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Lauren Stewart
Lauren Stewart
Lauren Stewart

Lauren Stewart

Country: United States
Birth: 1983

Lauren Stewart is a self-taught American documentary & street photographer. She graduated from the College of Charleston in 2005 with a degree in English. From 2017 to 2019 she lived in and traveled through China, Nepal, India and Thailand where she covered South East Asia. Her work focuses on documenting people’s daily lives to make global cross-cultural connections between the viewer and the subject. Her work has appeared in numerous international publications such as Suitcase Magazine, Electrify Magazine, Matador Network, NR Magazine as well as others. She was selected to be a part of the inaugural Women Street Photographers exhibit in 2018 in New York City and was also a finalist in the WSP exhibitions in 2019 and 2024. Her work has also been included in the PHOS Street Photography Days Exhibition in Bulgaria in 2018 and most recently in PHOTO SC’s Feminism exhibition in Columbia, South Carolina in 2024. She currently lives in the United States with her family while working on both street photography as well as long-term documentary projects revolving around the culture of the American South.

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@laurenalliephoto

 

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Joel Sternfeld
Joel Sternfeld
United States
1944
Joel Sternfeld (born June 30, 1944) is an American fine-art color photographer. He is noted for his large-format documentary pictures of the United States and helping establish color photography as a respected artistic medium. Sternfeld's work is held in the collection of the Museum of Modern Art in New York. Sternfeld earned a BA from Dartmouth College and teaches photography at Sarah Lawrence College in New York. He began taking color photographs in 1970 after learning the color theory of Johannes Itten and Josef Albers. Color is an important element of his photographs. American Prospects (1987) is Sternfeld's most known book and explores the irony of human-altered landscapes in the United States. To make the book, Sternfeld photographed ordinary things, including unsuccessful towns and barren-looking landscapes. On This Site: Landscape in Memoriam (1997), is about violence in America. Sternfeld photographed sites of recent tragedies. Next to each photograph is text about the events that happened at that location. From 1991 to 1994 Sternfeld worked with Melinda Hunt to document New York City's public cemetery on Hart Island, resulting in the book Hart Island (1998). Sternfeld has also published books about social class and stereotypes in America: Stranger Passing (2001), an abandoned elevated railway in New York: Walking the High Line (2002), and Sweet Earth: Experimental Utopias in America (2006). When It Changed (2007) contains close-up portraits of delegates debating global warming at the 2005 United Nations Climate Change Conference in Montreal.Source: Wikipedia Joel Sternfeld is an artist-photographer whose work is concerned with utopic and dystopic possibilities of the American experience. Ever since the publication of his landmark study, American Prospects in 1987 his work has maintained conceptual and political aspects, while also being steeped in history, art history, landscape theory and attention to seasonal passage. It is a melancholic, spectacular, funny and profound portrait of America. The curator Kevin Moore has claimed that the work embodies the “synthetic culmination of so many photographic styles of the 1970s, incorporating the humor and social perspicacity of street photography with the detached restraint of New Topographics photographs and the pronounced formalism of works by so many late-decade colorists” (Kevin Moore, Starburst: Color Photography in America 1970-1980). On This Site (1996) examines violence in America while simultaneously raising significant epistemological questions about photographs as objects of knowledge. Sweet Earth: Experimental Utopias in America (2006) “can be seen as a generous respite from the traumatic history in On This Site... It is a survey of American human socialization, alternative ways of living, of hopeful being” (Elin O’Hara Slavik, 2018). All his subsequent work has sought to expand the narrative possibilities of still photography primarily through an authored text. All of his books and bodies of work converse with each other and may be read as a collective whole. His work represents a melding of time and place that serves to elucidate, honor, and warn. The images hold a certain urgency, as their histories survive solely through their photographic representation— they are an archive for the future. Sternfeld is the recipient of two Guggenheim Fellowships and spent a year in Italy on a Rome Prize. He teaches at Sarah Lawrence College, where he holds the Noble Foundation Chair in Art and Cultural History.Source: www.joelsternfeld.net Joel Sternfeld is well known for large-format color photographs that extend the tradition of chronicling roadside America initiated by Walker Evans in the 1930s. Sternfeld's projects have consistently explored the possibility of a collective American identity by documenting ordinary people and places throughout the country. Each project he embarks on is bound by a concept that imbues it with subtle irony, often through insightful visual juxtapositions or by pairing images with informational text. Another characteristic aspect of Sternfeld's work is that color is never arbitrary; it functions in highly sophisticated ways to connect elements and resonate emotion. Sternfeld earned a BA in Art from Dartmouth College in 1965. He began making color photographs in the 1970s after learning the color theory of Johannes Itten and Josef Albers. He initially made street photographs with small- and medium-format cameras, but by the time he produced what would become a seminal project, American Prospects (1987), he was working with an eight-by-ten-inch camera. This enabled him to achieve the crisp details his work is known for. Sternfeld's style-his careful attention to visual qualities combined with an insightful and often ironic view of his subjects was first articulated in American Prospects. One of his best-known images, for example, depicts a fireman shopping for a pumpkin as a house burns in the background. The pumpkins' vibrant oranges match the autumnal colors of the countryside, and ironically, the fire's flames.Source: The J. Paul Getty Museum
Stuart Neil
Stuart Neil
Australia
1974
I am relatively new to photography. I’ve been shooting a bit over a year now and am, like many of you will remember from your early days, totally addicted. My work attempts to focus on the ordinary rather than the obvious things in each city I go to. I enjoy a singularity of subject, strong contrasts or colours and finding beauty in the everyday.
