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Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Dan Hall
Dan Hall
Dan Hall

Dan Hall

Country: United Kingdom
Birth: 2002

Born in 2002, British photographer Dan Hall is a student currently living in London. He kickstarted his career with a solo exhibition and photobook aged 17 titled 'Eternal Youth' which depicted the contrasts and similarities between his teenage friends and grandparents. Eternal Youth was on display at JM Gallery, London in March 2020.

More about the exhibition at JM Gallery
 

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More Great Photographers To Discover

Harry Gruyaert
Belgium
1941
Originally dreaming of becoming a film director, Harry Gruyaert studied at the School of Film and Photography in Brussels from 1959 to 1962. Shortly after he left Belgium at the age of 21, fleeing the strict catholic environment in which he was raised. Gruyaert travelled extensively across Europe, North Africa, Asia and the United States and lived in cities with a vibrant film and photography scene like Paris and London. During his first trip to New York in 1968, he discovered Pop artists like Roy Lichtenstein and Robert Rauschenberg. This encounter made him appreciate the creative potential of colour and encouraged him to search for beauty in everyday elements for the rest of his career. Around the same time Gruyaert befriended the American artists Richard Nonas and Gordon Matta-Clark and photographed their work. Further inspired by the visual impulses on his first trip to Morocco in 1969, he decided in the second half of the 1970s as one of the first photographers in Europe to commit himself entirely to colour photography. Gruyaert's cinematographic background instilled in him an aesthetic conception of photography. Rather than telling stories or documenting the world through his lens, he searches for beauty in everyday elements. His images are simply snapshots of magical moments in which different visual elements, primarily colour, form, light and movement, spontaneously come together in front of his lens. In his search for strong graphical images, Gruyaert focuses his camera on objects as much as on people, who are often reduced to silhouettes or rendered to plain colour fields. Unsurprisingly the countries he photographs are mostly identified by means of the subtle differences in colour palette and light, inherent to the local atmosphere, culture and climate, more than by the depicted subjects or scenes. Among his most well-known series are 'Rivages/Edges', featuring coastal views from around the world, that Gruyaert photographed out of a fascination for the rapidly changing light in these places. In the early 1970s, while he was living in London, Gruyaert worked on a series of colour television screen shots later to become the 'TV Shots' and now part of the Centre Pompidou collection. Around that time he regularly returned to his home country Belgium. This resulted in the series 'Roots', that perfectly reflects the Belgian Zeitgeist of the 1970s and 1980s. In 1982 Gruyaert joined Magnum Photos. More about Irish Summers More about Between Worlds
Christopher Felver
United States
1946
Christopher Felver (born October 1946) is a photographer and filmmaker who has published several books of photos of public figures, especially those in the arts, most notably those associated with beat literature. He has made numerous films (as director, cinematographer, or producer), including a documentary on Lawrence Ferlinghetti, Ferlinghetti: A Rebirth of Wonder, released in 2013. Christopher Felver has photographed numerous writers, intellectuals and filmmakers such as Charles Bukowski, William Burroughs, Noam Chomsky, Gregory Corso, Clint Eastwood, Lawrence Ferlinghetti, Allen Ginsberg, Dennis Hopper, Oliver Stone, Elizabeth Taylor, Hunter S. Thompson and Kurt Vonnegut. His photography has been exhibited internationally, with solo photographic exhibitions at the Arco d'Alibert, Rome (1987); the Art Institute for the Permian Basin, Odessa, Texas (1987); Torino Fotografia Biennale Internazionale, Turin, Italy (1989); Centre Georges Pompidou, Paris (1994); Roosevelt Study Center, Middelburg, Netherlands (1998); Fahey/Klein Gallery, Los Angeles (2002); the Maine Photographic Workshop (2002); Robert Berman Gallery, Los Angeles (2007); the San Francisco Public Library (2018)[3] and other galleries and museums. His works have also appeared in major group exhibitions, including The Beats: Legacy & Celebration, New York University (1994) and Beatific Soul: Jack Kerouac On The Road, New York Public Library (2007). A collection of his photographs is held by the University of Delaware. Source: Wikipedia Christopher Felver is a cultural documentarian. His distinctive visual signature is a lasting contribution to the legacy of our national cultural community. Felver’s films & photographs reads like a roster of American mid-century avant-garde. Aside from portraits, Christopher Felver has also produced another body of work entitled: Ordered World. About this body of work, curator, James Crump writes, “Mr. Felver celebrates the elemental essences manmade and natural objects that tend to elude observation. Working in a manner not unlike Karl Blossfeldt, Albert Renger-Patzsch and the New Objectivity artists of 1920s and ’30s Germany, Felver asserts his own contemporary vision here. His pictures are informed by Minimalism and the keen, refined observation of a poet unwilling to discard the mundane or topical content that surrounds us but, nevertheless, is overlooked in the quickened pace of our technologically frenzied age. The series, while concerned with monumentalizing and focusing our attention on the ordered and structured surfaces of objects, resists any historical referencing to the hardened gaze of the twentieth century. It asks the viewer to ruminate on the overlooked beauty which surrounds us, the wonderment that unfolds, with careful and refined examination.” In 1994 Felver attended a Connecticut gathering of Native American dancers in ceremonial dress. These 20 photographs capture a traditional gathering of Northeastern tribes in Felver’s direct portrait style. As visiting artist in 1988 & 1989 at the American Academy in Rome, Christopher Felver made over 250 portraits of European artists across the continent. Felver’s 1350 portraits represent American and European cultural icons. In 1984 Christopher Felver traveled as a journalist to Japan, Hong Kong and Beijing documenting the customs and social conditions. Writers Lawrence Ferlingetti, Robert Creeley, David Amram, Amiri Baraka, George Plimpton, David Shapiro, Luc Sante, Lee Ranaldo, William Parker, Douglas Brinkley, Gary Snyder, Lance Henson, Linda Hogan and Simon Ortiz have written introductions for Christopher Felver’s books. Source: chrisfelver.com "With his gravelly voice, Felver would have made a great gumshoe in a mystery serial during the Golden Age of American radio, which ended around 75 years ago. Luckily for us, he did not miss his calling, which is to take portraits of the people who make up the cultural backbone of America — its artists, writers, composers, and musicians — people in the public eye, even if that audience is tiny." "Felver didn’t just take a photograph, as each portrait is accompanied by a short poem or line of poetry written by the subject in his or her own hand. He finds another way to be a witness." "I cannot think of another person who has given us such intimate portraits of Sherman Alexie, Amiri Baraka, Louise Erdrich, Lawrence Ferlinghetti, Allen Ginsberg, Joy Harjo, Eartha Kitt, Jasper Johns, Toni Morrison, Patti Smith, and Anne Waldman. He has made photographic portraits of Native American writers, and of composers and musicians from John Cage and Doc Watson to Mavis Staples and Ozzy Osbourne. He spent a week in Nicaragua in early part of 1984 with Lawrence Ferlinghetti, five years after the 1979 July revolution there. The photographs in Felver’s book, The Late Great Allen Ginsberg (2002), were taken between 1980 and 1997, in which various other people make appearances: Philip Glass, Ray Manzarek, Ed Sanders, Norman Mailer, Robert Frank, and Gary Snyder." "Each of these projects reveals another side of Felver’s capacity to engage with others and the world, as well as to stand aside and let his subjects speak. I cannot think of anyone who has been as devoted as Felver has been to his subjects. Perhaps it is time we find a way to return that devotion." -- John Yau Source: Hyperallergic
Gautam Narang
United Kingdom
1984
I found photography by mistake, when doing my GCSE, I was sitting in the study room, then heard a teacher describe the subjects they taught at the school. As he was going through the subjects, he mentioned photography. I thought to myself was this a subject? Photography! It's so easy, all you do is click (How, wrong I was, how very wrong) *sigh*. As a child I used to play around with cameras. I always looked through them as was interested In them. So I sat in the lesson and was very enthusiastic to start a creative art. The journey had begun. One of the first subjects I started to picture was boats .....mmm yes boats. I lived near a canal and started to photograph boats. I don't know why I picked boats, it's quite sad when I look back, but that was one of my subjects. I took thousands of photographs, trying to make the subjects look Interesting. I remember one day I took all my photographs and filled up a whole table. The obsession had started but I hadn't known. Pictures now filled my room. From the start I always wanted to show my best. I would keep a box of my best photographs and then throw away all the one's I didn't like. I always