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Get Featured in Our November 2024 Solo Exhibition - Extended deadline: October 25, 2024
Get Featured in Our November 2024 Solo Exhibition - Extended deadline: October 25, 2024
Benoit Segalen
Benoit Segalen
Benoit Segalen

Benoit Segalen

Country: France
Birth: 1974

As a French amateur photographer, I've had a camera since I was 8 years old. However, it was only in 2011, when my work involved frequent travel, that I began capturing moments from around the world, especially in the streets.

I am self-taught, learning through books and studying the works of renowned photographers. My passion lies in immortalizing human behaviors in their environments. I am always on the lookout for the decisive moment, patiently waiting to capture the photo that will endure.
 

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Thomas Devaux
France
1980
Thomas Devaux has authored several complex and ambitious series. In each of them one can find a subtle but strong game of jousting played out between his core values and the evolutions brought about by modern technology. The inflammatory value behind the photography is not so innate. It is more a direct effort meant to mirror a fragment of a future re-composition.The works in the "ATTRITION" series were selected according to their composition and their figurative will. This is a double articulation between what is borrowed and that which is a reinterpretation on one hand and an axe in art history on the other hand. "ATTRITION", thanks to the expanded possibilities of digital techniques of which I have become very experienced, shows a n affluence of forms and materials such as an organic proliferation of hair, of body parts, etc. The portrait becomes a division of a face created by itself or vanishes in its own contour. The development material, though shadowy and opaque, is light and see-through. It raises the texture of the paper which allows for an automatic refinement of the forms and pigments.The final result is both sensual and onirique in the in the very image of the models that Devaux photographs in the backstages of fashion shows. They allow him to grasp the pictorial qualities which remain anchored in this field of photography. His surface does not rely upon the thickness of painting materials but rather on an artificial yet original vocabulary which is personal and photographic." Source: Anne Biroleau-Lemagny, General Curator Charge of Contemporary 21st Century: French National Library Born in 1980. Lives and works in Paris.Thomas Devaux moved frequently when he was young and he never stopped being "in motion". He moved to London after graduating from high school, and then he started his studies in Montpellier, while exploring the image in all its forms: photography, experimental cinema, painting and collage...He achieved through this artistic extension to remove the boundary between drawing and photography. Finally, he obtained diploma of Licence in Performing Art in Paris (Paris X). Developing great interest in traveling and exploring the world, he found his place in 2006 working for a fashion magazine: Fashion Insider. He first started as a photographer and cameraman, and became the artistic director of the magazine in 2009. He attended the world's most famous fashion shows and worked in many countries (France, Italy, Brazil, Portugal, Georgia, UK, Turkey, Denmark, Cyprus...). Opening up to the world, and to all the celebrities he met and interviewed for his magazine, was the opportunity to develop and make his style recognized: Jean-Paul Gaultier, Karl Lagerfeld, John Galliano, Donatella Vercace, Sonia Rykiel, Usher, Chris Brown, Kanye West, Milla Jovovich, Beth Ditto, Pedro Almodovar... Source: 1:1 Photo Magazine At first sight, portraits. At second glance, the questioning. Paintings or photographs? Thomas Devaux artwork throws off. By its form as its content, it upsets any certainty. And, it is precisely though that movement that it comes to its full magnitude.Fashion photographer, Thomas Devaux keeps from its reports thousands of shoots made behind the scenes that feed a later digital work. Indeed, in front of his screen, he cuts, deconstructs, assembles and recomposes his pictures until he creates images full of contradictions. Far from being frightened, Thomas Devaux finds with these dualities a remarkable tool to transcend the boundaries and ward off any kind of fatality. Of fashion, he likes the aesthetics but condemns the stylistic dictum and the imperative beauty. Of photography, he praises the documentary force but fears the frozen relation to time. And, from these considerations, comes out the idea of an nonconformism, un-postural, in the original meaning, as Thomas Devaux refuses any reductive normativity without denying for all that any legagy. Entitling his series "Attriction", he seems to insist on the idea of wear. A notion that does not necessarily imply deterioration. As, if the marks of time destroy some aspects, they also reveal some others. Finally, his work damages beauty to enhance it out of the conservative models. It brings together traditional approaches and opens them to modernity. It integrates the cyclic dimension of existence and reminds that what springs dies and what dies springs again with a new form. Source: Ozarts Etc
