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Peter Allert
Peter Allert
Peter Allert

Peter Allert

Country: Germany

Peter Allert co-founded Munich-based Allert&Hoess Photography in 1989, specializing in still life , technical and scientific photography. This brought him while his study of biology before, to start as self-taught photographer. After setting up its own studio in 1991 and establishing its own light, lab and print facilities, the company made its breakthrough in 1992 with a photo series for the portfolio „Joop! – women’s shoes“. Its subsequent client list is long and prestigious: Mercedes Benz, Audi, VW, BMW, Ford, Philip Morris, McDonalds, Ballantines, Wrigleys, Veltins, Wella, Miele, Bosch, Dresdner Bank, Deutsche Bahn AG, Siemens, LogiTech, MAN, Microsoft, GREENPEACE... to name a few. Today his photography actually is artistic. His works now are altogether advanced elaborations. He is working with multiple-exposures and different focus adjustments within a photograph. Additionally he highlights his subjects with spotlights (DEDO Lights) for every individual exposure in different adjustments and configurations.

Source: www.peterallert.de



Interview with Peter Allert

All About Photo: Where did you study photography?
Peter Allert: At the age of 7, I've been fascinated by photography. I got my first camera for his birthday and it went right now with this new adventure. During the whole period of schooling and youth I was obsessed with the possibilities of this medium... it was back then to my great passion.

My love of nature and my subsequent study of biology, were another fertile ground for the expansion of my photographic works in new and fascinating areas.

Later, I got access to advertising photography. I worked very successfully for 17 years in advertising, primarily for the automotive industry and in fashion.

Ten years ago, then started my burnout, I was too other-directed and under constant pressure. Finally I lost my soul - I fell emotionally in a Coma, which never ended and I lost all my passion for photography!

Only after many painful and difficult years, then a miracle, my miracle! In September 2013, I suddenly felt a new and ever expectant strength in me. She became stronger and stronger and I got my second chance! I quickly realized that I may never work externally determined with photography again - so I had a strong desire to completely new and original ways to go in photography. And so the desire as an artist within the photograph was made to work.

AAP: Do you have a mentor?
PA: I am self-educator and have teach me everything completely yourself. I have been doing all learned to make all analog laboratory processes such as color negative films and slide films to develop or color enlargements and edit. But also all black & white I have processes teach me ... Method as bromoil print have inspired to my digital workflow in today's time to orient myself to it.

I grew up with analog photography and this has shaped me first of all. Thus, I am now very well be able to touch this analog in my image processing to achieve!

AAP: How long have you been a photographer?
PA: I have worked for over 20 years as a professional photographer. Before that, I financed my studies in Biology with smaller photo jobs. My first photos were nature photography, macro photography of animals and plants. After this the portrait photograph was added.

AAP: What or who inspires you?
PA: Edward Steichen & Robert Mapplethorpe! Both have always touched my soul in a special way!

But in general I consider myself away from These kinds of inspiration! It would be too manipulative and determined by others, to allow more of it than I do this currently...

AAP: How could you describe your style?
PA: My style has only an analog touch, which often is derived from the early days of analog photography. I am fascinated by this authenticity that has shaped this wonderful photography. The soul of this unique works is always a great motivator for my own photography!

AAP: What kind of gear do you use? Camera, lens, digital, film?
PA: I'm using a Canon EOS mark II and a zoom ED 21-70 mm and a 100 mm lens for portraits. Lately I have been photographing with the camera of my Gallaxy S4 smartphones .. just for trying new.

AAP: Do you spend a lot of time editing your images? For what purpose?
PA: My image processing is very complex and requires a lot of time, which I'm taking. Often I need this more than a week!
It is a process, similar to an adventure through your own soul. I have to feel all this, sometimes in a painful way - they are pure emotions of myself, which I will in this work with integrate into my images.
There is no motivation necessary because it is the pure passion, if the appropriate moment has arrived! It's all about that moment, that when my emotions are ready and my soul opens up entirely!

AAP: Favorite(s) photographer(s)?
PA: Edward Steichen & Robert Mapplethorpe!

AAP: What advice would you give a young photographer?
PA: My main advice is: Stay always hear and feel your self-determined and soul in your work! Everything should come from your heart and your soul and feed into your work.

AAP: An idea, a sentence, a project you would like to share?
PA: Photography is the dierekte wire to my soul - my pictures are the direct reflection of my soul .. this my pictures tell of my feelings and my emotions. Each photo tells its own to profound story. Each image is thus a profound adventure of a portion of my own soul! This means to me that photography today!

