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Lauren Stewart
Lauren Stewart
Lauren Stewart

Lauren Stewart

Country: United States
Birth: 1983

Lauren Stewart is a self-taught American documentary & street photographer. She graduated from the College of Charleston in 2005 with a degree in English. From 2017 to 2019 she lived in and traveled through China, Nepal, India and Thailand where she covered South East Asia. Her work focuses on documenting people’s daily lives to make global cross-cultural connections between the viewer and the subject. Her work has appeared in numerous international publications such as Suitcase Magazine, Electrify Magazine, Matador Network, NR Magazine as well as others. She was selected to be a part of the inaugural Women Street Photographers exhibit in 2018 in New York City and was also a finalist in the WSP exhibitions in 2019 and 2024. Her work has also been included in the PHOS Street Photography Days Exhibition in Bulgaria in 2018 and most recently in PHOTO SC’s Feminism exhibition in Columbia, South Carolina in 2024. She currently lives in the United States with her family while working on both street photography as well as long-term documentary projects revolving around the culture of the American South.

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More Great Photographers To Discover

Ray K. Metzker
Ray K. Metzker
United States
1931 | † 2014
Ray K. Metzker (10 September 1931 – 9 October 2014) was an American photographer known chiefly for his bold, experimental B&W cityscapes and for his large "composites", assemblages of printed film strips and single frames. His work is held in various major public collections and is the subject of eight monographs. He received awards from the John Simon Guggenheim Memorial Foundation, National Endowment for the Arts and Royal Photographic Society. Metzker was born in Milwaukee and lived in Philadelphia from the 1960s until his death. He was married to the photographer Ruth Thorne-Thomsen. He was a student of Harry Callahan and Aaron Siskind at the Institute of Design in Chicago. He taught for many years at the Philadelphia College of Art and also taught at the University of New Mexico. After graduate studies at the Institute of Design in Chicago, Metzker travelled extensively throughout Europe in 1960-61, where he had two epiphanies: that "light" would be his primary subject, and that he would seek synthesis and complexity over simplicity. Metzker often said the artist begins his explorations by embracing what he doesn't know.Source: Wikipedia After a career that spanned five decades and saw him pioneer a new and singular visual idiom, Ray K. Metzker has been recognized as one of the great masters of American photography. Characterized by composites, multiple-exposures, solarization, the superimposition of negatives, and the juxtaposition of images, Metzker’s work pushed the boundaries of what seemed formally possible in black and white photography. Metzker enrolled at the Institute of Design, Chicago in 1956, a school which at that time was being referred to as the New Bauhaus, where he studied with fellow modernist photographers Harry Callahan and Aaron Siskind. After obtaining a master’s degree from the Institute in 1959, Metzker’s work began to garner increasing attention and critical regard, first and foremost from Edward Steichen, who, at that time, was the curator of photography at the Museum of Modern Art, New York. Metzker’s first solo show would happen at the Museum of Modern Art in 1967. Retrospectives of his work were organized in 1978 by the International Center of Photography in New York and in 1984 by the Museum of Fine Arts in Houston, a show which then traveled to the San Francisco Museum of Modern Art, the Art Institute of Chicago, the Philadelphia Museum of Art, the High Museum of Art, Atlanta, the International Museum of Photography, Rochester, and the National Museum of American Art, Washington, DC. In 2011 a major career retrospective of Metzker’s work was organized by the Nelson-Atkins Museum of Art in Kansas City, which traveled to the The J. Paul Getty Museum in Los Angeles and the Henry Art Museum in Seattle. Ray K. Metzker died in October of 2014, at 83 years of age, in the city of Philadelphia.Source: Howard Greenberg Gallery Metzker has dedicated his career to exploring the formal potentials of black-and-white photography, but they are not his exclusive concern. "When you look at the multiples, you are aware of patterning and so forth," he says, "but there is still identifiable subject matter; frequently there are people there; there is a rhythm to those people." Metzker's 1959 thesis project, My Camera and I in the Loop, takes downtown Chicago as its subject, but renders it in experiments that tell more about photography than they do about the city. The pictures from this project were exhibited at the Art Institute of Chicago (1959-1960), and included in the issue of Aperture devoted to the students and professors of the Institute of Design at the Illinois Institute of Technology in Chicago (1961). Ray Metzker's images question the nature of the photograph and photographic "reality." Through cropping, multiple imagery, and other formal inventions, his work explores options for transforming the vocabulary of the photograph. Untitled from 1969 illustrates the simple method of manipulating objective information through juxtaposition: two distinct women on the beach enter into a yin-yang relationship of line and gesture. The photograph is part of a series of pictures made from 1968 to 1975 of beach-goers in New Jersey. "The more fashion conscious probably go to other beaches, but what Atlantic City has – and what attracted me to it – is diversity," Metzker said. Of the content of the pictures and his working method, Metzker added, "What appears in the pictures was the subject's decision, not mine. I took what they presented – delicate moments – unadorned and unglamorous, yet tender and exquisite." Metzker used a 1975 National Endowment for the Arts fellowship to pull the series together as Sand Creatures, later published as a book in 1979. There are no diptychs in the book, though the woman in sunglasses at the bottom of Untitled (1969) is included as a solo picture. In a July 1992 letter, Metzker wrote the following about two untitled Sand Creatures pictures from 1969: "The photograph of the double image is from the series entitled Couplets and predates the single image by a number of years. Both pictures were made at beaches along the New Jersey coast: the couplet at Atlantic City, the single frame at Cape May. With both, my camera was an Olympus half-frame, a small amateurish piece of equipment that let me move about freely. The choice of the camera was essential to the development of the series."Source: Museum of Contemporary Photography
Jordon McGhee
Jordon McGhee
United Kingdom
1986
Jordon McGhee (United Kingdom) is an artist who mainly works with photography. By rejecting an objective truth and global cultural narratives, McGhee creates with daily, recognisable elements, an unprecedented situation in which the viewer is confronted with the conditioning of his own perception and his views on his stay in Jeddah. His practice provides a useful set of allegorical tools for manoeuvring with a pseudo-minimalist approach in the world of photography: these meticulously planned works resound and resonate with images culled from the fantastical realm of imagination. With a subtle minimalistic approach, he creates work in which a fascination with the clarity of content and an uncompromising attitude towards conceptual and minimal art can be found. The work is free spirited yet systematic with a cool and neutral imagery used. His collection of work from Jeddah urges us to renegotiate photography as being part of a reactive or - at times - documentary medium, commenting on oppressing themes in our contemporary society. With Plato's allegory of the cave in mind, he makes work that deals with the documentation of events and the question of how they can be presented. His work of Jeddah expresses this in detailed portraiture. His works are an investigation into representations of (seemingly) concrete ages and situations as well as depictions and ideas that can only be realised in photography.
Julio Marchamalo
Julio Marchamalo
Spain
1994
I was born in Madrid on Book Day in 1994. Although I studied Physics, I combine a full time job on science with my passion for photographing candid moments, mainly around my hometown, Madrid (Spain). I am completely amazed by how light can change a corner or a street that you may have walked by thousands of times and transform it into another reality, much more interesting than the ordinary. Thus, I must confess that I am a seeker of light, and I leave it the liberty to direct me to the corners and characters that make the ordinary into something else. What captivates me about street photography is the opportunity it gives the photographer to create an interesting and beautiful reality through the world that surrounds us everyday. To build this alternate reality I can say that colors speak to me, and the street calls.
