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Win a Solo Exhibition in July 2026 + An Exclusive Interview!
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Luigi Ghirri
Luigi Ghirri

Luigi Ghirri

Country: Italy
Birth: 1943 | Death: 1992

Luigi Ghirri, born on January 5, 1943, in Scandiano, Emilia-Romagna, Italy, was a trailblazing photographer renowned for his innovative use of color. Ghirri's early life in this picturesque region profoundly influenced his artistic vision. Initially trained as a surveyor, he began experimenting with photography in the early 1970s, a time when the medium was predominantly monochrome and used mainly for documentation and advertising.

Ghirri diverged from the norm by embracing color photography as a legitimate artistic form. His work delved into the social and cultural changes sweeping through Italy during the 1970s, particularly the infiltration of advertising and the rise of leisure activities. His images often feature everyday scenes, landscapes, and urban environments, infused with a sense of nostalgia and contemplation. He had an uncanny ability to find beauty in the mundane, transforming ordinary moments into profound visual narratives.

One of Ghirri's most significant contributions was his ability to convey the evolving identity of post-war Italy. His photographs from this era provide a vivid chronicle of the shifting social landscape, marked by consumerism and modernity, yet always maintaining a deep connection to the region's history and traditions.

In 1978, Ghirri published his first book, "Kodachrome," which became a seminal work in the field of color photography. This collection showcased his unique perspective and solidified his reputation as a visionary artist. He continued to produce influential works throughout the 1980s, including notable projects like "Il Profilo delle Nuvole" and "Viaggio in Italia," which further explored themes of travel, memory, and the passage of time.

Ghirri's approach was both methodical and poetic. He meticulously composed his shots, paying close attention to light, color, and composition. His photographs often feature elements of surrealism and irony, inviting viewers to see the world through his distinctive lens.

Despite his untimely death on February 14, 1992, Ghirri's legacy endures. His work has been celebrated in numerous exhibitions and retrospectives worldwide, influencing generations of photographers. Luigi Ghirri remains a pivotal figure in the history of photography, revered for his pioneering use of color and his profound ability to capture the essence of a changing Italy.
 

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More Great Photographers To Discover

