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Aneta Bartos
Photo by Craig Mcdean
Aneta Bartos
Aneta Bartos

Aneta Bartos

Country: Poland

Aneta Bartos was born in Poland and moved to New York City where she attended The School of Visual Arts. Most recently she was a part of the exhibition Hearst 8X10 at the Alexey Brodovitch Gallery, New York curated by John Bennette. In early 2013 she exhibited her project titled Boys with a solo exhibition at the Carlton Arms Hotel, New York curated by Jon Feinstein. During 2012 she was a part of 31 Women in Art Photography at Hasted Kraeutler, New York curated by Natalia Sacasa and Jon Feinstein. Earlier that year she showed in a two-person exhibition titled Jack & Jill curated by Anne Huntington. The same year she was commissioned by Neville Wakefield to create an installation for the opening of ACME in New York. In 2010 her collaboration 4Sale was shown in New York, Moscow and Poznan. A year earlier, she debuted with a solo show at Artsource, New York. In 2007 she was chosen by Photo District News as their top choice for Emerging Photographers. Additionally, Aneta's work has been featured in New York Magazine, T Magazine, Time Magazine, Artinfo, Modern Painters Daily, W Magazine, Interview Magazine, Hyperalleric and Paddle 8 among others. She is currently working on her first book from her series titled Spider Monkeys.
 

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More Great Photographers To Discover

Gabriel Isak
Sweden
1990
Gabriel Isak was born in 1990 in Huskvarna, Sweden. In 2016, he received his Bachelor of Fine Arts Degree in Photography at Academy of Art University in San Francisco, California. Isak has exhibited his work at solo exhibitions at The Cannery Gallery, San Francisco, California and his works have been included in various important exhibitions including "Acclimatize" at Museum of Modern Art, Stockholm, Sweden and "Culture Pop" at M Contemporary, Sydney, Australia. Isak lives and works in Stockholm, Sweden, from where he travels all around the world for personal and commissioned projects. Artist Statement Gabriel Isak's art entails surreal and melancholic scenes where he invites the viewer to interact with the inner world of solitary figures that symbolize our own unconscious states. He uses photography as a medium to draw and paint surreal images, minimal and graphic in its aesthetic, rich in symbolism and emotion, focusing on themes inspired by human psychology, dreams and romanticism, as well as his own experiences, especially the years he went through depression. Isak's work is a serene and melancholic meditation that stills the chaos of life and transforms into an introspective journey that questions the depths of existence. The objective of Gabriel Isak's art is to shine a light on the experiences of being and the states of mind those brings along. His subjects are anonymous, imprisoned in monochromatic settings, so the viewer can envision oneself as the subject, reflecting back on one's own experiences and journey in life.
(Arthur Fellig) Weegee
Austria/United States
1899 | † 1968
Weegee was the pseudonym of Arthur Fellig (June 12, 1899 – December 26, 1968), a photographer and photojournalist, known for his stark black and white street photography. Weegee worked in the Lower East Side of New York City as a press photographer during the 1930s and '40s, and he developed his signature style by following the city's emergency services and documenting their activity. Much of his work depicted unflinchingly realistic scenes of urban life, crime, injury and death. Weegee published photographic books and also worked in cinema, initially making his own short films and later collaborating with film directors such as Jack Donohue and Stanley Kubrick. Weegee was born Ascher (Usher) Fellig in Z?oczów (now Zolochiv, Ukraine), near Lemberg, Austrian Galicia. His name was changed to Arthur when he emigrated with his family to live in New York in 1909. There he took numerous odd jobs, including working as an itinerant photographer and as an assistant to a commercial photographer. In 1924 he was hired as a dark-room technician by Acme Newspictures (later United Press International Photos). He left, however, in 1935 to become a freelance photographer. He worked at night and competed with the police to be first at the scene of a crime, selling his photographs to tabloids and photographic agencies. His photographs, centered around Manhattan police headquarters, were soon published by the Herald Tribune, World-Telegram, Daily News, New York Post, New York Journal American, Sun, and others.In 1957, after developing diabetes, he moved in with Wilma Wilcox, a Quaker social worker whom he had known since the 1940s, and who cared for him and then cared for