feel the next picture is my favorite picture, wanting to create new work. As I progressed through my studies, I became distracted. There were so many subjects to do and I tried them all. One week I was doing art of history, then chemistry. I then dropped them all and just focused on photography. To this day, I follow photography. I have learned a lot but I am still confused on what to do next. I love what I do, but everybody tells me go into other things. Photography is more than clicking a button. From my first trip In India I have learned more about life then I would from anything. It teaches you to look, understand and observe rather then just walk away.All about Gautam Narang:AAP: When did you realize you wanted to be a photographer?Well after high school, I pretty much knew that is something that I’ve wanted to do, and it’s pretty much all that I’ve pictured myself doing. I’ve tried office jobs, but they usually don’t work, for example being an assistant was not a great experience. Order wold be forgotten and i’m not a office type or person, the stress kills me. So i’ve always gratiated to something creative.AAP: Where did you study photography?I studied at HND Photography at City and islington. Was the youngest student, out of the program my closet friend was Robert Harper who does amazing fashion photography. We used to chill and take pictures, it was really nice experience. Education to me, especially in the arts isn’t what i’ve expected it to be. The real learning happens when your out of school, and making friends with like minded pepole, finding who you are, I know it sounds like a really simple question, but you get asked “Who are you? What is your favorite movie? Favorite Artist and etc.” These days things are getting competitive and to really stand out is to have strong connections with people. AAP:Do you have a mentor?Yes, the teacher at my school. He was in 60’s and was my best friend, he taught me a lot on business, being an artist, encouraged me, let me use his studio and gave experience in the studio with while doing still life photography. He would also make all his own equipment, was really cool learning from him. My other mentor was Jasper James, he introduced me to style. He showed me that movies could be arty, before that I didn’t really watch any arty stuff. We also traveled around the UK on projects and that was a lot of fun. AAP: How long have you been a photographer?12 years.AAP: Do you remember your first shot? What was it?They were pictures of cannel boats, in England I used to live near a cannel.AAP: What or who inspires you?Well Edward Hooper is a great inspiration. His images feel like movie scenes, they have such a powerful mood to them. Artist have always inspired me. William Eggleston is someone would really inspires me.AAP: How could you describe your style?As simple and bold. I’m a huge fan of bold colors and like to keep things simple.AAP: What kind of gear do you use? Camera, lens, digital, film?I use the Canon 5D Mark II and my iPhone 4, it’s great, you can take it anywhere and pepole aren’t imitated by it, you look like a tourist. The iPhone has a look, in 20 years when we have images that are so sharp that you can’t tell if your looking at something real. Images from are primitive cameras and mobile devices will be called “Retro” they come with a time stamp, the actually medium is a time capsule. It’s not about the quality, it’s about the message, that will last longer.AAP: Do you spend a lot of time editing your images?I’m not a fan of editing, i’ve never liked it, only the darkroom.AAP: Favorite(s) photographer(s)?Steve McCurry, Willam Eggleston, Dorothea Lange. AAP: What advice would you give a young photographer?Go out and find your own vision, and all this likes and things mean nothing. It’s hard putting yourself out there, and pepole don’t usually respond. You start to want to appeal to others and worry if you posting to much. Do it for yourself, who cares about all this fame? Who knows if these websites will be around, this data? One day, you might be recognized.AAP: What mistake should a young photographer avoid?Don’t point fingers, point them at yourself first. Don’t blame others, really look at yourself first.AAP: An idea, a sentence, a project you would like to share?My work is constantly changing and I like that. To keep evolving you need to keep changing.AAP: Your best memory has a photographer?Working on location in India, working in a old Indian palace, documenting Indian folk singers. It’s an experience the kings once enjoyed.AAP: Your worst souvenir has a photographer?A broken camera lens.AAP: If you could have taken the photographs of someone else who would it be?Steve McCurry he has my dream jobAAP: Anything else you would like to share?I’m into film making now, really want to be a DOP or camera operator. Currently i’m based in Toronto.
