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Win a Solo Exhibition this February. Juror: Harvey Stein
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Lori Pond
Lori Pond
Lori Pond

Lori Pond

Country: United States
Birth: 1959

Lori Pond is an artist using the photographic process to explore the human condition as seen through the conflict of good vs. evil, contemporary anxiety and the impermanence of all things.

She received a B.S. in Music Performance and Spanish from Indiana University and an M.A. in Broadcast Journalism from USC before embarking on a career in television, where she is a graphic artist at Conan O'Brien's talk show, "Conan." She splits her time between this and her fine art photography.

Her work has been included in numerous solo shows at institutions such as: The Griffin Museum of Photography, (Boston) Oceanside Museum of Art, University of the Arts (Philadelphia) and Gallery 825 in Los Angeles. Lori has exhibited in over 30 group shows around the globe.

Lori's body of work, "Bosch Redux," has been featured in online publications and interviews, such as: Beta Developments in Photography, Adobe Create, LENSCRATCH, Peripheral Vision Arts Salon and Your Daily Photograph. Hard copy publications of her photography have appeared in The Sun Magazine, Seeing in Sixes, Arboreal, Bosch Redux and Self.

Lori's art can be found in the permanent collections of : The Center for Fine Art Photography, Morgan Stanley headquarters and The Center for the Arts, Los Angeles.

She lives and works in Los Angeles.
 

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More Great Photographers To Discover

Alex Majoli
Italy
1971
Alex Majoli (b. 1971, Italy) is a photographer whose work has focused on the human condition and the theater within our daily lives. He has received many awards including the Guggenheim Fellowship in 2015, the W. Eugene Smith Grant(2017), the Getty Images Grant For Editorial Photography 2009, and the Infinity Award for Photojournalism in 2003. He has been a member of Magnum Photos since 2001 and is represented by Howard Greenberg Gallery NY.Source: LensCulture At the age of 15, Alex Majoli joined the F45 Studio in Ravenna, working alongside Daniele Casadio. While studying at the Art Institute in Ravenna, he joined Grazia Neri Agency and traveled to Yugoslavia to document the conflict. He returned many times over the next few years, covering all major events in Kosovo and Albania. Majoli graduated from art school in 1991. Three years later, he made an intimate portrayal of the closing of an asylum for the insane on the island of Leros, Greece, a project that became the subject of his first book, Leros. In 1995 Majoli went to South America for several months, photographing a variety of subjects for his ongoing personal project, Requiem in Samba. He started the project Hotel Marinum in 1998, on life in harbor cities around the world, the final goal of which was to perform a theatrical multimedia show. That same year he began making a series of short films and documentaries. After becoming a full member of Magnum Photos in 2001, Majoli covered the fall of the Taliban regime in Afghanistan, and two years later the invasion of Iraq. He continues to document various conflicts worldwide for Newsweek, The New York Times Magazine, Granta and National Geographic. Majoli, in collaboration with Thomas Dworzak, Paolo Pellegrin and Ilkka Uimonen, had an extremely successful exhibition and installation Off Broadway in New York in 2004, which traveled to France and Germany. He then became involved in a project for the French Ministry of Culture entitled BPS, or Bio-Position System, about the social transformation of the city of Marseilles. A recently completed project, Libera me, is a reflection on the human condition. In 2013 Majoli, in collaboration with Pellegrin, completed a massive photographic project in the Congo, which resulted in a his largest book project to date being published with Aperture, in 2015.Source: Magnum Photos At the age of fifteen, Alex Majoli joined the F45 photo agency in Ravenna, Italy, and he graduated from the city’s art Institute in 1991. While in art school, Majoli became a member of Grazia Neri Agency and traveled to Yugoslavia to document the ongoing political conflict. In 1995, Majoli published his first book documenting the patients in a mental hospital that was formerly used as a military hospital in Leros, Greece. That same year he traveled to Brazil where he started the project Tudo Bom. In this, he visualizes the darker side of a complex society where daily life is often shaped by hardship and violence. Majoli has been working on this project for twenty years. The series Hotel Marinum that Majoli started in 1998 documents life in harbor cities around the world and was inspired by his life growing up in the port of Ravenna. Majoli has been a member of Magnum Photos since 2001 and has worked on assignments for a variety of publications, including The New York TIME Magazine, Newsweek, The New Yorker, and National Geographic. Majoli has been inspired by the theories of the Sicilian playwright Luigi Pirandello, who believed there is a thin line between theater and real-life and that people take on a role in their daily lives. Over the years, the photographer has examined this philosophy more fully. Majoli does not aspire to document reality. Rather, in his more personal projects, he explores this idea of people as actors in their own lives. In his most recent work, he uses powerful strobe lights to make his subjects aware of the roles they play in the scene that he records. The result is cinematic; the dark surroundings of a scene highlight powerful human emotions.Source: International Center of Photography
Susanne Middelberg
After completing a modern dance education at the Higher School for Arts in Arnhem, she graduated in 1998 from the Royal Academy of Arts, from the photography department. Susanne specializes in portrait and theater-dance photography. Susanne exhibited a.o. at Soho Photo Gallery in Soho, New York, Deelen Art in Rotterdam, Reflex Modern Art Gallery in Amsterdam, Smelijk en Stokking and gallery Hollandsche Maagd in Gouda and galerie Fontana Fortuna in Amsterdam. She won several awards a.o. the Canon Master, International Photo Awards, Trierenberg Super Circuit 2019 - gold Susanne's work concerns people and their feelings. Being human, concerning life. She does not want to make a statement, or be judgmental, but show how she is touched by people, and what she sees in them. If someone can be true to their nature, and not pretend to be anything other them themselves it is almost always beautiful. Then people show their openness, vulnerability and love.That is what she wishes to voice in her work. Statement"In my portraits I am looking for honesty and vulnerability. I believe that vulnerability makes us nicer human beings and that this makes the world a little more friendly and more understanding. People who show themselves vulnerable give the other the confidence that they themselves may be who they are. I am most fascinated when I can see opposite qualities of a person at the same moment. I find this exciting because people are complex. I hope that the portrait touches something of the viewer himself." -- Susanne Middelberg
Anna Hayat and Slava Pirsky
We are Anna Hayat (born 1974) and Slava Pirsky (born 1965), originally from the Soviet Union. Each of us decided to start a new life in Israel in the early 90s, in search of new horizons. Fate brought us to Jerusalem through different paths, where we lived for over 20 years and now find joy in a small town nearby. We met in 1999 and instantly felt a special connection, as if our shared passion for photography brought us closer. In 2000, we became proud parents of an exquisite daughter whom we started photographing from her very birth. Since then, we have become an inseparable team and partners in the world of photography and art. For over 20 years, we have actively collaborated on joint photography projects. Our creative process revolves around analog photography, primarily using old Polaroid large-format black and white negative plates. Despite the discontinuation of production of these films in 2008, we use expired films to create unique and emotive works of art. We capture images using both a large studio camera and small field Polaroid cameras. The slow shooting process is of utmost importance to us, as it imparts a special depth to our works. In a way, the negative itself becomes another partner in our process. We appreciate the unpredictability of old negatives, which gives our photographs a distinct character, a touch of poetry, and a timeless feeling that is crucial to our work. Our latest project reflects our emotions and pain caused by Russia's treacherous aggression. For this series, we ventured into a mixed technique for the first time, tearing and cutting our works, stitching them anew, adding patches and seams. The project was showcased at the Ramlah Museum and immediately after at the KyotoGraphie International Photography Festival in Japan.
Myriam Boulos
Lebanon
1992