AAP: Anything else you would like to share?
PA: As a little boy I dreamed of good spirits and fairies - I was intrigued by this mystical world! And so this dream accompanied my life ... When I felt my soul again in September 2013, I knew very quickly with this message deal. I was aware that puts a special soul in some, few people! And this I felt ever again. So this new photography had to include this topic. "Ghosts & Fays" and "Souls"!

 

Peter Allert's Video

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Builder Levy
United States
New Yorker Builder Levy has been photographing America and her inhabitants for the past 50 years. His social consciousness took him to significant areas of our country during tumultuous times. His commitment to aesthetically [or artistically] documenting the world around him earned him the prestigious Guggenheim Fellowship in 2008. Levy's work is in more than 50 public collections, including the Metropolitan Museum of Art, Brooklyn Museum, High Museum of Art, International Center of Photography, Victoria and Albert Museum, and La Bibliotheque Nationale. He is also the author of two published photographic books. Source: Arnika Dawkins Gallery Intertwining social documentary, art and street photography, Builder Levy has been making photographs as objects of art that celebrate the human spirit for almost fifty years. He was awarded a John Simon Guggenheim Memorial Foundation Fellowship (’08), an Alicia Patterson Foundation Fellowship (‘04), a Furthermore Grant (‘03), Puffin Foundation Grant (‘01), and National Endowment for the Arts Visual Artists Fellowship in Photography (‘82), and two commissions from the Appalachian College Association (’95 and ‘02). Levy’s two books are Images of Appalachian Coalfields, Temple Univ. Press, with a foreword by Cornell Capa, and Builder Levy Photographer, A.R.T. Press, with an introduction by noted photo historian Naomi Rosenblum. Levy has exhibited in more than 200 shows, including more than 50 one-person exhibitions in New York City, throughout the United States and around the world. In the Fall 2011, he is included in the exhibits Coal + Ice, curated by Susan Meiselas & Jeroen de Vries, a project of the Asia Society, at the Three Shadows Art Centre in Beijing; Posing Beauty, curated by Deborah Willis at Fisher Museum of Art, USC, Los Angeles (9/11-12/11); Photo Folio at the Museum of Fine Arts, Houston (10/11-1/12); at the Arnika Dawkins Gallery (Black & White and Color), (with 13 photographs) (10/1-10/29/11) in conjunction with Atlanta Celebrates Photography; and Mirrors and Reflections: A Group Show, curated by Evelyne Z. Daitz with co-curator Alison Bradley at the Robert Anderson Gallery at 24 West 57th Street, New York (11/17/11-1/7/12) The High Museum of Art included Levy’s photographs in the historic exhibition, Road to Freedom: Photographs of the Civil Rights Movement, 1956-1968 (and the accompanying eponymous book/catalogue), curated by Julian Cox. It opened at the High Museum of Art in 2008, and traveled for two years to museums in D.C., Chicago, Los Angeles and New York City. The Rubin Museum of Art in NYC featured 14 of Levy’s photographs in the show Mongolia: Beyond Chinggis Khan, 11/06-4/07. Levy’s work is in more than 50 public collections in the US and around the world, including the Metropolitan Museum of Art, Brooklyn Museum, High Museum of Art, International Center of Photography, Victoria and Albert Museum, and La Bibliotheque Nationale. His photographs are featured in more than 25 books including, Harlem, A Century in Images, Studio Museum of Harlem, Skira/Rizzoli 2010, Freedom, Phaidon Press, 100 New York Photographers, Schiffer Press ‘09, Deborah Willis’ Posing Beauty, Norton Press, ‘09, Coal Country, Sierra Club Books, ’09, and Road To Freedom: Photographs of the Civil Rights Movement, 1956-1968. He was the featured artist (with 22 photos) in Appalachian Heritage, (Spring 2010). His subjects include inner-city New York City where he was a NYC teacher of at-risk adolescents for 35 years; coalfield Appalachia (spanning more than 40 years), civil rights and peace demonstrations (in the 1960s), Mongolia and other developing nations. He is completing a new book, Appalachia USA. Source: builderlevy.com
Paul Strand
United States
1890 | † 1976
Paul Strand was born in New York City. As a teenager, he was a student of renowned documentary photographer Lewis Hine at the Ethical Culture Fieldston School. A visit to Gallery 291 (owned by Alfred Stieglitz) proved to be a strong influence on Strand, who began to take photographs of his own. He experimented with abstraction but also used his camera as a means to promote social reform. Alfred Stieglitz praised these early efforts and featured Strand's work in his gallery and in his magazine Camera Work. In the early 1920s, Strand began to work in motion pictures as well as still photography. In June 1949, Strand left the United States to present a film in Czechoslovakia, an event which marked the beginning of his self-imposed exile overseas due to the prevailing climate of McCarthyism in America. He settled in Orgeval, France and in the ensuing years photographed extensively, and also produced six book "portraits" of places: Time in New England (1950), La France de