Peter Bogaczewicz
Poland/Canada
1974
Peter Bogaczewicz is a Canadian photographer and an architect currently developing projects in the Middle East. He divides his time between the two disciplines, often blurring the line between them, and uses his photography as a commentary on the built environment and the human community, how both are changing at a time of rapid progress and growing global interconnectedness, and the impact this has on the natural environment. There is no clearer reflection of a society's aspirations than through its collective "footprint" on nature; it is in the relationship of the constructed world to the natural world that a crucially revealing conversation takes place. Examining this dialogue captures Peter's imagination and appears as a common thread throughout his work, inviting the questions: How do we relate to the places we inhabit? And what does it reveal about us? Peter has recently had his photographs of Saudi Arabia published as a monograph by Daylight books and is regularly receiving recognition for his work. Kingdom of Sand and Cement Looking from the outside, the Kingdom of Saudi Arabia appears doubly inaccessible: a seemingly endless inhospitable landscape populated by a traditionalist culture distrustful of outsiders. But looking from the inside reveals a subtler view: the culture, as different as it is, struggles with its identity like other cultures do at a time of growing global interdependencies and pressures to progress. What distinguishes Saudi Arabia in its struggle is that this country has had very little time to adapt. Though its abundance of oil wealth has given it an unprecedented advantage, at the same time, it ironically threatens its way of life. "Kingdom of Sand and Cement" explores the particular challenge Saudi Arabia is faced with as the country transitions from the tribal desert culture to an influential world power. It is a profound change, taking its population from mud buildings to the tallest of skyscrapers in less than a century. And while the whole country rapidly transforms from arid landscapes dotted with settlements, that seem to simply grow out of the ground, to imposing modern interventions, cutting, filling, and monumentalizing dominance over nature and the land, Saudi Arabia finds itself precariously balancing at a crossroads of old and new. The population adjusts, straddling both tradition and modernity, while its changing landscape readies it for more to come. The Series documents this relatively unfamiliar place at a time of its unique turning point. By photographically examining its past and present "markings" on nature—that crucial intersection of the built environment with that of the natural environment—the Series brings to light the country's aspirations tensely juxtaposed with its traditionalist past. The contrasts reveal an image of a place much different from our own, yet a place ultimately not so dissimilar to others in its ambition to progress, and susceptible as any to the risks of rapid and often careless transition. More about the book Kingdom of Sand and Cement
Joanna Borowiec
Poland
1971
Joanna Borowiec, a graduate of the European Academy of Photography in Warsaw, diploma thesis in the Creative and Expressive Photography Workshop, Dr Izabela Jaroszewska. Member of the Association of Polish Art Photographers (ZPAF). Scholarship holder of the Ministry of Culture and National Heritage 2020. Photography Workshop. Enthusiast of medium- and large-format analogue photography. Uses historic photographic processes like ambrotype – wet collodion technique, cyanotype e.c.t. The main topic of her photos is humanistic photography, human. Winner International Photography Awards IPA 