Simon King
Simon King
United Kingdom
1995
Simon is a London based Street and Documentarian photographer. His time is divided between shooting personal projects, assignments, and general street photographs. Simon also teaches a short course in Street Photography at the University of the Arts, London, with a focus on empowering students to overcome boundaries when shooting on the street, as well as how to discover details and moments in the world around them, and translate those into images. Simon's projects include work behind the scenes at London Fashion Week, as well as a number of movie and television sets. His BTS work relies heavily on his street photography style, and approach towards candid scenes. His work now takes him around the world, as he narrows the scope of his storytelling to focus on elements of humanity that fascinate him. His photography features emotion and energy in every frame, with a real sense of empathy and compassion towards his subjects. Despite this emphasis on character and emotion his images are distinct in their minimalism, telling the story with as few elements as possible. The majority of his work is shot on 35mm film, which offers the best balance in terms of quality and manoeuvrability.
Amanuel Sileshi
Amanuel Sileshi
Ethiopia
Amanuel Sileshi is a photojournalist based in Ethiopia currently working for AFP. He loves documenting the change and the effect that humanity brings with conflicts, wars, political reforms. photojournalism is a tool in which we can tell realities in one singular photo.
David Bailey
David Bailey
United Kingdom
1938
David Royston Bailey CBE (born 2 January 1938) is an English fashion and portrait photographer. David Bailey was born at Whipps Cross University Hospital in Leytonstone, to Herbert Bailey, a tailor's cutter, and his wife, Gladys a machinist. From the age of three he lived in East Ham. Bailey developed a love of natural history, and this led him into photography. Suffering from undiagnosed dyslexia, he experienced problems at school. He attended a private school, Clark's College in Ilford, where he says they taught him less than the more basic council school. As well as dyslexia he also has the motor skill disorder dyspraxia (developmental coordination disorder). In one school year, he claims he only attended 33 times. He left school on his fifteenth birthday, to become a copy boy at the Fleet Street offices of the Yorkshire Post. He raced through a series of dead-end jobs, before his call up for National Service in 1956, serving with the Royal Air Force in Singapore in 1957. The appropriation of his trumpet forced him to consider other creative outlets, and he bought a Rolleiflex camera. He was demobbed in August 1958, and determined to pursue a career in photography, he bought a Canon rangefinder camera. Unable to obtain a place at the London College of Printing because of his school record, he became a second assistant to David Ollins, in Charlotte Mews. He earned £3 10s (£3.50) a week, and acted as studio dogsbody. He was delighted to be called to an interview with photographer John French. In 1959, Bailey became a photographic assistant at the John French studio, and in May 1960, he was a photographer for John Cole's Studio Five, before being contracted as a fashion photographer for British Vogue magazine later that year. He also undertook a large amount of freelance work. Along with Terence Donovan and Brian Duffy, Bailey captured and helped create the 'Swinging London' of the 1960s: a culture of fashion and celebrity chic. The three photographers socialized with actors, musicians and royalty, and found themselves elevated to celebrity status. Together, they were the first real celebrity photographers, named by Norman Parkinson "the Black Trinity". The film Blowup (1966), directed by Michelangelo Antonioni, depicts the life of a London fashion photographer who is played by David Hemmings, whose character was inspired by Bailey. The "Swinging London" scene was aptly reflected in his Box of Pin-Ups (1964): a box of poster-prints of 1960s celebrities including Terence Stamp, The Beatles, Mick Jagger, Jean Shrimpton, PJ Proby, Cecil Beaton, Rudolf Nureyev and East End gangsters, the Kray twins. The Box was an unusual and unique commercial release. It reflected the changing status of the photographer that one could sell a collection of prints in this way. Strong objection to the presence of the Krays by fellow photographer, Lord Snowdon, was the major reason no American edition of the "Box" was released, and that a second British edition was not issued. The record sale for a copy of 'Box of Pin-Ups' is reported as "north of £20,000". At Vogue Bailey was shooting covers within months, and, at the height of his productivity, he shot 800 pages of Vogue editorial in one year. Penelope Tree, a former girlfriend, described him as "the king lion on the Savannah: incredibly attractive, with a dangerous vibe. He was the electricity, the brightest, most powerful, most talented, most energetic force at