Monica Denevan
United States
1964
Monica Denevan studied photography at San Francisco State University. Her ongoing series, "Songs of the River: Portraits from Burma," began in 2000. Since then, she has returned to many of the same small villages in Burma/Myanmar, making intimate photographs of fishermen and their families in the spare and graphic setting of the Irrawaddy River. She travels with a medium format film camera, one lens, and bags of film, working with natural light and making composed images. Once home, she makes photographic prints in her traditional darkroom. Denevan's photographs have been exhibited internationally including solo shows at Scott Nichols Gallery (Sonoma, CA), Duncan Miller Gallery (Santa Monica, CA), Tao Gallery (Hong Kong) and Serindia Gallery Annex (Bangkok.) In 2020, she was one of 25 artists included in Photo-Eye Gallery's (Santa Fe, NM) first-ever juried exhibition. Her work is currently displayed on The Strand Cruise ship in Burma/Myanmar. She was a Photolucida Critical Mass Top 50 finalist in 2019 and 2012. In 2016, ten of Denevan's images were published in a book of Lao photographs published by Nazraeli Press and Friends Without A Border in NY. In addition, her photographs have been published in ZYZZYVA, LensWork, SHOTS, and Bangkok Airways Inflight Magazine among others. She is the All About Photo 2020 Photographer of the Year award recipient. Monica Denevan is represented by Scott Nichols Gallery. She lives and works in San Francisco. Statement In my ongoing series "Songs of the River: Portraits from Burma," I make portraits of fishermen and their families by the Irrawaddy River. Burma (Myanmar) has a long troubled history, which continues into the present and now receives much more international notice and condemnation since my first trip in 2000. However, little has changed in the quiet villages I often visit. Generations of families live together in thatched roofed huts built on stilts. Women wash clothes in the river. Girls collect river water in large plastic containers that they balance on their heads. Men and boys are often out all night fishing. In the evening, children play, sing, bathe, and joke around at the river's edge. The sounds echo over the water. When in the villages, I am most interested in making portraits of the people I spend my time with, some of whom I have photographed since I first visited the country. I am grateful to be allowed briefly into their lives. The nearby area is stark, minimal, and ever changing, and I use that environment in my photographs. The landscape becomes another subject, another portrait within the picture. As families grow, I incorporate new people into my images, combining the spare, external world with the physicality of the individual. To return to the same place annually and find a new way to see it or to look for what is different is a daily adventure that I enjoy.
Paul Strand
United States
1890 | † 1976
Paul Strand was born in New York City. As a teenager, he was a student of renowned documentary photographer Lewis Hine at the Ethical Culture Fieldston School. A visit to Gallery 291 (owned by Alfred Stieglitz) proved to be a strong influence on Strand, who began to take photographs of his own. He experimented with abstraction but also used his camera as a means to promote social reform. Alfred Stieglitz praised these early efforts and featured Strand's work in his gallery and in his magazine Camera Work. In the early 1920s, Strand began to work in motion pictures as well as still photography. In June 1949, Strand left the United States to present a film in Czechoslovakia, an event which marked the beginning of his self-imposed exile overseas due to the prevailing climate of McCarthyism in America. He settled in Orgeval, France and in the ensuing years photographed extensively, and also produced six book "portraits" of places: Time in New England (1950), La France de Profil (1952), Un Paese (1955), Tir a'Mhurain / Outer Hebrides (1962), Living Egypt (1969) and Ghana: An African Portrait (1976).Source: Robert Mann Gallery Strand married the painter Rebecca Salsbury on January 21, 1922. He photographed her frequently, sometimes in unusually intimate, closely cropped compositions. After divorcing Salsbury, Strand married Virginia Stevens in 1935. They divorced in 1949; he then married Hazel Kingsbury in 1951 and they remained married until his death in 1976. The timing of Strand's departure to France is coincident with the first libel trial of his friend Alger Hiss, with whom he maintained a correspondence until his death. Although he was never officially a member of the Communist Party, many of Strand's collaborators were either Party members (James Aldridge; Cesare Zavattini) or prominent socialist writers and activists (Basil Davidson). Many of his friends were also Communists or suspected of being so (Member of Parliament D. N. Pritt; film director Joseph Losey; Scottish poet Hugh MacDiarmid; actor Alex McCrindle). Strand was also closely involved with Frontier Films, one of more than 20 organizations that were identified as "subversive" and "un-American" by the US Attorney General. When he was asked by an interviewer why he decided to go to France, Strand began by noting that in America, at the time of his departure, "McCarthyism was becoming rife and poisoning the minds of an awful lot of people." During the 1950s, and owing to a printing process that was reportedly only available in that country at the time, Strand insisted that his books be printed in Leipzig, East Germany, even if it meant they were initially banned in the American market on account of their Communist provenance. Following Strand's move to Europe, it was later revealed in de-classified intelligence files, obtained under the Freedom of Information Act and now preserved at the Center for Creative Photography at the University of Arizona, that he was closely monitored by security services.Source: Wikipedia
