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Send your best project to Ed Kashi ans WIN A Solo Exhibition this December!
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Muhammad Amdad  Hossain
Muhammad Amdad  Hossain
Muhammad Amdad  Hossain

Muhammad Amdad Hossain

Country: Bangladesh
Birth: 1999

Muhammad Amdad Hossain is an award-winning travel and documentary photographer from Chittagong, Bangladesh. Renowned for his ability to capture the resilience and strength of people amidst adversity, his work focuses on the impacts of natural disasters, pollution, and poverty in vulnerable communities. Amdad also celebrates Bangladesh's cultural heritage through vivid documentation of rural traditions, festivals, and daily life.

With over 170 prestigious awards to his name, including international photography prizes, Amdad's work has been published in leading outlets such as The Guardian, National Geographic, BBC, and Forbes, and exhibited in 30+ countries. He has served as a judge for global photography contests, including the MUSE and New York Photography Awards.

Amdad collaborates with top news agencies like Zuma Press and NurPhoto, using his art to amplify voices, raise awareness, and inspire action. His impactful storytelling continues to resonate globally.
 

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More Great Photographers To Discover

Loretta Lux
Germany
1969
Loretta Lux was born in Dresden, East Germany and is a fine art photographer known for her surreal portraits of young children. She currently lives and works in Monaco. Lux graduated from the Academy of Visual Arts in Munich in the 1990s, and debuted at the Yossi Milo gallery, New York in 2004. The show put both Yossi Milo and Loretta Lux on the map, selling out and setting prices never before seen from a new gallery. In 2005, Lux received the Infinity Award for Art from the International Center of Photography. Her work has since been exhibited extensively abroad, including solo exhibitions in 2006 at the Fotomuseum Den Haag, The Netherlands, and the Sixth Moscow Photobiennale. Her work is included in numerous museums collections worldwide, including the Solomon R. Guggenheim Museum; J.Paul Getty Museum, Los Angeles, San Francisco Museum of Modern Art; Museum of Contemporary Art, Los Angeles; Los Angeles County Museum of Art; Art Institute of Chicago; Israel Museum, Jerusalem; Fotomuseum, den Haag; Museo Nacional Centro de Arte Reina Sofia, Madrid and Musée de l’Elysée, Lausanne, Switzerland, and National Museum of Art, Osaka, Japan. She has had portfolios featured in numerous fine art magazines. The artist executes her compositions using a combination of photography, painting and digital manipulation. Lux's work usually features young children and is influenced by a variety of sources. She originally trained as a painter at Munich Academy of Art, and is influenced by painters such as Agnolo Bronzino, Diego Velázquez, Phillip Otto Runge. Lux also owes a debt to the famous Victorian photographic portraitists of childhood such as Julia Margaret Cameron and Lewis Carroll. Source: Wikipedia Loretta Lux was born in Dresden, Germany, in 1969. In 1989 she left East Germany for Munich, a few months before the fall of the Berlin Wall. From 1990–96, she studied at the Akademie der Bildenden Künste in Munich. Trained as a painter, Lux began taking photographs in 1999. Although Lux first experimented with self-portraits in works like The Hush (1999) and Self-Portrait (2000), she soon transitioned to images of children and adolescents, typically the offspring of friends who she often used as models. Her subjects, with gazes ambiguously empty yet psychologically activated, assume formal poses and appear in calculated garb and hairstyles. Employing photography, painting, and computer manipulation, Lux alters the images, extracting extraneous details, distorting proportions, and setting the children against mediated backgrounds that exist somewhere between Old Master paintings and cheesy studio-portrait backdrops. Lux's earliest works set children against icy blue skies, for example in Troll (2000), Lois (2000), and Isabella (2001). In 2001, while the skies continued to serve as backdrops in some works, Lux began to increasingly stage her images within barren pale pink interiors; such images include Hidden Rooms (2001) and Study of a Girl (2002). In several works including The Book (2003), Lux borrowed poses from Balthus, endowing those works with the rigidity and sense of perversion that characterized the French artist's oeuvre. Lux moved to Ireland in 2004 and increasingly depicted pairs of children rather than the solitary figures that occupied her earlier work. In her images of siblings like The Walk (2004), The Irish Girls (2005), and Hugo and Dylan (2006), the figures are