Profil (1952), Un Paese (1955), Tir a'Mhurain / Outer Hebrides (1962), Living Egypt (1969) and Ghana: An African Portrait (1976).Source: Robert Mann Gallery Strand married the painter Rebecca Salsbury on January 21, 1922. He photographed her frequently, sometimes in unusually intimate, closely cropped compositions. After divorcing Salsbury, Strand married Virginia Stevens in 1935. They divorced in 1949; he then married Hazel Kingsbury in 1951 and they remained married until his death in 1976. The timing of Strand's departure to France is coincident with the first libel trial of his friend Alger Hiss, with whom he maintained a correspondence until his death. Although he was never officially a member of the Communist Party, many of Strand's collaborators were either Party members (James Aldridge; Cesare Zavattini) or prominent socialist writers and activists (Basil Davidson). Many of his friends were also Communists or suspected of being so (Member of Parliament D. N. Pritt; film director Joseph Losey; Scottish poet Hugh MacDiarmid; actor Alex McCrindle). Strand was also closely involved with Frontier Films, one of more than 20 organizations that were identified as "subversive" and "un-American" by the US Attorney General. When he was asked by an interviewer why he decided to go to France, Strand began by noting that in America, at the time of his departure, "McCarthyism was becoming rife and poisoning the minds of an awful lot of people." During the 1950s, and owing to a printing process that was reportedly only available in that country at the time, Strand insisted that his books be printed in Leipzig, East Germany, even if it meant they were initially banned in the American market on account of their Communist provenance. Following Strand's move to Europe, it was later revealed in de-classified intelligence files, obtained under the Freedom of Information Act and now preserved at the Center for Creative Photography at the University of Arizona, that he was closely monitored by security services.Source: Wikipedia
Nikos Economopoulos
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What you see, is who you are - says Szymon Brodziak, the master of black and white photography. The youngest aritist exhibited at the Museum of Photography - Helmut Newton Foundation in Berlin (2015). The best black & white campaign photographer of the world, acclaimed by the jury of FashionTV Photographers Awards, during 2013 Cannes Film Festival. In 2019, Brodziak confrmed his mastery by winning 1st Place in World's Top 10 Black & White Photographers contest curated by OneEyeland. He loves to photograph women. He's inspired mainly by locations, where he brings to life his monochromatic visions. Brodziak received Johnnie Walker Keep Walking Award for constant fulflment of dreams and passion for setting new paths in the search of beauty. In Europe, Brodziak received numerous medals and honourable mentions in various editions of the renowed Prix de la Photographie Paris, both for commercial and personal projects, including the title of Advertising Photographer of the Year (2016). In the USA, he won frst place in Fashion category in two photo competitions: International Photography Awards (2016) and Black and White Spider Awards (2016), which rewards the best monochromatic images from all over the word. His frst photo album ONE had its ofcial premiere in Rome (2014). It presents the frst 10 years of his professional activity. The publication starts with a personal dedication from June Newton, wife to the legendary photographer Helmut Newton. Szymon's new photographic book entitled WHAT YOU SEE IS WHO YOU ARE won a Gold Medal (Book: Cover) and 2 Bronze Medals (Book: Fine Art & Other) at Prix de la Photographie Paris 2019 and also Honorable Mention at 2019 International Photography Awards (USA). The artist's work can be seen and ordered in his own galleries of photography located in Poland and are also available worldwide at Online Shop www.szymonbrodziak.com as well as www.saatchiart.com/brodziak.
Eli Reed
United States
1946
Eli Reed, born Ellis Reed, is a photojournalist and photographer from the United States. Reed was Magnum Photos agency's first full-time black photographer and the author of several publications, including Black In America. Several pictures from that project have won awards in juried exhibits and exhibitions. Eli Reed was a Nieman Fellow at Harvard University from 1982 to 1983 and is now a clinical professor of photojournalism at The University of Texas at Austin. In 1982, he was a runner-up for the Pulitzer Prize in Feature Photography. Reed has received the World Press Award and the Overseas Press Club Award, as well as being a Sony Global Imaging Ambassador. He received a Lucie Foundation Award for Documentary Photography in 2011. Reed's photography was featured at the prestigious Visa pour l'image Festival Du Photoreportage in Perpignan, France, in 2015. Reed was asked to talk at the Schomburg Center for Research in Black Culture in October 2015 as part of their Visually Speaking series. He was a keynote speaker at National Geographic Magazine′s Photography Seminar in Washington, D.C. in January 2016. Stop talking theory... and do not over-think the image. Lose the ego and let the photograph find you. Observe the life moving like a river around you and realise that the images you make may become part of the collective history of the time that you are living in. -- Eli Reed Eli Reed grew up in Perth Amboy, New Jersey. At the age of ten, he took his first snapshot, of his mother near the Christmas tree. Self-taught in photography, he credits his direction to mentor Donald Greenhaus rather than formal education. He graduated in 1969 from the Newark School of Fine and Industrial Arts, where he studied illustration. Reed began working as a freelance photographer in 1970. His work from the Lebanon war (which he covered between 1983 and 1987), the 1986 Haiti coup against Baby Doc Duvalier, and the 1989 US military intervention in Panama attracted the attention of Magnum in 1982. Reed joined the agency as a full member in 1988. In the same year Reed photographed the effects of poverty on America's children for a film documentary called Poorest in the Land of Plenty, narrated by Maya Angelou. He went on to work as a stills and specials photographer for major motion pictures. His video documentary Getting Out was shown at the New York Film Festival in 1993 and honored by the 1996 Black Film-makers Hall of Fame International Film and Video Competition in the documentary category. Reed's special reports include a long-term study on Beirut (1983-87), which became his first, highly acclaimed book Beirut, City of Regrets, the ousting of Baby Doc Duvalier in Haiti (1986), US military action in Panama (1989), the Walled City in Hong Kong and, perhaps most notably, his documentation of African-American experience over more than twenty years. Spanning the 1970s through the end of the 1990s, his book Black in America includes images from the Crown Heights riots and the Million Man March. The main thing for me is that I'm happy that I've been able to work as a professional photographer. What is at the core of my work is, in essence, a mediation on being a human being. -- Eli Reed Reed began photographing movies and performers in 1992 and is a member of the Society of Motion Picture Still Photographers (SMPSP). Reed mostly shoots with the Olympus E-3, E-30, and EP-1 cameras. Eli Reed has taught at the Maine Photographic Workshop, the Wilson Hicks Symposium at Miami University in Florida, the Southeastern Museum of Photography in Daytona Beach, Florida, the Smithsonian Institution in Washington, D. C., San Francisco State University, Harvard University, the Boston Institute of Art, the Academy of Fine Art in San Francisco, the University of Texas at Austin, Columbia University, Empire State College in New York, New York University, and the International Center of Photography.
Pietro Di Giambattista
Pietro Di Giambattista is a documentary photographer and visual artist who lives and works in Rome. His interests are particularly focused on photography with socio-cultural themes and conceptual photography. He is currently also dedicating himself to Street Photography in the city of Rome. Pietro Di Giambattista has also worked for over twenty years on his long-term project on the Gypsies communities of Rome, named “Romani People”. Pietro Di Giambattista has won numerous national and international awards and in 2002 he was third in the portrait section at the prestigious World Press Photo. Romani People This project has been carried out since 1999, both in the old camps– where people lived in extreme conditions, with no water and no electricity – and in the new camps– which are legally authorised, and where different ethnic and religious groups cohabit together. We are living in a moment of disconcerting approval of hateful feelings which result in stigmatizations, hostile statements, incitement to discrimination of the other, within a climate whichissadlyfostered by some of the highest institutional offices.Roma and Sinti are privileged victims. People still cannot dominate the inclination to deal with the uncertainty in life by finding an enemy, a culprit that could be blamed for one’s problems.Roma are the victims of century-long prejudices: they are child kidnappers, vagrants, lazy; theft runs in their blood, they force their children to beg… In 2008 a survey by S. Tosi Cambini, La ZingaraRapitrice(The Gipsy Kidnapper)was published,where the verdicts of Italian trials over ten years were examined.It was demonstrated that no missing child has ever been found in a travellers’ camp. Besides, to consider them as nomads is misleading, as they have not led an itinerant life for generations. Begging is almost exclusively practiced by women and children, who are proud to contribute to the support of the family. Today in Italy, 85% of the 180 thousand Roma people live in houses, have a job, pay the rent and are integrated. But the image that is used to represent this ethnic group is that of the Roma people who live in camps, dressed in rags, dirty and scroungy - only 26 thousand, 0,04% of the entire Italian population. Instead of a loud airing of views for mere propaganda purposes, we shouldseriously cope with these camps, real ghettoes where a hideous form of racial segregation is carried out – a purulent wound in the conscience of a country that claims civilization.
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