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Cara Weston
Cara by Tony Karnezis
Cara Weston
Cara Weston

Cara Weston

Country: United States

Cara Weston is a fine art photographer living and working in the Big Sur area of California. She is the daughter of renowned photographer Cole Weston and actress Helen Prosser-Weston, niece of Brett Weston and granddaughter of Edward Weston - recognized as the leading visionary in modern photography. Having worked with her father Cole and Uncle Brett, as well as Rod Dresser, photographer and assistant to Ansel Adams, Cara has followed the path of her heritage. The body of work she has created over the past two decades respects the craftsmanship tradition of the medium and reflects a unique voice within her family. It now stands alongside her famous descendants as a prime example of fine art image making in the twenty-first century.

In addition to her work as a photographer, Cara is the former director of the internationally renowned Weston Gallery in Carmel. As director she curated shows that included exhibitions for luminaries such as Yousuf Karsh, Ansel Adams, Michael Kenna and of course Edward, Cole and Brett Weston. In addition to the gallery exhibitions she has produced, Cara has also curated several art shows in Los Angeles and New York that have featured the best works of today’s art photographers.

Cara is also the proud mother of two wonderful daughters and has just published her first book of photographs, “Head in the Clouds”; a compilation of her best works from various portfolios and one that studies the strength and ephemeral beauty existing above our horizon. Her work can be viewed on her website www.carawestonphotography.com and is in several international exhibits and collections.

Galleries

www.westongallery.com

lumieregallery.net

www.galeriehoffman.com

Websites

www.carawestonphotography.com

www.edward-weston.com

 

Inspiring Portfolios

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More Great Photographers To Discover

