are the modern-day nomads, following jobs across the country.
Francis Frith
Francis Frith
United Kingdom
1822 | † 1898
Francis Frith was an English photographer of the Middle East and many towns in the United Kingdom. Frith was born in Chesterfield, Derbyshire, attending Quaker schools at Ackworth and Quaker Camp Hill in Birmingham (c. 1828–1838), before he started in the cutlery business. He suffered a nervous breakdown in 1843, recuperating over the next two years. In 1850 he started a photographic studio in Liverpool, known as Frith & Hayward. A successful grocer, and later, printer, Frith fostered an interest in photography, becoming a founding member of the Liverpool Photographic Society in 1853. Frith sold his companies in 1855 in order to dedicate himself entirely to photography. He journeyed to the Middle East on three occasions, the first of which was a trip to Egypt in 1856 with very large cameras (16" x 20"). He used the collodion process, a major technical achievement in hot and dusty conditions. Photographs taken by Frith are held in the Conway Library of Art and Architecture at the Courtauld in London. When he had finished his travels in the Middle East in 1859, he opened the firm of Francis Frith & Co. in Reigate, Surrey, as the world's first specialist photographic publisher. In 1860, he married Mary Ann Rosling (sister of Alfred Rosling, the first treasurer of the Photographic Society) and embarked upon a colossal project—to photograph every town and village in the United Kingdom; in particular, notable historical or interesting sights. Initially he took the photographs himself, but as success came, he hired people to help him and set about establishing his postcard company, a firm that became one of the largest photographic studios in the world. Within a few years, over two thousand shops throughout the United Kingdom were selling his postcards. Many of his photographs were collected into published volumes. Initially these works were compiled by established publishing companies. However, by the 1860s, Firth realized that he could profit from publishing his own images and established the publishing company F. Frith & Co. Frith died at his villa in Cannes, France, on 25 February 1898, aged 75. His family continued the firm, which was finally closed in 1971. Following closure of the business, Bill Jay, one of Britain's first photography historians, identified the archive as being nationally important, and "at risk". Jay managed to persuade McCann-Erikson the London advertising agency to approach their client Rothmans of Pall Mall on 14 December 1971 to purchase the archive to ensure its safety. Rothmans went ahead and acquired the archive within weeks. Frith was re-launched in 1975 as "The Francis Frith Collection" by John Buck, a Rothmans executive, with the intention of making the Frith photographs available to as wide an audience as possible. On 25 August 1977, Buck bought the archive from Rothmans, and has run it as an independent business since that time – trading as The Francis Frith Collection. In 2016 the company completed a two-year project to scan the entire archive and now holds over 330,000 high resolution digital images. The company website enables visitors to browse all 330,000 Frith photographs, depicting some 7,000 cities, towns and villages.Source: Wikipedia Born into a Quaker family in 1822 in Chesterfield, Derbyshire, Francis Frith was a remarkable person, philosophical and devoutly religious by nature and pioneering in outlook. He was a complex and multi-talented man who had a formidable instinct for business. By the time he founded his photographic publishing company in 1860 he had already established a wholesale grocery business in Liverpool which was so successful that by the mid 1850s he was able to sell it for a price which made him a the equivalent of a multi-millionaire today. Frith had been a founder member of the Liverpool Photographic Society in 1853 – only 14 years after the invention of photography, 1839. Between 1856 and 1860, as a gentleman of leisure, he made three pioneering and sometimes dangerous photographic expeditions to the Middle East, taking bulky cameras, equipment and glass plates with him and travelling by boat, donkey, mule and camel. These journeys took him to Egypt, Nubia, Ethiopia, Sinai, Palestine, Lebanon and Syria, and established his reputation as an outstanding pioneer photographer. The photographs he took on these expeditions were marketed by the London firm of Negretti & Zambra as hugely popular stereoscopic views, and were also published in London and New York in limited edition part-works of prints, with sales totalling over £3 million in today’s value.Source: www.francisfrith.com
