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Win a Solo Exhibition this February. Juror: Harvey Stein
Win a Solo Exhibition this February. Juror: Harvey Stein
Argus Paul Estabrook
Argus Paul Estabrook
Argus Paul Estabrook

Argus Paul Estabrook

Country: South Korea/United States
Birth: 1977

I'm a biracial Korean-American photographer who works in both South Korea and the USA. Frequent travel between these two countries has provided me a unique perspective of Korean identity and its relationship to both global and regional communities. As an artist, I'm interested in creating work that gives voice to others and I often volunteer my efforts to marginalized communities.

My work has been awarded by the Magnum Photography Awards, Sony World Photography Awards, LensCulture, IPA, MIFA, TIFA, as well as exhibited at the Aperture Summer Open: On Freedom. I've also been twice selected as a Critical Mass Top 50 artist by Photolucida and a three-time recipient of PDN's Annual Exposure Award. Additionally, I am an alumnus of the prestigious Eddie Adams Workshop and was named the 2017 Dorothy Liskey Wampler Eminent Professor in the School of Art, Design and Art History at James Madison University.

Losing Face
"Losing Face," documents the energy and emotions surrounding the impeachment protests of South Korean President Park Geun-hye. In October 2016, her relationship with a shadowy advisor from a shaman-esque cult was revealed to extend to acts of extortion. Protests were then held every weekend until Park was formally removed from office in early March 2017. This is what it looks like when the South Korean President loses face.

This Is Not an Exit
"This Is Not an Exit," bears witness to my father's unexpected struggle with Stage 4 pancreatic cancer as well as documents my mother's grief after his passing.
Tying my photography to my mother's narration of events, we weave an intimate family record- one of vision and voice. Bound together through a personal process of grief, I hope "This Is Not an Exit" creates an emotional map, one that reveals our connectedness to each other while also furthering an understanding for all those navigating the loss of a loved one.

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More Great Photographers To Discover