psychologically isolated and physically interact quite gingerly with minimal and half-hearted gestures, perhaps an arm around a shoulder. Lux photographed the twins Sasha and Ruby (2005), girls who again sat for multiple images the artist produced in 2008. In 2007 Lux created her first self-portrait in seven years, this time occupying the pale blue and pink world of the children and bearing their ambiguous, confounding expression. Solo exhibitions of Lux's work have been organized by Stadtmuseum in Muenster (2003), Fotomuseum den Haag in The Hague (2005), Museo de Arte Contemporaneo de Monterrey (2008), and Kulturhuset in Stockholm (2009), among others. Lux's work has also been included in major exhibitions such as Arbeit an der Wirklichkeit, German Contemporary Photography at the National Museum of Modern Art in Tokyo (2005–06), Global Feminisms at the Brooklyn Museum (2007), Family Pictures at the Solomon R. Guggenheim Museum in New York (2007), and the Havana Biennale (2009). In 2005 she received the Infinity Award for Art from The International Center of Photography in New York. Lux lives and works in Monaco. Source: Guggenheim
Robert Hecht
United States
1941
For over fifty years, Robert Hecht has been a dedicated fine art photographer. He is largely self-taught, having learned his craft primarily by studying the prints and books of many of the medium's greats, and then by attempting to apply what he absorbed from them in the darkroom (and later in the digital darkroom). In addition, he studied briefly with photographer and teacher Ruth Bernhard in the 1970's, and considers that experience meaningful for giving him direct contact and exchange of ideas with a master. His work has been exhibited internationally, purchased for both private and public collections, and showcased in many of the leading photography periodicals. Professionally, he has worked primarily as a producer-director of educational film and video programs, first at Stanford University and then in his own video production business for the past several decades. He and his wife live in Portland, Oregon. Statement I consider photography a way, if you will, to bring my experience of the visual world into clearer focus. Practicing the art of photography, which I consider a way of life in and of itself, has heightened my awareness of how in our everyday lives we are constantly surrounded by interesting subject matter. In contrast, during my early years of doing this work, I looked mainly to the classic landscape for inspiration, often pursuing dramatic vistas with large-format cameras. However, over time I came to see that I do not necessarily have to "go out shooting" or travel to impressive locales to find subjects—rather, I merely have to keep my eyes open to what is right here around me in my immediate environment and, without actually searching for a picture, simply be prepared should a picture jump out of the random visual chaos and present itself to me. This shift in focus has led me to a more spontaneous approach to making images, often enabling me to find great beauty in the most mundane materials at hand.
Chien-Chi Chang
Taiwan
1961
Chien-Chi Chang is a photographer and member of Magnum Photos. Chang was born in Taichung, Taiwan. He received an MS from Indiana University, Bloomington and a B. A. from Soochow University, Taipei. He joined Magnum Photos in 1995 and was elected as a full member in 2001. He lives in Taichung, Taiwan and Graz, Austria. Chang focuses on the abstract concepts of alienation and connection. The Chain, a collection of portraits made in a mental asylum in Taiwan, was shown at Venice Biennale (2001) and the São Paulo Art Biennial (2002). The nearly life-sized photographs of pairs of patients chained together resonate with Chang's look at the less visible bonds of marriage. At São Paulo Art Biennial he was involved in the Thomann controversy. Chang has treated marital ties in two books: I do I do I do (2001), a collection of images depicting alienated grooms and brides in Taiwan, and in Double Happiness (2005), a depiction of the business of selling brides in Vietnam. The ties of family and of culture are also the themes of a project begun in 1992. For 21 years, Chang has photographed and videoed the bifurcated lives of Chinese immigrants in New York's Chinatown, along with those of their wives and families back home in Fujian. Still a work in progress, China Town was hung at the National Museum of Singapore in 2008 as part of a mid-career survey and at Venice Biennale (2011) as well as at International Center of Photography, New York (2012). Chang's investigation of the ties that bind one person to another draws on his own divided immigrant experience in the United States.Source: Wikipedia Chien-Chi Chang has always been fascinated by the human conditions of