his work. He traveled extensively in Europe until 1968, working for the Daily Mirror and on a variety of photography, film, lecture, and book projects. In 1968, Weegee died in New York on December 26, at the age of 69.Weegee can be seen as the American counterpart to Brassaï, who photographed Paris street scenes at night. Weegee’s themes of nudists, circus performers, freaks and street people were later taken up and developed by Diane Arbus in the early 1960s. In 1980 Weegee’s widow, Wilma Wilcox, Sidney Kaplan, Aaron Rose and Larry Silver formed The Weegee Portfolio Incorporated to create an exclusive collection of photographic prints made from Weegee’s original negatives. As a bequest, Wilma Wilcox donated the entire Weegee archive - 16,000 photographs and 7,000 negatives - to the International Center of Photography in New York. This 1993 gift became the source for several exhibitions and books include "Weegee's World" edited Miles Barth (1997) and "Unknown Weegee" edited by Cynthia Young (2006). The first and largest exhibition was the 329-image “Weegee’s World: Life, Death and the Human Drama,” brought forth in 1997. It was followed in 2002 by “Weegee’s Trick Photography,” a show of distorted or otherwise caricatured images, and four years later by “Unknown Weegee,” a survey that emphasized his more benign, post-tabloid photographs. In 2012 ICP opened another Weegee exhibition titled, "Murder is my Business". Also in 2012, exhibition called "Weegee: The Naked City", opened at Multimedia Art Museum, Moscow.(Source: en.wikipedia.org)
Michael Jackson
United Kingdom
1966
British b.1966, in Wokingham, Berkshire. Jackson trained as a painter at West Dean College, England. After moving to Wales In 2007 he started work on an extensive study of a single remote beach, Poppit Sands, which lasted for eight years until 2015. Jackson won the Chris Beetles Award in 2013 and became a Hasselblad Masters Award finalist three times in 2008, 2009 and 2012. Now regarded as a leading exponent of the luminogram process, he works with uniquely developed techniques and response mirroring using silver gelatin paper in the darkroom. In 2017 his luminogram work was paired with theologian Edwin A.Abbott in a book published by 21st Editions, titled after Abbott's famous work 'FLATLAND' and premiered at the Grand Palais in Paris. His work is held at the National Gallery of Art in Washington and the collection of the University of Minnesota. Artist Statement "I am a British photographer based in rural Wales, UK. Born 1966. Studied art at West Dean College then apprenticed under the landscape painter Christopher W. Baker. Since moving to Wales in 2007 I have been photographing a single beach - Poppit Sands. This seems to be something that I am compelled to do as I have not yet tired of it. My goal is to keep on looking harder and hope that through studying a single subject I can find something new. The images have toured with the Hasselblad Masters On Tour twice and have been exhibited in Copenhagen, Hong Kong, Beijing, Berlin, New York, Cardiff, London & Los Angeles as well being featured in magazines such as LENSWORK, SILVERSHOTZ and SHOTS as well as blogs such as LENSCRATCH, CNN & FEATURESHOOT. The images have also reached the Hasselblad Masters Finals three times."Source: www.mgjackson.co.uk
Stephen Wicks
United States
Stephen Wicks' attraction to photography began during his childhood. He says he was inspired by the photo essays in LIFE Magazine. Each week when a new issue arrived it seemed like the world beyond his home was in his hands and he had feelings for and wanted to meet the people who appeared in the pictures and visit the places he saw on the pages in the magazine. Wicks has always had a deep interest in all forms of communication. He says his attraction to the visual world and belief in the power of images triggered his imagination, cultivated his intuition, awakened within him a natural curiosity and an instinct to questioning everything. These qualities have been the inspiration for Wicks to follow parallel careers as an imagemaker and visual educator. As an artist Stephen Wicks has been using photography, videography, monologues and soundscapes to tell stories about the things he see's, questions and values. His motivation has been to create picture stories, in print and now also on the screen, to share with others what he has experienced, discovered and captured. During his early career Wicks created traditional B&W photo essays with up close and personal photographs made, often while living with his subjects over a long period of time, and returning many years later to see and capture changes in their lives. More recently, Wicks has been making digital color photographs of landscapes, places and objects found in spaces