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Mariko Evans
Mariko Evans
Mariko Evans

Mariko Evans

Country: Japan

A self taught photographic artist, based in Vancouver, Canada, born and raised in Japan. Photography has always been her serious hobby since she obtained her first film SLR in 1990. After living/traveling to many places (including her inner world), she strongly reconnected with photography and started photographic services in 2008 in Sydney, Australia, where half her soul still resides. In 2011, she moved to Vancouver and continued to create her artworks.

Her style is rather eclectic. She captures moments just as they are, and as she sees them through the feelings they evoke in her. She creates stillness through motion, uses little to no Photoshop/post production.

Through photography, she seeks peace of mind, and her works express the world on mute, the boundary between painting and photography.

When she is not holding her camera, she is most likely seen on the dance floors, dancing social Argentine Tango.
 

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Cig Harvey
United Kingdom
1973
The photographs and artist books of Cig Harvey have been widely exhibited and remain in the permanent collections of major museums and collections, including the Museum of Fine Arts, Houston, Texas; the Farnsworth Art Museum, Rockland, Maine; and the International Museum of Photography and Film at the George Eastman House, Rochester, New York. Cig began working in a darkroom at thirteen and has been dedicated to photography ever since. She grew up in the deep valleys of Devon in the UK, and came to the States for her MFA in 1999, after years spent living in Barcelona and Bermuda. Cig Harvey's first monograph, You Look At Me Like An Emergency (Schilt Publishing, 2012,) is a collection of ten years of pictures and written vignettes. It sold out in all printings and was named one of PDNʼs Best Books of the Year 2012. Cig had her first solo museum show at the Stenersen Museum in Oslo, Norway, in conjunction with the release. The book was well reviewed in a number of publications, including The Independent, Aesthetica, the Boston Globe, Blink, and PDN. Pro Photographer magazine ran an in depth feature, "Chance: Cig Harvey's deceptively simple photographs tap into the universal elements of the human experience: love, loss, longing and belonging. She's in demand for editorial and commercial work-as well as her for her fine art prints and books." Cig Harvey's second monograph, Gardening at Night (Schlit Publishing, 2015,) was published in conjunction with solo shows at Robert Mann Gallery, New York, Robert Klein Gallery, Boston and Paul Kopeiken Gallery, Los Angeles. The book received critical acclaim with features and reviews in Vogue, The Telegraph, the International Wall Street Journal, the International New York Times, and Aesthetica among others. The International Wall Street Journal said of the series, "Though the subjects and setting are familiar to us, we cannot help but feel that Cig Harvey has led us through the looking glass to a world of wonder. In the way that twilight is not quite day and not quite night, the photographs of Gardening at Night are stories not yet fully developed, while still capturing the unexpected yet oddly harmonious moments that surround us daily." Cig Harvey's work has been displayed at Paris Photo, Art Miami, and AIPAD every year since 2006. She has been a nominee for John Gutmann fellowship and the Santa Fe Prize, and a finalist for the BMW Prize at Paris Photo and for the Prix Virginia, an international photography prize for women. Cig's devotion to visual storytelling has lead to innovative international campaigns and features with New York Magazine, Harper's Bazaar Japan, Kate Spade, and Bloomingdales. Cig teaches workshops and regularly speaks on her work and processes at institutions around the world. She is known for her high energy, sense of humor and creativity. She brings a profound sense of optimism to all that she does. Cig lives in a farmhouse in the Midcoast of Maine with her husband Doug (who has the profile of an emperor on a Roman coin), their wayward daughter Scout, and Scarlet the dog (the original baby). The slow passing of time and the natural surroundings of her rural home has made her alert to the magic in the mundane. Articles Discover Cig Harvey's Interview Find out more about Cig Harvey in this article
Dominique Isserman
Dominique Issermann (born April 11, 1947) is a French photographer. She works primarily with black and white photography, and is known for her works in portraits, fashion and advertising. She has shot campaigns for Sonia Rykiel, Christian Dior, Nina Ricci, Guess, Lancôme, La Perla, Tiffany, Chanel and many others. Her work has also been featured in the fashion supplements for The New York Times, Corriere Della Sera and Le Monde. Issermann is noted for having photographed Leonard Cohen over several decades. The two had a long relationship, and Cohen dedicated his album I'm Your Man to her.Source: Wikipedia Cinema has played a major role in the life and career of Paris-based photographer Dominique Issermann. This year’s recipient of the Lucie Award for Achievement in Fashion was majoring in literature at the Sorbonne when she moved to Rome with Daniel Cohn-Bendit, a student leader of the May 1968 protests in Paris, and French New Wave filmmaker Jean-Luc Godard to work on films. In the Italian capital, she co-directed the avant-garde films Tamaout and Elettra with Marc’O. Upon Issermann’s return to Paris in 1973, she produced a series of photo essays for Zoom magazine on the movie sets of Federico Fellini’s Casanova and Bernardo Bertolucci’s Novecento. In these formative years, she photographed up-and-coming and now-legendary actors, including Catherine Deneuve, Gérard Depardieu and Isabelle Adjani. In 1979, designer Sonia Rykiel hired Issermann to collaborate with her on advertising campaigns for her fashion line, which put her front and center in the world of mode. Fashion editorials for periodicals from American Vogue to Elle soon followed. Her work continues to flow seamlessly between fashion, portraiture and advertising campaigns for major brands from Chanel, Christian Dior, Lancôme and Yves Saint Laurent to GUESS, Victoria’s Secret, Tiffany & Co., and Hermès. In addition to shooting or directing commercials and shorts for some of these fashion and beauty houses, Issermann has created music videos with her signature free-flowing, yet immaculately framed shots.Source: Digital Photo Pro Along the way she also applies her distinctive style onto moving images for which she still has a prominent taste, directing several music videos for Leonard Cohen, notably Dance me & Manhattan – and shooting TV commercials for many of her clients, including the memorable Eau Sauvage and Dune for Christian Dior and the Victoria’s Secret legendary commercial featuring Bob Dylan. Her recent music collaborations also include work with Nick Cave. Dominique Issermann has published several books – one of which Laetitia Casta achieves considerable success – and exhibits her work around the world with major retrospectives at the Rencontres Internationales de la Photographie at Arles and at the Paris Maison Européenne de la Photographie, and recently at Paris’s Charles de Gaulle airport where 80 of her most famous pictures were exhibited on 400 digital advertising panels throughout all terminals. Her unique style has been praised by many, Dominique Issermann invents, in the black studio, a white light that seems to glow from under the skin of the characters and that the schools of photography teach under the name of Light Issermann. Amongst the many accolades she has received for her work, Dominique Issermann is the first woman to receive the equivalent of an Oscar for her fashion photography at the 1987 French Fashion Awards. In January 2007, she was promoted to the rank of Officer of France’s Order of Arts and Letter and in March 2012, she was named to the National Order of Merit.Source: The Lucie Awards
Valerio Nicolosi
Valerio Nicolosi, filmmaker and photojournalist based and born in Rome in 1984, has always had a passion for photography and video. In 2008 he graduated with highest honours from the 'Experimental Television Center' in Rome. He is always looking for the "human factor" on his photos. He made few reportages from the Syrian-Lebanon border about the crises of refugees and the humanitarian corridors. He made Italian and european network and investigative journalism programs for which he has made many reportages on the issue of immigrants and in particular in the "Jungle of Calais". He also covered the terrorist attacks both in Paris and Brussels. During the months of October and November 2016 he followed the US elections making a series of reportages together with the journalist Giovanna Pancheri, broadcast by SkyTg24. Most of the reportages were about human condition on suburbs of America. Making the documentary "Death Before Lampedusa" for the German national TV, ARD, he followed the operation "Mare Nostrum" on board the Italian military vessels deployed in the recovery of boats coming from Africa. He has made numerous music videos with Italian and Palestinian singer/songwriters and has published three books of short stories and photography, "Bar(n)Out", "Be Filmmaker in Gaza" "(R)Esistenze". He spent more than 20 days on board the "Proactiva Open Arms" boat, a Spanish NGO whose main mission is to rescue refugees from the sea that arrive in Europe fleeing wars, persecution or poverty. On that 3 weeks they rescued 86 refugees. He is just come back from the Gaza Strip where he taught filmmaking and did some reportages about fishermen and daily life. He also works as an occasional lecturer with the 'Audio-visual Journalism Tribune' at La Sapienza University and the Palestinian Al-Aqsa and Deir El-Balah, both located in the Gaza Strip. He collaboreted with the international press agency Reuters and currently he collaborates with Associated Press. Discover Valerio Nicolosi's Interview