the magazine". American Vogue's creative director Grace Coddington, then a model herself, said "It was the Sixties, it was a raving time, and Bailey was unbelievably good-looking. He was everything that you wanted him to be – like the Beatles but accessible – and when he went on the market everyone went in. We were all killing ourselves to be his model, although he hooked up with Jean Shrimpton pretty quickly". Of model Jean Shrimpton, Bailey said: "She was magic and the camera loved her too. In a way she was the cheapest model in the world – you only needed to shoot half a roll of film and then you had it. She had the knack of having her hand in the right place, she knew where the light was, she was just a natural." Since 1966, Bailey has also directed several television commercials and documentaries. From 1968 to 1971 he directed and produced TV documentaries titled Beaton, Warhol and Visconti. As well as fashion photography, Bailey photographed album sleeve art for musicians including The Rolling Stones and Marianne Faithfull. One of Bailey's most famous works depicts the Rolling Stones including Brian Jones, who drowned in 1969 while under the influence of drink and drugs. He is seen standing slightly apart from the rest of the group. Bailey was hired in 1970 by Island Records' Chris Blackwell to shoot publicity photos of Cat Stevens for his upcoming album Tea for the Tillerman. Stevens, who is now known as Yusuf Islam maintains that he disliked having his photo on the cover of his albums, as had previously been the case, although he allowed Bailey's photographs to be placed on the inner sleeve of the album. In 1972, rock singer Alice Cooper was photographed by Bailey for Vogue magazine, almost naked apart from a snake. Cooper used Bailey the following year to shoot for the group's chart-topping 'Billion Dollar Babies' album. The shoot included a baby wearing shocking eye makeup and, supposedly, one billion dollars in cash requiring the shoot to be under armed guard. In 1976, Bailey published Ritz Newspaper together with David Litchfield. In 1985, Bailey was photographing stars at the Live Aid concert at Wembley Stadium. As he recalled later: "The atmosphere on the day was great. At one point I got a tap on my shoulder and spun round. Suddenly there was a big tongue down my throat! It was Freddie Mercury." In October 2020 Bailey's Memoir "Look Again" in co-operation with author James Fox was published by Macmillan Books a review on his life and work.Source: Wikipedia David Bailey is an English fashion photographer best known for his images of celebrities, models, and musicians. Though he is also known for his photography book NWI (1982), which documented the process of gentrification in the London neighborhoods of Primrose Hill and Camden. Born on January 2, 1938 in London, United Kingdom, Bailey dropped out of high school to serve in the Royal Air Force where he developed an interest in the photography of Henri Cartier-Bresson. Returning to England, Bailey began working as the fashion photographer John French’s assistant. Over the course of the 1960s and 70s, the artist gained attention from the press after a string of high-profile marriages to Jean Shrimpton, Catherine Deneuve, and Marie Helvin. In 1965, he published his first photography book Box of Pin-Ups, a collection of black-and-white images portraying Mick Jagger, The Beatles, Twiggy, and Andy Warhol, along with several other celebrity figures. Bailey has gone on to receive the title of Commander of the Order of the British Empire from Queen Elizabeth II, and in 2016 a Lifetime Achievement award from the International Center of Photography in New York. The artist’s photographs are held in the collections of the National Portrait Gallery and the Victoria and Albert Museum in London. Bailey currently lives and works in London, United Kingdom.Source: Artnet
Lorenzo Vitali
Lorenzo Vitali
Italy
1953
Born in Milan, the city where he lives and works. My works have been published in many magazines in Italy and abroad and have won numerous international awards. I have presented his main projects in personal and collective exhibitions. I always tackle my photographic projects after a phase of careful preparation which involves an in-depth study of the theme and several inspections of the places that will be the subject of my shots. This requires a certain amount of time, but it is also essential to get into the right atmosphere by having everything I need at my disposal. The atmospheres of my works always correspond to my way of perceiving the place and this often leads me to intervene in an important way in the post-production phase. Painting is also very important in my cultural background and in general my approach to photography takes into account the entire visual arts. Creative and experimental, always attentive to new artistic proposals in his environment, I develope the aesthetic sense of my works by combining classic elements and innovation. I pay particular attention to shapes and materiality.