alienation and connection. Both are in evidence in his signature work, The Chain, which is a collection of portraits made of inmates in a mental asylum in Taiwan. The subjects are people who have had their bonds to the rest of society – family, community – servered. And yet, as part of their treatment, they are chained to one another, physically linked in pairs throughout their days and only unlocked to sleep. These powerful photographs, nearly life size, have been exhibited at the Taipei Fine Arts Museum (2001), La Biennale di Venezia (2001), and the Bienal de Sao Paolo (2002). Less visible bonds were the subject of another project: A jaundiced look at the ceremony surrounding the union of two people. When his parents began pressuring him to marry, Chang responded by making pictures at weddings in Taiwan. The images are hardly festive, rather emphasizing alienated grooms and lonely brides. They have been collected in the book, I do I do I do. This meditation on the nature of the ties that bind a person to others and to society is a natural outgrowth of Chang's own experience of the divided life of an immigrant. The son of working people in central Taiwan, he received a Bachelor of Arts degree from Soochow University in Taiwan in 1984 and a Master of Science degree at Indiana University in 1990. He then became a staff photographer at The Seattle Times (1991-1993) and The Baltimore Sun (1994-1995). Over the past decade, he has worked in New York's Chinatown, documenting the lives of immigrants there. These pictures of illegal aliens stranded on an island within an island have appeared in National Geographic magazine, as well as The New Yorker, TIME Magazine and German Geo. The series earned Chang first place in the category "Daily Life Story" from World Press Photo in 1999. That same year, Chang won a grant from the W. Eugene Smith Memorial Fund for humanistic photography and was awarded the Visa d'Or in magazine photography in Perpignan. He was named the Missouri/NPPA 1999 Magazine Photographer of the Year.Source: artasiamerica Chien-Chi Chang’s photography and films explore the abstract concepts of alienation and connection. His investigation of the ties that bind one person to another draws on his own deeply divided immigrant experience, as he explores the contrasting themes of hope and darkness, restriction and freedom. Chang’s long term interest in the manifestation of restriction and freedom was explored in his project on North Korean defectors. From 2007 to 2009 , Chang travelled with North Korean defectors to document their incredibly harrowing journey escaping to China. Between 2008-2012, Chang worked on a project called Jet Lag, which explored the globalised disconnect of the “jet-setting” lifestyle, culminating in a book of the same name, published in 2015.Source: Magnum Photos
Matthew Hardy-Brown
South Africa
2000
Matthew Hardy-Brown's artistry unveils the enchanting beauty of our world, reminding us of the untamed wonder that surrounds us. With every click, he captures fleeting moments of unscripted time. His work is a testament to the natural wonder surrounding daily life. Originally from South Africa, Matthew Hardy-Brown's creative roots were planted in the landscapes of Australia, upon his relocation at 10 years old. While he didn't grow up by the ocean, it was here that he found his poetic sanctuary. As a self-described introvert, Matthew Hardy-Brown sought refuge by the water's edge, discovering his voice through the lens of his camera. He values unfiltered moments, intentionally avoiding excessive editing and digital manipulation. To MHB, magic ignites through authenticity—a commitment he fiercely upholds. At the core of Matthew Hardy-Brown's ethos lies a resounding mantra: "Live Often, Smile More." Having personally confronted the harsh realities of life's unpredictability, he gained a profound insight: tomorrow is not promised. Fuelled by this understanding, he is on a mission to share the world's inherent beauty, to inspire others that it's never too late to pursue a passion, to be a good human, and ultimately, to live often and smile more. His passion for capturing life's grandeur has earned him collaborations with industry giants such as Ralph Lauren, Mini Cooper, Paramount Pictures, and GoPro. His proudest achievement earned him the national exclusive as Canon’s premier artist with his timeless images featured throughout stores across Australia. Statement: Matthew explores the delicate dance between the wild and the human spirit, capturing moments that transcend the ordinary. Through a lens finely tuned to the nuances of the natural world, these pieces invite viewers to immerse themselves in the rhythmic chaos of crashing waves, the fearless dance of surfers, and the subtle interplay of light and shadow on the water's surface.