Ed Sievers
Ed Sievers
United States
1932 | † 2002
Ed Sievers was born in 1932 in St. Louis, MO, the son of a family doctor that made house calls and an aspiring opera singer. He attended Grinnell College, graduating with a degree in Speech in 1954. His first job was as a creative writer for Hallmark Cards. The slogans he penned were notable for the wry wit and wisdom with which he commented on the human condition. At the same time, his interest in the arts was expanding from the literary to the visual, and would ultimately lead him in a new direction. In 1966 he was accepted into the MFA program at the Rhode Island School of Design to study photography with Harry Callahan. Upon graduation in 1968 he joined the faculty of California State University, Northridge, as a specialist in fine art photography. He took up residence in the Carlton Hotel in Venice Beach and soon realized he had walked into a street photographer's dream. Originally designed as a resort community modeled after its Italian namesake, Venice had fallen on hard times. Buildings were in disrepair and rents were cheap. Influenced by the Bohemian lifestyle of its poets, artists, students and a struggling lower class, the boardwalk suddenly sprang to life. There were musicians, dancers, jugglers, mimes, magicians, comedians, roller skaters, fortune tellers, gritty street people and colorful hippies. And, of course, there was the sprawling nude beach. Throngs of gapers flocked from throughout Southern California to enjoy the expressive spirit of the moment. But that was only on weekends. A quieter, more sensitive mood prevailed during the week. The gentle gestures of holocaust survivors at the Israel Levin Center. The recovering alcoholics quietly heading home after Al-Anon meetings. The homeless searching for food and drink. The once cheerful cottages longing for attention. The iconic murals. The myopic murals. The motions of a people not sure of what lay ahead. Within a decade the Venice that Ed knew had been swallowed up by rampant commercialism and the inexorable influx of the nouveau riche. Upon his death in 2002, the Edwin R. Sievers Memorial Award was established to share his vision with future students; "His approach to photography was straight forward: use the nuances of available light to enhance the subject, whatever that may be: ordinary, quirky, or sublime." Source: Robert Mann Gallery
Lorenzo Formicola
Lorenzo Formicola
Italy
1990
My Name is Lorenzo Formicola, I was born in Italy. After completing my degree in photography in Rome, I worked as an assistant for different photographers including Mario Testino, Peter Lindbergh and Craig McDean.My work is clean, with bright lighting, and shows my youthful visions and sensitivity to textures.
Takuma Nakahira
Takuma Nakahira
Japan
1938 | † 2015
Takuma Nakahira was a Japanese photographer, critic, and theorist. He was a member of the seminal photography collective Provoke, played a central role in developing the theorization of landscape discourse, and was one of the most prominent voices in 1970s Japanese photography. Born in Tokyo, Nakahira attended the Tokyo University of Foreign Studies, from which he graduated in 1963 with a degree in Spanish. After graduation, he began working as an editor at the art magazine Contemporary View (Gendai no me), during which time he published his work under the pseudonym of Akira Yuzuki. Two years later, he left the magazine in order to help organize the major 1968 exhibition One Hundred Years of Photography: The History of Japanese Photographic Expression at the invitation of Shōmei Tōmatsu, an effort to which photo critic Kōji Taki also contributed. In 1968, he and Taki teamed up with photographer Yutaka Takanashi, and critic Takahiko Okada, to found the magazine Provoke: Provocative documents for the sake of thought. By the second issue, Daidō Moriyama had joined the group, but Provoke ceased publication with its third issue, First discard the world of pseudo certainty: the thinking behind photography and language, in March 1970. Nakahira and the other Provoke members were well known for what was termed their "are, bure, boke" (rough, blurry, and out of focus) style, associated with spontaneity and thus supposedly a more direct confrontation with reality in that it would circumvent conscious control. While working on Provoke, Nakahira published his first photobook, For a Language to Come, which has been described as "a masterpiece of reductionism." Ryūichi Kaneko and Ivan Vartanian feature the book prominently in their book on seminal Japanese photobooks of the 1960s and 70s, and Martin Parr and Gerry Badger include it in the first volume of their international photobook history. Vartanian describes the volume as exemplary of Provoke's vision and concept of photography in Nakahira's use of the are, bure, boke style, but also for presenting full-bleed snapshots of anonymous corners of Tokyo that either cross over or abut each other at the book's gutter. Vartanian argues that "By erasing the conventional functionality of the photograph as document, memory, verification, emotion, and narrative, he revealed the illusory nature of photography as a conduit of information or portrayal of reality, while at the same time underscoring the only tangible reality available to the viewer—the printed image," eschewing documentation of social issues to instead present a personal, diaristic perspective. In 1977, at the age of 39, Nakahira suffered alcohol poisoning and fell into a coma. As a result of this trauma, he suffered permanent memory loss and aphasia, effectively ending his prolific writings. This event has also conventionally been understood as marking a change in his photographic practice since, after a hiatus from his image-making activities, he returned to the medium in a style quite distinct from that for which he was known. Curator and photo critic Kuraishi Shino and Masuda, however, argue that in spite of any stylistic differences with his earlier work, Nakahira's post-1977 practice should be understood as a conceptual continuation of the project he embarked on in 1973 with Why an Illustrated Botanical Dictionary. Nakahira's post-1977 photographs were collected in three photobooks: A New Gaze (1983), Adieu à X (1989), and Hysteric Six Nakahira Takuma (2002). While Nakahira was always an important figure within Japanese photographic circles, the upsurge in research and exhibitions on post-WWII Japanese photography since the 2000s has led to a reevaluation of Nakahira's contributions to Japanese photographic, media, and art discourses in recent years, especially outside of Japan. His work has been included in recent seminal exhibitions of Japanese post-WWII art including the Getty Research Institute's Art, Anti-Art, Non-Art: Experimentation in the Public Sphere in Postwar Japan, 1950-1970 (2007), the Museum of Modern Art's Tokyo: 1955-1970 (2012), the Museum of Fine Arts Houston's For a New World to Come: Experiments in Japanese Art and Photography 1968–1979 (2015), National Museum of Modern Art, Tokyo's Things: Rethinking Japanese Photography and Art in the 1970s (2015), and the Art Institute of Chicago's Provoke: Photography in Japan between Protest and Performance, 1960-1975 (2017).Source: Wikipedia
Alexandre Chamelat
Alexandre Chamelat
France
1990
I was born in 1990, Paris, France, but I've always lived in Toulouse where I studied computer science for 3 years and the 4th at Montréal, Québec, Canada. When I went back to France on August 2012 , I started to study photography in a private school (ETPA). I discovered the studio shooting, the photography history, the image semiotics and Photoshop. I could describe my work with several words like simple, minimalist, neat and precise.
Hemad Nazari
Hemad Nazari
Iran
1989