Angela Fisher
Angela Fisher
United States
Thirty years of work on the African continent have carried Carol Beckwith and Angela Fisher across 270,000 miles and through remote corners of 40 countries in exploration of more than 150 African cultures. In the process, this team of world-renowned photographers has produced fourteen widely acclaimed books and made four films about traditional Africa. They have been granted unprecedented access to African tribal rites and rituals and continue to be honored worldwide for their powerful photographs documenting the traditional ceremonies of cultures thousands of years old. As an intrepid team of explorers, they are committed to preserving sacred tribal ceremonies and African cultural traditions all too vulnerable to the trends of modernity. The Beckwith-Fisher images are the result of a long, enduring and deeply respectful relationship with African tribal peoples. This, combined with their photographic skills, creates an intimate portrayal of ceremonies long held secret that might have never been recorded. Their work preserves and presents the power, complexity and celebration found within the rituals of African tribal life. Their extraordinary photographs are recorded in fourteen best-selling books and in their films. Their new book “Painted Bodies” (2012) follows “Maasai” (1980), “Nomads of Niger” (1983), “Africa Adorned” (1984), “African Ark” (1990), “African Ceremonies” (1999), “Passages” (2000), “Faces of Africa” (2004), “Lamu: Kenya’s Enchanted Island” (2009), and “Dinka” (2010). The special limited-edition books, hand printed in Santiago, Chile, are titled “Surma,” “Karo,” “Maasai,” and “Dinka.” “African Ceremonies,” their defining body of work, is a double volume, pan-African study of rituals and rites of passage from birth to death, covering 93 ceremonies from 26 countries. This book won the United Nations Award for Excellence for “vision and understanding of the role of cultural traditions in the pursuit of world peace.” Honored twice with the Annisfield-Wolf Book Award in race relations for “outstanding contributions to the understanding of cultural diversity and prejudice,” Angela and Carol are also winners of the Royal Geographical Society of London’s Cherry Kearton Medal for their contribution to the photographic recording of African ethnography and ritual. The photographers have made four films about traditional Africa, including Way of the Wodaabe (1986), The Painter and the Fighter, and two programs for the Millennium Series Tribal Wisdom and the Modern World. Numerous exhibitions of their photography and films have been shown in museums and galleries around the world. In 2000 their Passages exhibition opened at the Brooklyn Museum of Art featuring 97 mural photographs, six video films and a selection of African masks, sculpture and jewelry. This exhibition has traveled to seven museums on three continents. Aware that traditional cultures in Africa are fast disappearing, Carol and Angela are working with an urgency to complete the third volume of their ongoing study of African Ceremonies with the goal of covering the remaining traditional ceremonies in the 13 African cultures in which they have not yet worked. Source: carolbeckwith-angelafisher.com
Tracy Burke
Tracy Burke
United States
1964
Tracy Burke is a visual artist whose practice examines nature as humanity's salvation. Working primarily through photography, she explores places that remain essentially untamed despite their public accessibility, investigating human engagement with the natural world and its profoundly positive psychological, emotional, and physical effects. Burke received her BA in History from Yale University, where she served as editor and publisher of Black and White: The Yale Undergraduate Photography Review. She later earned a master's degree in clinical social work from Smith College. After a transformative three-month wilderness experience at age 22 that fundamentally shifted her understanding of what gives