shared by the natural landscape and built environment. Although these photographs are void of people, he believes a human trace is visible in each picture and, with this in mind, he see's his Nature/Culture images as social landscapes. It is precisely the absence of people along with a sense of their presence, as seen in the marks and artifacts left in the environment, he now finds most fascinating. Stephen Wicks is currently developing two presentation/performance/storytelling projects: PICTURE STORIES: a series of live presentations based on thematic video vignettes, photographs and monologues about American people, places, experiences and events; including a dialogue with the audience (in development / launch: September 2019) BEING THERE: his YouTube Channel - a video magazine about American Culture - including picture stories, video journals and commentary on education, art, communication, politics, economy, media (in development / launch: October 2019)
Wang Qingsong
China
1966
Born in Daqing, Heilongjiang Province, China 1966 1993: Oil Painting Department of Sichuan Academy of Fine Arts, Sichuan, China Lives and works in Beijing since 1993 Awards: 2006 Outreach Award from Rencontres de la Photographie, Arles, France Wang Qingsong graduated from the Oil Painting Department of the Sichuan Academy of Fine Arts and currently lives and works in Beijing. After starting his career as an oil painter engaged in the Gaudi movement, he began taking highly staged photographs that explore the influence of Western consumer culture in China. In more recent works he has explored political and social themes including the struggles of the migrant population and Chinese diplomacy. His photographs are known for their massive scale, deep symbolism and careful staging, which can sometimes take several weeks and involve up to 300 extras. Although photography is his main medium, he has explored performance and video art in more recent years. Qingsong’s work has been presented at prestigious galleries, museums and art fairs across the globe including the 55th Venice Biennale China Pavillion (Venice), the International Centre of Photography (NY), the Hammer Museum (Los Angeles), the Victoria and Albert Museum (London), the 42nd Rencontres de la Photographie (Arles), the Daegu Art Museum (Seoul), MOCA (Taipei), the Rockbund Art Museum (Shanghai) and the Mori Art Museum (Tokyo). Wang Qingsong is a contemporary Chinese artist whose large-format photographs address the rapidly changing society of China. His photographs, appearing at first humorous and ironic, have a much deeper message. Critical of the proliferation of Western consumerism in China, his, Competition (2004), depicts the artist standing with a megaphone in front of a city hall covered in advertisements for brands such as Citibank, Starbucks, and Art Basel. "I think it is very meaningless if an artist only creates art for art's sake," he said. "I think it would be absurd for an artist to ignore what's going on in society." Born in 1966 in Heilongjiang Province, China, Wang studied at the Sichuan Academy of Fine Arts. Although he was trained as a painter, Wang began taking photographs in the 1990s as a way to better document the tension of cultural shifts. The artist's works have been in exhibitions at the Hammer Museum in Los Angeles and the National Gallery of Victoria in Melbourne. Wang currently lives and works in Beijing, China. Source: Artnet
Vanessa Winship
United Kingdom
1960
Born in the United Kingdom. Vanessa Winship lives in London. After studying cinema and photography at Westminster University (Polytechnic of Central London), Vanessa shares her time between photography and teaching. She then fully devotes herself to photography and lives for about 10 years in the Balkans and Turkey. She joins Agence VU in 2005,and the Gallery VU in 2009. Laureate of numerous prizes, including the World Press Photo (Amsterdam) twice, the National Portrait Gallery Prize (London), PhotoEspana Descubrimientos (Madrid). Exhibited her works in numerous museums and festivals such as the Rencontres d'Arles, the Kunstall Museum of Contemporary Art in Rotterdam or the Horst Gallery and Photographers Gallery in London. Prize-winner of the HCB Award 2011 for her project "Out there: an American Odyssey." Source: Agence VU Winship grew up in Barton-upon-Humber, rural Lincolnshire. She studied at Baysgarth School; Hull Art College (which included a photography module); photography at Filton Technical College, Bristol; and photography, film, and video at the Polytechnic of Central London from 1984 to 1987, graduating with a BA (Hons). She met her husband, the photographer George Georgiou, on the degree course. From 1999 she spent a decade living and working in the Balkans and surrounding territories of Turkey and the Black Sea. First she lived in Belgrade, for a short while in Athens, and five years in Istanbul. Her work is about the concepts of borders, land, desire, identity, belonging, memory and history, how those histories are told and how identities are expressed. Her books have been widely acclaimed. Sean O'Hagan, writing in The Guardian, said "She is perhaps best known for Sweet Nothings, one of my favourite photography books of recent years". She Dances on Jackson was considered by Simon Bainbridge (editor of the BJP), Sean O'Hagan, Rob Hornstra and other reviewers to be shortlisted amongst the best photography books released in 2013. Phil Coomes, Picture editor at BBC News said "This is pure photography, and in my view, when viewed as a whole, is about as good as it gets." Winship and George Georgiou travel together, alternating between one working and the other either supporting them or experimenting with their own photography. She uses black-and-white photographic film in natural light. For her work in a reportage – or street – style she has used a 35 mm hand-held camera, for her landscape work she has at times used a medium format camera and for her portraiture work she has at times used a 5×4 inch large format camera. She says of the difference between using 35 mm and large format that "Each methodology makes for a different relationship with my subjects [and] both have their own beauty for me." Source: Wikipedia
Isabel Muñoz
Spain
1951
Born in Barcelona in 1951, she moved to Madrid in 1970 where nine years later, she registered at PhotoCentro to completely dedicate herself to professional photography. She worked for the press and advertising sector in 1981, and made various still photos during film shoots. After a spell in New York to further her training, she returned to Madrid in 1986 where she produced 'Toques', her first exhibition. She travelled the world between 1990 and 2007, discovering and immersing herself in different artistic and cultural expressions, before producing her following series and exhibitions: 'Shaolín', 'Camboya Herida', 'Capoeira', 'Contorsionistas', 'Tanger', 'Tango' and 'Toros'. She usually works in black and white. She received the Gold Medal for Merit in Fine Arts in 2009 for her work. Source: Spain Culture When she was 20 years old, she moved to Madrid and started studying photography in 1979 in Photocentro. In 1986, she made her first exhibition, "Toques" and she has already made more exhibitions in several countries of the world for more than 20 years. Her black-and-white photos are a study of people through pieces of the human body or pictures of toreros, dancers or warriors, by using a handmade and meticulous process of developing. Her works are in the Maison Européenne de la Photographie, in Paris, the New Museum of Contemporary Art, in New York City, the Contemporary Arts Museum in Houston or private collections. Source: Wikipedia Isabel Muñoz stands out as an assertive photographer. Platinum developments and extra large formats are favourite techniques used in order to strengthen her message of passion for the body as a means of approaching the study of human beings. Tango and Flamenco (1989) are considered the starting point of her unremitting search of the sentiments and emotions of world groups and cultures in an attempt to capture the expressions of beauty of the human body. When Muñoz focuses her camera on dancers, wrestlers, warrior monks, bullfighters or deprived children she does it with a strong sense of commitment. Her first individual exhibition, Toques, in 1986 at the French Institute in Madrid and her participation in the Mois de la Photographie in Paris in 1990, set her international projection as a high profile photographer without boundaries. These will be the first of many exhibitions throughout the main cities of Europe, the Americas and Asia. Her photographs are shown at the Museo Nacional Centro de Arte Reina Sofía (Madrid), Foto Colectania (Barcelona), Fundación Canal (Madrid), Maison Européenne de la Photographie (París), New Museum of Contemporary Art (New York) and Instituto Cervantes (Mexico, Guatemala, Bolivia, Shanghai, Tokio). Isabel Muñoz work has been widely recognized with numerous honours and distinctions. Recent awards include Fundación DEARTE (2012), the UNICEF Spain Awareness Rasing Award in 2010, Bartolomé Ros Prize (PHotoEspaña 2009), the Spanish Ministry of Culture Gold Medal to Fine Arts in Spain (2009), the first prize in photography by Comunidad de Madrid (2006), the two World Press Photo prizes (2000 and 2004), the Biennial of Alexandria Gold Medal (1999), Isabel Muñoz was born in Barcelona in 1951 and lives in Madrid since 1970. Source: LensCulture
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