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Nicolas Castermans
Nicolas Castermans
Nicolas Castermans

Nicolas Castermans

Country: France
Birth: 1991

My name is Nicolas Castermans. I was born in the French Alps, in a little countryside village on the border with Switzerland. I turned 31 years old last June (2022).

At the age of 21, I went abroad. I did a Masters degree in International Business in China, where a real passion for traveling was born in me. I spent every spare moment that I had, with an amazing group of friends, discovering this huge country and South-East Asia. I explored this continent for about 3 years and this is where I lived my first real adventures, like Vietnam on motorbike, or traveling 14,000 km from Hong Kong to France, via the Trans-Siberian train.

During this trip, I had the chance to meet Izabela, a wonderful Polish traveler, who made me the honor of becoming my wife 5 years ago.

Together, we decided to go to South America, and after a year in Peru, we set up our own travel agency there.

While developing this activity and guiding our first clients, I started to photograph and document what I was experiencing. Slowly, photography became a real passion !

We’ve been now on the continent for about 6 years. I can’t stop being fascinated by the diversity of cultures and landscapes in the Andes.

Since February 2021, we’ve embarked on a motorcycle trip in Colombia that has taken us to Northern Argentina so far, while keeping organizing/guiding trips for our travel agency. I’ve also developed Photo Tours on the continent that I lead myself.

Who knows where all these adventures will take us in the near future...

Websites

www.baikara.net

@nicolascastermans

 

Inspiring Portfolios

Marjolein Martinot
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Jackson Patterson
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More Great Photographers To Discover

Sim Chi Yin
Sim Chi Yin
Singapore
1978
Sim Chi Yin (born 1978) is a Singaporean photographer, based between Beijing, China, and London. She works as a documentary photographer and artist who pursues self-directed projects in Asia and is "interested in history, memory, and migration and its consequences". As well as photography she uses film, sound, text and archival material. The Long Road Home: Journeys Of Indonesian Migrant Workers was published in 2011. Sim is a nominee member of Magnum Photos. Sim Chi Yin was born in Singapore. She learned history and international relations at the London School of Economics on a scholarship. She worked as a print journalist and foreign correspondent at The Straits Times for nine years. In 2010 she quit to work full time as a photographer. Within four years she was working as a photojournalist, getting regular assignments from The New York Times. Her first major work was The Rat Tribe, about blue-collar workers in Beijing. It has been published widely and was shown at the Rencontres d'Arles in 2012. Sim spent four years photographing Chinese gold miners living with the occupational lung disease silicosis, published in the photo essay Dying To Breathe, much of it about He Quangui, also the subject of a short film. She was commissioned as the Nobel Peace Prize photographer in 2017 to make work about its winner, the International Campaign to Abolish Nuclear Weapons. Her photographs of similarities in landscapes related to nuclear weapons, both in the USA and along the China-North Korea border, were exhibited at the Nobel Peace Center museum in Oslo, Norway. In 2014 she became an interim member of VII Photo Agency, a full member in 2016 then left in 2017. In 2018 she became a nominee member of Magnum Photos. She has been awarded a Magnum Foundation Social Justice and Photography fellowship and the Chris Hondros Award. She is newly based in Berlin.Source: Wikipedia Sim Chi Yin’s work combines deep research with intimate storytelling. She explores history, memory, conflict and migration using photography, film, sound, text and archival material, in a multidisciplinary practice. Chi Yin was commissioned as the Nobel Peace Prize photographer in 2017 and created a solo show for the Nobel Peace Centre museum in Oslo on nuclear weapons, combining video installation and still photography. Other notable projects include One Day We’ll Understand, an ongoing excavation of histories from the anti-colonial resistance movement in British Malaya during the early Cold War, Dying to Breathe which chronicled the slow death of a Chinese gold miner from “Black Lung” disease and Shifting Sands, an on-going visual investigation into world’s dependence on a non-renewable resource. Her work has been exhibited in the Istanbul Biennale (2017), at the Institute of Contemporary Arts Singapore, the Annenberg Space For Photography in Los Angeles, Gyeonggi Museum of Modern Art in South Korea, and other galleries and institutions in Europe, the United States and Asia. Her film and multimedia work have also been screened at Les rencontres d’Arles and Visa pour l'Image festivals in France, and the Singapore International Film Festival. She has worked on assignments for global publications, such as The New York Times Magazine, Time Magazine, National Geographic, The New Yorker and Harper's Bazaar. Chi Yin read history at the London School of Economics and Political Science for her first two degrees and was a staff journalist and foreign correspondent for a decade before quitting to become an independent visual practitioner in 2011. She is currently also a PhD candidate on scholarship at King’s College London, in War Studies. Chi Yin became a Magnum nominee in 2018.Source: Magnum Photos Recent solo exhibitions include One Day We’ll Understand, Les Rencontres d’Arles (2021), One Day We’ll Understand, Landskrona Foto Festival, Sweden (2020), One Day We’ll Understand, Hanart TZ Gallery, Hong Kong (2019) and Most People Were Silent, Institute of Contemporary Arts, LASALLE College of the Arts, Singapore (2018), Fallout, Nobel Peace Museum, Oslo (2017). Her work has also been included in group shows such as Most People Were Silent, Aesthetica Art Prize, York Art Gallery, United Kingdom (2019); UnAuthorised Medium, Framer Framed, Amsterdam, The Netherlands; Relics, Jendela (Visual Arts Space) Gallery, Esplanade, Singapore (both 2018); and the Guangzhou Image Triennial ( 2021), the 15th Istanbul Biennial, Turkey (2017). Sim was commissioned as the Nobel Peace Prize photographer in 2017, nominated for the Vera List Center’s Jane Lombard Prize for Art and Social Justice 2020.Source: chiyinsim.com
Candida Höfer
Candida Höfer
Germany
1944
In the realm of contemporary photography, Candida Höfer stands as a luminary, renowned for her captivating exploration of architectural spaces. Born on June 28, 1944, in Eberswalde, Germany, Höfer's journey into the realm of imagery commenced at the renowned Kunstakademie Düsseldorf, where she studied under the tutelage of influential photographers such as Bernd and Hilla Becher. It was within this environment that Höfer's distinctive style began to take shape, influenced by the meticulous attention to detail and structural composition instilled by her mentors. Throughout her career, Höfer's work has been characterized by an unwavering dedication to capturing the essence of spaces. Her photographs transcend mere documentation, evoking a profound sense of contemplation and introspection within the viewer. Through her lens, mundane environments are transformed into captivating scenes, inviting exploration of the intricate interplay between form, function, and human presence. One of Höfer's most notable series, "Interiors," delves into the architectural heritage of culturally significant spaces such as libraries, museums, and theaters. Through meticulous composition and masterful use of light, she imbues these environments with a sense of solemn grandeur, inviting viewers to immerse themselves in the rich tapestry of history and culture encapsulated within each frame. Höfer's oeuvre extends beyond the boundaries of her native Germany, encompassing a diverse array of global locales. From the opulent halls of Versailles to the austere corridors of contemporary office buildings, her photographs offer a poignant commentary on the universal themes of human existence, identity, and collective memory. In addition to her solo exhibitions, Höfer's work has been featured in prestigious institutions and galleries worldwide, solidifying her status as one of the most influential photographers of her generation. Awards and accolades, including the prestigious Erasmus Prize in 2010, further underscore the profound impact of her contributions to the world of photography. Beyond her artistic achievements, Höfer's legacy also resides in her role as a mentor and educator, inspiring countless aspiring photographers to push the boundaries of their creativity and develop a deeper appreciation for the nuances of visual storytelling. As Candida Höfer continues to navigate the ever-evolving landscape of contemporary photography, her unwavering commitment to capturing the essence of spaces ensures that her work will endure as a timeless testament to the beauty and complexity of the built environment.
Dotan Saguy
Dotan Saguy
Israel
1970
Dotan Saguy was born in a small kibbutz five miles south of Israel's Lebanese border. He grew up in a diverse working-class Parisian suburb, lived in Lower Manhattan during 9/11, and moved to Los Angeles in 2003. In 2015, Saguy decided to focus on his lifelong passion for photography after a successful career as a high-tech entrepreneur. Since then Saguy attended the prestigious Eddie Adams Workshop, Missouri Photo Workshop and studied photojournalism at Santa Monica College. Saguy's award-winning photographs have been published by National Geographic, The Guardian, The Los Angeles Times, among many other publications. Saguy teaches street photography and documentary workshops for Leica Akademie and Momenta Workshops. In 2018 Saguy's first monograph about the endangered culture of Venice Beach, CA was published by Kehrer Verlag and received a Bronze award by the prestigious Deutscher Fotobuchpreis 2018-19. Saguy lives in Los Angeles with his wife and two children. Statement I met the Reis, a Mormon family from Brazil, the day they arrived in Los Angeles in October 2018 in the yellow school bus they call home. They had come to the United States two years prior to chase the American Dream and although they had quickly found financial success, happiness proved much more elusive with long work hours and material acquisitions leaving them unsatisfied. This body of work documents the trials and tribulations of the Reis family over their 10-month stay in the City of Angels while they struggle as vehicle dwellers, improvised mechanics, unconventional parents, experimenting breadwinners while seeking happiness as a family. The interviews conducted as part of the project also raise subjects such as immigrants chasing the American dream, modern parenting, the growing urban phenomenon of people living in vehicles and rebelling against a strong religious identity in the Internet era. Articles About Nowhere to go but Everywhere Dogtown
Thierry Camus
Thierry Camus
France
1959
From the black and white film photo lab of my teenage high school to my full-size CANON of today, passing through slides in the 90s and the arrival of digital in the early 2000s : a lifetime with photography as a passion, amateur and self-taught. Over the years, my way of taking pictures matured and I felt like "interpreting" what I was seing, discovering the world and showing it in my own way. Taking pictures meets the need and the secret desire, to leave a trace of this vision and to convey an emotion. Offering my point of view and expressing my uniqueness, this is what being a photographer means to me. ARCHITECTURAL photography fascinates me and the city is my inexhaustible source of inspiration, the URBAN BODY. It’s not the building itself that interests me, but its LINES and COLORS, as shown by my first serie "my LINES on BLUE" and "STRICTLY LINE". Then architectural photography became URBAN LANDSCAPE, mixing stone and urban objets, always without human pesence, to forget scale and remain abstract. That brought me to my serie "STRICTLY COLOR". « Locked up at home » during the first confinement, I discovered that natural light could create interesting shadows and reflections on my everyday objects surrounding me. It was giving them poeetry and even sensuality, and a real architectural spirit … I created my last series "at HOME" and "my POETRY of the ORDINARY". Always the same thread : LINES and COLORS. Exterior or interior architecture, with details taken out of their context, with frontal, tight and minimalist framings, and unusual angle views, all references are lost. My images become almost unreal and theatrical, in order to exacerbate strength, materiality, power and sometimes violence of buildings and objects. Playing with geometry and shapes being drawn by colors, they are highly graphic. I like that « decisive moment » when I look for the photo, find it, integrate it, then shoot it and, last but not least, interpret and finalize it. I am happy to share this work.
Yixu Wang
Yixu Wang
China
1999
I’m Yixu, born in Tangshan, Hebei, now living in London. My photography is a personal journey exploring identity, the pressures we feel from society, and the everyday traditions of my hometown. AAP Magazine: AAP Magazine #48 Portrait
Mahmud Hams
Mahmud Hams
Palestine
1980
Mahmud Hams. I studied media and graduated in 2001. I have worked for the French Press Agency as a photojournalist since 2003. I covered many events for the agency in the Gaza Strip and neighboring countries, including sports. I won many international awards in the field of photojournalism and war coverage. I covered five wars on Gaza and all the stories. I study photojournalism at several universities.
Soumya Sankar Bose
Soumya Sankar Bose
India
1990
I am a documentary photographer based in India. I did my Post graduate diploma in photography from Pathshala South Asian Media Institute.Born in 1990 Midnapore - Lives and works in KolkataAwards and Fellowships: The Toto-Tasveer Emerging Photographer of the Year. India foundation for the Arts grant for the Project "Let's Sing an Old Song". Magnum Foundation's Photography and Social Justice Fellowship for the Project "Full Moon in a Dark night"Publications: The Telegraph, The Indian Express , Better Photography, Kindle Magazine, Mint Lounge, The Caravan, Wired, A’int-Bad Magazine, Platform, Harmony . As well as online portals such as Scroll.in, The Huffington Post, BBC Online, Gallery Carte Blanche, F-Stop Magazine, Galli Magazine, Fltr , Medium and etc. AAP: Do you have a mentor or role model? Yes, Shahidul Alam who is the principal of Pathshala .And Morten Krogvold was one of my mentor during Chobimela VII .AAP: Do you remember your first shot? What was it?I don't remember my first shot exactly but when I was 7-8 years old, I got a Kodak KB10 from my mother and then I started to capture each and everything around me.AAP: What or who inspires you?My Parents ,Friends, Barnali But mostly my Grand father whose photographs inspire me to become a photographer in my childhood.AAP: How could you describe your style?Once one of my mentor Hasib Zakaria told me that my work is about hyper real. "Hyper reality is seen as a condition in which what is real and what is fiction are seamlessly blended together so that there is no clear distinction between where one ends and the other begins."AAP: What kind of gear do you use? Camera, lens, digital, film?I like to shoot only on 35mm Prime lens in Film and Digital both.AAP: Do you spend a lot of time editing your images? For what purpose?I don't spend lot of time in editing my pictures but what I keep in mind during my editing is that I should not off-tracked.AAP: Favorite(s) photographer(s)?Alec Soth, Stfan bladh, Graciela Iturbide, Diane Arbus, Dayanita Singh and so on.AAP: What advice would you give a young photographer?I am also a young Photographer.AAP: What are your projects?My project documents retired Jatra artists (Jatra is four hundred years old Bengali folk theater which is disappearing day by day) or who have been working in Jatra for more than 25-30 years.AAP: Your favorite photo book?Calcutta Ladies by Dayanita Singh, Fauna and Flora by Dietmar Busse and so on.
Allison Martinek
Allison Martinek
United States
1999
Allison Martinek is a photographer and artist from Cresco, IA. She received her BFA in photography from Savannah College of Art and Design in 2024. Allison enjoys connecting with people while photographing them and prioritizes their comfort to produce authentic portraiture. She aims to portray her subject's vulnerability, strength, and personality through her photography.
Rania Matar
Rania Matar
Lebanon/United States
Rania Matar was born and raised in Lebanon and moved to the U.S. in 1984. As a Lebanese-born American woman and mother, her cross-cultural experience and personal narrative inform her photography. Matar's work has been widely published and exhibited in museums worldwide, including the Museum of Fine Arts Boston, the Carnegie Museum of Art, National Museum of Women in the Arts, and more. A mid-career retrospective of her work was recently on view at the Cleveland Museum of Art, and at the Amon Carter Museum of American Art, in a solo exhibition: In Her Image: Photographs by Rania Matar She has received several grants and awards including a 2018 Guggenheim Fellowship, 2017 Mellon Foundation artist-in-residency grant at the Gund Gallery at Kenyon College, 2011 Legacy Award at the Griffin Museum of Photography, 2011 and 2007 Massachusetts Cultural Council artist fellowships. In 2008 she was a finalist for the Foster Award at the Institute of Contemporary Art/Boston, with an accompanying solo exhibition. Her work is in the permanent collections of several museums, institutions and private collections worldwide. So far, she has published the following books: L'Enfant-Femme, 2016; A Girl and Her Room, 2012; Ordinary Lives, 2009, and more recently, SHE, 2021. She is currently an associate professor of photography at the Massachusetts College of Art and Design. SHE: As a Lebanese-born American woman and mother, my background and cross-cultural experiences inform my art. I have dedicated my work to exploring issues of personal and collective identity through photographs of female adolescence and womanhood - both in the United States where I live and the Middle East where I am from - in an effort to focus on notions of identity and individuality, within the context of the underlying universality of these experiences. In my continuous exploration of what it is like to be a girl and a woman today, in a world that poses endless questions on girls and women of all backgrounds, I am focusing in this project on young women in their late teens/early twenties. They are the ages of my daughters - they are leaving the cocoon of home, entering adulthood and facing a new reality they are often not prepared for, a humbling reality most often harder than they expected and less glamorous than what is portrayed on social media. Whereas in A Girl and Her Room, I photographed young women in relationship to the curated and controlled environment of their bedrooms, I am photographing them here in the larger environment they find themselves in after they leave home, the more global backdrop that now constitutes their lives in transitions. I want to portray the raw beauty of their age, their individuality, their physicality, their mystery, and the organic relationship they create with their environment, being in the lush landscapes of rural Ohio, or the textured backdrops of Beirut. I want to photograph them, the way I, a woman and a mother, see them: beautiful, alive. I want to create a personal narrative with them. The process is about collaboration and empowerment, and the photo session always evolves organically as the women become active participants in the image-making process. My work addresses the states of 'Becoming' - the beauty and the vulnerability of growing up - in the context of the visceral relationships to our physical environment and universal humanity. By collaborating with women in the United States and in the Middle East - and while still looking to reveal the individuality of each young woman - I focus on our essence, our physicality and the commonalities that make us human, ultimately highlighting how female subjectivity develops in parallel forms across cultural lines. Articles: Find out more about Becoming Where Do I Go?
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Latest Interviews

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Interview
Exclusive Interview with Carolyn Moore
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
Interview
Publication
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
Read the full interview
Exclusive Interview with Matthew Finley
Interview
Exclusive Interview with Matthew Finley
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Exclusive Interview with Jan Janssen
Interview
Exclusive Interview with Jan Janssen
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Read the full interview
Exclusive Interview with Henk Kosche
Interview
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
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Exclusive Interview with Anastasia Samoylova
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Read the full interview
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Interview
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Exclusive Interview with Josh S. Rose
Interview
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Interview with Maureen Ruddy Burkhart
Interview
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Read the full interview
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