Andrea Modica
Andrea Modica
United States
1960
Andrea Modica, born in 1960 in New York City, is an American photographer renowned for her intimate and evocative black-and-white portraits. Modica's fascination with photography began at an early age, inspired by her father's passion for the craft. She pursued her interest in photography at Yale University, where she studied under the mentorship of renowned photographers such as Walker Evans and Tod Papageorge. Modica's work often explores themes of memory, identity, and human connection, capturing the essence of her subjects with profound sensitivity and depth. She is particularly known for her portrait series, which often feature individuals from marginalized communities or overlooked subcultures. One of Modica's most acclaimed projects is "Treadwell," a series of portraits documenting the residents of a rural community in upstate New York. Taken over the course of several years, these intimate portraits offer a glimpse into the lives of the people living in this close-knit community, celebrating their resilience and humanity. In addition to her portrait work, Modica is also recognized for her hauntingly beautiful landscapes, which evoke a sense of timelessness and contemplation. Her images often feature desolate rural landscapes or abandoned buildings, imbued with a sense of mystery and nostalgia. Modica's photographs have been exhibited in galleries and museums around the world, including the Museum of Modern Art in New York City and the San Francisco Museum of Modern Art. She has received numerous awards and accolades for her work, including a Guggenheim Fellowship and a Fulbright Grant. In addition to her artistic endeavors, Modica is also a dedicated educator, sharing her passion for photography with students at various institutions, including the University of Oregon and Drexel University. She is known for her compassionate and nurturing approach to teaching, inspiring her students to explore their own creativity and develop their unique artistic voices. Modica's work continues to resonate with audiences, inviting viewers to contemplate the complexities of the human experience and the beauty of the world around us. Through her evocative imagery, she reminds us of the power of photography to transcend boundaries and forge connections between people from all walks of life.
Hùng Anh Nguyễn
Hùng Anh Nguyễn
Vietnam
2002
Hùng Anh Nguyễn is a photographer and media professional with seven years of experience, specializing in street-style photography. Passionate about exploring diverse perspectives and layered compositions, he seeks to reveal stories that often go unnoticed. Through light, depth, and authentic moments, he transforms everyday scenes into compelling visual narratives. Statement This image captures a suffocating reality where a market stall is no different from an artificial cave built from thousands of cluttered items. Surrounded on all sides by Buddha statues, joss paper, and goods piled to the ceiling, the woman sits swallowed whole by her very "livelihood." The solitary neon light doesn't create a magical glow; instead, it only highlights the grittiness, dust, and claustrophobia of an oxygen-deprived space. This is the raw face of small-scale retail: humans imprisoning themselves in dark, cramped "holes" all day long, patiently clinging to a forest of objects just to exist. Her distant gaze isn't one of meditation, but rather the weary resignation of a life besieged within a survival cave with no exit. Awarded Photographer of the Week - Week 11, 2026
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Latest Interviews

Exclusive Interview with Carolyn Moore
Interview
Exclusive Interview with Carolyn Moore
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
Interview
Publication
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
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Exclusive Interview with Matthew Finley
Interview
Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
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Exclusive Interview with Jan Janssen
Interview
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
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Exclusive Interview with Henk Kosche
Interview
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
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Exclusive Interview with Anastasia Samoylova
Interview
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
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Exclusive Interview with Marijn Fidder
Interview
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Exclusive Interview with Josh S. Rose
Interview
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Interview with Maureen Ruddy Burkhart
Interview
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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