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Last Call AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Last Call AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Hengki Koentjoro
Hengki Koentjoro
Hengki Koentjoro

Hengki Koentjoro

Country: Indonesia
Birth: 1963

Born and bred amongst thousands of Indonesian islands, Hengki Koentjoro is a Californian-educated fine art photographer who finds solace in the monochromatic realm. A platform towards idealism he believes to be his true purpose in life's journey of expression.

Hengki Koentjoro is an accomplished photographer, specializing in capturing the spectral domain that lies amidst the shades of black and white. Born in Semarang, Central Java, Indonesia on March 24th 1963, he proceeded to pursue further education in Brooks Institute of Photography in Santa Barbara, California—an expedition that plunged him into the professional arena of video production and fine art photography. Childhood introduction to camera on his 11th birthday is by now an earnest love affair that involves an elaborate choreography of composition, texture, shapes and lines
 

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Torrance York
United States
1966
This Fall Torrance York published her monograph, Semaphore, with Kehrer Verlag and exhibited her Semaphore project in a solo show at Rick Wester Fine Art, NYC. She earned a BA from Yale and an MFA in photography from RISD. York's recent awards include: selection for Atlanta Photography Group's Portfolio 2022 exhibit; Lenscratch 2021 Art & Science Awards, Honorable Mention; Critical Mass 2021 finalist; and semifinalist and Olcott award winner from The Print Center 95th ANNUAL International competition (2020). The monograph was recently awarded 1st place/book/monograph by the Lucie Foundation's International Photography Awards. Her work is in private and public collections, including AllianceBernstein, New York, NY; John & Sue Wieland Collection at the Warehouse, Atlanta, GA; and RISD, Providence, RI. York has had solo shows at Silvermine Galleries, New Canaan, CT; New Canaan Museum & Historical Society; and Southport Gallery, Southport, CT, among others. Her work has been exhibited at Littlejohn Contemporary, New York, NY; Griffin Museum of Photography, Winchester, MA; TILT, Philadelphia, PA; Schelfhaudt Gallery, University of Bridgeport, CT; Aldrich Contemporary Art Museum, Ridgefield, CT; and Center for Photography at Woodstock, NY. She was a resident artist at Anderson Ranch Arts Center in Snowmass Village, CO, and received a Connecticut Artist Fellowship grant in 2010. Semaphore Semaphore examines the shift in my perspective after having been diagnosed seven years ago with Parkinson's disease. Through images, I consider what it means to integrate this life-altering information into my sense of self. What does acceptance look like? Post diagnosis, everyday items and experiences take on new meaning. As I look around me, the branches of trees become networks of neurons or resemble tendons in my wrist imaged by an MRI. Simple tools now present a challenge. Acknowledging these signals facilitates the process of adaptation. Optimism holds the key for me right now. Connection inspires. Light, always an inspiration, illuminates a path for me to follow. And I go. Parkinson's disease is the world's fastest growing brain disorder. Currently, over ten million people live with Parkinson's worldwide. While this project is relevant to the Parkinson's community, it also connects with others whose journeys require growth, patience, and perseverance to move forward. Published by Kehrer Verlag, Semaphore has 96 pages, includes 67 images, and an essay by Rebecca Senf, PhD, Chief Curat
Dorothea Lange
United States
1895 | † 1965
