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Daniel Naudé
Daniel Naudé

Daniel Naudé

Country: South Africa
Birth: 1984

Naudé was born in 1984 in Cape Town, where he continues to live. He graduated with a BA Visual Arts Honours degree from the University of Stellenbosch in 2007.

Naudé had solo exhibition “A Decade of Seeing” at the Everard Read gallery Johannesburg, South Africa (2018). A group show include “Botanical Show” at Everard Read Johannesburg, South Africa (2018); “WINTER” at Everard Read Cape Town, South Africa (2018); BOTH, AND… A group exhibition reflecting on 15 years of the gallery's existence, Stevenson gallery Cape Town, South Africa (2018). LA GACILLY PHOTO FESTIVAL BADEN, AUSTRIA (2018)

He has had solo exhibitions at Stevenson Cape Town and Johannesburg (2011, 2010 and 2014) and showed selected photographs from Animal Farm in the print room at The Photographers' Gallery in London in 2013. Group shows include Chroma (Cape Town) and The Loom of the Land (Johannesburg), at Stevenson in 2014 and 2013; In Focus: Animalia at the J Paul Getty Museum, Los Angeles (2015); Lyon Biennale, La vie modern (2015); Joseph Walsh, Johannes Nagel and Daniel Naudé at Artists House, New Art Centre, Wiltshire (2014); Apartheid and After at Huis Marseille, Amsterdam (2014); The festival artist at the Aardklop National Arts Festival, Potchefstroom (2012); Neither Man Nor Stone at the Iziko South African National Gallery, Cape Town (2012); Lagos Photo Festival, Nigeria (2011); Bamako Encounters African Photography Biennial, Mali (2011); Greatest Hits of 2007 at the AVA Gallery, Cape Town (2011); Breaking News: Contemporary photography from the Middle East and Africa, works from the collection of the Fondazione Cassa di Risparmio di Modena, in Modena, Italy (2010); and PEEKABOO – Current South Africa at the Tennis Palace Art Museum, Helsinki (2010).

Naudé's first book, Animal Farm, was published by Prestel in 2012, followed by Sightings of the Sacred: Cattle in India, Uganda and Madagascar in 2016, also by Prestel. His third book, Cattle of the Ages together with South African's President Cyril Ramaphosa was published by Jacana media (2017). Naudé took part in the Fall 2011 residency programme at Anderson Ranch in Aspen, Colorado.

His work has been collected by the J. Paul Getty Museum in Los Angeles and Huis Marseille in Amsterdam and by many others such as Paul Allen the Co-founder of Microsoft. Naudé has also done assigned commissions for the Oppenheimer's horses, Stephan Welz's Thuli cattle and South African's President Mr. Cyril Ramaphosa's Ankole cattle.
Selected Books on Available on Amazon
Cattle of the Ages: Ankole cattle in South Africa
Cattle of the Ages: Ankole cattle in South Africa
Daniel Naudé, Matamela Cyril Ramaphosa
Sightings of the Sacred
Sightings of the Sacred
Daniel Naudé
Animal Farm
Animal Farm
Daniel Naudé

Websites

danielnaude.com

@daniel_naude

 

Selected Books

Cattle of the Ages: Ankole cattle in South Africa
Cattle of the Ages: Ankole cattle in South Africa
Daniel Naudé, Matamela Cyril Ramaphosa
Sightings of the Sacred
Sightings of the Sacred
Daniel Naudé
Animal Farm
Animal Farm
Daniel Naudé