2021- category Deeper Perspective Photographer of the Year. She was also awarded the third place in Photographer of the Year category of the Black& White Spider Awards competition. Prize-winner of the Portfolio Black + White Photography UK, the Portfolio Black & White for Collectors Of Fine Photography Canada, the Portfolio 2012 Shot Magazine USA. Her works and interviews with her were published in many magazines, i.a. the Black+ White Photography UK (the cover), the Shot Magazine USA, the Black and White Magazine Canada and in national magazines. Her photographs can be found in public and private collections at home and abroad, i.a. in Switzerland, Spain, Italy, Sweden, USA e.c.t. She has participated in individual and collective exhibitions at home and abroad, i.a. in Poland, Germany, Spain, Singapore, Canada, USA e.c.t. Blue Story Many of my cyanotypes are created by layering a combination of objects and film imagery with carefully timed light exposures for a depth of blue/indigo colors. Inspired by nature and how we interact with it, I arrange natural objects such as leaves, flowers and vines with human made objects or images of objects. I choose to work with cyanotypes "live", in sunlight for the spontaneity of arranging the objects and often have a general idea of what I want to do allowing for of-the-minute additions and subtractions of objects and timing of exposures. I sometimes add acryl paint, or colored pencil to a washed and dried print. Cyanotype is a contact print process using treated, UV light sensitive paper. It results in a Prussian blue final print. Also known as photogram, sun print. The English scientist and astronomer Sir John Herschel discovered this procedure in 1842. (...) Due to the coating and printing process Cyanotypes are always non reproducible unique items in itself. Dreams Unfinished It is a story about pain, love and longing. The photos were taken after the death of my father. He passed away suddenly in his sleep. I could not understand what happened, to come to terms with the loss. I looked for him everywhere and imagined he was asleep and dreaming. As a result, I have contact with him in the dream world he is with me. Works depict dreams, motifs, shards of memories which probably appear in everyone's dreams. Dreams - eternal companions of human life - encourage us to analyse our own experiences and understand our fate. They enable us to bring to surface deeply hidden secrets and go beyond the earthly matters. These records are born out of imagination and perishable ephemeral memory. They are not meant to be unambiguous; they should leave the door open for free interpretation and free reading to enable everyone to supplement them with their own story. Glass Faces "The eyes and faces all turned themselves towards me, and guiding myself by them, as by a magical thread, I stepped into the room" Sylvia Plath Glass Faces present unique, enchanting, climatic and hypnotising portraits. Bewitching with natural beauty and somewhat unreal, mysterious, silent and oozing various emotions. Faces of friends and people we have just met. Ambrotypes - positive images created on a sheet of glass using the 19th century wet collodion process - are the vital element of the project. The ambrotype is inimitable. You may try to reproduce it, but a piece created on black glass remains unique. Ambrotype - Ambrotos means immortal... I was born in a camp The story of Jan Chmiel, who was born in the Waltrop forced labor camp - a city in western Germany. According to a record issued by a German official, he was born in 1944. , according to information provided by the mother in 1942. Of the 143 children captured in the Waltrop camp, three survived, including Jan.