Cindy Sherman
United States
1954
Cindy Sherman was born in 1954 in Glen Ridge, New Jersey. Sherman earned a BA from Buffalo State College, State University of New York (1976). In self-reflexive photographs and films, Cindy Sherman invents myriad guises, metamorphosing from Hollywood starlet to clown to society matron. Often with the simplest of means—a camera, a wig, makeup, an outfit—Sherman fashions ambiguous but memorable characters that suggest complex lives that exist outside of the frame. Leaving her works untitled, Sherman refuses to impose descriptive language on her images—relying instead on the viewer’s ability to develop narratives, as an essential component of appreciating the work. While rarely revealing her private intentions, Sherman’s investigations have a compelling relationship to public images, from kitsch (film stills and centerfolds) to art history (Old Masters and Surrealism) to green-screen technology and the latest advances in digital photography. Sherman’s exhaustive study of portraiture and self-portraiture—often a playful mixture of camp and horror, heightened by gritty realism—provides a new lens through which to examine societal assumptions surrounding gender and the valuation of concept over style. Among her awards are the Guild Hall Academy of the Arts Lifetime Achievement Award for Visual Arts (2005); American Academy of Arts and Sciences Award (2003); National Arts Award (2001); a John D. and Catherine T. MacArthur Foundation Award (1995); and others. Her work has appeared in major exhibitions at Sprüth Magers, Berlin (2009); Jeu de Paume, Paris (2006); the Museum of Modern Art, New York (1997); and the Museum of Contemporary Art, Los Angeles (1997); among others. Sherman has participated in many international events, including SITE Santa Fe (2004); the Venice Biennale (1982, 1995); and five Whitney Biennial exhibitions. Cindy Sherman lives and works in New York.
Martine Franck
Belgium
1938 | † 2012
Franck was born in Antwerp to the Belgian banker Louis Franck and his British wife, Evelyn. After her birth the family moved almost immediately to London. A year later, her father joined the British army, and the rest of the family were evacuated to the United States, spending the remainder of the Second World War on Long Island and in Arizona. Franck's father was an amateur art collector who often took his daughter to galleries and museums. Franck was in boarding school from the age of six onwards, and her mother sent her a postcard every day, frequently of paintings. Ms. Franck, attended Heathfield School, an all-girls boarding school close to Ascot in England, and studied the history of art from the age of 14. "I had a wonderful teacher who really galvanized me," she says. "In those days she took us on outings to London, which was the big excitement of the year for me." Franck studied art history at the University of Madrid and at the Ecole du Louvre in Paris. After struggling through her thesis (on French sculptor Henri Gaudier-Brzeska and the influence of cubism on sculpture), she said she realized she had no particular talent for writing, and turned to photography instead. In 1963, Franck's photography career started following trips to the Far East, having taken pictures with her cousin’s Leica camera. Returning to France in 1964, now possessing a camera of her own, Franck became an assistant to photographers Eliot Elisofon and Gjon Mili at Time-Life. By 1969 she was a busy freelance photographer for magazines such as Vogue, Life and Sports Illustrated, and the official photographer of the Théâtre du Soleil (a position she held for 48 years). From 1970 to 1971 she worked in Paris at the Agence Vu photo agency, and in 1972 she co-founded the Viva agency. In 1980, Franck joined the Magnum Photos cooperative agency as a "nominee", and in 1983 she became a full member. She was one of a very small number of women to be accepted into the agency. In 1983, she completed a project for the now-defunct French Ministry of Women's Rights and in 1985 she began collaborating with the non-profit International Federation of Little Brothers of the Poor. In 1993, she first traveled to the Irish island of Tory where she documented the tiny Gaelic community living there. She also traveled to Tibet and Nepal, and with the help of Marilyn Silverstone photographed the education system of the Tibetan Tulkus monks. In 2003 and 2004 she returned to Paris to document the work of theater director Robert Wilson who was staging La Fontaine's fables at the Comédie Française. Nine books of Franck's photographs have been published, and in 2005 Franck was made a chevalier of the French Légion d'Honneur. Franck continued working even after she was diagnosed with bone cancer in 2010. Her last exhibition was in October 2011 at the Maison Européenne de la Photographie. The exhibit consisted of 62 portraits of artists "coming from somewhere else" collected from 1965 through 2010. This same year, there were collections of portraits shown at New York's Howard Greenberg Gallery and at the Claude Bernard Gallery, Paris. Franck was well known for her documentary-style photographs of important cultural figures such as the painter Marc Chagall, philosopher Michel Foucault and poet Seamus Heaney, and of remote or marginalized communities such as Tibetan Buddhist monks, elderly French people, and isolated Gaelic speakers. Michael Pritchard, the Director-General of the Royal Photographic Society, observed: "Martine was able to work with her subjects and bring out their emotions and record their expressions on film, helping the viewer understand what she had seen in person. Her images were always empathetic with her subject." In 1976, Frank took one of her most iconic photos of bathers beside a pool in Le Brusc, Provence. By her account, she saw them from a distance and rushed to photograph the moment, all the while changing the roll of film in her camera. She quickly closed the lens just at the right moment, when happened to be most intense. She cited as influences the portraits of British photographer Julia Margaret Cameron, the work of American photojournalist Dorothea Lange and American documentary photographer Margaret Bourke-White. In 2010, she told The New York Times that photography "suits my curiosity about people and human situations." She worked outside the studio, using a 35 mm Leica camera, and preferring black and white film. The British Royal Photographic Society has described her work as "firmly rooted in the tradition of French humanist documentary photography." Source: Wikipedia Born in Belgium, Martine Franck (1938-2012) grew up in the United States and in England. She studied art history at the University of Madrid and at the École du Louvre in Paris. In 1963, she went to China, taking her cousin's Leica camera with her, and discovered the joys of documenting other cultures. Returning home via Hong Kong, Cambodia, India, Afghanistan and Turkey, and bought her first camera while on the trip. Returning to France, she worked as a photographic assistant at Time-Life where she developed her own technique. In 1966, Franck met Henri Cartier-Bresson, whose photographs epitomized Magnum's tradition of humanitarian photography. Franck was adamant that she would neither bask in his reflection nor disappear in his shadow and she joined the Vu agency in 1970. Her first solo exhibition was planned for the ICA in London that year; when she saw that the invitations were embossed with the information that her husband would be present at the launch, she cancelled the show. With Vu's demise, Franck co-founded the Viva agency in 1972. It also collapsed and it was not until 1980 that Franck joined Magnum, becoming a full member in 1983. She was one of the few women to be accepted into the agency and served as vice-president from 1998 to 2000. Eschewing the war/human tragedy reportage that characterized Magnum's reputation, Franck continued her projects on marginal or isolated lives throughout the rest of her life. Source: Howard Greenberg Gallery