life meaning, Burke initially set aside photography, feeling unable to capture the profound impact of the natural world through her lens. She returned to the medium years later while documenting family outings to national parks, recognizing that these images transcended family snapshots to become powerful artistic statements about human connection to the natural world. Burke's work has been exhibited at the Colorado Photographic Arts Center in Denver and the Dairy Arts Center in Boulder, Colorado. Her photographs have been published in Lenscratch and included in online exhibitions with the Center for Fine Art Photography in Fort Collins, Colorado, and PhotoPlace Gallery in Vermont. Her work is held in numerous private collections. She lives and works in Boulder, Colorado. AAP Magazine AAP Magazine 54 Nature
Luca Bernardini
Luca Bernardini
Italy
1990
I am an amateur photographer born in Pesaro in 1990. I have always loved photography but, not sure why, I never thought of making it my own until about 3 years ago. I work as an engineer in a refrigeration company, here a colleague lent me my first equipment and incited me to try, giving me some tips. After a few days, During Covid's first pandemic lockdown, I bought my personal camera, a handful of books, and began to immerse myself in what is now my greatest passion. The goal is always to improve and to look for the right instant to get trough the lens, but the days spent walking around discovering and shooting are the greatest joy I could ever wish for. I am a very introverted person and thanks to this passion I am managing to get closer to the other people, I also hope, with time, to be able to tell more about myself and my thinking. Winner AAP Magazine #30 Shadows
Eddy Verloes
Eddy Verloes
Belgium
1959
Eddy Verloes, a Belgian photographer, has won numerous awards for his literary symbolic photography. He skillfully weaves visual narratives that blend realism and surrealism, capturing the essence of interiors, landscapes, and urban life. Verloes’ spontaneous approach allows him to seize fleeting moments of everyday life, infusing his work with a sense of wonder and mystery. His fascination with literature and philosophy drives him to explore the profound and the poetic, leaving viewers with a profound sense of awe and contemplation. He shoots with his soul, not with the camera. Eddy Verloes is Master of Linguistics and Literary Studies (magna cum laude) at the University of Louvain, Belgium. Studies in photography at the Louvain CVO, Belgium. 2015-2024: exhibitions in different galleries or special locations (solo or with other photographers, painters, poets, sculptors, musicians, composers, video artists, mixed media artists) in the USA, United Kingdom, Canada, United Arab Emirates, Brasil, Mexico, Russia, Germany, Greece, Crete, Malta, Hungary, Spain, Italy, Serbia, Austria, France, The Netherlands and Belgium. Photo books No time to Verloes (2015), Cuba libre (2016), Zeezuchten/Seasighs (2020), Buiten zinnen/Losing Our MInds (2021), Aardelingen/Earthlings (2022). Most important awards in 2020-2024 Selected as one of the best contemporary photographers worldwide by the American site All-About-Photo | Winner Life Framer Photo Contest 2020 (Theme: "Civilization") judged by Tate Modern's Curator of Intern. Art & Photography Emma Lewis | Travel Photographer of the Year 2020 (cat. People of the world) | Winner Pangea Prize Siena Creative Photo Awards 2021 (cat. Open Theme) | Winner Malta International Photo Travel Award 2020/2021 | 2nd Place MonoVisions Awards 2021 (Photojournalism), London (UK) | Finalist FOCUS Photo L.A. 2021, Los Angeles (USA) | Winner Siena International Photography Awards 2021 (Fascinating faces and characters) with my "Remarkable Artwork" | Winner 16th Annual Black & White Spider Awards 2021, Beverly Hills (California) | Winner of the Union of Lights 2021 World Photography Contest ("Street & Lifestyle") | 3rd Place Winner (Photojournalism) Monochrome Photography Awards 2021, London (UK) | Winner 17th Pollux Awards 2021 (Open Theme - series), Barcelona (Spain) | Winner of The Chelsea International Photography Competition 2021/2022, New York (USA), Exhibition @ Agora Gallery, NY, 2023, Jan 4-17 | Winner Fine Art Photography Awards 2021/2022 (Photojournalism), 8th edition, London (UK) | Gold Winner Muse Photography Award 2022 (Fine