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Margarita Mavromichalis
Margarita Mavromichalis
Margarita Mavromichalis

Margarita Mavromichalis

Country: Greece
Birth: 1965

Margarita Mavromichalis comes from a family of Greek diplomats and has spent her life living and traveling all over the world. She speaks five languages and studied translation and interpreting. She likes to think that photography is her second language, as it's a universal language, one that is understood by all across the world and conveys messages in the most powerful way.

Margarita moved to New York in 2009. She continued her studies for three years at the International Center of Photography where she also served as a Teaching Assistant for several classes. She moved back to Greece from 2013 to 2016 where she devoted most of her work covering the refugee crisis as it developed on the island of Lesvos. She currently lives and works in London.

Margarita is mostly attracted to street photography and the elements that evoke emotions and surprise in our everyday life. Furthermore she is passionate about documenting current events that she feels very strongly about, highlighting their social impact. Her work has been displayed in exhibitions in New York, Boston, San Diego, The Museum of the City of New York, the Brooklyn Historical Society and most recently in Budapest, Athens, Paris, Berlin, Barcelona and London. Selected images are part of the permanent collections of the Museum of the City of New York and the Brooklyn Historical Society. She is the winner of the 9th Pollux Awards (2016) and the winner of the 12th edition of the Julia Margaret Cameron Awards (2018) and has been nominated for the 2019 Prix Pictet Hope Award and was recently awarded the 15th edition of the Julia Margaret Cameron Award (2020). In 2021, she won a Gold Medal at the Budapest International Foto Awards, a Silver Medal at the Prix de la Photographie Paris and is an official selection and top 5 at the Tokyo International Foto Awards.
 

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More Great Photographers To Discover

Jean-Pierre Laffont
Jean-Pierre Laffont attended the School of Graphic Art in Vevey, Switzerland, where he graduated with a Master's Degree in Photography. He was a founding member of the Gamma USA and Sygma Photo News agencies. For more than five decades, Laffont traveled the globe, covering the news, the people, and the social and economic issues of his time. His photos were published in the world's leading news magazines, including Le Figaro, London Sunday Times, Newsweek, Paris Match, Stern, and Time. He was named one of the one hundred most important people in photography. Among the numerous awards Laffont has received are the Overseas Press Club of America's Madeline Dane Ross Award, the World Press Photo General Picture Award, University of Missouri's World Understanding Award and First Prize from the New York Newspaper Guild. In 1996 he was honored with the National French Order of Chevalier des Arts et des Lettres (a Knight in the National French Order of Arts and Letters). In 2016 Jean Pierre was named International Photographer of the Year of the Pingyao Photo Festival in China. In 2020 he received The Lucie Award for Achievement in Photojournalism and The Visa D'Or Award du Figaro Magazine for Lifetime Achievement. Laffont resides in New York with his wife Eliane, his daughter and his two granddaughters. Awards and Honors: 1962: Cross for Military Valor for his humanitarian acts during the Algerian War 1979: First Prize: New York Newspaper Guild, for "Child Labor"; Overseas Press Club: Madeline Dane Ross award, for originating the use of photography to raise awareness of child labor conditions around the world. 1980: World Press: First Prize, General Picture category; University of Missouri, School of Journalism: First Prize, World Understanding Award 1996: French National Order of Merit: named Chevalier de l'Ordre des Arts et des Lettres 2016: International Photographer of the year of The Pingyao Photo Festival; China. 2020: Lucie Award for Achievement in Photojournalism. 2020: Visa D'Or Award du Figaro Magazine for Lifetime Achievement. Bibliography: Contribution to the A Day in the Life Series (HarperCollins): 1983: A day in the life of Hawaii 1984: A day in the life of Canada 1985: A day in the life of Japan 1986: A day in the life of United States 1987: A day in the life of Spain 1987: A day in the life of USSR 1989: A day in the life of China 1990: A day in the life of Italy 1991: A day in the life of Ireland 1992: A day in the life of Hollywood Other Selected Publications: 1986: The Long March (Intercontinental Press); in commemoration of the 50th anniversary of Mao Zedong's historical Long March 1989: Trois Jour en France (Nathan/France) 1992: America Then and Now (Cohen/HarperCollins) 1999: Les 100 photos du Siècle (Editions du Chêne) 2003: America 24/7 in Manhattan (NY State) 2011: The New York Times Magazine: Photographs (Aperture Foundation) 2013: 40 ans de Photojournalisme: Generation Sygma (Editions de La Martinière/France) Monographs: 1976: CB Bible, Porter Bibb (Doubleday) 1981: Women of Iron (Playboy) 2008: Jean-Pierre Laffont Foreign Correspondent (Editions C.D.P/France) 2014: Photographer's Paradise: Turbulent America 1960-1990: (Glitterati) named best picture book by The Lucie Awards 2017: New York City Up and Down: (Glitterati) 2019: Nos Stars en Amèrique Cartes postales de Jean Pierre Laffont: (Editions de La Martinière) For special print requests please contact us directly.
Umberto Romagnoli
Umberto Romagnoli was born in Rome in 1970; in 1994 he attended the European Institute of Design, where he followed photography courses for two years. In 1996 he received a special mention from the jury of the Europe: Crossing Borders competition organized by the European Cultural Foundation in Amsterdam for a work inspired by 100 years of Cinema. Since 2002 he has worked as a photographer, assistant and printer in the studio of Claudio Abate, the "art photographer", eyewitness of the artistic ferment and avant-garde from the 1960s onwards, where he deals with the organization and management of the archive photography and studio. Always interested in the cinematographic medium, often a source of inspiration for his work, in 2008 he made the short film War Box and in 2010 Spiriti del Lago. In the following years he founded the Mister Freedom-Brigata Cinematica, an association that supports and promotes visual culture and cinematographic in all its forms. Parallel to his photographic activity, he organizes and takes care of film clubs, film festivals and themed events such as: Posto Unico, Pape Satàn, Sdrive-In, Arena-Dentro La Storia and Street Cinema. Statement: I think that through a broad vision of photography I try to explore both the intimate and the analytical, creating a dialogue between the human essence and the visual representation, with this approach I try to combine originality and critical reflection. As for the interior and ancestral universe, I have always focused on subjects that reflect intimacy and human nature, from female nudes, to the elements to portraits used in a symbolic or metaphorical way, to still lifes of various inanimate objects that can hide deeper meanings. As for the analysis of the image and the fictional universe, I have worked on the understanding and analysis of the photographic and cinematographic image, examining how the visual image communicates, influencing the viewer, its authenticity and truth, asking myself questions about the nature of the image: how authentic is it? how manipulated is it? This can lead to reflections on perception and reality, passing through works of pure fiction, creating images that tell imaginary stories.
Norman Parkinson
United Kingdom
1913 | † 1990
Sir Norman Parkinson, CBE (21 April 1913 – 15 February 1990) was a celebrated English portrait and fashion photographer.Parkinson (birth name Ronald William Parkinson Smith) was born in London, and educated at Westminster School. He began his career in 1931 as an apprentice to the court photographers Speaight and Sons Ltd. In 1934 he opened his own studio together with Norman Kibblewhite. From 1935 to 1940 he worked for Harper's Bazaar and The Bystander magazines. During the Second World War he served as a reconnaissance photographer over France for the Royal Air Force. In 1947 he married the actress and model Wenda Rogerson. From 1945 to 1960 he was employed as a portrait and fashion photographer for Vogue. From 1960 to 1964 he was an Associate Contributing Editor of Queen magazine. In 1963 he moved to Tobago, although frequently returned to London, and from 1964 until his death he worked as a freelance photographer.Parkinson always maintained he was a craftsman and not an artist. From his early days as a photographer up to his death he remained one of the foremost British portrait and fashion photographers. His work, following the lead of Martin Munkacsi at Harper's Bazaar, revolutionised the world of British fashion photography in the '40s by bringing his models from the rigid studio environment into a far more dynamic outdoor setting. Humour played a central role in many of his photographs which often included himself. As well as magazine work he also created celebrated calendars featuring glamorous young women.(Source: en.wikipedia.org)
Jean-Christophe Béchet
Born in 1964 in Marseille, Jean-Christophe Béchet lives and works in Paris since 1990. Mixing B&W and color, silver and digital prints, 24x36 and medium format, polaroids and photographic 'accidents', Jean-Christophe Béchet seeks the "right tool" for each project, the one that will allow him to obtain a meaningful dialogue between an interpretation of reality and the photographic material. Inheritor of "street photography", whether it be American, French or Japanese, he likes to refer to his photographs as INHABITED LANDSCAPES. His glance on the world is constructed book by book, the area provided by the printed page being his "natural" field of expression. His photographs belong to several private and public collections and they have been showcased in more than sixty exhibitions since 1999, including at the Rencontres d'Arles in 2006 ("Urban Policies" series) and in 2012 ("Accidents" series) and the 'Mois de la Photo' (Month of Photography) in Paris, in 2006, 2008 and 2017. He is also the author of more than 20 books. FRENCHTOWN Project created for the Festival L'Oeil Urbain at Corbeil Essonnes Wedged between several highways and the National Road 7, the City of Corbeil-Essonnes is located 40 km south of Paris. It is the last city in the Paris' belt. As soon as you cross its limits, you are in the middle of nature. Too far from Paris to benefit from its proximity, it's neither in the provinces. This "in-between" gives rise to a feeling of strangeness and uneasiness. In this city, I felt I was in a typical and genuine French city and at the same time in a detective film. I had the impression of being a foreign visitor, an investigator, who was exploring a "French Town" to solve a minor incident. My photos are the result of a year of observation. I worked as a visual writer. Far from hot topics and for a long period of time, I captured the small details of everyday life and built an authentic story. Without forgetting that photography never shows reality, or truth, but an idea of reality. And it's already a lot... JCB
Bill Burke
United States
1943
William M. Burke is an American photographer and educator known for his 20 years of documentary photography in Vietnam and neighboring countries, detailing the effects of war. Bill Burke was born in 1943 in Derby, Connecticut. In 1966, he received a B.A. degree in Art History from Middlebury College. He continued studies at Rhode Island School of Design (RISD), and received a B.F.A degree in 1968 and a MFA degree in 1970, while studying with photographer Harry Callahan. In 1971, he started teaching at the School of the Museum of Fine Arts in Boston. In 1978, he became a Guggenheim fellow in photography. His work is included in many public collections including the Smithsonian American Art Museum, San Francisco Museum of Modern Art, Princeton University Art Museum, Museum of Modern Art, Museum of Fine Arts, Boston, among others.Source: Wikipedia Since 1971 he has taught at the School of the Museum of Fine Arts in Boston. While he has contributed to the Christian Science Monitor and published his work in Fortune and Esquire, Burke prefers to present personal travelogue images in series in books and exhibitions. His monographs include They Shall Cast Out Demons (1983), Bill Burke Portraits (1987), I Want to Take Picture (1987), and Mine Fields (1994). He has exhibited alone and in groups at ICP and elsewhere. Bill Burke, who failed his draft physical, was spared the experience of many of his contemporaries who fought in the Vietnam War. Since the 1970s he has photographed his travels through Asia not to document military atrocities, but to record his personal reactions. His work reflects a fascination with historical events and sites, yet his interest is broader than the topical documentation of photojournalism. The independent spirit of works such as Robert Frank's The Americans (1959) informs Burke's approach to his subjects: he recognizes his outsider status, and the black-and-white photographs of his many trips to Cambodia are as much about the personal impact and experience of being a witness as they are about the cultures he visits. This visitor status is important: Burke makes no pretense trying to develop a photo essay with political overtones, in the tradition of American documentary photography of the 1930s.Source: International Center of Photography
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AAP Magazine #55 Women
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