Johnny Kerr
United States
1982
Johnny Kerr is a fine art photographer based in the West Valley of Arizona’s Phoenix Metropolitan Area. Johnny is self-taught in the craft of photography but entered into his study of the medium with many years of art education and design experience. In 2003 he earned a Bachelor’s degree in Media Arts from the Art Institute of Phoenix and went on to make his living as a graphic designer. Johnny began learning and experimenting with photography in 2011 and in 2013 decided to shift his focus, pursuing photography as his primary medium of expression. He cites his graphic design experience, along with his appreciation for minimalist design, as having the largest influence on his vision as a fine art photographer. After deciding to change careers Johnny went back to school, earning his Master of Arts in Education degree in 2010. Johnny currently makes his living as a photography teacher in the greater Phoenix area, where he lives with his wife and daughter. STATEMENT Growing up in Arizona has certainly given me an appreciation for the unique beauty of the desert. However, I have never found my desert surroundings to be particularly inspiring in my artistic endeavors. Lacking the inspiration to capture my natural surroundings in a representational manner, I have found freedom and gratification in abstraction. I found architecture to be an inspiring subject matter for its graphic qualities, but my photographs are not really about the buildings. Each photograph is a study of the rudimentary elements that catch my attention: shape, space, volume, line, rhythm, etc. Drawing heavily from my graphic design experience, each architecture photograph represents an exercise in isolating those basic elements and trying to present them in a harmonious design. Often I have incorporated long exposure techniques to create images that seem to exist outside of the reality our eyes perceive on a daily basis. My goal has not been to abstract the subject beyond recognition, but to simplify, to pull it out of its usual context, and try to see the ordinary surroundings of city life in a new way. The lessons I learned from my exercises in abstracting architecture have also carried through into other subject matter, including landscape and seascape, helping me to find solace and inspiration in unexpected places.
Maggie Taylor
United States
1961
Maggie Taylor received her BA degree in philosophy from Yale University in 1983 and her MFA degree in photography from the University of Florida in 1987. After more than ten years as a still life photographer, she began to use the computer to create her images in 1996. Her work is featured in Adobe Photoshop Master Class: Maggie Taylor’s Landscape of Dreams, published by Adobe Press in 2004; Solutions Beginning with A, Modernbook Editions, Palo Alto, 2007; and Alice’s Adventures in Wonderland, Modernbook Editions, Palo Alto, 2008. Taylor’s images have been exhibited in one-person exhibitions throughout the U.S and abroad and are in numerous public and private collections including The Art Museum, Princeton University; The Fogg Art Museum, Harvard University; Harn Museum of Art, University of Florida; Museum of Fine Arts, Houston, Texas; and The Museum of Photography, Seoul, Korea. In 1996 and 2001, she received State of Florida Individual Artist’s Fellowships. In 2004, she won the Santa Fe Center for Photography’s Project Competition. 2005 she received the Ultimate Eye Foundation Grant. She lives in Gaineville, Florida.From en.wikipedia.orgMaggie Taylor (born 1961 in Cleveland, Ohio) is an artist who works with digital images. She won the Santa Fe Center for Photography's Project Competition in 2004. Her work has been widely exhibited in the United States and Europe and is represented within the permanent collections of several galleries and museums. She is the third wife of American photographer, Jerry Uelsmann. She produces prints by scanning objects into a computer using a flatbed scanner, then layering and manipulating these images using Adobe Photoshop into a surrealistic montage.
Janne Korkko
Photography means more to me than just doing it: it is as important as breathing and living. I switched in documentary shooting 10 years ago. Image has always been an important form of narrative but I wanted it to show the touch of life and humanity that define my ideas. Socially important and difficult topics that are approachable make me work. I feel I have a mission. I am proud and humbled as well as grateful. Things that have touched me, touched them, too. That is the stories, the interaction with people that developed to the eye to see. Night River We need to understand where we are and how we got here. Once we are clear on these issues we can move forward... (Thomas Berry) Rivers have river rights as well as humans have human rights. People, communities, environments, and nature have deep interrelated connection. A connection that is more complex than an ownership of land, a fishing permit, a cottage on the riverside, or a beautiful sundown on the opposite shore of the river. The name of the river in these photos is Iijoki. The name comes from an ancient word of Sami ('iddja', 'ijje'), which means 'night'. So, the name of this river is Night. Night-River flows through Yli-Ii, the riverside village, which belongs now to bigger city of Oulu. It means that there are no public services any more. The village is disappearing. Night-River is full of songs of memories, and its riverbanks are full of people with these memories. Some of them are sacred, silenced, or even untold. Usually it seems that nobody wants to remember the song of the unforgotten village - and the blocked river. But some of the songs are still alive, or they are waking up through the people, who are starting to re-member the song of the wild, free-flowing river. The landscape of the village, and the diversity and ecology of native nature, changed totally during the 1960s, when the river was dammed - and there were built many hydroelectric power-plants in it. The damming of the river was one of the biggest eco catastrophes in the area of North Finland. But it was also catastrophic for the whole society of the village and its families in many - maybe still unidentified and unconscious - ways. Nowadays the eco catastrophes is still going strong - in clearcutting and swamp ditching. But the second longest river in Finland - with its 150 rapids - is still alive under all the constructions, destructions of riverbeds, and hydroelectric dams. It lives also in peoples' minds and bodies, in their eyes and destinies, and maybe in their most hidden memories. It is singing its unique song. "Virpi Alise Koskela"
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