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Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Pablo Trilles Farrington
Pablo Trilles Farrington
Pablo Trilles Farrington

Pablo Trilles Farrington

Country: Spain
Birth: 1979

Since I was little I was fascinated by animals, especially wildlife. I loved learning about them, their habits, behaviors, most remarkable characteristics such as size, speed, height, feeding, etc. As I grew up, that passion for wildlife began to fall asleep, giving way to other types of concerns. During my youth, my father gave me his SLR camera with interchangeable objects and taught me the basics of photography. I liked taking photographs of all kinds, from portraits to landscapes. They weren't good pictures, although it amused me. But after a few years, when I lived in my apartment, they broke in and took the photographic equipment. That was the end of my adventure in photography. Many years passed until, on a work trip I had to make to Guatemala, I managed to visit the Mayan ruins of Tikal recommended by my father, which he visited in the past. That trip, in the middle of the jungle and surrounded by wild animals, reawakened in me the passion for wildlife and the adventure of exploring natural places. At the same time, smartphones appeared and with them photography within everyone's reach. So I took pictures again this time with my mobile. The mobile was fitted with mini lenses for macro photography. Then I bought a zoom lens that connected to the mobile via Bluetooth. From there it went to a 70-200 lens connected to the phone, which I took on safari to Kenya and the Corcovado peninsula in Costa Rica. I finally understood that my passion for photography and wildlife justified investing in a mirrorless camera as well as better lenses. Until today I have two cameras and seven lenses that I have been using in my travels through Uganda, UAE, Morocco, Svalbard, etc. Always learning to achieve photographs that transmit and connect with the observer. Although in recent years I have obtained prizes, recognitions and honorable mentions that have sweetened the path, the real prize is the opportunity to live unique experiences and to invest the vital energy in this art called photography.
 

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More Great Photographers To Discover

