Naudé was born in 1984 in Cape Town, where he continues to live. He graduated with a BA Visual Arts Honours degree from the University of Stellenbosch in 2007.
Naudé had solo exhibition “A Decade of Seeing” at the Everard Read gallery Johannesburg, South Africa (2018). A group show include “Botanical Show” at Everard Read Johannesburg, South Africa (2018); “WINTER” at Everard Read Cape Town, South Africa (2018); BOTH, AND… A group exhibition reflecting on 15 years of the gallery's existence, Stevenson gallery Cape Town, South Africa (2018). LA GACILLY PHOTO FESTIVAL BADEN, AUSTRIA (2018)
He has had solo exhibitions at Stevenson Cape Town and Johannesburg (2011, 2010 and 2014) and showed selected photographs from Animal Farm in the print room at The Photographers' Gallery in London in 2013. Group shows include Chroma (Cape Town) and The Loom of the Land (Johannesburg), at Stevenson in 2014 and 2013; In Focus: Animalia at the J Paul Getty Museum, Los Angeles (2015); Lyon Biennale, La vie modern (2015); Joseph Walsh, Johannes Nagel and Daniel Naudé at Artists House, New Art Centre, Wiltshire (2014); Apartheid and After at Huis Marseille, Amsterdam (2014); The festival artist at the Aardklop National Arts Festival, Potchefstroom (2012); Neither Man Nor Stone at the Iziko South African National Gallery, Cape Town (2012); Lagos Photo Festival, Nigeria (2011); Bamako Encounters African Photography Biennial, Mali (2011); Greatest Hits of 2007 at the AVA Gallery, Cape Town (2011); Breaking News: Contemporary photography from the Middle East and Africa, works from the collection of the Fondazione Cassa di Risparmio di Modena, in Modena, Italy (2010); and PEEKABOO – Current South Africa at the Tennis Palace Art Museum, Helsinki (2010).
Naudé's first book, Animal Farm, was published by Prestel in 2012, followed by Sightings of the Sacred: Cattle in India, Uganda and Madagascar in 2016, also by Prestel. His third book, Cattle of the Ages together with South African's President Cyril Ramaphosa was published by Jacana media (2017). Naudé took part in the Fall 2011 residency programme at Anderson Ranch in Aspen, Colorado.
His work has been collected by the J. Paul Getty Museum in Los Angeles and Huis Marseille in Amsterdam and by many others such as Paul Allen the Co-founder of Microsoft. Naudé has also done assigned commissions for the Oppenheimer's horses, Stephan Welz's Thuli cattle and South African's President Mr. Cyril Ramaphosa's Ankole cattle.
This book is a narrative and pictorial celebration of the Ankole, the most magnificent breed of cattle in the world. In this majestic book, Cyril Ramaphosa reveals his passion and love for cattle as he introduces us to the magnificent Ankole cattle, originating in Uganda, and now, through his intervention, flourishing in South Africa. He reflects on the legacy bequeathed him by his father, Samuel Mundzhedzi Ramaphosa, who had to leave behind his cattle herd in Venda to find work in Johannesburg. Life in the city was tough and demanding, weakening Samuel's links with his ancestral origins and causing the loss of his herd. The love of cattle runs deep in South Africans and Cyril is fulfilling his father's legacy, instilling a new pride for South Africans with these remarkable cattle.
The renowned South African photographer Daniel Naudé's moving studies of cattle in cultures where they are considered sacred offer unique insight into the lives of the people, the animals, and the spiritual practices that have remained unchanged for thousands of years. For the past two years Daniel Naudé has focused on photographing cattle in societies where these animals are venerated. This beautiful book presents images from parts of Uganda, Madagascar, and India where these animals represent a culture's most profound beliefs. Naudé photographs his subjects with the same respect any photographer would lend toward humans. Richly colored and exquisitely composed, these portraits capture the animals' presence and the landscapes they inhabit while also telling us much about cosmology, ancestor worship, culture, and the tradition of spiritual practices that have evolved over the ages. Like the best photographers, Naudé achieves this all within a single photographic frame.
For years Daniel Naudé has traversed South Africa's countryside recording his travels as a way of understanding South Africa and its complexities. Among his most arresting subjects are animals, and the collection of images in this book is as beautiful as it is intriguing. The penetrating stare of a feral Africanis dog; the regal dignity of enormous horned cattle; farmers bottle-feeding a lamb, clutching a young donkey, or stolidly leading their goats to pasture-all are photographed against the backdrop of South Africa's rolling hills, grasslands, and seashore. As Naudé's muted colors contrast with the animals' stark silhouettes, viewers are compelled to share his intrepid curiosity about the nature of human dominion over animals, and about how the histories of all living things are intertwined and indivisible.
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