Iris Brito Stevens
United States
I was born and raised in Salinas, California (U.S.), a farming community known for its lettuce. As a daughter of Mexican immigrants, I became aware of, and sensitive to, the differences between the immigrant and non-immigrant communities and their perspectives, which at times felt narrow and somewhat limiting. Growing up surrounded by family grounded me deeply, yet an insatiable curiosity and passion for learning about the world beyond me, called out. I spread my wings and traveled to destinations that were completely foreign, often under the auspices of humanitarian and educational endeavors. The lens through which I saw the world opened-up and expanded my perspective, just like a camera. Through first-hand experience, I became aware of the lives and conditions of marginalized and oppressed peoples globally. This new dimensionality helped me to confront certain realities, to grow, and to self-reflect on what it means to be human. It also led me toward activism and social documentary photography, which enabled me to blend visual narrative with the stories of other people through projects or partnerships in Uganda, the Occupied Palestinian Territories, Spain, San Francisco and more. My photographic work is my passion, and it serves to create awareness and a more intimate human connection, by encouraging a path that looks beyond our limited and inherent perceptions and conditioning. Statement In America, we place so much value on individuality and independence, that we forget how truly interdependent we are on one another, both on a local and global scale. We have become hyper-focused on the self and are losing our ability to empathize and see the intense vulnerability around us—though considering recent events, this appears to be shifting. As a social documentary photographer, I am drawn towards people and the conditions that are relevant in their lives, as individuals and as members of a family, community, or society. Our perception of the world can be limited to our own multi-faceted forms of conditioning; I utilize the impact of visual narrative to bring awareness of the human condition worldwide. There is so much beauty in diversity. I want to validate that diversity through photography, to help others grow in that appreciation, to demonstrate that we are all a part of something collectively - that life's experience doesn't begin and end with us, as individuals. Dominance consciousness is so pervasive in society; it's like a box with thick walls and nothing to see, nowhere to go, devoid of any inspiration. It kills curiosity and ideas. I want us all to be inspired and curious by the diversity we see and experience in everyday life. Diversity is beautiful.
Gregory Heisler
United States
1954
Gregory Heisler is a professional photographer known for his evocative portrait work often found on the cover of magazines, such as Time, for which he has produced a number of Man, Person, and People of the Year covers. Heisler once had his White House photographer privileges revoked after taking a photograph of President George H.W. Bush for Time magazine in which Heisler used in-camera techniques of double exposure to show what the cover labeled the two faces of Bush. The president was unaware of this photographic technique being used at the time of the shot. Bush press secretary Marlin Fitzwater later wrote about his own anger over this incident in his memoir Call the Briefing! Heisler's trade group protested the ban because it was based on an editorial opinion that was expressed. Heisler has since taken photographs of President George W. Bush. Among the awards, Heisler has received are: 1986 ASMP Corporate Photographer of the Year, 1988 Leica Medal of Excellence, 1991 World Image Award, 2000 Alfred Eisenstaedt Award. In September 2009 Gregory Heisler took a position as Artist-in-Residence at the Hallmark Institute of Photography in Turners Falls, Massachusetts. He acted as a teacher and liaison between the students and world of professional photography, expanding their present curriculum, and providing the students with necessary skills and techniques the school did not previously teach. Heisler has now joined the Multimedia Photography & Design program at the S.I. Newhouse School of Public Communications at Syracuse University as a distinguished professor of photography, according to an announcement by the NPPA on April 25, 2014.