Art Photography - People) with my series 'Losing Our Minds', NY, (USA) | Gold Winner London Photography Awards 2022 (Black & White Photography - Religious) with my series 'Losing Our Minds', London (UK) | Gold Winner London Photography Awards 2022 (People Photography - Religious) with my series 'Losing Our Minds', London (UK) | Bronze Medal Paris International Street Photo Awards 2021- Category Black & White | Winner of the Intern. Black & White Photography Awards 2022 with my series 'Losing Our Minds', also awarded with a 'Special Mention' (Paris) | Overall Contest Winner @ the reFocus 'One Shot Contest' Awards 2022, honoring the most extraordinary photographers of our time | Photographer of the Year Winner (Amateur) with an 'Outstanding Achievement' @ the 17th B&W Spider Awards 2022, Beverly Hills (USA) | Silver Winner in Portfolio/Fine Art @ Budapest International Foto Awards 2022 with my series 'Losing Our Minds' | Silver Winner NY Photography Awards 2022 - Editorial Photography/Religious with my series 'Losing Our Minds' | Silver Winner NY Photography Awards 2022 - People Photography/Religious with my series 'Losing Our Minds' | Inductee to the Influx Gallery's Hall of Fame (London) - Merit of Excellence - 2023, January | Finalist Life Framer Humans of the World Competition (USA) - 2023, January | Winner of the 1st Salamander International Art Prize + exhibition @ Monteoliveto Gallery Paris (France) - 2023, February 23-28 | Gold Winner Muse Photography Award 2023 (People Photography - Couple) with my series 'Get connected', NY, (USA) | Silver Winner in Portraiture/Culture @ PX3 Prix de la Photographie Paris 2023 with my series 'Losing Our Minds' | Winner 1st Budapest Intern. Art Show artBIAS 2023, organized by Teravarna Art Gallery Los Angeles (USA) and Golden Duck Gallery Budapest | Grand Prize Winner of the Great Photo Awards 2023/ Black & White World Photo Competition, Athens (Greece) with 'Losing Our Minds' | Finalist Travel Photographer of the Year 2023 | Selected for the Xposure International Photography Festival @ Expo Center Sharjah, United Arab Emirates, 2024, Feb. 28 - March 5 | Platium, Gold & Silver Winner @ 2024 MUSE Photography Awards, New York | Bronze Winner in Architecture @ PX3 Prix de la Photographie Paris 2024 with my series 'The coal mine' | Finalist Travel Photographer of the Year 2024 | Winner of the 1ste edition of The B&W FotoNostrum Choice Awards Barcelona (Spain) + exhibition @ FotoNostrum Gallery Feb. 2025 | Winner and 'Discovery of the Year' + 'People's Vote Award' @ 2024 World Photo Annual Refocus Award (Cat. Film/Analog) | Grand Winner Paris International Street Photo Awards 2024 (Cat. Elder People Street) with my series ‘Cuba libre' Awarded Photographer of the Week - Week 52
John Haynes
John Haynes
United Kingdom
1937
I started taking photographs in1962 after being shown Henri Cartier Bresson's book (Les Européens) . Then after teaching myself photography with the aid of Andreas Feininger's book "Manual of Advanced photograhy " ( which is more about the thinking behind the photograph, than the technical) I worked for 2 years for "The Sunday Times" newspaper in London . I then started to specialise in theatre photography, taking photographs of plays using the same reportage photography I had taught myself on the streets. In house photographer for Royal Court Theatre, Hampstead Theatre London and photographed 200 plays for The National Theatre , London Exhibitions: London, New York, and Moscow National Portrait Gallery London. Samuel Beckett, Mike Leigh, and Joe Orton About Taking the Stage It may be that what really makes Haynes's photgraphs exceptional is that he has not only passively reflected a part of our theatrical tradition, but that his work has somehow contributed to it" Review by: Robert Gore Langton - Time Out About Images of Beckett "A major contribution to the way we see modernism.... the photo's show us not only what Beckett's play's looked like in original production, but also what Beckett wanted them to look like. They are the closest we can get to seeing them realized in the way he had envisaged them today" Review by: James Joyce - Literary Suppliment
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
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Exclusive Interview with Marijn Fidder
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