Dorothea Lange was an American documentary photographer, who studied photography at Columbia University and worked as an assistant to Arnold Genthe before beginning a photographic trip around the world in 1918. When she ran out of funds in San Francisco, she remained, opened a photographic studio, and during the early 1930s began photographing homeless rural people flooding into the city from the Dust Bowl exodus. Her photographs brought her to the attention of Paul Taylor, an economist at California University, who hired her to create a documentary record to accompany his report on agricultural conditions for the California State Relief Administration, and subsequently married her. When Roy Stryker saw these images, he hired her as a staff photographer for the Farm Security Administration (FSA), for which she worked sporadically as Stryker's budget allowed 1935-9. During this period, she made many of her best-known photographs, including the image known as Migrant Mother (1936). She later also photographed for the San Francisco branch of the Office of War Information, 1943-5, recording the internment of Japanese-Americans and the founding of the United Nations. In 1954-5 she was a photographer for Life magazine, afterward travelling extensively and producing photographic essays on Ireland, Egypt, and Asia.Source: The Oxford Companion to the Photograph In 1945, Ansel Adams invited Lange to teach at the first fine art photography department at the California School of Fine Arts (CSFA), now known as San Francisco Art Institute (SFAI). Imogen Cunningham and Minor White also joined the faculty. In 1952, Lange co-founded the photography magazine Aperture. In the mid-1950s, Life magazine commissioned Lange and Pirkle Jones to shoot a documentary about the death of the town of Monticello, California, and the subsequent displacement of its residents by the damming of Putah Creek to form Lake Berryessa. After Life decided not run the piece, Lange devoted an entire issue of Aperture to the work. The collection was shown at the Art Institute of Chicago in 1960. Another series for Life, begun in 1954 and featuring the attorney Martin Pulich, grew out of Lange's interest in how poor people were defended in the court system, which by one account, grew out of personal experience associated with her brother's arrest and trial. Lange's health declined in the last decade of her life. Among other ailments she suffered from was what later was identified as post-polio syndrome. She died of esophageal cancer on October 11, 1965, in San Francisco, at age seventy. She was survived by her second husband, Paul Taylor, two children, three stepchildren, and numerous grandchildren and great-grandchildren. Three months after her death, the Museum of Modern Art in New York City mounted a retrospective of her work that Lange had helped to curate. It was MoMA's first retrospective solo exhibition of the works of a female photographer. In February 2020, MoMA exhibited her work again, with the title Dorothea Lange: Words and Pictures, prompting critic Jackson Arn to write that "the first thing" this exhibition "needs to do—and does quite well—is free her from the history textbooks where she’s long been jailed." Contrasting her work with that of other twentieth-century photographers such as Eugène Atget and André Kertész whose images "were in some sense context-proof, Lange’s images tend to cry out for further information. Their aesthetic power is obviously bound up in the historical importance of their subjects, and usually that historical importance has had to be communicated through words." That characteristic has caused "art purists" and "political purists" alike to criticize Lange's work, which Arn argues is unfair: "The relationship between image and story," Arn notes, was often altered by Lange's employers as well as by government forces when her work did not suit their commercial purposes or undermined their political purposes. In his review of this exhibition, critic Brian Wallis also stressed the distortions in the "afterlife of photographs" that often went contrary to Lange's intentions. Finally, Jackson Arn situates Lange's work alongside other Depression-era artists such as Pearl Buck, Margaret Mitchell, Thornton Wilder, John Steinbeck, Frank Capra, Thomas Hart Benton, and Grant Wood in terms of their role creating a sense of the national "We". In 2003, Lange was inducted into the National Women's Hall of Fame. In 2006, an elementary school was named in her honor in Nipomo, California, near the site where she had photographed Migrant Mother. In 2008, she was inducted into the California Hall of Fame, located at The California Museum for History, Women and the Arts. Her son, Daniel Dixon, accepted the honor in her place. In October 2018, Lange's hometown of Hoboken, New Jersey honored her with a mural depicting Lange and two other prominent women from Hoboken's history, Maria Pepe and Dorothy McNeil. In 2019, Rafael Blanco (artist) painted a mural of Lange outside of a photography building in Roseville, California.
Mary Anne Mitchell
United States
Mary Anne Mitchell is a fine art photographer working primarily with analog processes. Her most recent series Meet me In my Dreams is shot using wet plate collodion. The images depict situations, often mysterious, which evoke her southern roots. She recently was a finalist in the 8th Edition of the Julia Margaret Cameron Awards and has been invited to exhibit some of this series in the 4th Biennial of Photography to be held in Berlin. Her work has been exhibited in solo and group exhibitions across the country and can be found in private and corporate collections across the US, Dubai, Taiwan, and Canada. She lives in Atlanta, GA. Source: www.maryannemitchellphotography.com About Meet Me in My Dreams, 2018 "This series is inspired by my poem Meet Me in My Dreams. The setting for many of the images is a fairytale landscape. My use of the young people celebrates the universal feeling of limitless potential that most people experience in their youth. The ghostlike figures are reflections of the later years when beauty and youth begin to fade. They suggest the feeling that one is becoming invisible and yet still present and powerful. The work speaks to family, memory, and the ethereal passage of time. The images are created using wet plate collodion. I scan and enlarge them to enhance the organic qualities of the medium. These are the elements of my dreams." -- Mary Anne Mitchell Meet Me in My Dreams Walking through the forest of my dreams I see a varied cast of characters. Some are known And some are strangers. Some are real, Some imagined. I catch a glimpse of something yet I look again and nothing is there, perhaps scattered by the wind. My eyes are tricked by the play of light on each and every tree. I sometimes sense I am not alone and someone watches me. The stories told are mine alone. Imagination fuels my memories and my vision is revealed. I invite you to come and meet me in my dreams. Interview with Mary Anne Mitchell All About Photo:I am a Georgia native and have exhibited my work in solo and group exhibitions throughout the United States. My photographs have been featured in online publications such as Burn and Plates to Pixels and can be found in private and corporate collections around the country. AAP: When did you realize you wanted to be a photographer?As a freshman in college, I bought a 35mm camera and took a class to learn how to use it and fell in love! AAP: Where did you study photography?Received a BFA from UGA in Athens, GA AAP: What or who inspires you?I always loved Edward Weston and Cartier Bresson as far as the masters of photography. My kids are currently my muses. AAP: How could you describe your style?Much of my work captures authentic moments in atmospheric b/w. AAP: What kind of gear do you use?I shoot film and use mostly 35mm Nikon cameras or Holga or Blackbird Fly plastic cameras. AAP: Do you spend a lot of time editing your images?In darkroom some dodging and burning. AAP: Favorite(s) photographer(s)?I always loved Edward Weston and Cartier Bresson as far as the masters of photography. There are so many contemporary photographers doing amazing work...hard to pick... really love Vivian Maier and her whole backstory is so fascinating. AAP: What advice would you give a young photographer?Shoot constantly but selectively. AAP: Your best memory has a photographer?Strolling anywhere in Europe, camera in hand! AAP: Your worst souvenir has a photographer?A soaking wet Nikon and lens after being knocked over in a canoe while trying to get an incredible shot!
Lillian Bassman
United States
1917 | † 2012
Lillian Bassman (June 15, 1917 – February 13, 2012) was an American photographer and painter. Her parents were Jewish intellectuals who emigrated to the United States from Russia in 1905 and settled in Brooklyn, New York. She studied at the Textile High School in Manhattan with Alexey Brodovitch and graduated in 1933. While there, she met the photographer, Paul Himmel, and they were married in 1935; Himmel died in 2009 after 73 years of marriage. From the 1940s until the 1960s Bassman worked as a fashion photographer for Junior Bazaar and later at Harper's Bazaar where she promoted the careers of photographers such as Richard Avedon, Robert Frank, Louis Faurer and Arnold Newman. Under the guidance of the Russian emigrant, Alexey Brodovitch, she began to photograph her model subjects primarily in black and white. Her work was published for the most part in Harper’s Bazaar from 1950 to 1965. By the 1970s Bassman’s interest in pure form in her fashion photography was out of vogue. She turned to her own photo projects and abandoned fashion photography. In doing so she tossed out 40 years of negatives and prints - her life’s work. A forgotten bag filled with hundreds of images was discovered over 20 years later. Bassman’s fashion photographic work began to be re-appreciated in the 1990s. She worked with digital technology and abstract color photography into her 90s to create a new series of work. She used Photoshop for her image manipulation. The most notable qualities about her photographic work are the high contrasts between light and dark, the graininess of the finished photos, and the geometric placement and camera angles of the subjects. Bassman became one of the last great woman photographers in the world of fashion. Bassman died on February 13, 2012, at age 94. Source: Wikipedia Lillian Bassman was born in 1917 into an immigrant family of free-thinking intellectuals, and was brought up with a mindset that allowed her to live as an independent and unconventional woman.She worked as a textile designer and fashion illustrator before working at Harper's Bazaar with Alexey Brodovitch, and ultimately becoming a photographer. Bassman's fashion images are unique, and acheieve their effect through manipulation in the dark room. Appearing in Harper's Bazaar from the 1940's to the 1960's, her work was categorized by their elegance and grace.Bassman had transformed these photographs into original works of art through her darkroom techniques in which she blurs and bleaches the images, investing them with poetry, mystery, and glamour. Source: Staley-Wise Gallery Lillian Bassman is one of the great 20th century fashion photographers along with Irving Penn and Richard Avedon. She began her career not as a photographer but as a painter at the WPA and then took courses at Pratt Institute in Brooklyn, New York. In 1945, Bassman was appointed Art Director at Junior Bazaar, giving projects to photographers such as Richard Avedon, Robert Frank and Paul Himmel (her husband). Later in 1947, she became the Art Director at Harper’s Bazaar, and her work appeared in Harper’s Bazaar throughout the 1940’s and 50’s. Her work was nearly destroyed in the 70’s by a water leak in her studio, and it was not until the 1990’s that her work was revived. With this new spotlight, Bassman received the Agfa Life Time Achievement Award and the Dem Art Directors Club Award in 1996. During the same year, Bassman began photographing again when she was asked to photograph the Haute Couture collection for New York Times Magazine, the Autumn Collection for Neiman Marcus, as well as work for German Vogue. Her work has been exhibited worldwide. Source: Peter Fetterman Gallery
Simon Roberts
United Kingdom
1974
Simon Roberts is a British photographic artist based in Brighton, UK. Often employing expansive landscape photographs, his approach is one of creating wide-ranging surveys of our time, which communicate on important social, economic and political issues. Roberts has been exhibited widely with We English touring to over thirty national and international venues. He’s had solo shows at the National Media Museum, Bradford, Museum of Contemporary Photography, Chicago, and Museum of Contemporary Art, Shanghai, and been included in numerous group exhibitions. Recent shows include Observers: British Photography and the British Scene (From the 1920s to Now) at Galeria de Arte SESI, Brazil, and Landmark: The Fields of Photography at Somerset House, London. His photographs reside in major public and private collections, including the George Eastman House, Deutsche Börse Art Collection and Wilson Centre for Photography. In recognition for his work, Roberts has received several awards including the Vic Odden Award (2007) - offered for a notable achievement in the art of photography by a British photographer, along with bursaries from the National Media Museum (2007), John Kobal Foundation (2008) and grants from Arts Council England (2007, 2010, 2011, 2014). He was commissioned as the official Election Artist by the House of Commons Works of Art Committee to produce a record of the 2010 General Election on behalf of the UK Parliament. In 2012 he was granted access by the International Olympic Committee to photograph the London Olympics and most recently was made an Honorary Fellow of the Royal Photographic Society, UK (2013). He has published three critically acclaimed monographs, Motherland (Chris Boot, 2007), We English (Chris Boot, 2009) - voted by Martin Parr as one of the best photography books of the past decade - and Pierdom (Dewi Lewis Publishing, 2013). One commentator has described his photographs as “subtle in their discovery and representation of forms of cultural character, which, upon closer inspection, reveal a richness of detail and meaning. They exhibit a disciplined compositional restraint, a richness of palette, and a wealth of narrative incident. Also represented by MC2 Gallery