Michael Philip Manheim
United States
1940
Michael Philip Manheim, born in the U.S. in 1940, is widely recognized both for his documentary and for his innovative multiple exposure photographs. Both categories encompass images that promote feelings. Most celebrate human emotion as a primal link that unifies all of humankind. Michael Philip Manheim's photography has been exhibited throughout the United States and internationally, in over 20 solo exhibitions and 30 group shows. His work has been featured extensively online, as well as in hundreds of books and magazines such as Zoom (U.S. and Italy), Photographers International (Taiwan), La Fotografia (Spain), and Black and White Magazine (U.S.). Manheim's photographs are held in private as well as public collections including the Library of Congress, the International Photography Hall of Fame, the National Archives, the Danforth Museum of Art, and the Bates College Museum of Art. About How Once We Looked "The world I experienced, as the 1940s slid into the 1950s and beyond I'm delighted to share this sampling of my photography. When I created the snapshot of Little Sister, my four year old sister, I had no idea that I would be pursuing photography as an avocation, let alone a profession. Our mother did her best to expose my sister and me to the arts, even enrolling me in classes with adults at a local art center. As a youngster, I knew I wasn't good enough at painting. But I did have a sense of a composition. And I did have a science teacher at State Street Junior High School, Miss Ayers, who had set up a small darkroom and invited me to use it. Bingo! Shazam! Whatever you say, when the light literally turns on. I became enamored of photography. I was living in a Rust Belt town in Ohio where I didn't belong, in the 1950s. And what to do when you don't fit local norms? Entering my teen years, I hid behind a camera. My swords and shields as I moved on to high school began with the Speed Graphics assigned in photography class. It was unusual to have a high school photography course in that era, and I blossomed in that narrow sphere. I became a local treasure, winning in contests but with a whole lot to learn and a vital need to grow myself up. It took grit, I now realize, to escape the confines of a family business and the confines of the values of my community. But I didn't know that then. All I knew was that I had a passion that I must explore. Working strenuously to catch up, after college, I created a profession for myself. Today I look back with perspective and wonder. I see that I had a fascination with movement, as well as with light. I see that I developed reflexively and intuitively, in capturing the essence of a moment. I see that the innate compositional sense expanded into a style. And so on, all insights offering me a chance to pause and reflect as I go forward. My circuitous route through a long career in professional photography has swung back to my roots. Curators and collectors now appreciate photojournalism as fine art. So do the bloggers who are displaying my images. There's a message there! Hence into the archives I've plunged to see now what I saw long ago. I'm digitizing a series of nostalgic images that are going into my own blog and into a series of monographs. I'm creating a book series called How Once We Were, starting with an update of this earlier presentation of my nostalgic photography." -- Michael Philip Manheim
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AAP Magazine #53 Travels
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Latest Interviews

Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Exclusive Interview with Guillaume Bonn
With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
Exclusive Interview with Sander Vos
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
Exclusive Interview with Tomasz Trzebiatowski Editor-in-chief FRAMES Magazine
Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age. In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
Exclusive Interview with Manuel Besse
French photographer Manuel Besse is known for his compelling black-and-white imagery, which blends portraiture, documentary, and poetic narrative into a singular visual voice. With a career spanning several decades and continents—from the gold mines of Serra Pelada to the Arctic Circle—his work reflects a deep commitment to authenticity, human connection, and the preservation of cultural and natural landscapes. His series Macadam, winner of AAP Magazine #41 B&W, offers a contemplative look at fleeting urban encounters, rendered in his signature monochrome style. We asked him a few questions about his life and work.
Exclusive Interview with Matthew Portch
UK-born photographer Matthew Portch brings a quietly cinematic eye to the overlooked landscapes of suburban and rural America. Now based in Arizona, his photographic journey reflects a long-standing fascination with the cultural imprint of mid-century America—filtered through a distinctly outsider’s perspective. His series Lost America, selected for the September 2024 Solo Exhibition, captures an eerie stillness in the built environments of the American West, where nostalgia, silence, and isolation converge.
Exclusive Interview with Chris Yan
Chris Yan is a Beijing-based photographer and Creative Director whose work focuses on street and documentary photography. His series Beijing Story, which earned him a solo exhibition in October 2024, offers a nuanced look at daily life in the city. In this interview, he discusses his photographic approach, creative influences, and the ideas behind the project.
Call for Entries
AAP Magazine #53 Travels
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