Ruvén Afanador
Colombia
1959
Ruvén Afanador is an internationally renowned photographer of limitless imagination, powerful vision and profound sense of self. He was born in Colombia, and his proud Latin American heritage has inspired his extensive body of work creating an intensely personal language characterized by the balance of bold emotion and delicate nuance. The expressive images in his six books: Torero, Sombra, Mil Besos, Ángel Gitano, Yo seré tu espejo and Hijas del Agua, and his portraiture and fashion editorials, reveal extravagant dreamlike sequences that seem to emerge from Afanador’s original imagination already full grown, always splendid sometimes mischievous, often decadent, all steeped in classic formality. Ruven’s work has appeared in countless publications including New York Magazine, Vanity Fair, Rolling Stone, The Hollywood Reporter, Billboard, The New York Times Magazine, numerous Vogue editions, Tatler, Elle, and The New Yorker. His personal projects have been exhibited in Galleries and Museums in Spain, Italy, Colombia, Argentina, Japan and the United States. His most recent exhibition was at the National Museum of Colombia in Bogota this past winter and spring 2021 and it comprised 60 large format photographs from his Hijas del Agua book project paying homage to the indigenous cultures that have inhabited Colombia for thousands of years. He lives in New York City from where he continues his career photographing the emblematic figures of contemporary fashion, music and film, as well as his personal book projects, always challenging the conventional definitions of gender and beauty. Source: Sarah Laird & Good Company Ruven Afanador was born in Colombia, in the sixteenth century city of Bucaramanga, La Ciudad de los Parques high in the scenic plateau above the Rio de Oro. He lived there until adolescence, surrounded by breathtaking mountains and immersed in old traditions and enchanting rituals that imbued everyday life with mystery and wonderment. Religious ceremonies involved the meticulous costuming of saints and marked every holiday, turning narrow colonial streets into rich visual feasts where ordinary objects acquired symbolic meaning; elaborate beauty pageants showcased glamorous women of deliberate beauty and intentional charm; and long hours were filled with the reading of adventure books or listening to the improbable tales of those coming back from journeys abroad, a peculiar form of imaginary traveling which nurtured an intense curiosity for faraway places. At fourteen, Afanador moved to the United States to attend school in the Midwest, right in the American heartland, a starkly different place from the magical world of his childhood, but one he saw as full of possibilities. And then, while studying art, he discovered photography. “From my first assignment I knew that photography would be my life’s passion”, says Afanador. With that passion, he would transform ordinary reality into captivating splendor. Or, as he himself puts it, “....into my way of seeing things.” After graduation Afanador spent two years in Washington, DC, gaining distinction as a fashion photographer of audacious taste, as well as a portraitist with an original and inventive eye. In 1987 he moved to Milan to broaden his vision, hone his technical skills and build a portfolio. Lack of studio space in the Italian city, forced him to develop techniques for photographing outdoors, in alleyways and streets, on the steps of churches and palazzos, incorporating backgrounds to frame images with texture and depth, a highly conceptual approach that Afanador uses to this day. While in Italy, he also discovered the type of model, that was to become his prototype: interesting rather than conventionally beautiful, of sculpted neck and arms, and the graceful long torso for centuries favored by painters----enigmatic and timeless. He returned from Italy in 1990 with an impressive portfolio, settling in New York and soon coming to the attention of editors at the major magazines. Since then, his distinct fashion editorials, signature advertisements and iconic portraits of the emblematic beauties and powerful male figures of the worlds of contemporary art, literature, music and film, have constantly appeared in the world’s leading fashion, celebrity and portrait magazines. His work has been the subject of numerous exhibitions and installations in galleries, museums and outdoor spaces in Latin America, Europe, Asia and the United States.Source: Fahey/Klein Gallery
Filip Gierlinski