I was born in 1992 in Lebanon, right after the end of the war, in a fragmented country that had to reinvent itself. At the age of 16 I started to get closer to Beirut and used my camera to question the city, its people, and my place among them. I graduated with a master degree in photography from the Academie Libanaise des Beaux Arts in 2015. Today I use photography to explore, defy and resist society. It is my way of constantly reinventing myself in the body and the city I live in. Statement The revolution started in Lebanon on the 17th of October 2019. Since then everything has been emotionally and physically draining and confusing but also beautiful, sad and awakening. It all feels as if we were coming out of an abusive relationship and to finally say: No, this is not normal. When the revolution started in Lebanon, it was the most natural thing for me to take my camera and go to the streets. Photography has always been my way of participating to life as it is today my way of taking part in the revolution. In the ongoing socio-political context it felt to me like there was no choice: the subject of my photography imposed itself on me. It was more a question of need and necessity than a question of desire. The slow documentary that normally constitutes my approach was ever so naturally replaced by something else something new, and within the revolution I let myself carry by the big wave coming towards me, big wave much bigger than me. My project is about documenting the different facettes of the Lebanese revolution from a local point of view. My approach is characterized by the direct flash I use in this project but also in others. This potentially comes from my need to make things real. The direct flash also helps me work on textures, bodies and skins. In the context of the revolution, the proximity between the bodies says a lot about the situation. It is the first time that we claim our public spaces, our streets, our country. It is the first time that different social classes mix together in the streets. In our streets. In parallel to the photographic documentation, I am also documenting the evolution of my emotions during the revolution. It is sort of a diary that accompanies the pictures. Example: Monday, 20 Jan Beirut, Lebanon Tonight in the teargas I took all my pictures with eyes closed. They say the moment of a picture is a black out. I wonder if I don't look at these emotions, will they disappear?
Mario Testino
Mario Testino is a Peruvian fashion photographer. His work has been featured in magazines such as Vogue and Vanity Fair. His career highpoint came when he was chosen by Princess Diana for her Vanity Fair photoshoot in 1997. Testino has been regularly employed by the British royal family ever since. Aaron Hicklin of The Observer described him as "the world's most prolific magazine and fashion trade photographer". His persistence in shooting Gisele Bündchen is widely credited with elevating her to supermodel status. Testino was born and grew up in Lima, the eldest son of a businessman. He was one of six children in a middle class family. When he was young he wanted to be a priest. Testino studied economics at Universidad del Pacífico. In 1976 he went to London to study photography. Living in an unconverted floor of a hospital, without much money, he funded himself by working as a waiter. He had his hair dyed pink which helped him get noticed as a photographer. He is one of six children born to an Italian father and an Irish mother. He attended the Catholic school Santa Maria Marianistas. Testino attended the Universidad del Pacifico, the Pontificia Universidad Catolica del Peru and the University of San Diego. In 1982 Testino moved permanently to London. Testino has become one of the world's most well known and celebrated fashion photographers. His work has been featured across the globe in magazines such as Vogue, Vanity Fair and V, and he has crafted and contributed to the imagery of leading fashion houses such as Burberry, Gucci, Versace, Calvin Klein, Dolce & Gabbana, Salvatore Ferragamo, Estee Lauder and Michael Kors, among others. As well as having published seven books of his work and edited one other dedicated to contemporary art and artists from his native Peru, Mario Testino has had many successful exhibitions in galleries and museums around the world. In 2002, The National Portrait Gallery in London staged the landmark exhibition “Portraits” by Mario Testino that to date remains its second most successful exhibit. For ten years it had the highest attendance of any exhibition ever to be held there. Over the next four years the exhibition went on tour to Milan, Amsterdam, Edinburgh, Tokyo, Mexico City, and Boston. Testino has also received royal commissions, including The Prince of Wales, The Duchess of Cornwall, Prince William, Prince Harry, The Duchess of Cambridge, Diana Princess of Wales, The Duke of Kent, Prince and Princess Michael of Kent, Prince Nikolaos of Greece, Prince Willem-Alexander and Maxima of the Netherlands, Prince Haakon Magnus and Princess Mette-Marit of Norway and Her Majesty Queen Rania al Abdullah of Jordan.Source: Wikipedia Mario Testino OBE is widely regarded as one of the most influential fashion and portrait photographers of our times. His photographs have been published internationally in magazines such as Vogue, V Magazine and Vanity Fair. He has contributed to the success of leading fashion and beauty houses, creating emblematic images for brands from Gucci, Burberry, Versace and Michael Kors to CHANEL, Estée Lauder and Dolce & Gabbana. Alongside his 40-year practice as a photographer, Testino has realised a body of work as a creative director, guest editor, museum founder, art collector/collaborator and entrepreneur. In 2007, at the request of his clients to provide full creative direction services, he formed MARIOTESTINO+ which today is a growing team of individuals who support Testino to realise the breadth of his creative output.Source: www.mariotestino.com
Gary Beeber
United States
1951
Gary Beeber is an award-winning American photographer/filmmaker who has exhibited in galleries and museums throughout the United States and Europe. His documentary films have screened at over 75 film festivals. Solo (photography) exhibitions include two at Generous Miracles Gallery (NYC), the Griffin Museum of Photography (Wincester, MA), and upcoming exhibitions at PRAXIS Photo Arts Center, and the Rhode Island Center for Photographic Arts. Beeber’s work has also been included in juried exhibitions throughout the world. Among Fortune 500 companies who collect his work are Pfizer Pharmaceutical, Goldman Sachs and Chase Bank. Sylvester Manor, Shelter Island As an artist I am drawn to subjects I find to be incongruous, and always like to experiment with composition, lighting and perspective. As I'm taking pictures I think a lot about the passage of time and how things evolve over the decades. When living in Sag Harbor, NY one of my great pleasures was taking the 10 minute ferry trip to Shelter Island (whose sleepy beauty starkly contrasts with the glitz and glamor of the Hamptons) and exploring/documenting Sylvester Manor. The island was originally inhabited by indigenous peoples, but was officially established as a slave holding provisioning plantation in 1652 by Nathaniel Sylvester, a sugar merchant from Barbados, who purchased the entire island for 1600 pounds of sugar. Sylvester Manor has been in the Sylvester family for 11 generations. Descendants of Nathaniel Sylvester used slaves to work the plantation until early in the 19th century when slavery was abolished in the north. People relate to this series because of Sylvester Manor's history and mystery. I was drawn to it for those same reasons, and of course it's sad, dark haunting beauty.
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry