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Ashley Suszczynski
Ashley Suszczynski
Ashley Suszczynski

Ashley Suszczynski

Country: United States
Birth: 1989

Ashley Suszczynski is an award-winning travel photographer based in Wilmington, Delaware, USA, focused on capturing ancient traditions in the modern day. She aims to tell the story of how lesser known cultures, relics, rites, and rituals have withstood time and evolved in our ever-changing world. Through visual storytelling, she hopes to share knowledge and understanding of these age-old customs in order to continue their preservation and social approval.

About Ancient Tradition in the Modern Day
"This project is an ongoing discovery of the ancient pagan roots masked throughout the villages of Basque Country and Northern Spain. This study and production of visual anthropology has taken me across the foothills of the Pyrenees, unearthing the various cultural traditions and winter rites of the region. Each event was unique in its characters and customs, yet shared profound similarities in symbolism. Through this imagery we discover age-old traditions alive and well in the 21st Century."
 

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MD Saiful Amin
Bangladesh
1969
I’m a street and documentary photographer from Dhaka. I began taking photos in the mid-90s, but it wasn’t until 2015 that I pursued photography seriously. My profession is in private service at a construction company. During the "Pilkhana Tragedy" on February 25, 2009, the armed border guards opened fire on civilians. I was taking pictures as they approached their gate, but suddenly, a bullet from a Chinese rifle hit me. My sciatic nerve was severely injured, and my leg was shattered into multiple pieces. From 2009 to 2011, I underwent seven major surgeries. I was bedridden for 4 ½ years. Unfortunately, during that time, my hard drive crashed, and I lost all my images from the 80s up to February 2009. It was an incredibly frustrating period for me. When I received my first DSLR camera in 2015, I picked up photography again. Despite the constant pain in my leg, I’ve never stopped. I never leave home without my camera, even for a single day. My work – Since 2016, I’ve focused on documenting the Bihari and Dalit communities, as well as homeless and street kids, urban slum communities, the tannery, and plastic industries, among other subjects. Achievements – I’ve participated in about 50 national exhibitions (winning 1st prize twice), and I’ve exhibited my work in Kolkata and Romania as a solo participant. I’ve received several FIAP honorable mentions and acceptances in salons worldwide. One of my photos was published in the 2018 edition of the 'Wisden' annual cricket book, often referred to as the Bible of Cricket. My work has also been featured in numerous international photography websites and magazines. In 2020, I won the FIAP Gold Medal and the "Photographer of the Year" trophy at the ABP Salon, a prestigious contest organized by the Bangladesh Photographic Society (BPS). Workshops – I’ve attended both short and long photography workshops with GMB Akash, the late Anwar Hossain Anu, M. R. Hasan, Prito Reja, Chanchal Mahmud, and Rafiqul Islam. Mentorship – I’ve also served as a judge for several national photography exhibitions between 2018 and 2019. Life in Bihari Camp, Dhaka, Bangladesh A young girl writes a poem in which she asks a simple yet profound question—one that no one can answer. She asks, Who am I? Her forefathers were born in India, they migrated to Pakistan, and she was born in Bangladesh. India abandoned them long ago, Bangladesh refuses to accept them as children of the land, and Pakistan won’t take them back. She says she has many names: Bihari, Maura, Muhajir, Non-Bangalee, Marwari, Urdu-speaker, Refugee, and Stranded Pakistani. But she desires only one identity: Human. This is the reality for the 160,000 camp-based Urdu-speaking community members in Bangladesh. In Geneva Camp alone, around 50,000 Urdu-speaking people of Indian and Pakistani origin live in difficult conditions. After the partition of India in 1947, amidst large-scale communal riots on both sides of the border, hundreds of thousands of Muslims from Bihar, Kolkata, Uttar Pradesh, Madhya Pradesh, and as far as Hyderabad migrated to what was then East Pakistan. Muhammad Ali Jinnah, the leader of the All India Muslim League, promised them that Pakistan would be a "safe haven for all Muslims." As is typical of people migrating from a shared locality, the Biharis formed separate clusters from the Bengalis. Their communities became concentrated in areas like Mohammadpur, Mirpur, Khulna, Chittagong, and Santahar. The new generation, born after the war, now comprises the majority of camp residents. They have no affiliations with either India or Pakistan. They were born in Bangladesh and identify as Bangladeshis. Unfortunately, the state is reluctant to accept them as such. It is a complex issue, with the majority population skeptical of their loyalty to the country they wish to call home. The inhumane conditions in which they live and the societal effects of their marginalization make it imperative to resolve this painful issue. 365 Photography Library This is the largest photography library in Bangladesh, with around 2,000 books on photography. It’s free for everyone, and I created it for young photographers and the next generation. I plan to leave it to them as my legacy before I die. www.365photographylibrary.com
Robert Farber
United States
1944
Robert Farber’s style has influenced generations of photographers. His painterly, impressionistic style captures the essence of composition in every genre, including nudes, still life, landscapes and architecture. His ten photo art books have sold over half a million copies. Jacqueline Kennedy Onassis brought Farber into Doubleday for the publication of his book “By The Sea,” which won the Art Director’s Award for color photography. Aside from numerous creative awards, Robert Farber also received the Photographer of the Year from PMA (Photographic Manufacturers Association), ASP International Award from the PPA (Professional Photographers of America) and The American Society of Photographers. This award was given to those who’ve made a significant contribution to the science and art of photography. Some previous recipients of this award include Dr. Edwin Land (inventor of the Polaroid), George Hurrell, and National Geographic. Farber’s work with nudes in fine art as well as in the commercial realm is known and respected. He has lectured for Ogilvy & Mather on the “Nude in Advertising.” ASMP requested to use Farber’s nudes as an examples of the artistic application in support of the National Endowment of Arts, after its backing of the controversial Mapplethorpe/Serrano exhibit. His book, “Farber Nudes,” was also included the Jacqueline Kennedy Onassis estate collection. Farber’s fine-art photographs have been published in virtually every form. Farber has exhibited in galleries and museums world-wide. He’s lectured at the Smithsonian Institute, The George Eastman House, as well as Universities and professional groups throughout the United States, Japan, Australia and Europe. Aside from his fine art photography, Robert Farber’s work encompasses major campaigns for fashion, beauty and advertising, as well as directing for TV and film. A documentary highlighting Farber’s life and career, is in development for PBS.Source: www.farber.com Robert Farber has become renown for his depictions of the female form, although his painterly, impressionistic photographic style captures the essence of composition in many genres. Farber’s unique compositions allow the viewer to see the subject from a different perspective and in his words, “to evoke a feeling of romance. That the viewer wants to be there, be a part of it, get lost in it, whether it is a still life or landscape.” A pioneer in many ways, Robert Farber has been a leading force in the world of photography, particularly in his treatment of the subject of the nude. His work has paved the way for the female form to be shown in fine art, publishing, and advertising in a way that he describes only as “respectfully.” Delighting the viewer with his natural approach and fully embracing the female form with a fine art approach, Farber began introducing nudes in his advertising work in the 1970s. He brings the romance depicted in his fine art photographs to his renowned commercial work that has been celebrated over for their captivatingly composed settings. Robert Farber is a New York City native whose artistic career began with art shows in 1970 just after college. At the start of his career, his most moving memory was when he was forced to leave an art show since photography was not widely accepted as an art form at that time. Persisting with his passion, he was eventually discovered at an Upper East Side art show. Both a publishing company and an advertising agency approached him, allowing his fine art career and fashion photography career to take off simultaneously. Farber also brings his romantic style to landscapes through his Americana series. By forcing the viewer to look at the images in a different way the artist hopes to show the heart and soul of America; a perspective he also applies to his New York Series. He hopes that his unique take on composition and style allow the viewer to experience the excitement, nostalgia, the grit and the elegance of the city. Aside from numerous other creative awards, Robert Farber has received the distinctive Photographer of the Year award from the Photographic Manufacturers Association. He has also received the ASP International Award from the Professional Photographers of America and The American Society of Photographers. Farber has lectured at the Smithsonian Institute, The George Eastman House, as well as universities and professional groups throughout the United States, Japan, Australia and Europe. Jackie Kennedy Onassis recruited Farber during her time working for the publisher Doubleday that resulted in the publication of his notable book By the Sea which would be the first of many others. Recently, Canon presented Farber's work in a solo exhibition at Art Miami in 2013, while a documentary highlighting the artist is currently in development for PBS and will air in September of 2014 chronicling this artist’s amazingly elegant work over the past four decades.Source: Holden Luntz Gallery
William Carrick
Scotland / Russia
1827 | † 1878
William Carrick was a Scottish-Russian artist and photographer. The son of a timber merchant, Andrew Carrick (died 1860), and Jessie née Lauder, he was born in Edinburgh on 23 December 1827. Only a few weeks old, the Carrick family took William with them to the port of Kronstadt in the Gulf of Finland. Andrew had been trading with this port for some time, and the family would stay there for 16 years. In 1844, the family moved to Saint Petersburg, where William became a student at the Saint Petersburg Academy of Arts, studying architecture under the renowned Alexander Brullov. By 1853 he had completed his studies there, moving to Rome to undertake further studies. Although his family's business collapsed during the Crimean War, in 1856 William Carrick returned to Saint Petersburg to become a photographer. However, in the summer of the following year he departed for Edinburgh to gain more experience of photography. There he met the photographic technician John MacGregor. In October, he returned to Russia, taking MacGregor with him in the aim of establishing a business and career. He opened a studio (or atelier) at 19 Malaya Morskaya Street, Saint Petersburg, making MacGregor his assistant. Carrick quickly made a name for himself capturing pictures of Russian life and pioneering Russian ethnographic photography, obtaining the patronage of Grand Duke Konstantine Nicholaievich of Russia. In 1862, Nicholas Alexandrovich, Tsesarevich of Russia ordered him a portrait, and was satisfied with it, therefore granted him with a diamond ring. In 1865, Count Mihaly Zichy hired Carrick to take pictures of his watercolours, in order to resell them as prints. Carrick did similar business with other artists, Ivan Kramskoi, Viktor Vasnetsov, and Nikolai Ge; after his death in 1879 many of these were published in his Album of Russian Artists. Carrick and MacGregor made several rural expeditions, including in 1871 a monthlong trip to Simbirsk province. He amassed a large collection of photographs depicting the lives of Russian and Mordovian peasants. In 1872 his colleague MacGregor died, leaving Carrick in despair. Despite this, Carrick continued his work. In 1876, he became photographer of the Academy of Arts, obtaining a studio in the Academy for his photography. An exhibition of his works was held in the Russian capital in 1869, followed by exhibitions at London (1876) and Paris (1878), all to great acclaim. Carrick died of pneumonia, at Saint Petersburg, on 11 November 1878. William Carrick was noted in Russia for his height, which was 6 foot and 4 inches. He had married once, to one Aleksandra Grigorievna Markelova (1832–1916), fathering by her two sons, Dmitry and Valery, whilst adopting her son Grigory from an earlier marriage. He trained Grigory as a photographer, while Valery went on to become a famous caricaturist. His wife Aleksandra, nicknamed Sashura, was a liberal and a nihilist, and for a time the only female journalist at the Peterburskie Vedomosti (Saint Petersburg Times).Source: Wikipedia
Eva Chupikova
Czech Republic
Eva is a freelance illustrator and photographer based in Czechia. She was born and grew up in the mountainous region in Northern Slovakia and after earning her degree in philosophy, she went on to establish a career as a freelance graphic designer and illustrator specializing in children´s literature. Eva has been intimately connected with photography since 2016. Her body of work falls under the genre of fine art portrait and minimalist landscape photography. A minimalist approach, the absence of colors, the emphasis on space and texture connected with a sometimes near blank canvas provide Eva the necessary means to visually express herself creatively. “As a photographer, I seek beauty in basic geometric lines and shapes, which are bound in harmony with the elusive variability and diversity of natural, organic forms. Photography, for me, is a means of capturing a distilled version of reality. It serves as a tool to seek out and unveil purified connections, free from the noise of superficial information and stimuli that inundate our senses and experiences. Through the lens, I strive to isolate and reveal the essential elements that might otherwise go unnoticed in the chaos of everyday life. Each image crafted is a deliberate act of reducing distractions, allowing viewers to immerse themselves in the simplicity and harmony of the moment.“ Eva´s conceptual portrait/self-portrait photography is closely intertwined with her profession as an illustrator. Through the use of techniques such as line work, drawing or collage, she is able to infuse her portraits with surreal and symbolic elements, blurring the lines between reality and imaginary. The main theme of Eva´s portrait photography is a figure or face reduced in expression, and it serves as an initial frame, against which a fleeting moment of consciousness takes place in hints. As a photographer, Eva finds herself drawn to creating series rather than single images. A series provides her with the opportunity to develop her concepts and articulate her aesthetic visions across a sequence of complementary images. By developing a series, Eva weaves together a visual theme that transcends the limitations of a single photograph, allowing to express her photographic intention in a more nuanced way. Eva has received numerous international awards and her work has been featured in various magazines. In 2022, Eva was awarded the grand prize – the ´Grand Prix Gold Star Award´ – for the series ´Leaving´ in the prestigious international ND Photography Awards for which Eva received the title ND Discovery of the Year 2022.
Lorenzo Meloni
Lorenzo Meloni (born 1983) is an Italian Photographer. He joined Magnum Photos as a nominee member in 2015. Meloni is known for his searing, artfully drawn photography covering conflicts in the Middle East. Though he is often working on the frontline—he has covered some of the most pivotal battles in the war against the Islamic State—he is also concerned with deeper themes, such as history and post-colonialism. In 2011, he finished his photography studies and immediately joined Contrasto, a major Italian photographic agency. He lived in Beirut from 2012 to 2014 and dedicated himself to long-term projects regarding the aftermath of the fall of Gaddafi in Libya, the conflict in Syria (specifically the area of Rojava) and its impact in Lebanon, between 2014 to 2016. His work currently focuses on the consequences of the Sykes-Picot agreement and the military and political intervention of the West in the Middle East. Meloni’s work has been exhibited in festivals worldwide including the Venice Biennale, Visa pour L’Image, Les Rencontres d’Arles, Boutographies and Fotoleggendo and has been featured in global publications including The Telegraph, TIME, Le Figaro, Vanity Fair, Internazionale, L’Espresso, La Repubblica.Source: Magnum Photos When proclaimed in June 2014 in Mosul, the Caliphate was then at the height of its power. The Jhiadists controlled a territory that was as big as the United Kingdom and were in charge of a significant arsenal captured from the Iraqis army, composed of volunteers coming from all over the world. Lorenzo Meloni has documented this conflict, getting the exclusive opportunity to cover the battles of Kobane, Palmyra, Sirte, Mosul and Ragga. Five major battles for the same war, a huge number of actors: locals, regional, international ones; a sole enemy: the Islamic State. Each of these five cities embodies a distinct symbolic aspect of this global war against the Islamic State. Kobane, a Kurdish-Syrian stronghold, pro-PKK, was the first great defeat for the Jihadists and the beginning of the intervention of the coalition led by the United States in Syria. The battle of Palmyra is representative of the destruction of archeological sites committed by the Islamic State. Meloni is one of the few photographers to travel there in April 2016 to record the liberation of the city by the Syrian regime and its alleys. Sirte, in Lybia, went from being Gadaffi’s birthplace to the African capital of the Islamic State. Mosul, the jewel in the crown of the Jihadists. The biggest urban battle after World War II and the capital of the Islamic State in Iraq. And ultimately Ragga, an important administrative headquarter and capital of the Islamic State in Syria, liberated by the Kurdish and Arab forces in Syria. Lorenzo Meloni, covering these five battles, offers a unique perspective of five echoes of the same war. He shows the fighting and the ruins, the fury and the silence. The silence of these places where war has estranged life.Source: IMP Festival
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