Hector Acebes
United States/Spain
1921 | † 2017
Hector Acebes was an American photographer, notable for his expeditions to Africa and South America. He was born in 1921 in New York City, and spent most of his childhood in Madrid (Spain) and Bogotá (Colombia). He went on his first long-distance voyage at the age of thirteen, going 400 miles from Bogota to the city of Barranquilla when he ran from home to "sail around the world". He was trained at the New York Military Academy and would serve in the US army in World War II on the European front. He studied engineering at the Massachusetts Institute of Technology (MIT), and graduated in 1947. He married Madeline Acebes in Boston, and they would have a son and two daughters. His first major photographic expedition was to North Africa in 1947. He embarked on a second trip to West Africa, specifically Timbuktu in 1949. Between 1950 and 1953, he embarked on several expeditions to the Orinoco River in Venezuela, and to other parts of South America. He went on his final, most extensive African expedition in 1953, going throughout the continent, from Dakar to Zanzibar. After this, he began a career as an industrial filmmaker for engineering projects throughout South America. In his final years Acebes lived in Bogota, and worked on creating the Hector Acebes Archive. He died in Bogota on 22 April 2017. Acebes's African photographs are often viewed as a departure from colonial anthropologists such as Casimir Zagourski, in whose footsteps he followed. He himself rejected the label of "anthropologist", seeking to distance himself from its colonial connotations. The work of many previous photographers was often in service to the European colonization of Africa, and sought to document Africans as colonial subjects, Acebes's portraits gave the subjects more agency to pose, express emotions and individuality, thus departing from this tradition to an extent. Hector Acebes thus existed in a transitional area between colonial anthropologists, and concurrently emerging native African photographers such as Seydou Keïta, in terms of the agency and depiction of Africans within his work.Source: Wikipedia Hector Acebes was born in New York City in 1921. He was raised in Madrid, Spain, and attended the Colegio del Pilar. His family moved to Bogotá, Colombia, where he attended the Gimnasio Moderno. Acebes returned to the United States for high school at the New York Military Academy. He gained much of his technical photographic skill by participating in the school’s camera club and through study and practice on his own. After graduating from the Chauncey Hall School in Boston, he entered Massachusetts Institute of Technology to study engineering. While in college, he maintained his own photo studio. During World War II, he enlisted in the U.S. Army and served in Germany. On his return, he completed his degree at MIT and then moved with his wife to Bogotá. He has a son and two daughters. Throughout the late 1940s and the 1950s, Acebes took expeditions through Africa and South America and started his work as a professional filmmaker and lecturer. By the late 1950s, Acebes Productions had established a reputation for creating excellent documentary and industrial films. Acebes wrote, filmed, directed, and edited each of the forty-three films Acebes Productions released. Hector Acebes died at the age of 96 on April 22, 2017 in Bogotá. For the last ten years, the Hector Acebes Archives has been active in bringing Acebes' work to the attention of galleries, collectors, and museums. It is managed by Ed Marquand.Source: Hector Acebes Archives
Oleg Dou
Russia
1983
As his mother was a painter and his father was a dress designer, in his childhood Oleg Dou used to gather with the artists and to spend a lot of time reading is father’s fashion magazines. At the age of 13, his parents offered him his first computer set up with an old version of Photoshop with which he already began to transform his schoolfriends or teachers faces. After studying design, he worked as a web designer. In 2005, he buys his first professional camera. Discovered in 2006 by Liza Fetissova, Oleg Dou is represented today by galleries in France, Belgium, Netherlands, Spain, Russia and United States. His worked has been published in a lot of international reviews. He is one of the most promising artist of his generation. In 2011, the Artprice company, leader of the information on art value, has graded Oleg Dou in the top 3 of the under 30 years old photographers the best saled in public auctions. One of his images will make the cover of an extensive " Frozen Dream, contemporary art from Russia" book, from TransGlobe Publishing and Thames & Hudson. Oleg Dou lives and works in Moscow. From Art and Haze Oleg Dou grew up in an artistic environment, with a mother and a father as artists. With 13 years, the young man gets a computer with Photoshop. He then begins to transform photographs, especially the faces of his classmates and teachers. After studying design in 2005 he bought his first professional camera. In a very short time, the artist attracted professionals from the world of art and collectors with a specific and recognizable universe. It is also noticed in 2006 by Liza Festissova, gallery to the Russian Tea Room. Between 2007 and 2008, he won the 1st prize of the International Photography Awards with his Toy Story series, doing portraits of children with extreme whiteness and exposed during the FIAC in 2008. Represented by galleries around the world, Oleg Dou is surely one of the most promising young Russian artists . In 2011, the company information on the art market on Artprice ranks him as one of the top three photographers under 30. “A game,” said Oleg Dou, 28, while summarizing his new exhibition titled “Another Face”. Very comfortable, this Muscovite in silhouette – editing pictures with a software to sublimate his thoughts. And these faces cover a multitude of dressings graceful as a plastic surgeon on acid looking for indulgence. These digital collages, quite confusing when watched closely, causing some embarrassment.Source: RTR Gallery
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