Terry O’Neill
United Kingdom
1938 | † 2019
Terence Patrick O'Neill CBE (30 July 1938 – 16 November 2019) was a British photographer, known for documenting the fashions, styles, and celebrities of the 1960s. O'Neill's photographs capture his subjects candidly or in unconventional settings. His work has been featured in numerous exhibitions. O'Neill was awarded an honorary fellowship of the Royal Photographic Society in 2004 and the society's Centenary Medal in 2011. His work is held in the collection of the National Portrait Gallery, London. O'Neill was born to Irish parents in Romford, East London, and began his career working in a photographic unit for an airline at London's Heathrow Airport. During this time, he photographed a sleeping figure in a waiting area who, by happenstance, was revealed to be Home Secretary Rab Butler. O'Neill thereafter found further employment on Fleet Street with The Daily Sketch in 1959. His first professional job was to photograph Laurence Olivier. During the 1960s, in addition to photographing contemporary celebrities such as Judy Garland, the Beatles and the Rolling Stones, he also photographed members of the British royal family and prominent politicians, showing a more human side to these subjects than had usually been portrayed. O'Neill's photographs of Elton John are among his best known. A selection of them appeared in the 2008 book Eltonography. Also considered among his most famous images are a series of American actress Faye Dunaway (his girlfriend at the time) at dawn on 29 March 1977, lounging next to the swimming pool at the Beverly Hills Hotel the morning after winning the Academy Award for Best Actress for Network, with several newspapers scattered around her and her Oscar statuette prominently shown on a table beside her breakfast tray. The series was photographed in both colour and black and white. O'Neill was credited (as Terrence O'Neill) as an executive producer of the film Mommie Dearest (1981). His only other film credit was for still photography for the opera film Aria (1987). O'Neill was married to the actress Vera Day for 13 years; they had two children together, Keegan Alexander and Sarah Jane. He had a long-term relationship with Faye Dunaway; they were married for four years in the 1980s and had a son, Liam. In 2003, he was quoted in the U.S. tabloid magazine Star as saying Liam was adopted and not their biological son, contrary to Dunaway's public assertions. In 2001 O'Neill married Laraine Ashton, a former model agency executive. O'Neill underwent a triple bypass and, in 2006, an operation for bowel cancer. He died on 16 November 2019 at his home in London from prostate cancer, at the age of 81.Source: Wikipedia Terry O’Neill, British Photographer, gained renown documenting the fashions, styles, and celebrities of the 1960s. O’Neill’s photographs display his knack for capturing his subjects candidly or in unconventional settings. His intimate chronicling of the Swinging Sixties, thanks to friendships with the Beatles and Rolling Stones, made him a household name. Terry O’Neill’s career as a photographer began at the age of 22 and he was soon freelancing for some of the most famous magazines. His coveted work hangs in national galleries and private collections worldwide. Terry has produced covers for Time, Newsweek, Stern, Paris Match, The Sunday Times Magazine, Vanity Fair and many others over the course of his six-decade career. Since Terry first picked up a camera in 1958, he has photographed presidents, prime ministers, rock stars, Oscar winners and the British Royal Family. His work has delivered iconic movie posters, album covers and fashion plates for the world’s top designers. Terry O’Neill has chronicled the lives of emerging rock stars and icons of the 60s including David Bowie, Elton John, The Who, Eric Clapton, Chuck Berry and many others. He photographed The Beatles and The Rolling Stones when they were struggling young bands and worked closely with Frank Sinatra for over 30 years, being granted access to the legend back stage and in private. Former husband to legendary actress Faye Dunaway, his photograph of her in Beverley Hills, the morning after she won her Best Actress Oscar for Network, has been nominated as the most iconic Hollywood shot of all time. His photographs of Brigitte Bardot, Jean Shrimpton and Audrey Hepburn capture the charisma of these superstars at the peak of their careers.Source: Mouche Gallery
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