United Kingdom
My uncle is a very accomplished craftsman and very keen and skilled amateur photographer. I always loved to see him draw, paint, design and gave me my fist Minolta x370 35mm manual camera when I was about 8, so it started there. At school and Uni I studied art subjects. I graduated in Graphic Design, worked for a year as a junior designer, but all the time thought I wanted to be the guy who came into our office with a contact sheet of commissioned photography, and not the guy sitting at a screen and designing the layouts for his photos. A friend was working in a Commercial Photo studio and needed some summer intern cover, and I jumped at the chance. 3 months tuned into nearly 4 years at the studio, and I learnt the skills, techniques, discipline, equipment and it opened my eyes to the industry and business of commercial photography. I have always had a passion for travel and I was eager to get outside, into the sun, and shoot people and places...we worked on products, catalogues and room sets at the studio which was an amazing experience and training, but not what I most desired to be shooting. I was fortunate enough to learn my trade in the days of film, and came to professional photography just as digital was breaking in and the industry was opening up and shifting. This gave me the technical skills of shooting on film for many years, and the ability to by my first semi-pro digital slr and advertise online for freelance jobs - so I had the best of (understanding) both worlds. After some travel and teaching TEFL with my wife, we came back to the UK and I started to freelance, shooting mostly art projects, working for the Arts Council and delivering educational programmes, and all the time slowly building up my freelance business. So since about 2003 I have worked as a commercial and corporate photographer, covering a wide range of subjects and industries and have had the opportunity to work with some amazing and diverse clients. The work as a tutor gives me the opportunity to travel and practice my craft and I bring that inspiration back to my business. Part of my early freelance work was shooting business portraits, and so I started to advertise specifically for Corporate Headshots and Portraits as a separate arm of my work, and this has become the main source of my income and commissions over the past few years. I have shot for huge companies with 1000's employees, as well as small businesses, professionals and entrepreneurs. I try to bring a sense of style and creativity, and an editorial feel to the ‘Corporate Headshot' and think that defines me with a distinctive look and product. I enjoy bringing a bit of creativity and style into the corporate world in my own little way, and years of shooting 1000s of people means I can read with my sitters quickly, make them feel at ease and connect with them which is something that shows through in my portraits. The skill is to do that within the 4 or 5 minutes I have with each person, sometimes up to 60-100 times a day! Most recently I shot a campaign for a bowling alley company, working with a sports marketing agency, and so in between my corporate work and travels, I work with agencies for hospitality, sports and automotive industries. Working on set with director Shane Meadows was a great experience, as well as shooting the bands I loved since I was a kid from the press pit and back stage at rock festivals - a real pinch yourself moment. As I often photograph a lot of faces and people in my daily work, it is always nice to get a luxury hotel commission where it's all about the rooms and design, architecture and details and make for a pleasurable change of pace. I was born in Poland in 1977, at 2 months packed into basket and flown to Tunis as my father was a civil engineer and contracted out there for a few years. We then lived in Poland and France and then moved to the UK when I was a child and so travel is in my blood. Since then I have been lucky to visit so many amazing countries. I have never really had money to just go travel, but always seeked out jobs where I could see the world. I have spent time as a tour guide in South America, teaching English in Nepal and India, and more recently working as a tutor has taken me all over the world. I have been lucky enough to be able to balance seeing the world, with a family life and earning here in the UK. I don't shoot travel stock or go with any intent to produce a commercial library, but more to see the people, to document their lives, to capture a story, as I feel my travel images are much more personal stories and of a more editorial feel than commercial. This may all change as i shoot new projects and seek to follow my vision. It is still my dream to find a way to move more towards travel and editorial commissions but I am lucky to be able to make ends meet through a job that I love every day.