Peter Harlow
Australia
1948
Peter was born and educated to first degree standard in the UK. He gained a private pilot license in 1970. His career spans aerial photography, corporate communication and management development. After emigrating to Australia in 2001 he ran his own company providing small light aircraft to farmers, flying schools and private clients. Recently he took up commercial drone flying – which combines his love of photography and views from the sky. He currently lives in Melbourne with his artist partner. As a photographer, I have always been fascinated by the interplay of light, shadows and shapes that exist in both the natural and human-made world. For many years, as a pilot I saw the landscape from a small aeroplane. With the advent of drone technology, which enables the camera platform to remain static and fly much closer to the surface, I can now explore the landscape from new angles and perspectives, capturing images that were impossible from an aeroplane. Artist statement: One of the key elements of abstract art is the process of abstraction, where artists take familiar objects and break them down into their essential components. Similarly, my photographs capture landscapes from above, abstracting the natural world into a series of shapes, colours and textures that are sometimes quite different from their original form. By removing the context of the wider landscape, I want to encourage the viewer to see the world in a new light, as a collection of abstract forms that are both beautiful and intriguing. In abstracting the landscape, my aim is to create a body of work that challenges your perceptions and invites you to see the beauty and charm that exists all around us.
Anka Zhuravleva
Russia
1980
Anka (born Anna Belova) was born on December 4, 1980. She spent her childhood with books on art and her mothers’ drawing tools, covering acres of paper with her drawings. In 1997 she entered the Moscow Architectural Institute deciding to follow in her mothers’ footsteps. But at the end of 1997 her mother was diagnosed with cancer and died in less that a year. Then her father died in 1999. After that Anka’s life changed dramatically. In attempt to keep sane, she plunged into an alternative lifestyle – working as a tattoo artist, singing in a rock-band, sometimes looking for escape in alcohol. In order to make a living while studying, Anka worked at several modeling agencies. Thanks to the drawing lessons she wasn’t afraid to pose nude, and her photos appeared in the Playboy and XXL magazines and at the Playboy 1999 photo exhibition. But she was not looking for a modeling career – it was just a way to make some money. In 2001 Anka was working in the post-production department at the Mosfilm StudiosThat same winter one of her colleagues invited her to spend a weekend in Saint-Petersburg with his friend, composer and musician Alexander Zhuravlev. In less than a month Anka said farewell to Moscow, her friends, her Mosfilm career and moved in with Alexander in Saint-Petersburg. Living with her loved one healed her soul, and she regained the urge for painting. She made several graphic works and ventured into other areas of visual arts. In 2002 Gavriil Lubnin, the famous painter and her husband’s friend, showed her the oil painting technique, which she experimented with for the following several years. During that period she made just a few works because each one required unleashing of a serious emotional charge. All those paintings are different as if created by different people. Anka’s first exhibition took place on a local TV channel live on the air - the studio was decorated with her works. Several exhibitions followed. Private collections in Russia and abroad feature her paintings and sketches. In 2006 Anka noticed that her inspiration often came from photos and decided to take up photography. Since that time Anka took part in numerous projects - magazine publications and covers, book and CD covers, exhibitions. She is engage in digital photo art and analog film photography as well. In 2013 Anka with her husband moves to live in Porto, Portugal. Source: anka-zhuravleva.com Interview With Anka Zhuravleva All About Photo: When did you realize you wanted to be a photographer? Anka Zhuravleva: "I always was about visual arts so I can't name exact date or year.. But I turned to photography completely in 2010." AAP: Where did you study photography? AZ: "I am self-educated. I took some individual workshops dedicated to analog processes but it was technical things." AAP:Do you have a mentor? AZ: "No." AAP: Do you remember your first shot? What was it? AZ: "I was 6 years.. I shot horses with small film lomo-camera." AAP: What or who inspires you? AZ: "Life, everything I got around me, my dreams, interesting people, my husband's music." AAP: How could you describe your style? AZ: "I have no special style. Different series in different styles." AAP:Do you have a favorite photograph or series? AZ: "No, I love them all!" AAP: What kind of gear do you use? Camera, lens, digital, film? AZ: "A lot... And they are changing all the time. Digital 35mm, film medium format, vintage cameras and cameras made by my husband. About 20 different lens, modern ones and vintage brass ones as well." AAP: Do you spend a lot of time editing your images? For what purpose? AZ: "It depends. I always edit digital a lot to reach exactly that tone and mood wich I need. And I also do analog process in darkroom without any computer at all." AAP: Favorite(s) photographer(s)? AZ: "This is a difficult question..." AAP: What advice would you give a young photographer? AZ: "To keep eyes wide open." AAP: What mistake should a young photographer avoid? AZ: "I don't know... Everybody make mistakes. I suppose it's important not "not making" mistakes, but learn after doing mistakes." AAP: The compliment that touched you most? AZ: "When people telling me that my pictures bring their mind, fantasy and soul to childhood or let them think about miracles.. Or making a good mood..." AAP: If you were someone else who would it be? AZ: "Hum... Maybe a baker? Just joking, I don't know..."
Fenqiang Liu
United States
Bert Hardy
United Kingdom
1913 | † 1995
Bert Hardy was a renowned British photographer known for his powerful and evocative images that captured the essence of postwar Britain. Hardy, born on May 19, 1913, in Blackheath, London, developed an early interest in photography. He began his career as a photojournalist in the 1930s, working for magazines such as Picture Post and Illustrated. During WWII, Hardy worked as an official photographer for the Royal Air Force (RAF), documenting the lives of servicemen and the effects of war. His photographs captured the raw emotions and hardships endured by soldiers, providing a poignant and honest portrayal of the war. I made a point of carrying a contact print of one of the most horrifying of my photographs around with me to show to Germans who didn’t believe that such things had really happened. -- Bert Hardy Hardy continued to work as a photojournalist after the war, covering a wide range of subjects. He rose to prominence as a contributor to Picture Post, a seminal magazine known for its social documentary photography. Hardy's photographs frequently depicted working-class people's lives, providing a compassionate and empathetic perspective on their struggles and aspirations. Hardy's photography was distinguished by his ability to capture fleeting moments of daily life with authenticity and sensitivity. His photographs frequently depicted ordinary people going about their daily lives, but with a profound depth and storytelling quality. Hardy's photographs struck a chord with viewers, providing a rare glimpse into the social, cultural, and political landscape of postwar Britain. Throughout his career, Hardy received numerous accolades and awards for his outstanding contributions to photography. His work has been exhibited internationally and is part of several esteemed collections. Hardy's photographs continue to inspire and influence photographers and artists today, leaving behind a lasting legacy in the world of documentary photography. Bert Hardy passed away on July 3, 1995, but his images remain a testament to his extraordinary talent and his enduring impact on the field of photography.
Lise Sarfati
France
1958
Lise Sarfati has lived and worked in the United States since 2003. She has realized six important series of photographs there. They have been followed by exhibitions and publications. Each of her works makes clear the identity of an approach focused on the intensity of the rapport established with the person photographed, and of that person with the context. A vision in which the individual is environment, a map outlining a perilous cultural geography. The richness of perception is constructed without effects. The compositions are flawless in the simplicity and unity of the image – the style tends to be elementary and clean, avoiding all qualifications, but the traits of each thing and each person trace a hundred thousand folds. The dimension of the interplay of postures is that of a solemn immaturity: the scenery formed by the people and places is the silent crumpling of a dream in which each risks his or her skin. A feminine seduction tinged with fateful coincidences; the beauty of the adolescents looks like a magic spell. Their solitude and strangeness in the world turn the image into an echo chamber inhabited by the photographer, her subject and the viewer. The earlier period of a photographic work carried out in Russia (continuously from 1989 to 1999) confirms the tendency of this research. She identifies a very precise and endless psychological spectrum. The projections, the ambitions associated with the immense space, the way in which they compose these figures, play an essential role: the supporting roles are incandescent. A determinism of the heroic, inevitably tragic figure, as if not even we really have another choice.
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AAP Magazine #55 Women
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