Hemad Nazari studied civil engineering but all he wants to do is take photographs. He considers himself a semi professional photographer and a semi professional civil enginieer too. He was raised in Rasht, Iran. Artist Statement These people live in mountain in small village with 15 houses, but in winter just 3 of these families (7 people) stay there to protect the sheep and supply the food for them in snow and cold winter. These families can go to near small town to buy their requirements but when snow is to heavy they should be there to feed the sheep and protect them from wolfs and other wild animals. The village is in north of Iran, on the old way of Asalem-Khalkhal road.
Formento & Formento
Formento & Formento
United States/United Kingdom
BJ Formento is the light. Richeille Formento is the pigment. This dynamic husband-wife team have made an art of their unique strain of photography. Exuding an eerie sensuality combined with a narrative cinematic sensibility, the ambiguous nature of the characters and scenarios remind us of David Lynch and Hopper-esque landscapes. They couldn’t have landed in the photographic landscape at a more opportune moment. With the enormous interest in their work—success is eminent. Vogue Italia has been a forerunner and loyal supporter of their work, as well as cutting edge magazines like Aesthetica, Blink, Musee and L’oeil de la Photographie. 2012 was a breakthrough year for F+F. They were nominated top finalist to American Vogue’s New Exposure Competition working with Bottega Venetta and Red Digital Camera. In 2014 their works were selected by Alessia Glaviano, photo editor of Vogue Italia and L’Uomo Vogue for a “Glimpse at Photo Vogue” at Carla Sozzani Gallery and in 2015 for “45 Frames from Photo Vogue” at Leica Milan Gallery. Amazing response from the shows at Art Basel Miami Beach, Aipad and Armory NYC. Solo exhibitions across Europe starting in Paris, London, Berlin, Stuttgart and Dusseldorf. Their work also been exhibited in New York at Edelman Arts Gallery in February 2013. The most notable event this year is the publication of their first coffee table book by YK editions, as well as a film to promote the book which has been shown this fall at the Pompidou in Paris. Fahey Klein Gallery has offered them the coveted summer slot and the inaugural exhibition of Japan Diaries. A Photo Shanghai booth dedicated to their works Circumstance, September 2014. The inaugural exhibition of “She is Cuba” at Art Miami 2014 was received with great applause as well as the celebrity studded opening at Miami Fahey Klein and Chrome Hearts during Art Basel 2014. BJ Formento was born in Hawaii and grew up in the Philippines, studied in San Francisco and moved to New York in 1999. Richeille Formento was born in London and attended the prestigious Central St. Martins College of Art before working as an art director and designer in the fashion industry. They split their time between NYC and Miami with their 3 siamese cats.
Richard Le Manz
Richard Le Manz
Spain
1971
For this engineer and self-taught photographer born in Spain in 1971, photography is equally essential both, to communicate the beauty and to reflect on the complex socio-environmental issues, which threaten our planet. He started in photography making landscape photography, but depicting nature is not enough. Pictures of great landscapes may not be the best way to move consciences and change our values and morals. His photography becomes what some journalist called "Philography", photography to philosophize, photography to make people think, to reflect. Photography used as a mean for expressing ideas, transmission of messages, and provoking reactions. Photography as a means to let out the images generated in his mind, imagination and creativity. For this purpose, the artist uses both the object and various photographic techniques like expression way, to delve into the plot of reflection, ideas and dreams. Photography to transmit a clear message, sometimes critical. His landscape photographs begin to turn to black and white and later they go unstructuring seeking to convey a clearer message. One of the first projects in which the search for new forms of expression begins is the "Unstructured Sunset" project that can be seen in this brief presentation. After receiving numerous national and international awards, he present in 2018 his first major project "Habitat, beyond photography", moving from local exhibitions to being invited to international festivals. In 2019 I present this project, together with the most recent "In Our Hands" at the Xposure International Photography festival in Sharjah (United Arab Emirates); different projects but both focuses on the future of our planet. The work "Habitat, beyond photography" explores the relationship between development and nature, between development and the environment and especially between the world of automotive and the environment. It focuses on the serious problem of the mobility habits of today's society, traffic and pollution. It uses internal elements of the explosion engine, (intake valves, exhaust valves, spark plugs, camshafts, injectors, timing chain, and so on) transforming and stamping these objects with a new meaning, creating visual metaphors where nothing is as it seems. In "In Our Hands" he uses multiple exposure in camera without digital manipulation to create images that show a stubborn reality, we are nature and his future is in our hands.
Manuel Delgado
Manuel Delgado
Mexico
1985
Manuel Delgado specializes in travel and documentary photography. He is an ambassador for Skylum, Cokin, Metz, Deuter, Patagonia, Vanguard, a Coloratti Master, and collaborates with brands, such as BenQ or Manfrotto. He writes for Contrastly and is a Mentor for NGO Photographers Alliance, having led workshops in Africa with a focus on ethical and humanitarian photography. His work has been exhibited in Europe and the Americas. Since he first picked up a camera, Manuel has traveled to more than 50 countries. Each journey and every stranger tells a new story and becomes a subject worth photographing. With each experience, Manuel endeavors to capture the essence of the place he leaves behind. Driven by an innate curiosity for his surroundings, Manuel´s process is mainly focused on capturing people in their natural environment; translating through his lens the subtle threads of daily life that are shared across cultures, borders, and races. Depicting people from diverse backgrounds, his work is united by a shared aesthetic that serves to tell each individual's story. Manuel is currently living in Düsseldorf, Germany.
Erhan Coral
Erhan Coral
Turkey
I was born in Istanbul in 1966 and followed a career path that first led me into engineering and later into business. After studying electrical engineering, I earned an MBA in the United States and went on to spend nearly three decades in the financial sector—both as an executive and a business owner. Photography has been a lifelong passion, first sparked in my teenage years. About a decade ago, I decided to return to it with greater intention, and since then it has become a defining part of my life. I now work professionally, focusing on street, travel, and documentary photography—capturing authentic moments that reveal the soul of people and places. Over the years, my work has been recognized and awarded in numerous international photography competitions. These honors have been both humbling and motivating, pushing me to continue telling visual stories with honesty and depth. Through my lens, I seek out the quiet poetry of the everyday, and the subtle human narratives that often go unseen. Artist statement: I focus on street, travel, and documentary photography that reveals the quiet poetry of everyday life. My work is rooted in observation—capturing fleeting moments, subtle gestures, and the human presence within layered environments. I’m drawn to unscripted scenes that speak to shared experiences across cultures. Through a candid and respectful approach, I aim to create images that resonate with honesty, depth, and a sense of timelessness.
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