Chin Leong Teo
Chin Leong Teo
Singapore
1978
Chin Leong Teo is a Singapore citizen and an aviation professional. He pursued his college education in New York and California and spent a part of his working life resident in Jakarta, Shanghai, and Dammam (Saudi Arabia). The significant time he spent away from Singapore gave him a global perspective and the globetrotting desire to see the world. Currently he is residing in Fukuoka, Japan, where he holds the position of Chief Traffic Development Officer at Fukuoka Airport, the fourth largest airport by passenger traffic volume in Japan. Photography is Chin Leong's hobby and passion. He is interested in all photography genres, including street, travel, landscape, and nature photography. He is internationally published, and has been awarded some of the top accolades in the photography industry. These include being listed in the Photographic Society of America (PSA) 2018 Who's Who List as one of the world's top exhibitors, winning the prestigious Pangea Prize at Siena Awards 2019, and winning the inaugural ROAM Award for photography in the Discovery Category in 2019. In 2020, he won a Merit Award in All About Photos 2020 Awards, and a Honourable Mention Medal at the 80th International Photographic Salon of Japan. Chin Leong's photography philosophy is to capture "all things beautiful God created" and to continue to grow and evolve his photographic sense and acumen.
Jean-Michel Clajot
Jean-Michel Clajot
Belgium
1971
Jean-Michel Clajot is an independent documentary photographer based in Brussels. For nearly 25 years, he has focused on intimate stories about African and Asian families and subcultures. As of July 2006, He joined Cosmos Photo Agency (Paris) for 12 years. In 2019, He joined the great Redux Pictures agency (New-York) as a worldwide represented photographer, to focus on a combination of long-term personal projects, breaking news and client assignments. Jean-Michel's work has been published in multiple press media such as Le Monde, CNN.com, National Geographic, Newsweek, Time, Grands Reportages, China News... In 2008, the three years project "Scarifications", photographing the Scarifications Culture in Benin, has been published in a book by Yovo Editions and shown in galleries in Brussels, Paris and Italy. The book was selected in 2008 by National Geographic for the LOOK3 Exhibit in Charlottesville, in the USA. In 2014, "Born To be a Woman" was exhibited at the Hirado Trading Post Museum in Japan. His photography is featured in art galleries worldwide, including Cosmos Gallery in Paris, Ikono in Brussels, the Arte Foto Festival in Italy and Visa Pour l'Image International Festival of Photojournalism.
Rena Effendi
Rena Effendi
Azerbaijan
1977
Rena Effendi's early work focused on oil industry's effects on people's lives. As a result, she followed a 1,700 km oil pipeline through Azerbaijan, Georgia, and Turkey, collecting stories along the way. This work was published in 2009 in her first book: "Pipe Dreams A chronicle of lives along the pipeline". In 2013, Rena Effendi published her second monograph "Liquid Land" where her images are paired with photographs of perished butterflies hunted by her father, a Soviet entomologist, who collected more than 30,000 butterflies in Soviet Union. Liquid Land punctuates the theme of fragility and environmental decay of Baku, the city where Effendi was born and grew up. Effendi has received many international awards including the Alexia 2018 Professional Grant, the Prince Claus Fund Award for Culture and Development, World Press Photo (for observed portraits in 2014), SONY World Photography Award (fine art category), Getty Images Editorial Grant and was short-listed for the Prix Pictet Award in Photography and Sustainability. Rena Effendi is represented by National Geographic Creative agency and ILEX Gallery. Rena Effendi's work has been exhibited in museums and galleries worldwide including at the Saatchi Gallery, Miami Art Basel, Istanbul Modern, and the 52nd Venice Biennial. She has worked on editorial assignments for the National Geographic, The New Yorker, Newsweek, TIME, The New York Times magazine, Vogue, Marie Claire, The Sunday Times, GEO and others.