Dmitry Ersler
Russia
1969
Dmitry Ersler is an award-winning fine art and advertising photographer with over two decades of experience. Born in Moscow, USSR and now based in Thailand, he began his artistic training under the guidance of his father. From 1976 to 1984, he studied at a Moscow public school, followed by public high school from 1984 to 1986. Between 1998 and 2004, he studied law at the Moscow Law University. Simultaneously, from 1999 to 2002, he pursued professional photography studies at the Moscow School of Art and Photography. Artist Statement: The artist's task is to awaken the viewer's imagination. My goal as a photographer is to evoke the viewer's imagination, trigger it, bring it to life. No one can create a picture better and brighter than the viewer's own imagination. It just needs a push, an impulse. My name is Dmitry, and I am a photographer. I create realistic-style photos depicting people in everyday life. However, most of my works are pictures with stories, with a narrative. The idea of creation such works is to photograph images with embedded stories and attempt to describe them using various techniques (interior details, clothing or props, lighting, model's pose, facial expressions, gestures, and so on). The people on these photographs are not just models; each of them is a participant in some events, a hero of their own story. And in each story, there was a past that happened just a moment before the viewer approached the photograph. There is also a present frozen while the viewer looks. And there is a future that will come as soon as the viewer steps away from the image. Each viewer has to examine the present himself, speculate about the past, and anticipate the future. What was in this imaginary past and what will be in the future entirely depends on the imagination of each viewer. The most important thing for me is that the viewer, flipping through a magazine or walking along the gallery wall, stops and looks at the image, freezes, and begins to ask themselves questions: What is happening here? Why is the protagonist of the picture doing this? What prompted him to do this? What will happen next? Making these questions arise is the essence of art.
Cindy Sherman
United States
1954
Cindy Sherman was born in 1954 in Glen Ridge, New Jersey. Sherman earned a BA from Buffalo State College, State University of New York (1976). In self-reflexive photographs and films, Cindy Sherman invents myriad guises, metamorphosing from Hollywood starlet to clown to society matron. Often with the simplest of means—a camera, a wig, makeup, an outfit—Sherman fashions ambiguous but memorable characters that suggest complex lives that exist outside of the frame. Leaving her works untitled, Sherman refuses to impose descriptive language on her images—relying instead on the viewer’s ability to develop narratives, as an essential component of appreciating the work. While rarely revealing her private intentions, Sherman’s investigations have a compelling relationship to public images, from kitsch (film stills and centerfolds) to art history (Old Masters and Surrealism) to green-screen technology and the latest advances in digital photography. Sherman’s exhaustive study of portraiture and self-portraiture—often a playful mixture of camp and horror, heightened by gritty realism—provides a new lens through which to examine societal assumptions surrounding gender and the valuation of concept over style. Among her awards are the Guild Hall Academy of the Arts Lifetime Achievement Award for Visual Arts (2005); American Academy of Arts and Sciences Award (2003); National Arts Award (2001); a John D. and Catherine T. MacArthur Foundation Award (1995); and others. Her work has appeared in major exhibitions at Sprüth Magers, Berlin (2009); Jeu de Paume, Paris (2006); the Museum of Modern Art, New York (1997); and the Museum of Contemporary Art, Los Angeles (1997); among others. Sherman has participated in many international events, including SITE Santa Fe (2004); the Venice Biennale (1982, 1995); and five Whitney Biennial exhibitions. Cindy Sherman lives and works in New York.
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Latest Interviews

Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Exclusive Interview with Guillaume Bonn
With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
Exclusive Interview with Sander Vos
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
Exclusive Interview with Tomasz Trzebiatowski Editor-in-chief FRAMES Magazine
Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age. In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
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AAP Magazine #54 Nature
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