Inspiring Portfolios

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Julie Wang
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Pedro Jarque Krebs
© Pedro Jarque Krebs
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He cites the mosaics in a church in Ravenna as one of his influences and is also a self-proclaimed student of Buster Keaton. He decided to become an artist after seeing the works of the Postmodernists Cindy Sherman and Jeff Koons. Muniz, like both of these artists, reworks popular imagery in his work. Muniz says that he does not believe in originals, but rather believes in individuality. Muniz works to re-purpose themes and showcase them in a different light for the viewer. Muniz is best known for recreating famous imagery from art history and pop culture with unexpected, everyday objects, and photographing them. For example, Muniz's Action Photo, After Hans Namuth (From Pictures of Chocolate), a Cibachrome print, is a Bosco Chocolate Syrup recreation of one of Hans Namuth's photographs of Jackson Pollock in his studio. The monumental series Pictures of Cars (after Ruscha) is his social commentary of the car culture of Los Angeles utilizing Ed Ruscha's 60's Pop masterpieces rendered from car ephemera. Muniz often works on a large scale and then he destroys the originals of his work and only the photo of his work remains. Muniz has spoken of wanting to make "color pictures that talked about color and also talked about the practical simplification of such impossible concepts." He also has an interest in making pictures that "reveal their process and material structure," and describes himself as having been "a willing bystander in the middle of the shootout between structuralist and post-structuralist critique." Muniz says that when he takes photographs, he intuitively searches for "a vantage point that would make the picture identical to the ones in my head before I’d made the works," so that his photographs match those mental images. He sees photography as having "freed painting from its responsibility to depict the world as fact." In Muniz's earthworks series, Pictures of Earthworks, show a strong resemblance to the 1970s Earthworks movement. However, unlike the Earthworks movement, that were influenced by ancient cultures, Muniz's series shows distinct human impact on nature. In addition to sculpting, Muniz experiments with drawing and photography, which is seen in the series Sugar Children, featured in the Museum of Modern Art's New Photography 13 show, alongside Rineke Dijikstra, An-My Le, and Kunié Sugiura, in 1997. In Sugar Children, Muniz photographed the families that worked on sugar plantations on the Caribbean island of St. Kitts. Beginning with Polaroids of several of the children of plantation workers, Muniz "drew" the images by sprinkling sugar on black paper and rephotographed these compositions. This series was met with criticism, where scholars have pointed out that he photographs of subjects continuing to live in poverty and yet can make upwards of 5 figures on these works at auction. After his Pictures in Garbage series, Muniz donated the profits, close to $50,000, from the Marat (Sebastiao) to the workers collective after it was auctioned in the UK. He also tries to make art more accessible through the use of common materials, because of his belief that the art world should not be just for the elite. Muniz stated in the documentary Waste Land, "I'm at this point in my career where I'm trying to step away from the realm of fine arts because I think it's a very exclusive, very restrictive place to be. What I want to be able to do is to change the lives of people with the same materials they deal with every day."Source: Wikipedia Originally trained as a sculptor, Muniz’s work began to take on its mature form with The Best of LIFE; he drew from memory pictures of Life magazine photographs included in the coffee table book The Best of Life after losing the book in a move. He then photographed his drawings and kept only the photographs, thereby establishing his signature working style. Muniz subsequently applied this methodology to works in the art history canon, reproducing Leonardo da Vinci’s Mona Lisa as well as iconic photographs of Marlon Brando and Marilyn Monroe using chocolate syrup and replicating a Donald Judd sculpture by using dust taken from the Whitney Museum’s halls and galleries. To make the series Pictures of Garbage, Muniz spent two years working with garbage pickers at Jardim Gramacho, an open-air dump site near Rio. He photographed several of the pickers as subjects of classical portraits, with the background details supplied by the garbage they scavenged. This effort was captured in the documentary Waste Land, which was nominated for an Academy Award. Muniz’s photographs are in many collections, including the Metropolitan Museum of Art; the Museum of Modern Art; the Tate Gallery; and the Victoria and Albert Museum.Source: International Center of Photography
Pavlos Evangelidis
Pavlos Evangelidis
Greece
1981
Pavlos Evangelidis established Wantok Photography (wantok.photos) in May 2017 in Honiara, Solomon Islands. “Wantok” is a Melanesian pidgin word derived from the English “one talk”. In the local culture, it refers to close friendship based on a common language. As our world gets increasingly inter-connected, we feel photography is the universal language, our wantok. Pavlos Evangelidis was born in Athens, Greece and grew up partly in Brussels, Belgium, where he finished the Lycée Français Jean Monnet before graduating with Honours in Civil Engineering at Imperial College, London, UK. He has been working in development aid and international cooperation at the European Commission first in Brussels, then Fiji and the South Pacific region, Solomon Islands & Vanuatu, Uganda and currently Benin. He married Zeenal in Fiji in 2014. Pavlos became interested in photography slowly, first learning about underwater photography and gradually working in nature, wildlife and travel photography. Along the way, Pavlos has won a number of photography awards and has been published by several print and online outlets. Pavlos & Zeenal established Wantok Photography to promote environmental conservation and help preserve the beauty of our natural capital from the challenges of climate change and human activity. This is a non-profit effort; any profits, including from international prizes or sales are directed to selected charities working for this cause
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Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes
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