Ragnar Axelsson
Ragnar Axelsson
Iceland
1958
For over 40 years, Ragnar Axelsson, Rax, has been photographing the people, animals, and landscape of the most remote regions of the Arctic, including Iceland, Siberia, and Greenland. In stark black-and-white images, he captures the elemental, human experience of nature at the edge of the liveable world, making visible the extraordinary relationships between the people of the Arctic and their extreme environment – relationships now being altered in profound and complex ways by the unprecedented changes in climate. A photojournalist at Morgunbladid since 1976, Ragnar has also worked on free-lance assignment in Latvia, Lithuania, Mozambique, South Africa, China, and Ukraine. His photographs have been featured in LIFE, Newsweek, Stern, GEO, National Geographic, Time, and Polka, and have been exhibited widely. Ragnar has published 7 books in various international editions. His most recent, Jökull (Glacier) was published in 2018, with a foreword by Olafur Eliasson. Andlit Nordursins (Faces of The North), was published in 2016, with a foreword by Mary Ellen Mark, and won the 2016 Icelandic Literary Prize for non-fiction. Other awards for Ragnar's work include numerous Icelandic Photojournalist Awards; The Leica Oskar Barnack Award (Honorable Mention); The Grand Prize, Photo de Mer, Vannes; and Iceland's highest honor, the Order of the Falcon, Knight's Cross. Ragnar is currently working on a 3-year project documenting people's lives in all 8 countries of the Arctic. At this pivotal time, as climate change irrevocably disrupts the physical and traditional realities of their world, Ragnar is bearing witness to the immediate and direct threat global warming poses to their survival. Must Read Article Photography and Climate Change Awareness
Tuan Nguyen Tan
Tuan Nguyen Tan
Vietnam
1983
My name is Nguyen Tan Tuan, born in 1983. I was born and raised in Central Vietnam. When I came to photography in 2015, I was fascinated with capturing the beautiful scenes of my homeland, especially the labor beauty of my people. The photographs of my homeland have brought me some success in international photo contests such as: SkyPixel Awards 2018 & 2019, 2 photo finalists of the 17th annual Smithsonian magazine photo contest, winner 35Awards (2016-2017-2018-2019-2020), Hero Sport Agora 2020, AAP Magazine #11 Travel , 3RD PLACE WINNER (PORTRAIT) MONOCHROME AWARDS 2020, The Pano Awards 2020...
Louis Faurer
Louis Faurer
United States
1916 | † 2001
Louis Faurer was an American candid or street photographer. He was a quiet artist who never achieved the broad public recognition that his best-known contemporaries did; however, the significance and caliber of his work were lauded by insiders, among them Robert Frank, William Eggleston, and Edward Steichen, who included his work in the Museum of Modern Art exhibitions In and Out of Focus (1948) and The Family of Man (1955). Growing up in Philadelphia, Faurer showed an early aptitude for illustration. He bought his first camera in 1937 from the photographer Ben Somoroff. After a couple of jobs as a photographic technician, Faurer made his way to Manhattan and into the world of fashion photography. He quickly made contacts that stood him in good stead: Robert Frank, with whom he shared a darkroom/studio and fast friendship, and Walker Evans, whom he'd long admired, who introduced him to Alexander Liberman at Vogue. Faurer did fashion photography for Vogue, Junior Bazaar, Harper's Bazaar, Mademoiselle, Elle, and Glamour, as well as assignments for Life and Look for more than twenty years. He complained that his work at Life involved too much travel, so he quit in the early 1950s. Most of the prints and negatives of his fashion work have probably been discarded, as Faurer stored them with a friend when he left the country in the late 1960s, then failed to reclaim them. It is Faurer’s personal work from the 1940s, 1950s, and 1960s for which he is best remembered. He photographed the streets of New York City and Philadelphia, capturing the restless energy of urban life. His photographs show the great variety of the city's human face. As Robert Frank said in 1994: "Faurer ... proves to be an extraordinary artist. His eye is on the pulse [of New York City] - the lonely 'Times-Square people' for whom Faurer felt a deep sympathy. Every photograph is witness to the compassion and obsession accompanying his life like a shadow. I am happy that these images survive while the world keeps changing." Faurer experimented with blur, grain, double exposures, sandwiched negatives, reflections, slow film speeds, and low lighting. His 1950 photographs of Robert Frank and his new wife Mary at the San Gennaro Festival in New York are a case in point, exploiting maximum-aperture shallow depth of field, reflections and halation of out-of-focus light sources for intimate, romantic results. One of the series attracted the attention of curator Edward Steichen who included it in the world-touring Museum of Modern Art exhibition, The Family of Man, seen by 9 million visitors, and in its catalogue, which has never been out of print. As exacting in the darkroom as he was in the field, he was notorious for being a tireless perfectionist when it came to cropping and printing his work. In the mid-and late 1960s, Faurer experimented with hand-held 16 mm film, using Arriflex and Beaulieu movie cameras, filming in the streets of Manhattan, extending his still camera style into a cinematic medium. Between 1969 and 1974 he lived and worked abroad, mostly in Paris. From the mid-1970s to the mid-1980s, Faurer taught at numerous art schools and universities, including the Parsons School of Design in New York City, Yale University, the University of Virginia in Charlottesville, The New School for Social Research and Stockton State College in New Jersey. In 1984, while running to catch a New York city bus, Faurer was struck by a car and seriously injured. He never photographed again. Faurer spoke of his “intense desire to record life as I see it” as his only motivation: “As long as I’m amazed and astonished, as long as I feel that events, messages, expressions and movements are all shot through with the miraculous, I’ll feel filled with the certainty I need to keep going.” The late Walter Hopps, who was curator of American art at the Corcoran Gallery of Art and the Smithsonian's National Collection of Fine Arts, commented on Faurer's work: "I am in awe of the high point he can reach in a photograph such as Family, Times Square, at the center of New York in the center of our century. Perhaps no other American image stands comparison with Picasso’s Family of Saltimbanques, on their imagined European plane in 1905… Faurer stands and lives as a master of his medium."Source: Wikipedia
Lynn Gilbert
Lynn Gilbert
United States
1938
As a photographer, my mission is to document unrecorded areas of society, shining a light on the lives and stories of those often overlooked. This work is not just a passion, but a significant contribution to our understanding of the world. In the 1970s, I took environmental portraits of children from more than a hundred families in New York City from different socioeconomic backgrounds, shedding light on the diversity of urban life. My portrait of Louise Nevelson in 1976, one of the most influential artists of the 20th century, inspired my first book. Particular Passions: Talks with Women Who Have Shaped Our Time, 1981, includes portraits of the trailblazers who transformed the American Landscape. Ruth Bader Ginsburg, Billie Jean King, Julie Child, Gloria Steinem, and 42 other women share their inspiring stories in their own words. For almost a decade, I documented the interiors of the Traditional houses of Turkey to preserve a disappearing way of life. The municipal government in towns and villages across the country helped select these houses, a significant part of the country's cultural heritage. My book The Silk Road: Then and Now, 2017, includes images from this series. For four years, I documented the changing seasons of a world-class garden. It grew into a documentary about a multi-generational family of 30, which revolves around this garden. My work has been widely published and appeared on over 1,000 media platforms, including Netflix, Nvidia, Intel, National Geographic, MoMA, the British Museum, and The Washington Post. My portraits are in the Smithsonian, the National Portrait Gallery, the Smithsonian, and the New York Historical Society. Recently, I started photographing and interviewing 1970s kids from different socioeconomic backgrounds to document what happened to their lives. At 86, I'm still working as fast as I can. There's so much more I want to accomplish, and I'm determined to keep pushing the boundaries of my art. Artist Statement What is a Portrait? According to the dictionary it can be a painting, photograph, drawing, or even a description. A successful portrait is achieving an image that is a timeless representation of the subject. Even with inanimate things or portraits of spaces, the goal for me is the same, to capture its soul. I've photographed hundreds of people. I have a series of NYC children and another Women of Wisdom. Getting beyond that awkwardness is not easy. The clock is ticking. Even children are uncomfortable, under the scrutiny of a prying eye. As a photographer, I'm always nervous, ''will I get that one image.'' What works for me is to keep the conversation flowing. Eventually the awkwardness fades. When photographing children there are endless things to talk about, however it is not as simple with adults. If the person is well-known then I do a lot or research about them. As the conversation progresses, I keep the camera clicking. The first pictures never work but they are important part of the process. The subjects get used to the clicking and the images get better. After about an hour I find a person relaxes. That is the moment, I can capture my subject. Real character is revealed. The tilt of the head, the shoulders go soft, the fingers relax, the legs are at ease and the eyes are unguarded. That final image happens in a split second. Decades later the portrait must still work.
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