Robert Adams
United States
1937
Robert Adams is an American photographer who has focused on the changing landscape of the American West. His work first came to prominence in the mid-1970s through the book The New West (1974) and the exhibition New Topographics: Photographs of a Man-Altered Landscape (1975). He was a John Simon Guggenheim Memorial Foundation Fellow in photography in 1973 and 1980, and he received the MacArthur Foundation's MacArthur Fellowship in 1994. Robert Adams, son of Lois Hickman Adams and Ross Adams, was born on May 8, 1937 in Orange, New Jersey. In 1940 they moved to Madison, New Jersey where his younger sister Carolyn was born. Then in 1947 he moved to Madison, Wisconsin for five years, where he contracted polio at age 12 in 1949 in his back, left arm, and hand but was able to recover. Moving one last time in 1952 his family goes to Wheat Ridge, Colorado, a suburb of Denver, when his father secured a job in Denver. The final strength in really great photographs is that they suggest more than just what they show literally. -- Robert Adams His family moved to Colorado partly because of the chronic bronchial problems that he suffered from in Madison, New Jersey around age 5 as an attempt to help alleviate those problems. He continued to suffer from asthma and allergy problems. During his childhood, Adams often accompanied his father on walks and hikes through the woods on Sunday afternoons. He also enjoyed playing baseball in open fields and working with his father on carpentry projects. He was an active Boy Scout, and was also active with the Methodist church that his family attended. He and his father made several raft trips through Dinosaur National Monument, and during his adolescent years he worked at boys' camps at Rocky Mountain National Park in Colorado. He also took trips on pack horses and went mountain climbing. He and his sister began visiting the Denver Art Museum. Adams also learned to like reading and it soon became an enjoyment for him. In 1955, he hunted for the last time. Adams enrolled in the University of Colorado, Boulder in 1955, and attended it for his freshman year, but decided to transfer the next year to the University of Redlands in California where he received his B.A. in English from Redlands in 1959. He continued his graduate studies at the University of Southern California and he received his Ph.D. in English in 1965. In 1960 while at Redlands, he met and married Kerstin Mornestam, Swedish native, who shared the same interest in the arts and nature. Robert and Kerstin spent their first few summers together in Oregon along the coast, where they took long walks on the beach and spent their evenings reading. In 1962 they moved back to Colorado, and Adams began teaching English at Colorado College in Colorado Springs. In 1963, Adams bought a 35mm reflex camera and began to take pictures mostly of nature and architecture. He soon read complete sets of Camera Work and Aperture at the Colorado Springs Fine Arts Center. He learned photographic technique from Myron Wood, a professional photographer who lived in Colorado. While finishing his dissertation, he began to photograph in 1964. In 1967, he began to teach only part-time in order to have more time to photograph. He met John Szarkowski, then curator of photography at the Museum of Modern Art, on a trip to New York City in 1969. The museum later bought four of his prints. In 1970, he began working as a full-time photographer.Source: Wikipedia Nature photography… that acknowledges what is wrong, is admittedly sometimes hard to bear—it has to encompass our mistakes. Yet in the long run, it is important; in order to endure our age of apocalypse, we have to be reconciled not only to avalanche and hurricane, but to ourselves. -- Robert Adams Robert Adams is an American photographer best known for his images of the American West. Offering solemn meditations on the landscapes of California, Colorado, and Oregon, Adams’s black-and-white photos document the changes wrought by humans upon nature. “By Interstate 70: a dog skeleton, a vacuum cleaner, TV dinners, a doll, a pie, rolls of carpet. Later, next to the South Platte River: algae, broken concrete, jet contrails, the smell of crude oil,” he wrote. “What I hope to document, though not at the expense of surface detail, is the form that underlies this apparent chaos.” Born on May 8, 1937 in Orange, NJ, his family moved around the Midwest throughout his childhood, finally settling in Wheat Ridge, CO in 1952. Adams went on to study English at the University of Redlands and received his PhD in English from the University of Southern California in 1965. It wasn’t until the near completion of his dissertation for USC that Adams began to take photography seriously, learning techniques from professional photographer Myron Wood and reading Aperture magazine. In the 1970s, he was released the book The New West (1974), and a year later was included in the seminal exhibition New Topographics: Photographs of a Man-Altered Landscape. Adams has twice been the recipient of the Guggenheim Fellowship and once the recipient of a MacArthur Fellowship. Adams lives and works in Astoria, OR. Today, his works can be found in the collections of the Whitney Museum of American Art in New York, the National Gallery of Art in Washington, D.C., and the Los Angeles County Museum of Art, among others. Source: Artnet
Anna Laza
Romania
"I started to be in photography about 15 years ago. At that time I used to model and participate in shootings. But quite quickly I got bored with posing and was becoming more curious to stand on the other side of the camera. So slowly, but certainly I started my own way in the big universe of photography. I have principles in my shootings and always keep in focus my own style. It’s very important for an artist to both keep his/her unique style and progress in it at the same time. When I shoot women I avoid sexualizing them and even photographing naked bodies there’ll be no sexual vision in the image, but sensual and sophisticated." Anna Laza is an influential visual artist working in Art and Fashion photography. Her projects are focused on finding new innovative styles both shooting and post-processing. Her work has been rewarded and been exhibited internationally, she has won in a number of famous photo contests, including LensCulture, MonoVisions and Minimalist Awards. She is often published in photography magazines and regularly appears on prestigious jury lists for photographic events. Besides her own photography, she is also a creator of the magazine FotoSlovo, which highlights every year new emerging talents in photography from Russia & CIS counties. Metaphysical Body Landscapes "My childhood I've spent at my grandmother's house in Romania, near the Carpathian Mountains. Seeing human's strong bond with the earth, observing nature, landscapes around influenced my understanding of earth beauty and men's connexion with it. All being is something whole, indivisible. Earth, sky, plants, fruits, mountains, rivers, men, women, day, night- all merged together and flow into each other. This process is infinite and harmonious. Men came from the earth, lives on earth and will return to earth. And landscapes of the earth are seen in body curves. Growing up I moved to live in big cities, my grandmother passed away and I felt the loss of spiritual connexion with nature. To reconnect, I start to search the Landscapes in body in my photography."
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Latest Interviews

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For more than 25 years, French photographer Patrick Cariou has traveled to places around the globe, documenting people living on the fringes of society. Whether photographing surfers, gypsies, Rastafarians or the rude boys of Kingston, Cariou celebrates those who meet the struggles of life with honor, dignity and joy. Bringing together works from his groundbreaking monographs including Surfers, Yes Rasta, Trenchtown Love and Gypsies, Patrick Cariou: Works 1985–2005 (published by Damiani) takes us on a scenic journey around the world, offering an intimate and captivating look at cultures that distance themselves from the blessings and curses of modernity.
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Niko J. Kallianiotis' Athênai in Search of Home (published by Damiani) presents photos taken in and around Athens, the city in which he grew up. The images reflect the artist's eagerness to assimilate back into a home that feels at once foreign and familiar. Throughout the years the city and the surrounding territories have experienced their share of socio-economic struggles and topographic transformations that have altered its identity. The city of Athens in Kallianiotis' photographs is elliptically delineated as a vibrant environment that binds together luxury and social inequality. The photographer depicts a city in which the temporal and the spatial elements often clash with each other while conducting his research for a home that has changed over the years as much as he did.
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In The Haight-Ashbury Portraits, 1967-1968 (published by Damiani) during the waning days of the Summer of Love, Elaine Mayes embarked on a set of portraits of youth culture in her neighborhood. Mayes was a young photographer living in San Francisco during the 1960s. She had photographed the Monterey Pop Festival in 1967 and, later that year the hippie movement had turned from euphoria to harder drugs, and the Haight had become less of a blissed-out haven for young people seeking a better way of life than a halfway house for runaway teens.
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Like 17th-century Dutch painters who made otherwise ordinary interior scenes appear charged with meaning, Pennsylvania-based photographer Jessica Todd Harper looks for the value in everyday moments. Her third monograph Here (Published by Damiani) makes use of what is right in front of the artist, Harper shows how our unexamined or even seemingly dull surroundings can sometimes be illuminating
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In Boyhood (published by Damiani) Roger Ballen's photographs and stories leads us across the continents of Europe, Asia and North America in search of boyhood: boyhood as it is lived in the Himalayas of Nepal, the islands of Indonesia, the provinces of China, the streets of America. Each stunning black-and-white photograph-culled from 15,000 images shot during Ballen's four-year quest-depicts the magic of adolescence revealed in their games, their adventures, their dreams, their Mischief. More of an ode than a documentary work, Ballen's first book is as powerful and current today as it was 43 years ago-a stunning series of timeless images that transcend social and cultural particularities.
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A multi-dimensional artist with decades of experience, Kim Watson has written, filmed, and photographed subjects ranging from the iconic entertainers of our time to the ''invisible'' people of marginalized communities. A highly influential director in music videos' early days, Watson has directed Grammy winners, shot in uniquely remote locations, and written across genres that include advertising, feature films for Hollywood studios such as Universal (Honey), MTV Films, and Warner Brothers, and publishers such as Simon & Schuster. His passionate marriage of art and social justice has been a life-long endeavor, and, in 2020, after consulting on Engagement & Impact for ITVS/PBS, Kim returned to the streets to create TRESPASS, documenting the images and stories of LA's unhoused. TRESPASS exhibited at The BAG (Bestor Architecture Gallery) in Silver Lake, Los Angeles, September 17, 2022 – October 11, 2022.
Exclusive Interview with Julia Dean, Founder of the L.A. Project
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