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Bob Newman
Bob Newman
Bob Newman

Bob Newman

Country: United States
Birth: 1950

Bob began photographing on a regular basis after retiring as a physician. His images document the challenges and culture within marginalized communities, which are often similar to the underprivileged patients he enjoyed serving. After retirement, photography came to occupy much of this time. Initially his forays were associated with photo trips or workshops.

When he first saw images of the Irish Travellers in 2015, he became intrigued. Photographing their culture and lives became his first long-term project. In the last five years, he has returned to visit the Travellers thirteen times, averaging 2-3 visits per year. To date he has visited 30 sites. Returning on multiple occasions has provided an opportunity to take a deep dive into their history and traditions.

Statement
The Irish Travellers is a long-term photographic project that began in 2016. Often referred to as Pavees, they number about 40,000 in Ireland and are ethnically separate from Romani/Gypsies.

No longer nomadic, they now live in extended family roadside camps or halting sites. They are predominantly Irish Roman Catholic, endogamous, and traditional marriages are the norm. The women spend their time with their families, sometimes raising as many as 16 – 18 children. Girls are taught to act and dress provocatively as toddlers.

It is exceedingly difficult for Traveller men to find jobs. The unemployment rate is 84%. Most live on a dole from the Irish Government. With time on their hands, horses and dogs play a major role in their lives.

They face discrimination and racism because of their differences from the Settled Irish. Despite this, they are a remarkably resilient group who highly prize their culture, traditions and family life. This series focuses on Traveller children.
 

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Charles Nègre
France
1820 | † 1880
Charles Nègre (French: 9 May 1820 - 16 January 1880) was a pioneering photographer, born in Grasse, France. He studied under the painters Paul Delaroche, Ingres and Drolling before establishing his own studio at 21 Quai Bourbon on the Île Saint-Louis, Paris. Delaroche encouraged the use of photography as research for painting; Nègre started with the daguerreotype process before moving on to calotypes. His "Chimney-Sweeps Walking", an albumen print taken on the Quai Bourbon in 1851, may have been a staged study for a painting, but is nevertheless considered important to photographic history for its being an early instance of an interest in capturing movement and freezing it forever in one moment. Having been passed over for the Missions Héliographiques which commissioned many of his peers, Nègre independently embarked on his own remarkably extensive study of the Midi region. The interesting shapes in his 1852 photograph of buildings in Grasse have caused it to be seen as a precursor to art photography. In 1859, he was commissioned by Empress Eugénie to photograph the newly established Imperial Asylum in the Bois de Vincennes, a hospital for disabled workingmen. He used both albumen and salt print, and was known also as a skilled printer of photographs, using a gravure method of his own development. A plan commissioned by Napoleon III to print photographs of sculpture never came to fruition, and in 1861 Nègre retired to Nice, where he made views and portraits for holiday makers. He died in Grasse in 1880.
Anuar Patjane
Mexico
1981
Social anthropologist, photographer and scuba diver born in Puebla, Mexico in 1981. World press photo second place Winner in 2016, Nature category National Geographic Traveler photo contest ist place winner 2015 Statement: We can not be just photographers, accountants, politicians or students anymore, our planet is reaching the point of no return and action from everyone is needed. I believe it is necessary to do what we can to revert our aggressive behavior and carelessness towards our own planet, lets use all in our reach to change our behavior once and for all. Underwater Realm Project Conservation and protection of the oceans has become an urgent issue, and few governments and NGOs are doing something about it. With the underwater series, I try to drive our attention towards the beauty of our oceans and a truth usually unnoticed: We are brutally overfishing in our oceans, and our attention should be concentrated on the way we fish as well as what we eat from the ocean. We see and care when a forest is gone because it is visible to everybody, but we don't see when we destroy life underwater, we don't see how nets from the tuna, the shrimp industry and the whaling vessels cause damage and death to the sea. We are not familiar with this environment because we don´t see what we destroy, and this needs to change very quickly so we can reverse this course. By sharing the beauty of our oceans we might start to care more and build or strengthen the connection between us and the sea. About the winning photograph of All About Photo Awards 2018: "TORNADO" A school of Bigeye Trevally forming a "tornado" at Cabo Pulmo National Park, Mexico. I took this photograph during one of my three exploration trips to Cabo Pulmo in 2015, the diver in front of the tornado school is park ranger Leonardo who accompanied me during that week of exploration. New research shows that schools of fish are self organized aggregations that learn and remember as a group and not as individuals. This new information needs to be taken into account by fishing regulations so fishing techniques could be modified in order to preserve the health of the whole fish population and never fish the whole community. A few years ago and after almost completely depleting the local reef of Cabo Pulmo, the local fishermen decided to stop fishing and bet all on ecotourism. After a few years that bet became anl economic social and ecological success; what used to be an almost lifeless place now has a complete life chain and one of the highest concentrations of biomass in Mexican seas, even bull sharks and tiger sharks are back and orcas and humpbacks come near the coat of Pulmo and visit often. Cabo Pulmo is a true example that by letting the ocean recover, it will do so by itself.
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