Ray Knox
United Kingdom
1960
I am a documentary photographer based in London. After studying Graphic Design at the University of Ulster, I moved to London to start my career as an Art Director. Working as a creative in various advertising agencies, I’ve been fortunate to have collaborated with, and learned from, some inspirational photographers. Encouraged by those photographers, I began making documentary projects and I now divide my time between photographing my personal projects and my advertising creative work. Close To Home "I started this photography project shortly after the introduction of the first Covid-19 lockdown as a way of alleviating my restlessness from being confined to home all day. I would venture out on my neighbourhood walks just after dusk when the streets were deserted and eerily quiet. Initially, I stuck quite close to home but over time I kept increasing the distance I covered on my meandering strolls around North London. The solitude I found wandering the streets was an almost meditative experience of simply observing as I walked. It gave me the chance to explore my local surroundings more intently and notice things. I had overlooked for years. What a revelation, streets so familiar during the day were completely transformed after dark. I discovered an alluring beauty photographing under streetlights casting their individual hues, transforming a mundane space by creating a surreal, dreamlike quality and inducing an air of mystery. Artificial light is much more controlled, and you can almost see more clearly because the light focuses your attention on a certain feature or colour. It also illuminates a scene in much the same way you would light a still life or a stage set. I get excited when I have the opportunity to photograph in fog as this gives light a wonderful cinematic quality, reminiscent of film noir. I believe there are an infinite number of interesting pictures to be made on our doorstep, but you have to search for them. Looking ahead I hope to continue this project through capturing the quiet beauty of my neighbourhood at night, which often goes unnoticed."
Sven Delaye
France
1984
Sven Delaye, a digital nomad and videogames translator, has been traveling around the world for nine years. Throughout his journey, he always enjoyed capturing moments of life, but everything changed in early 2020: for a long time, he kept his street photography private, convinced it wouldn't interest others. In 2020, he submitted some landscape photos for the cover of a Guatemalan magazine. These photos were declined. However, the publisher explored his Instagram account and discovered the sole street photo he had shared. That single image was selected for the magazine's cover. Encouraged by this recognition, Sven began sharing his street photography, which quickly gained international acclaim in countries such as the USA, Mexico, Italy, the UK, Greece, France, and South Korea. For several years now, Sven has dedicated himself to street photography. Through his travels, it became a way to capture fleeting moments of everyday life, rediscover the poetry hidden in the mundane, and avoid the artificial clichés often propagated by social media. His inspiration comes from the simplicity of daily life: a stranger passing by, a fleeting glance, the curve of a smile, or the beauty of a quiet scene at a street corner. Sven finds poetry in unexpected places—a gutter, a park, or the shadow of a feeling in a small gesture. He believes this beauty surrounds us constantly, yet it often goes unnoticed. Whether it's because people choose to ignore it or have grown desensitized to it, he doesn’t know. What he does know is that his camera allows him to capture these overlooked moments and reveal the richness of life to those willing to see. Awarded Photographer of the Week - Week 03
Rineke Dijkstra
Netherlands
1959
Rineke Dijkstra was trained at the Gerrit Rietveld Academy, Amsterdam. Her first solo exhibition took place in 1984 at de Moor in Amsterdam. Dijsktra's photographs have appeared in numerous international exhibitions, including the 1997 and 2001 Venice Biennale, the 1998 Bienal de Sao Paulo, Turin's Biennale Internationale di Fotografia in 1999 and the 2003 International Center for Photography's Triennial of Photography and Video in New York. Solo exhibitions of her work have been shown at the Museum fur Moderne Kunst, Germany (2013), the Guggenheim Museum, New York (2012), the Fotomuseum Winterthur, Switzerland (2005), and the Art Institute of Chicago, Chicago (2001). She is the recipient of a number of awards, including the Kodak Award Nederland (1987), the Art Encouragement Award Amstelveen (1993), the Werner Mantz Award (1994), the Citibank Private Bank Photography Prize (1998), and the Macallan Royal Photography Prize (2012). Source: Marian Goodman Gallery Rineke Dijkstra was born in Sittard, the Netherlands, in 1959. She studied photography at the Gerrit Rietveld Academie in Amsterdam from 1981 to 1986. Through the late 1980s, she photographed people in clubs for magazines in the Netherlands and worked for corporations as a portraitist. In 1990 she injured her hip when her car was struck by a bicycle. A self-portrait produced during her rehabilitation, in which she is seen having just emerged from a pool, exhausted, sparked a new direction in her work. Commissioned by a Dutch newspaper to make photographs based on the notion of summertime, Dijkstra took provocative photographs of adolescent bathers. These ultimately formed her breakthrough Beaches series (1992–96), which featured her young subjects in different locations in the United States and Europe. From this point on, people in transitional moments would be a major theme in her work. In 1994 she photographed mothers in the moments after giving birth and bullfighters about to enter the arena; she also commenced a series of images of Almerisa, an adolescent Bosnian refugee, whom she continued to photograph until 2003. Dijkstra ventured into video with The Buzz Club, Liverpool, UK/Mysteryworld, Zaandam, NL, taping adolescents at raves between 1996 and 1997. She has also focused on particular individuals entering the military, as in her images of Olivier Silva, a French Foreign Legionnaire (2000–01), and new inductees into the Israeli army (2002–03). For the series Park Portraits (2003–06), Dijkstra photographed children, adolescents, and teenagers momentarily suspending their varied activities to stare into the lens from scenic spots in Amsterdam’s Vondelpark, Brooklyn’s Prospect Park, Madrid’s El Parque del Retiro, and Xiamen’s Amoy Botanical Garden, among others. Source: Guggenheim
Lúa Ribeira
Spain
1986
Lúa Ribeira (born 1986) is a Galician photographer, based in Bristol in the UK. She is a Nominee member of Magnum Photos and was a joint winner of the Jerwood/Photoworks Award in 2017. Her series Noises is about femininity and British dancehall culture. She studied documentary photography at the University of Wales, Newport, graduating in 2016. Ribeira's series Noises, about femininity and Jamaican dancehall culture in the UK, was published as Noises in the Blood in 2017.Source: Wikipedia Lúa Ribeira’s practice is characterized by its collaborative nature, extensive research and an immersive approach to her subject matter. She is interested in using the photographic medium as a means to create encounters that establish relationships and question structural separations between people. Ribeira was born in 1986, in Galicia, northern Spain. She graduated in Graphic Design at BAU School of Design, Barcelona in 2011, and earned a first-class honours in a BA in Documentary Photography from the University of South Wales in 2016. Since graduating, she has continued her academic engagement as a guest lecturer at various universities, including the University of Westminster, University of the West of England, and Complutense University of Madrid. Ribeira’s work has received several awards and honors, including the Firecracker Grant for Women in Photography, and the Jerwood/Photoworks award. Her work has been published in book form by Fishbar, London in 2017, features in the publication Firecrackers: Female Photographer Now published by Thames and Hudson in 2017, in and Raw View Magazine‘s, “Women looking at Women” in 2016. Her work has been exhibited internationally in both solo and group shows in venues including Impressions Gallery, Bradford, Ffotogallery Cardiff, Belfast Exposed gallery, Beijing International Photography Biennale, and many more. Other publications Ribeira’s work has been featured in include The British Journal of Photography, Paper Journal, Refinery 21, AnOther, and Tate magazine. Selected commercial clients include Chanel, Carla Lopez handbags, Birmingham Botanical Gardens, and Wire Magazine. She joined Magnum photos as a nominee in 2018.Source: Magnum Photos Since graduating from the documentary photography course at the University of South Wales last year, Lúa Ribeira has gone from strength to strength. In addition to the Firecracker Grant, which she was awarded in 2015 while still a student, her work was recently selected by Susan Meiselas to appear in Raw View magazine’s Women Looking at Women issue, which the Magnum photographer guest edited. She is also making a name for herself commercially, with commissions for the likes of handbag designer Carla Lopez and with editorial clients such as Wired. Her images have been shown at international festivals, including Photo España in 2014 and Gazebook Festival in 2015, and she has also been awarded a Jerwood Photoworks Grant for future projects in 2018. Thus far, Ribeira is perhaps best known for Noises in the Blood, an ongoing investigation into Jamaican dancehall culture, shown at London’s Fishbar Gallery earlier this year and published by its photobook wing. The series stems from the photographer’s love of the musical genre but also acknowledges her discomfort with its explicit, sexual lyrics. “That feeling bothered me,” says Ribeira. “I did not fully understand it.”Source: British Journal of Photography
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All About Photo Awards 2026
Win a Solo Exhibition in February
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry